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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Raeesah
Surname or Business Name
Khan
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020
Affiliation
Company, organization, or institution name
Reyna Movement, Singapore
Birth Date
1993
Birthplace
Singapore
Occupation
Professional title or identity
Activist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Raeesah Khan (Singapore), Founder and CEO, Reyna Movement, is an activist, humanitarian, women’s rights advocate and a young mother. In 2016, she founded the Reyna Movement, an organisation that aims to empower women through upskilling programmes and community engagement. The Reyna Movement also seeks to raise awareness on issues and struggles faced by women, and get the public involved in helping them cope with their struggles. Raeesah was a Member of Parliament for Sengkang Group Representation Constituency from 2020 - 2021.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Raeesah Khan
Subject
The topic of the resource
Activism
Feminism
Contributor
An entity responsible for making contributions to the resource
Raeesah Khan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
Assembly: Chronicles of Displacement Day 2
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/491052207">https://vimeo.com/491052207</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
491052207
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Assembly: Chronicles of Displacement Day 2
Description
An account of the resource
Sunday, 29 November 2020 Convened online by the Museum for the Displaced <br /><br />7.00pm Lecture: Stateless Assembly by Jonas Staal Artist Jonas Staal founded his artistic and political organisation New World Summit in 2012. Ever since, he has developed alternative parliaments for stateless and blacklisted organisations, amongst others in collaboration with the Unrepresented Nations and Peoples Organisation UNPO (Brussels, 2014) and the Autonomous Administration of North and West Syria (Dêrik/Eindhoven, 2015-18). Can we understand statelessness not only a term that signifies a condition of exclusion, but also as a precondition for liberating democratic practices from the state? Building on the theories of revolutionary Abdullah Öcalan, Staal will discuss his own projects as well as that of artists that are part of stateless movements, in order to explore unstated practices of art and culture. He will expand this exploration also in the field of ecologies of non-human comradeship, through his recent Interplanetary Species Society (2019). <br /><br />8.00pm Roundtable: Bodies of Power/ Power for Bodies, Mumtaz Khan Chopan, Kin Chui, moderated by Ana Sophie Salazar <br /><br />8.40pm Screening and Q&A: The Migrating Image, Stefan Kruse Jørgensen, 2018, 28 min By following a fictional group of refugees across Europe, the film questions the production of images surrounding real-life tragedies. Each segment of the film takes its cue from the destination of the refugees, from FRONTEX depicting the refugees on the Mediterranean Sea, to a photojournalistic reportage from a warehouse in Belgrade. Where do all these images about refugees come from? How do they reshape the geography of Europe? <br /><br />9.20pm Roundtable: Shahidul Alam, Raeesah Khan, Alfian Sa’at, moderated by Canan Batur <br /><br />The Assembly Chronicles of Displacement is an online gathering to address urgent issues of our time, explore alternative futures, and discuss and share knowledges and practices, facilitating international and transdisciplinary conversations on displacement and forced migration. Through a series of public talks and conversations alongside screenings, the Assembly will reflect on the outcomes of prior workshops (led by Jonas Staal and Bread and Puppet Theater) and further the discussion on the intersection of art discourses and socio-political activism. <br /><br />Although entirely online, the Assembly’s base is in Singapore and Southeast Asia where many of the participants are from, and will focus on border politics, ethics of documentation in conflict zones and refugee camps, as well as the euphemisms and government rhetoric used around forced migration, which in the ASEAN region is referred to as “irregular migration.” <br /><br />With contributions by: <br /><br />Shahidul Alam (Bangladesh), Bodies of Power / Power for Bodies (Sanne Oorthuizen and Alec Steadman) with Mumtaz Khan Chopan (Indonesia), Bread and Puppet Theater (United States), Center for Political Beauty (Germany), Kin Chui (Singapore), Kirsten Han (Singapore), Nursyazwani Jamaludin (Singapore/United States), Stefan Kruse Jørgensen (Denmark), Raeesah Khan (Singapore), Dima Mabsout (Lebanon), Ayman Nahle (Lebanon), Erkan Özgen (Turkey), Alfian Sa’at (Singapore), and Jonas Staal (Netherlands). <br /><br />Mf D’s inaugural Assembly is hosted and supported by NTU Centre for Contemporary Art Singapore. <br /><br />About Mf D <br /><br />The Museum for the Displaced is a cultural and social organisation addressing issues of forced migration, displacement, and statelessness. Its programme, unfolding over multiple geographies and contexts, aims to renew possibilities of solidarity and the demand of fundamental rights for disenfranchised groups of displaced people in situations of risk and distress. Through art, critical discourse, and action, we aim to address and bring attention to issues of forced migration, displacement, border politics, and intercultural identities, developing a trans-local network and community. Mf D was founded in 2019 and is collectively curated by Canan Batur, Mohammad Golabi, Leong Min Yu Samantha, and Ana Sophie Salazar.
Date
A point or period of time associated with an event in the lifecycle of the resource
2020-11-20
Contributor
An entity responsible for making contributions to the resource
Jonas Staal
Mmumtaz Khan Chopan
Kin Chui
Ana Sophie Salazar
Shaidul Alam
Raeesah Khan
Alfian Sa'at
Canan Batur
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
Middle East
North America
Subject
The topic of the resource
Displacement
Migration
Identity
Politics
Format
The file format, physical medium, or dimensions of the resource
Video
Language
A language of the resource
English
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Through a series of public talks and conversations alongside screenings, the Assembly will reflect on the outcomes of prior workshops and further the discussion on the intersection of art discourses and socio-political activism.
Programme Type
Conference and Symposium
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
Yes
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Assembly: Chronicles of Displacement
Description
An account of the resource
The Assembly<i> Chronicles of Displacement</i> is an online gathering to address urgent issues of our time, explore alternative futures, and discuss and share knowledges and practices, facilitating international and transdisciplinary conversations on displacement and forced migration. Through a series of public talks and conversations alongside screenings, the Assembly will reflect on the outcomes of prior workshops (led by Jonas Staal and Bread and Puppet Theater) and further the discussion on the intersection of art discourses and socio-political activism. <br /><br />Although entirely online, the Assembly’s base is in Singapore and Southeast Asia where many of the participants are from, and will focus on border politics, ethics of documentation in conflict zones and refugee camps, as well as the euphemisms and government rhetoric used around forced migration, which in the ASEAN region is referred to as “irregular migration.”<br /><br /><p>With contributions by:</p>
<p><strong>Shahidul Alam</strong> (Bangladesh), <strong>Bodies of Power / Power for Bodies</strong> (<strong>Sanne Oorthuizen</strong> and <strong>Alec Steadman</strong>) with <strong>Mumtaz Khan Chopan</strong> (Indonesia), <strong>Bread and Puppet Theater</strong> (United States), <strong>Center for Political Beauty</strong> (Germany), <strong>Kin Chui</strong> (Singapore), <strong>Kirsten Han</strong> (Singapore), <strong>Nursyazwani Jamaludin</strong> (Singapore/United States), <strong>Stefan Kruse Jørgensen</strong> (Denmark), <strong>Raeesah Khan</strong> (Singapore), <strong>Dima Mabsout</strong> (Lebanon), <strong>Ayman Nahle</strong> (Lebanon), <strong>Erkan Özgen</strong> (Turkey), <strong>Alfian Sa’at</strong> (Singapore), and <strong>Jonas Staal</strong> (Netherlands).</p>
<p>Mf D’s inaugural Assembly is hosted and supported by NTU Centre for Contemporary Art Singapore.</p>
<p><strong>Programme</strong></p>
<p> </p>
<p><strong>Saturday, 28 November 2020 </strong></p>
<p>7.00pm<br />Lecture: <i></i><b><i>Aggressive Humanism </i></b>by <b>Thilda Rosenfeld</b>, Center for Political Beauty<br />The Center for Political Beauty (ZPS), active since 2009, is an art collective based in Germany that combines performance and human rights activism. In this presentation, ZPS member Thilda Rosenfeld will convey the main ideas behind the Center’s initiatives and introduce three projects in detail. Their interventions focus mainly on genocides, migrant rights, and political apathy. Founder Philipp Ruch understands why some consider their work controversial: where people are expecting fiction, they encounter reality. </p>
<p>8.00pm<br />Screening and Q&A: <strong><em>Wonderland</em>, Erkan Özgen</strong>, 2016, 3 min 54 sec<br />A deaf-mute boy called Muhammed uses gestures and sounds to describe the experiences his family went through when escaping the war. Muhammed’s home city Kobanî in the Kurdish area of Syria at the border of Turkey became famous in 2015 when it was besieged by jihadist organisation Isis. After long battles, Kobanî managed to become liberated, but thousands of Kurds were forced to leave their homes. The wordless story by the 13-year-old Muhammed is a powerful statement against war, captured on video.</p>
<p>8.20pm<br />Lecture: <strong><i>Insurrection, Resurrection, Lamentation—the role of the arts in confronting our failed normality </i></strong>by <strong>Peter Schumann</strong>, Founder, Bread and Puppet Theatre</p>
<p>9.20pm<br />Roundtable: <strong>Kirsten Han, Nursyazwani Jamaludin, Dima Mabsout, </strong>moderated by <strong>Mohammad Golabi</strong></p>
<p>10.00pm<br />Screening and Q&A: <strong><em>Now: End of the Season</em>, Ayman Nahle</strong>, 2015, 20 min<br />Documentary détournement on the state of the Syrian crisis. The film pictures the everyday entanglement of refugees, tourists, and passersby in the Turkish seaport town of Izmir, where a sense of limbo and standstill looms as illegalised migrants await departure to the unknown. The soundtrack to the film is from a phone call by Hafez al-Assad to Ronald Reagan made some thirty years earlier. A caller on hold, an impatient translator… In Nahle’s words, “more confused than ever, the world is on the edge, showing the disoriented face of a smiling disaster.”</p>
<p> </p>
<p>Sunday, 29 November 2020</p>
<p>7.00pm<br />Lecture: <em><strong>Stateless Assembly</strong></em> by <strong>Jonas Staal</strong><br />Artist Jonas Staal founded his artistic and political organisation New World Summit in 2012. Ever since, he has developed alternative parliaments for stateless and blacklisted organisations, amongst others in collaboration with the Unrepresented Nations and Peoples Organisation UNPO (Brussels, 2014) and the Autonomous Administration of North and West Syria (Dêrik/Eindhoven, 2015-18). Can we understand statelessness not only a term that signifies a condition of exclusion, but also as a precondition for liberating democratic practices from the state? Building on the theories of revolutionary Abdullah Öcalan, Staal will discuss his own projects as well as that of artists that are part of stateless movements, in order to explore unstated practices of art and culture. He will expand this exploration also in the field of ecologies of non-human comradeship, through his recent Interplanetary Species Society (2019).</p>
<p>8.00pm<br />Roundtable: <strong>Bodies of Power/ Power for Bodies, Mumtaz Khan Chopan, Kin Chui</strong>, moderated by <strong>Ana Sophie Salazar</strong></p>
<p>8.40pm<br />Screening and Q&A: <strong><em>The Migrating Image</em>, Stefan Kruse Jørgensen</strong>, 2018, 28 min <br />By following a fictional group of refugees across Europe, the film questions the production of images surrounding real-life tragedies. Each segment of the film takes its cue from the destination of the refugees, from FRONTEX depicting the refugees on the Mediterranean Sea, to a photojournalistic reportage from a warehouse in Belgrade. Where do all these images about refugees come from? How do they reshape the geography of Europe?</p>
<p>9.20pm<br />Roundtable: <strong>Shahidul Alam, Raeesah Khan, Alfian Sa’at,</strong> moderated by <strong>Canan Batur</strong></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
28 - 29 November 2020
Contributor
An entity responsible for making contributions to the resource
Shahidul Alam
Bodies of Power/Power for Bodies
Mumtaz Khan Chopan
Bread and Puppet Theater
Center for Political Beauty
Kin Chui
Kirsten Han
Nursyazwani Jamaludin
Stefan Kruse Jørgensen
Raeesah Khan
Dima Mabsout
Ayman Nahle
Erkan Özgen
Alfian Sa’at
Jonas Staal
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Subject
The topic of the resource
Displacement
Migration