Tini Aliman <i>Exiting-Traversing-Disembark</i>, 2021 Commissioned by NTU CCA Singapore
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<i>Free Jazz III. Sound. Walks.</i> <br /><br /><i>Exiting-Traversing-Disembark</i> consists of three parts with three points of departure and ways of traversing paths that sometimes may not have points of return. <br /><br /><i>Exiting-Traversing-Disembark</i> is a meditation and reflection on what it might mean to move from one point to another, to cross waters. Visualising the sea as ‘ground’ as a departure point, this soundwalk gives attention to the multiple trajectories in which we perceive what it means to travel or traverse through space, especially against the constraints of the present times. On an island city state like Singapore with its high rise concretised built environment, it is easy to forget we are surrounded by water and connected to the archipelagic. How can we be more attentive to the soundscape of these journeys where we cross water, whether that crossing is figurative, imaginative, speculative or actual?
22 January - 28 March 2021
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Tini Aliman
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<span>Furthering her long-term research on bioacoustics, botanical histories, and interspecies communication, Tini Aliman intends to approach tree stumps as a sonic archive of the environment and engage them with various sensorial modalities. Within the framework of this project, tree stumps are regarded as witnesses to the ecological and anthropogenic changes resulting from land development, extractive capitalism, and climate change. Despite being seemingly devoid of life, felled trees and their stumps are in fact connected to underground forest ecologies and are part of sprawling fungal and bacterial networks through which plants communicate and send out signals that are not immediately graspable by the human ear. Shifting the acoustic experience of listening to one that is attuned to the sonic manifestation of non-human organisms, the artist will attempt to translate these signals into audible frequencies that merge deep listening and site-specificity. Furthermore, drawing parallels between the organic plant networks and the structure of printed circuit board (PCB), she will also map various sonic and spatial trajectories of plant sensing, survival, and communication. </span>
1 April – 30 September 2021
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Performance: Pokoknya by Tini Aliman, musician, and guests
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Performance: Pokoknya by Tini Aliman, musician, and guests <br /><br />17 Jan 2020, Fri 08:00 PM - 09:30 PM Block 43 Malan Road <br /><br />Exploring plant consciousness and communication networks in forests, sound artist Tini Aliman has developed a practice that involves collaborating with diverse plant species. Together with her guests, the artist will translate captured biodata into music and aural architecture. Finding ways of interspecies communication through pick-up mics and feedback loops, this performance allows for a deeper contemplation of what it means to share existence and listen to life. Pokoknya is a term in Bahasa Melayu/ Indonesia that translates to “essentially” or referring to the root of an issue, which is a play on the word “tree.” The word could also be read as the “tree belonging to…”
2020-01-17
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Transcript of Residencies AiRCAST Episode #1: Tini Aliman
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In the first episode of AiRCAST, NTU CCA Singapore curator Dr Anna Lovecchio speaks to Artist-in-Residence Tini Aliman about how her sonic practice revolves around a close listening of the natural environment. Tini shares about the experience of growing up in a fast-developing city, her encounters with nature, the human and other-than-human sources of inspiration for her work, and the sonification of tree stumps she is experimenting with during the residency.
NTU CCA Singapore
2021-08-30
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English
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Residencies AiRCAST Episode #1: Tini Aliman
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Performance">Performance</a>
In the first episode of AiRCAST, NTU CCA Singapore curator Dr Anna Lovecchio speaks to Artist-in-Residence Tini Aliman about how her sonic practice revolves around a close listening of the natural environment. Tini shares about the experience of growing up in a fast-developing city, her encounters with nature, the human and other-than-human sources of inspiration for her work, and the sonification of tree stumps she is experimenting with during the residency. As a special treat to our ears, the conversation is punctuated with excerpts from her recordings. <br /><br />Contributor: Tini Aliman<br />Conducted by: Anna Lovecchio <br />Programme Manager: Kristine Tan <br />Sound Engineer: Rudi Osman <br />Intro & Outro Music: Tini Aliman<br />Cover Image & Design: Arabelle Zhuang, Kristine Tan <br /><br />Credits: <br />9:11: Recording of plants in Fort Canning Park, Aug 2018. Courtesy the artist. <br />17: 20: Audio excerpt from Plants emit sound when stressed, ILTV Israel News, Dec 11, 2018, <a href="https://youtu.be/5YHnVdA2ZG8">https://youtu.be/5YHnVdA2ZG8</a> <br />24:01: Audio excerpt from Zarina Muhammad, Flowers of our Bloodlines, lecture performance, NTU CCA Singapore, 2017. Courtesy the artist.<br />26:35: Audio excerpt from Tini Aliman, Pokoknya, performance, 17 January 2020, NTU CCA Singapore. Courtesy the artist. <br />30:37: Audio excerpt from Tini Aliman, Pokoknya: Organic Cancellation, 2020, mixed media installation. Courtesy the artist. <br />36:08: Sounds from Tini Aliman’s studio. Courtesy the artist. <br />44:54: Underground sounds from the forest at Gillman Barracks captured by Tini Aliman with a geophone, August 2021. Courtesy the artist.<br />49:06: Field recordings of a walk through the forest at Gillman Barracks, December 2020. Courtesy the artist.
2021-08-30
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English
<a href="https://www.buzzsprout.com/1845756/9279419-aircast-1-tini-aliman">https://www.buzzsprout.com/1845756/9279419-aircast-1-tini-aliman</a>
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On AiR with Tini Aliman
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In this instalment of On AiR, we hear Artist-in-Residence Tini Aliman @tin_tralala share about her artistic enquiries and friendship with fellow resident Russell Morton. Tini's research interests are rooted in forest networks, biodata signification, spatial acoustics, and plant consciousness. During the residency, she approached trees as archives of environmental soundscapes, breathing new life into tree stumps and different types of wood.
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English
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Residencies OPEN: Tini Aliman
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Saturday, 18 September 2021, 1:00 – 7:00 pm Block 37 Malan Road, #01-03<br /><br />Residencies OPEN showcases the diversity of contemporary art practices and the divergent ways in which artists conceive of an artwork with the studio as a constant space for experimentation and research. A<span>s a new development of her long-term research on plant consciousness and biodata sonification, </span>Tini Aliman<span> has come to regard ‘dead’ trees as potential archives of environmental soundscapes, witnesses of urban development and extractive capitalism, ecological events and climate change. Breathing new life into tree stumps, fragments of felled trees, and repurposed wood from previous artworks, the artist is reconfiguring these materials into kinetic and sound sculpture prototypes and she is experimenting with a range of sensory and mechanical modes of activation. Conjunctly, inspired by the structural and functional similarities between Printed Circuit Board (PCB) etching designs and forest underground network ecosystems, Tini is also speculatively imagining a functioning network of closed electronic circuits that mimics how these trees would have communicated while they were still alive. This project is realised in collaboration with Trying.sg.</span>
2021-09-18
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Residencies AiRCAST Episode #3: Yeo Siew Hua
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Production">Cultural Production</a>
<p>In our third episode, we open up this platform for the first time to a guest interviewer. We invited artist and filmmaker Kent Chan to pick the brain of our Artist-in-Residence Yeo Siew Hua. Beyond being both filmmakers and artists, Siew Hua and Kent have been occasional collaborators in the past and, most importantly, they are also long-time friends. Hear them speak candidly about the intertwined cycles of art-making and fund-raising, the blurred line between cinema and visual arts, as well as the philosophical underpinnings and the importance of collaboration in Siew Hua’s practice. </p>
<p>The practice of Yeo Siew Hua (b. 1985, Singapore) spans film directing and screenwriting. His films probe the darkest side of contemporary society through narratives layered with mysterious atmospheres, inscrutable characters, and mythological references, all steeped in arresting visuals and sounds. His last feature film <em>A Land Imagined </em>(2018) harnessed recognition around the world receiving the Golden Leopard at the 71st Locarno Film Festival and the Best Original Screenplay and Best Original Music Score Awards at the 56th Taipei Golden Horse Film Festival. </p>
<p>After <em>A Land Imagined</em>, Siew Hua has created a number of short films, one of which, <em>An Invocation to the Earth </em>(2020), commissioned by the Singapore International Film Festival and TBA21, was co-produced with NTU CCA Singapore. <em>An Invocation to the Earth </em>can be viewed online at <a href="http://www.stage.tba21.org/" target="_blank" rel="noreferrer noopener">www.stage.tba21.org</a>. During the residency, Siew Hua has been completing his next major production titled <em>The Once and Future</em>, an expanded cinema project which will premiere at the Singapore International Festival of Arts 2022. In 2021, he received the Young Artist Award, Singapore’s highest award for young arts practitioners.<br /><br /><span>Kent Chan (b. 1984, Singapore) is an artist, curator, and filmmaker currently based in Amsterdam. His practice weaves encounters between art, fiction, and cinema with a particular interest in the tropical imagination, colonialism, and the relation between heat and art. He has held solo presentations at Bonnefanten Museum, Maastricht, Netherlands (2020-21), National University Singapore Museum (2019-21) and SCCA-Ljubljana, Centre for Contemporary Arts, Slovenia (2017). He was Artist-in-Residence at Jan van Eyck Academie (2019-20) and at NTU CCA Singapore (2017-2018). </span><br /><br /><span>Contributors: Yeo Siew Hua, Kent Chan </span><br /><span>Conducted by: Anna Lovecchio </span><br /><span>Programme Manager: Kristine Tan </span><br /><span>Sound Engineer: Ashwin Menon (The Music Parlour)</span><br /><span>Intro & Outro Music: Tini Aliman </span><br /><span>Cover Image & Design: Arabelle Zhuang, Kristine Tan</span><br /><br /><span>Credits:</span><br /><span>06:42: Audio excerpt from Yeo Siew Hua, </span><em>A Land Imagined</em><span>, 2018. Courtesy the artist.</span><br /><span>11:46: Audio excerpt from Yeo Siew Hua, </span><em>The Obs: A Singapore Story</em><span>, 2014. Courtesy the artist.</span><br /><span>22:55: Audio excerpt from Yeo Siew Hua, </span><em>The Once and Future</em><span>, 2022. Courtesy the artist.</span><br /><span>40:49: Audio excerpt from Yeo Siew Hua, </span><em>The Lover, The Excess, The Ascetic and the Fool, </em><span>2021. Courtesy the artist.</span></p>
2022-02-22
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yeo+Siew+Hua">Yeo Siew Hua</a>
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English
<a href="https://www.buzzsprout.com/1845756/10373860-aircast-3-yeo-siew-hua">https://www.buzzsprout.com/1845756/10373860-aircast-3-yeo-siew-hua</a>
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Residencies AiRCAST Episode #4: Chua Chye Teck
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Production">Cultural Production</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Technology">Technology</a>
<span>Artist-in-Residence Chua Chye Teck speaks to Dr Anna Lovecchio, Assistant Director, Programmes, in our fourth episode of AiRCAST. Follow Chye Teck's stream of consciousness as he tells us about his journey with the medium of photography and his enduring fascination for fleeting forms and makeshift compositions. In recent years, Chye Teck is developing a more experimental attitude towards the image-making process creating works that respond to the specificity of a site, rather than to a subject matter, and reverberate with emotional vibrations. He has also become involved in several collaborations with other artists and he is cultivating a new fascination for cellphone images and the creative potential of readily available, off-the-shelf digital technologies.<br /><br />Contributor: Chua Chye Teck <br />Conducted by: Anna Lovecchio <br />Programme Manager: Kristine Tan <br />Sound Engineer: Ashwin Menon (The Music Parlour)<br />Intro & Outro Music: Tini Aliman<br />Cover Image & Design: Arabelle Zhuang, Kristine Tan<br /></span>
