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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Pratchaya
Surname or Business Name
Phinthong
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014/2018
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Pratchaya Phinthong (b. 1974, Thailand) creates situations as an invitation made to the visitor to share an experience with him. His projects (without any specific or pre-defined form) suggest a crack in which the spectators are invited to fill the gaps. He builds a set, a fiction, or a process where he can test our perceptions. He proposes to his audience a story with multiple paths. A trip down memory lane combined with subjective perceptions. His projects are often constructed in a dialogue between the artist and the others, making the artist‚ movement glide towards the social field. Beyond any artistic or formal experience, the artist is looking to find his place and his identity playing on the economic representations and cultural existences. The ‚Äògallery‚ space becomes a free area.Therefore, Phinthong works in a dynamic area in between different realities underlining the space and distance that separates them: two geographical points, two societies, two economic systems.</span><br /><br />Phinthong was Artist-in-Residence at NTU CCA Singapore between October and December 2014. As part of his residency, Phinthong explored the idea of airspace as monitored and ambiguous, researching into the histories and negotiations of airspace between Singapore and its neighbours, with particular attention given to Thailand.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Thailand
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1974
Birthplace
Thailand
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pratchaya Phinthong
Subject
The topic of the resource
Ways of Seeing
Fiction
Description
An account of the resource
Pratchaya Phinthong is an artist. His works often test individuals’ perception and invite visitors to share their experiences.
Contributor
An entity responsible for making contributions to the resource
Pratchaya Phinthong
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Pratchaya Phinthong’s methodological process is an intense research period whereby he embeds himself within a community or through working with experts and interloculators. Phinthong presents the piece Untitled (Singapore) (2014), as part of research undertaken during his time on the NTU CCA Singapore Residencies Programme.
Cycle
Cycle 1 (2014 – 2015)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Thailand
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pratchaya Phinthong
Description
An account of the resource
Pratchaya Phinthong’s methodological process is an intense research period whereby he embeds himself within a community or through working with experts and interloculators. Travelling is a key element of his work. Phinthong presents the piece <em>Untitled</em> (Singapore) (2014), as part of research undertaken during his time on the NTU CCA Singapore Residencies Programme. The work explores the idea of airspace as monitored and ambiguous. The site of the NTU CCA Singapore Residencies studios is also the site of a former military camp built in 1935. Phinthong heard that airspace is a negotiated place of ownership between various nations. Singapore itself sought permission from neighbouring countries to use different airspaces and is home to one of the world’s most active airports. This permission is vital to the ongoing activity of Changi airport. An agreement in 2004 between the respective Singapore and Thai Governments was reached whereby seven used F-16 jet fighters from Singapore were given to the Thai Royal Air force, along with 15 years of military base training in Udon Thani, a north Thailand. Working with artist, Tanatchai Bandasak, Phinthong has been collecting images of these jets during their daily training practice.
Date
A point or period of time associated with an event in the lifecycle of the resource
20 October – 20 December 2014
Contributor
An entity responsible for making contributions to the resource
Pratchaya Phinthong
Subject
The topic of the resource
Politics
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
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5c0185625c932ad1509b621f34f0ddd4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Place.Labour.Capital.
Subject
The topic of the resource
Institutional Critique
Geopolitics
Urbanism
Description
An account of the resource
Place.Labour.Capital., published by NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) and Mousse Publishing, connects cultural production and artistic research to broader political and social concerns, engaging readers with contemporary debates in Southeast Asia and beyond.<br /><br />The title of the book refers to the framework employed at NTU CCA Singapore in its first cycle of activities, from 2013 to March 2017, which took Singapore, the world’s second-largest trading port and the economic epicentre of Southeast Asia, as a point of departure to investigate the notion of place, the intersection between locality and the global, labour, and flows of capital.<br /><br />Unfolding across four broad sections of “The Making of an Institution,” “The Geopolitical and the Biophysical,” “Incidental Scripts,” and “Incomplete Urbanism,” this publication reads as an exhibition. Drawing connections across disciplines and merging theory with practice, Place.Labour.Capital. weaves together a constellation of different bodies of materials from essays, poetry, and fiction to artworks and documentation of the Centre’s past exhibitions.<br /><br />Richly illustrated, the publication brings together the voices of more than 80 contributors, from former Research Fellows such as Tony Godfrey (Philippines), Regina (Maria) Möller (Germany), T. K. Sabapathy (Singapore), Yvonne Spielmann (Germany), to former Artists-in-Residence including Tiffany Chung (Vietnam/United States), Amanda Heng (Singapore), Shooshie Sulaiman (Malaysia), Lee Wen (Singapore), and Yee I-Lann (Malaysia). Other contributions include those from the Centre’s exhibitions and public programmes such as artists, academics, and curators including Amar Kanwar (India), Lee Weng Choy (Malaysia), David Teh (Australia/Singapore), and June Yap (Singapore).<br /><br />This extensive publication “reminds us that institution building remains enormously significant as a means of opening up new spaces, claims, communities, dialogues, publics, and trajectories for critical artistic practice.” (Felicity D. Scott, Associate Professor Graduate School of Architecture, Planning and Preservation, Columbia University, New York)<br /><br />“Drawing together stories, voices, and thinking by leading artists and academics, Place.Labour.Capital. traces the invention of a remarkable model of an institution. The publication is an inspiration and a valuable tool to anyone trying to find ways of building releveant arts institutions for the future.” (Sally Tallant, Director, Liverpool Biennial)<br /><br />Place.Labour.Capital. takes a reflective look the art institution, and serves as a means to review the parameters of its own position in the present globalised art world and knowledge-production economies. <br /><br />The visual concept of the book was conceived by renowned Singapore design firm H55.
