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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Talk and Lecture
Audience
General
Programme Series
OPEN Studios
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies: OPEN as part of Art Day Out!
Subject
The topic of the resource
Artistic Research
Description
An account of the resource
14 May 2016, Sat 2:00pm - 7:00pm Studios, Blocks 37 & 38 Malan Road<br /><br /><p><strong>Residencies: <em>OPEN</em> </strong>offers a rare insight into the often-introverted sphere of the artists’ studio. Through showcasing discussions, performances, research and works in progress, <em>OPEN</em> profiles the diversity of contemporary art practice and the divergent ways artists make artwork with the studio as a constant space for experimentation and contemplation.</p>
<p><strong><span>Julian ‘Togar’ Abraham (Block 37 Malan Road, Studio #01-02)</span></strong></p>
<p class="p2">Oscillating between the position of an artist, musician and pseudo scientist, the work of <span><strong>Ju</strong><strong>l</strong><strong>ian ‘Togar’ Abraham</strong></span> – often expressed in complex algorithms – challenge the experiences in how art, the environment, science and technology relate to one another and our understanding of these usually distinct fields.</p>
<p>Togar will conduct <em>Fermentation Madness</em>, a workshop that experiments with the fermentation process inviting participants to brew their own alcohol using their chosen combinations of fruit.</p>
<p><span><strong>Kray Chen (Block 37 Malan Road, Studio #01-03)</strong></span></p>
<p><span><strong>Kray Chen</strong></span>’s (Singapore) practice brings attention to the certain behaviours in society, tapping into their absurd and futile characteristic to discuss progress, value and pleasure in contemporary society. While in residence, Chen will continue this line of research into the specific threads of absurdity such as ‘Waiting’ by examining the equation between labour and gratification in different activities, and in turn on reflecting social, cultural and political performativity In relation to the absurd.</p>
<p><span><strong>Svay Sareth (Block 38 Malan Road, Studio #01-06)</strong></span></p>
<p><span><strong>Svay Sareth</strong></span>’s (Cambodia) works in sculpture, installation and durational performance are made using materials and processes intentionally associated with war – metals, uniforms, camouflage and actions requiring great endurance. While his critical and cathartic practice is rooted in an autobiography of war and resistance, he refuses both historical particularity and voyeurism on violence. Rather, his works traverse both present and historical moments, drawing on processes of survival and adventure, and ideas of power and futility.<br /><br /></p>
<p><span><strong>Tan Pin Pin (Block 38 Malan Road, Studio #01-07)</strong></span></p>
<p><span><strong>Tan Pin Pin</strong></span> (Singapore) is an award-winning director of <em>To Singapore, with Love</em>, <em>Invisible City</em> and <em>Singapore GaGa</em>. She is interested with how we became who are, how our Singapore identity is constructed, the importance of memory, archives and documentation in the formation of that identity.</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-05-14
Contributor
An entity responsible for making contributions to the resource
Julian Togar Abraham
Julian 'Togar' Abraham
Kray Chen
Svay Sareth
Tan Pin Pin
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During his residency, Svay will research Singapore-Cambodia relations and history, and make use of libraries and archives specific to Singapore.
Cycle
Cycle 3 (2016 – 2017)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Cambodia
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Svay Sareth
Description
An account of the resource
Svay Sareth’s works in sculpture, installation and durational performance are made using materials and processes intentionally associated with war – metals, uniforms, camouflage and actions requiring great endurance. While his critical and cathartic practice is rooted in an autobiography of war and resistance, he refuses both historical particularity and voyeurism on violence. Rather, his works traverse both present and historical moments, drawing on processes of survival and adventure, and ideas of power and futility. More recently, Svay confronts the idea that “the present is also a dangerous time” through the appropriation and dramatisation of public monuments that hint at contentious political histories. During his residency, Svay will research Singapore-Cambodia relations and history, and make use of libraries and archives specific to Singapore.
Date
A point or period of time associated with an event in the lifecycle of the resource
3 May – 26 May 2016
Contributor
An entity responsible for making contributions to the resource
Svay Sareth
Medium
The material or physical carrier of the resource.
Drawing
Painting
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
History
Politics
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Svay
Surname or Business Name
Sareth
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
Cambodia
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Svay Sareth (b. 1972, Cambodia) was born during a period of political turmoil and violence that would last until he was 18 years old. Svay began making art as a young teenager in the Site 2 refugee camp, near the Thai-Cambodian border. He describes life as a refugee as "void nationality...a time and place you imagine escaping from." Drawing and painting became a daily activity for Svay ‚ a process of bearing witness to the psychological and physical violence that was an everyday experience, as well as a way to symbolically escape and dream of change. After the wars ended, Svay went on to co-found Phare Ponlue Selepak, a non-governmental organisation and art school in Battambang that continues to thrive today. In 2002, the artist continued his studies in France, earning the Diplôme National Supérieur d'Études des Arts Plastiques / MFA in 2009, after which he returned to Siem Reap to live and work. <br />Solo exhibitions include <i>I, Svay Sareth, am eating rubber sandals</i> (2015) and <i>Traffic Circle</i> (2012) both SA SA BASSAC, Phnom Penh, Cambodia. Select group exhibitions; 2016 include <i>Phnom Penh, Rescues Archaeology, The Body and the Lens in the City, Fragments & Empire: Cambodian Art from the Angkor Period</i>, John Young Museum of Art, University of Hawaii, Hawaii (2016), Prudential Eye Awards Finalist Exhibition, Art Science Museum, Singapore (2016); <i>After Utopia</i>, Singapore Art Museum (2015), <i>Singapore; Gods, Heroes and Clowns</i>: Performance and Narrative in South and Southeast Asian Art, National Gallery of Victoria, Melbourne, Australia; Secret Archipelago, Palais de Tokyo, Paris (2015).In 2016, he won Prudential Eye Award Best Emerging Artist Using Sculpture and Overall Best Emerging Artist.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Cambodia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1972
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Svay Sareth
Subject
The topic of the resource
History
Politics
Contributor
An entity responsible for making contributions to the resource
Svay Sareth
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia