Browse Items (16 total)

Paradise Lost is NTU CCA Singapore’s inaugural exhibition, curated by Ute Meta Bauer (Founding Director) and Anca Rujoiu (Curator for Exhibitions). Conceived as a constellation of three artistic productions that together explore narratives of travel…

Paradise Lost Exhibition Guide

“The making of each film transforms the way I see myself and the world. Once I start engaging in the process of making a film or in any artistic excursion, I am also embarking upon a journey whose point of arrival is unknown to me.”—Trinh T. Minh-ha…

Trinh T. Minh-ha. Films Exhibition Guide

21 Feb 2014, Fri 7:30pm - 9:00pmThis talk will contextualise Trinh T. Minh-ha’s installation Surname Viet Given Name Nam (1989) within the larger picture of her own work and film practice.Surname Viet Given Name Nam addresses notions of identity,…

Naked Spaces—Living is Round, Trinh T. Minh-ha, 1985 16mm transferred to digital file, colour, sound, 135 min Rating: PG13 (This film contains some nudity) Six West African countries (Mauritania, Mali, Burkina Faso, Togo, Benin and Senegal) stand in…

Following an excerpt of What about China? (Part I of II, 2020–21), her newest film, Trinh will read from her film script. This point of departure will bring Trinh’s multivocal practice in conversation with the curatorial and spatial concept of this…

Reassemblage, Trinh T. Minh-ha, 1982 16mm film transferred to digital, colour, sound, 40 min Rating: PG13 (This film features tribal ways of life that depict some nudity) With her remarkable and widely discussed first film, Trinh brings the…

Place.Labour.Capital., published by NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) and Mousse Publishing, connects cultural production and artistic research to broader political and social concerns, engaging readers with contemporary…

7 Jul 2017, Fri 07:30 PM - 09:00 PM The Single Screen, Block 43 Malan RoadReflecting on Mao’s famous saying, “Let a hundred flowers blossom and a hundred schools of thought contend”, Trinh T. Minh-ha’s film—whose title refers in part to a Chinese…