Publisher
An entity responsible for making the resource available
Mousse Publishing
Date
A point or period of time associated with an event in the lifecycle of the resource
2018
Contributor
An entity responsible for making contributions to the resource
Mousse Publishing
H55
Koh Nguang How
Paul Tan
Eugene Tan
T. K. Sabapathy
Khim Ong
Fareed Armaly
Jesko Fezer
Julian "Togar" Abraham
Post-Museum
Kray Chen
Vera Mey
Amanda Heng
Yan Jun
Lee Wen
Marc Glöde
Jeremy Sharma
Heman Chong
Shooshie Sulaiman
Mona Vătămanu
Florin Tudor
Hilde Van Gelder
UuDam Tran Nguyen
James Jack
Jegan Vincent de Paul
Dennis Tan
Erika Tan
Regina (Maria) Möller
Hamra Abbas
Mercedes Vicente
Bo Wang
Ho Rui An
Stefano Harney
Arjuna Neuman
Bani Haykal
Tiffany Chung
Amar Kanwar
Helena Varkkey
Nikos Papastergiadis
Saleh Husein
Sam Durant
June Yap
Roslisham "Ise" Ismail
Shubigi Rao
Guo-Liang Tan
Tamara Weber
Loo Zihan
Zac Langdon-Pole
Trinh T. Minh-ha
Jompet Kuswidananto
Otty Widasari
Yvonne Spielmann
Mark Nash
Arin Rungjang
Filipa Ramos
Yason Banal
Kenneth Dean
Yee I-Lann
Alex Mawimbi
anGie seah
Alexandra Murray-Leslie
Andrew Johnston
Zulkifle Mahmod
Newell Harry
Jason Wee
Anocha Suwichakornpong
Shirley Surya
Sissel Tolaas
Tan Pin Pin
SHIMURAbros
Etienne Turpin
Li Ran
Gary-Ross Pastrana
Yvonne P. Doderer
Matthew Mazzotta
Art Labor
Xu Tan
Weixin Chong
Pratchaya Phinthong
Marc Glode
Mona Vatamanu
Regina Moller
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
978-981-11-3843-0
978-88-6749-308-1
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Access Rights
Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.
Available for browsing onsite at NTU CCA Singapore physical archive. Contact ntuccareseach@ntu.edu.sg to make an appointment.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
The opening of Untitled (Singapore), 2014 will be held on 19 December in conjunction with the closing of fellow Artist-in-Residence, Koh Nguang How‘s exhibition for Shui Tit Sing – 100 Years of an Artist through his Archives.
Programme Type
Talk and Lecture
Programme Series
Residencies Studio Sessions
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">Residencies: Opening of Untitled (Singapore) + closing of 100 Years of an Artist through his Archives</p>
Description
An account of the resource
<div class="event_single_dates text__residencies">19 Dec 2014, Fri 7:00pm - 10:00pm</div>
<div class="event_single_venue">Block 38, Malan Road</div>
<br />Pratchaya Phinthong projects materialise in alternative ways according to the content of the research. His methodological process is an intense research by embedding himself within a community or through working with experts and interlocutors. Phinthong’s recent exhibitions include a solo presentation at gbagency, Paris (2012) and dOCUMENTA 13 (2012), Kassel.<br /><br />The opening of <i>Untitled</i> (Singapore), 2014 will be held on Friday, 19 December at 7.00pm in conjunction with the closing of fellow Artist-in-Residence, Koh Nguang How‘s exhibition for <i>Shui Tit Sing – 100 Years of an Artist through his Archives</i>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-12-19
Contributor
An entity responsible for making contributions to the resource
Pratchaya Phinthong
Koh Nguang How
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Southeast Asia
Subject
The topic of the resource
Archival Practice
Artistic Research