2022-03-02
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Arabelle+Zhuang">Arabelle Zhuang</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Podcast">Podcast</a>
<a href="https://www.buzzsprout.com/1845756/10394357-aircast-4-chua-chye-teck">https://www.buzzsprout.com/1845756/10394357-aircast-4-chua-chye-teck</a>
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Residencies AiRCAST Episode #5: Han Xuemei
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Theatre">Theatre</a>
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<p>For our fifth episode of AiRCAST, we entrusted curator and scholar Hsu Fang-Tze to pick the mind of our Artist-in-Residence Han Xuemei. In their insightful exchange, Xuemei discusses how her urgency for engagement steers her fluid theatre practice towards experimenting with different modes of audience participation. As she shares about her current efforts to carve out “intervals of quiet” and “plots of rest” in the hectic context of Singapore, you will also discover that the research on the topic of “rest as resistance” she conducted throughout her residency at NTU CCA Singapore grows out from another residency she did in Taipei a few years ago.<br /><br />Committed to socially engaged practices, multi-disciplinary theatre practitioner Han Xuemei (b. 1987, Singapore) employs art as a tool for bringing communities together and engaging the audience in visceral and personal ways. In her practice, she creates spaces and experiences that incite participants to think outside the box of existing paradigms and articulate forms of hope and resistance. Since 2012, she is Resident Artist at the Singapore-based theatre company Drama Box. In 2021 she received Young Artist Award, Singapore’s highest award for young arts practitioners.<br /><br />Hsu Fang-Tze is a lecturer at the Communications and New Media Department, National University of Singapore where she is also a coordinator of the M.A. in Arts and Cultural Entrepreneurship. Her research interests include the formation of audiovisual modernity in Asia, Cold War aesthetics, philosophies of sonic technology, and the embodiment of artistic praxis in everyday life. Apart from her academic work, she is also active as a curator and has curated exhibitions such as A<em>rt Histories of a Forever War: Modernism between Space and Home</em><span> </span>at the Taipei Fine Art Museum, Taiwan (2021-2022) and<span> </span><em>Wishful Images</em><span> </span>at National University of Singapore Museum (2020). <br /><br />Contributors: Han Xuemei, Hsu Fang-Tze<br />Editor: Anna Lovecchio<br />Programme Manager: Kristine Tan <br />Sound Engineer: Ashwin Menon (The Music Parlour) <br />Intro & Outro Music: Tini Aliman <br />Cover Image & Design: Arabelle Zhuang, Kristine Tan</p>
<p>CREDITS<br />12’38”: Audio excerpt from<span> </span><em>MISSING: The City of Lost Things</em>, 2018. Courtesy Drama Box.<br />15’07”: Audio excerpt from<span> </span><em>MISSING: The City of Lost Things</em>, 2018. Courtesy Drama Box.<br />19’15”: Audio excerpt from<span> </span><em>FLOWERS</em>, 2019. Courtesy Drama Box.<br />21’00”: Audio excerpt from<span> </span><em>FLOWERS</em>, 2019. Courtesy Drama Box. <br />26’24”: Audio excerpt from Taipei Main Station & Research Field Recording workshop part of<br />Asia Discovers Asia Meeting for Contemporary Performance Artist Lab, 2019. Courtesy the artist. <br />35’30’’: Audio excerpt from Han Xuemei, field recordings at Tanah Merah, January 2022. Courtesy the artist.</p>
2022-03-02
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Han+Xuemei">Han Xuemei</a>
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Anna+Lovecchio">Anna Lovecchio</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kristine+Tan">Kristine Tan</a>
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English
<a href="https://www.buzzsprout.com/1845756/10518783-aircast-5-han-xuemei">https://www.buzzsprout.com/1845756/10518783-aircast-5-han-xuemei</a>
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