Residencies Insights: <em>Mystic and Momok</em> by Russell Morton
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<em>Mystic and Momok </em>by Russell Morton. Film Screening (on loop) HD video (16:9), stereo, 18min 10sec, 2021 Rating: PG <br />Saturday, 18 September 2021, 1:00 – 7:00pm The Screening Room Block 38 Malan Road, #01-06<br /><br /><span>Completed during the residency, Russell Morton’s latest short film revolves around the eclectic and versatile figure of Mohammad Din Mohammad (1955 – 2007). Artist and mystic, traditional healer and idiosyncratic collector of Southeast Asian cultural items, Mohammad Din Mohammad was also an actor and a silat master. Playfully disclosing the production limitations imposed by the pandemic, the film evokes Mohammad’s multifaceted personality through the faces, voices, and memories of the artist’s family members and an experimental process where affects and sounds are mediated by technology. As it unfolds, the film grows into an upbeat stream of visuals and sounds mixed by Momok, a computer algorithm created by artist bani haykal.</span><br /><br /><em>Mystic and Momok </em><span>was commissioned by National Gallery Singapore for the exhibition S</span><em>omething New Must Turn Up: Six Singaporean Artists After 1965 </em><span>(7 May – 22 August 2021) which featured Mohammad Din Mohammad’s works.</span>
2021-09-18
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Residencies Insights: Russell Morton - Artist-Led Studio Tour
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Saturday, 18 September 2021, 3:00 – 3:45pm Block 37 Malan Road, #01-02 <br /><br />In this artist-led studio tour, Russell Morton will talk about his references and unpack some of the research materials that will be woven into the structure of his first feature film: a dark narrative of drifting away from crime and floating in punishment inspired by a grim historical episode which happened in Singapore in the early 1960s.
2021-09-18
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Residencies OPEN: Russell Morton
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Saturday, 18 September 2021, 1:00 – 7:00 pm Block 37 Malan Road, #01-02 & Block 38 Malan Road, #01-06<br /><br /><span>Residencies OPEN showcases the diversity of contemporary art practices and the divergent ways in which artists conceive of an artwork with the studio as a constant space for experimentation and research. For the past six months, </span>Russell Morton<span><strong> </strong>has dived deep into gathering research materials and audiovisual references for the script of his first feature film. Inspired by a not well-known historical event—a prison riot which took place in Pulau Senang before Singapore’s independence—, the film interweaves the horrific events of the bloody riot with regional folklore. This open studio session presents a generous selection of archival materials, oral histories, and sound recordings relevant to the development of the script as well as the documentation (shot on Super 8mm film) of the artist’ site visits to a </span><em>kelong</em><span>, a type of vernacular architecture on the verge of disappearing that will feature prominently in the film.</span>
2021-09-18
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Residencies AiRCAST Episode #2: Russell Morton
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In this episode, we venture into the mysterious and mobile mindscape of our Artist-in-Residence, Russell Morton. During the residency, Russell has been deeply immersed in the development of his most ambitious project to date, his first feature film. Find out how a grim, largely forgotten historical event and past personal experiences will contribute to shape the narrative and the ambience of the film. The artist also reveals how he managed to overcome ‘the anxiety of influence’ and expands on his fascination for Southeast Asian folklore, the psychological underpinnings of horror films, and the role music plays in his work. <br /><br />Contributor: Russell Morton <br />Conducted by: Anna Lovecchio<br />Programme Manager: Kristine Tan<br />Sound Engineer: Rudi Osman<br />Intro & Outro Music: Tini Aliman<br />Cover Image & Design: Arabelle Zhuang, Kristine Tan<br /><br />Credits:<br />11:53: Audio excerpt from Island of Hope, National Archives Website, Record date 1960s, <br /><a href="https://www.nas.gov.sg/archivesonline/audiovisual_records/record-details/46b4445e-1164-11e3-83d5-0050568939ad">https://www.nas.gov.sg/archivesonline/audiovisual_records/record-details/46b4445e-1164-11e3-83d5-0050568939ad</a><br />21:35: Recording from Russell Morton’s site visit to a kelong in Singapore. Courtesy the artist.<br />25:48: Audio excerpt from Russell Morton’s Saudade, 2020. Music by Syafii Ghazali. Courtesy the artist <br />35:20: Audio excerpt from Tani Yutaka, Marai no Tora, 1943 <a href="https://www.youtube.com/watch?v=2lTigyqta_k">https://www.youtube.com/watch?v=2lTigyqta_k</a><br />36:58: Audio excerpt from “Siapa Dia” by Zainab Majid, <a href="https://www.youtube.com/watch?v=-gDHPP6K-mA">https://www.youtube.com/watch?v=-gDHPP6K-mA</a>
