Browse Items (11 total)

The Making of an Institution, 11 February – 7 May 2017, anGie seah, Talk to the Hand. NTU Centre for Contemporary Art Singapore, exhibition view.
The Making of an Institution captures different moments in the development of the NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) connecting artistic projects, discursive manifestations, and the institutional apparatus in a seamless…

full makingofpg1.pdf
The Making Of An Institution Programme Guide

The Making of an Institution_Exhibition Guide.pdf
The Making Of An Institution Exhibition Guide

Session 2: Filmic Interferences Chaired by Dr Marc Glöde (Germany/Singapore), Assistant Professor, NTU School of Art, Design and Media (ADM)Speakers:Tan Pin Pin (Singapore), film directorNguyên Trinh Thi (Vietnam), artist and filmmakerRespondent:Dr…

As the concluding programme of the exhibition Trinh T. Minh-ha. Films. (17 October 2020 – 28 February 2021) at NTU CCA Singapore, this four-part conference brings together scholars and practitioners across filmic, anthropological and curatorial…

Season's Greetings 2018 created for NTU CCA Singapore by former Artist-in-Residence, Tan Pin Pin (Singapore), from her film "IN TIME TO COME" (2017).

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Place.Labour.Capital., published by NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) and Mousse Publishing, connects cultural production and artistic research to broader political and social concerns, engaging readers with contemporary…

5 Oct 2016, Wed 7:30pm - 9:00pm The Single Screen, Block 43 Malan Road Tan Pin Pin, accomplished filmmaker and Artist-in-Residence, will be in conversation with Dr Hong Lysa, historian, independent scholar and author of a key text The Scripting a…

14 May 2016, Sat 2:00pm - 7:00pm Studios, Blocks 37 & 38 Malan RoadResidencies: OPEN offers a rare insight into the often-introverted sphere of the artists’ studio. Through showcasing discussions, performances, research and works in progress,…

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Tan Pin Pin is a documentary filmmaker who captures underrepresented narratives, gaps, and silences in her country’s history in thoughtful and self-reflexive ways.
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