2021-09-27
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English
<a href="https://www.buzzsprout.com/1845756/9510188-aircast-2-russell-morton">https://www.buzzsprout.com/1845756/9510188-aircast-2-russell-morton</a>
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Transcript of Residencies AiRCAST Episode #2: Russell Morton
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Diaspora">Diaspora</a>
In this episode, we venture into the mysterious and mobile mindscape of our Artist-in-Residence, Russell Morton. During the residency, Russell has been deeply immersed in the development of his most ambitious project to date, his first feature film. Find out how a grim, largely forgotten historical event and past personal experiences will contribute to shape the narrative and the ambience of the film. The artist also reveals how he managed to overcome ‘the anxiety of influence’ and expands on his fascination for Southeast Asian folklore, the psychological underpinnings of horror films, and the role music plays in his work.
2021-09-27
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Russell+Morton">Russell Morton</a>
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English
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On AiR with Russell Morton
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Mythology">Mythology</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ritual">Ritual</a>
NTU CCA Singapore Artist-in-Residence Russell Morton talks about his filmic practice steeped in folklore, mythologies, and rituals. During his residency, Morton completed <em>Mystic and Momok</em> - in collaboration with fellow artist Bani Haykal - a short film about artist, healer, and mystic Mohammad Din Mohammed. Morton also delved into historical research about the Pulau Senang riots of 1963 that are inspiring the development of his first feature film.
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English
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Launch of Under the Skin by Cheong Kah Kit
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Body">Body</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Identity">Identity</a>
<em>Under the Skin</em><span> showcases the experimental practices of </span><strong>George Chua, Nina Djekić, and Noor Effendy Ibrahim</strong><span>, three artists who engage with sound, bodily movements, and performance to examine contemporary body and identity politics. Bringing together elements of performance, sound and visual art in response to the theme of </span><span><a href="https://www.novelwaysofbeing.sg/#:~:text=Proposals%20for%20Novel%20Ways%20of%20Being%20brings%20together%2012%20local,world%20changed%20by%20the%20pandemic."><em>Proposals for Novel Ways of Being</em></a></span><span><span>, the artists have been commissioned to produce new work reflecting their own experiences of the sudden uncertainty and loss of normalcy during the global COVID-19 pandemic: abrupt shifts in social interaction and daily routines, confinement and physical limitations, adjustments, and reorientations to relationships. As we grapple with the uncertainties of the post-pandemic future, this radical moment of instability also calls upon us to reclaim our personal and collective consciousness, to nurture the resilience of our body and soul. How does a body compose itself and develop new vocabularies for articulation? What new sensorial and corporeal sensibilities can we locate and uncover?<br /></span></span>
<p>While the current conditions of our lives also expose global fragilities and social divisions, this project draws mainly from the spaces, experiences and materialities of everyday life, where the effect of the pandemic is, perhaps, most potent and surreptitious. Attempting to reconcile ideas of tenderness in violence, Noor Effendy Ibrahim continues his on-going performance research to excavate inherent and latent memories within his own body through self-inflicted physical pain. Locating marginalised bodies and their everyday lived experiences via a mythical dance troupe, George Chua meditates on vulnerability and belief, contemplating our existential struggle on what it means to be human. Engaging with translations and memories within an constructed setting, Nina Djekić invites us to consider notions of intimacy via virtual spaces and proxy bodies.</p>
<p>The trio of performative works are cinematically translated into the medium of video by Singapore artist and filmmaker <strong>Russell Morton</strong>, and their videos presented online. </p>
<p><em>Under the Skin</em> is curated by artist <strong>Cheong Kah Kit </strong>for NTU CCA Singapore’s <strong><span><em>Fr</em><em>ee Jazz III.</em><br /><br /></span></strong><br /><br /><strong></strong></p>
1 December 2020 - 28 March 2021
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cheong+Kah+Kit">Cheong Kah Kit</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Nina+Djeki%C4%87">Nina Djekić</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Noor+Effendy+Ibrahim">Noor Effendy Ibrahim</a>
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Video">Video</a>
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Russell Morton
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Mythology">Mythology</a>
<span>During the residency, Russell Morton concentrates on developing his first feature film which tackles the perverse dynamics of crime and punishment as well as the ancient wisdom couched in local stories of haunting and other regional lore. Stemming from personal circumstances—due to his father’s employment as commander of the prison tactical unit, the artist grew up in Changi Prison’s quarters —Morton developed a direct, albeit unspoken, intimacy with the tortuous ethical issues and psychological consequences related to the most extreme form of law enforcement. Through researching archival materials, oral histories as well as literature and films from post-independence Singapore, the artist plans to interweave the nightmares and traumas experienced by both the punisher and the punished by steeping the fictional narrative into Malayan myths, folk music, and vernacular architecture.</span>
1 April – 30 September 2021
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<i>Under the Skin</i>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Performance">Performance</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Identity">Identity</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Politics">Politics</a>
<i>Under the Skin</i> showcases the experimental practices of George Chua, Nina Djekić, and Noor Effendy Ibrahim, three artists who engage with sound, bodily movements, and performance to examine contemporary body and identity politics. Bringing together elements of performance, sound and visual art in response to the theme of <i>Proposals for Novel Ways of Being</i>, the artists have been commissioned to produce new work reflecting their own experiences of the sudden uncertainty and loss of normalcy during the global COVID-19 pandemic: abrupt shifts in social interaction and daily routines, confinement and physical limitations, adjustments, and reorientations to relationships. As we grapple with the uncertainties of the post-pandemic future, this radical moment of instability also calls upon us to reclaim our personal and collective consciousness, to nurture the resilience of our body and soul. How does a body compose itself and develop new vocabularies for articulation? What new sensorial and corporeal sensibilities can we locate and uncover? <br /><br />While the current conditions of our lives also expose global fragilities and social divisions, this project draws mainly from the spaces, experiences and materialities of everyday life, where the effect of the pandemic is, perhaps, most potent and surreptitious. Attempting to reconcile ideas of tenderness in violence, Noor Effendy Ibrahim continues his on-going performance research to excavate inherent and latent memories within his own body through self-inflicted physical pain. Locating marginalised bodies and their everyday lived experiences via a mythical dance troupe, George Chua meditates on vulnerability and belief, contemplating our existential struggle on what it means to be human. Engaging with translations and memories within an constructed setting, Nina Djekić invites us to consider notions of intimacy via virtual spaces and proxy bodies. <br /><br />The trio of performative works are cinematically translated into the medium of video by Singapore artist and filmmaker Russell Morton, and their videos presented online. <br /><br /><i>Under the Skin</i> is curated by artist Cheong Kah Kit for NTU CCA Singapore’s <i>Free Jazz III</i>
1 December 2020 - 28 March 2021
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=George+Chua">George Chua</a>
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Noor+Effendy+Ibrahim">Noor Effendy Ibrahim</a>
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Europe">Europe</a>
Russell Morton
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