Acts of Life: Public Programme]]> Artistic Research]]> 25 Jan 2019, Fri - 26 Jan 2019, Sat
Various locations around NTU CCA

Acts of Life
is a collaboration of NTU CCA Singapore and MCAD Manila, commissioned by the Goethe-Institut Singapore and Goethe-Institut Manila.

After an open call with an overwhelming response of 180 international applicants, 16 artists, writers, theorists from the region and Germany have been selected by a curatorial board to participate in a month-long residency in Manila and Singapore. Structured to encourage the heterogeneity and multiplicity of exchange through which a critical research residency is manifested, the transdisciplinary project seeks to explore the relationship between environments and humankind in times of rapid urbanisation and digitalisation.

Acts of Life Public Programme is a constellation of selected artistic research outputs culminated over the period and will happen during Singapore Art Week on 25 and 26 January 2019 and in Manila in February 2019.

Presented in an open studio accompanied with live activations, the presentation shows selected works in progress and is an encounter of how the research residency unfolds: the fostering of intellectual exchanges, lines of enquiry and the initiation of potential discourses around the intersections between art, nature, urbanity, and technology.

Curatorial Advisory Board

Prof. Ute Meta Bauer, Founding Director, NTU CCA Singapore and Professor, School of Art, Design and Media NTU,María Jocelina Cruz, Director & Curator, MCAD Manilla, Prof. Patrick Flores, Professor, Department of Art Studies, University of Philippines and Curator, Vargas Museum Manilla, Asst. Prof. Sophie Goltz, Deputy Director, Research & Academics Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media NTU, Khim Ong, Deputy Director, Curatorial Programmes, NTU CCA Singapore.

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Ute Meta Bauer]]> María Jocelina Cruz]]> Patrick D. Flores]]> Sophie Goltz]]> Khim Ong]]> Maria Jocelina Cruz]]> Southeast Asia]]>
Art, Urban Change, and the Public Sphere: Public Art Education Summit]]> Architecture]]> Public Art]]> Urbanism]]> NTU CCA Singapore is pleased to present Art, Urban Change, and the Public Sphere, which engages with art in privately owned public spaces through a Public Art Education Summit and research presentation. Taking as its point of departure the neighbouring Culture City. Culture Scape. Public Art Trail at Mapletree Business City—developed with curatorial consultation by NTU CCA Singapore—the presentation and Summit explore broader cultural and artistic developments on a civic scale situated in urban landscapes. How do political and economic changes in the public realm evoke a regional discourse on art in cities?

The Public Art Education Summit is the first of its kind in Singapore and part of a larger engagement of NTU CCA Singapore in professional education of public art. It focuses on cultural place-making and building communities through artistic practices. It aims to stimulate a debate between art professionals, policy makers, urban developers and other local stakeholders, on how and for whom art creates public spaces in our built environment. Any artistic or curatorial initiative in “public space” must address the question of how to construct “a public” and with it, how to encounter identity. Any difference—be it regional and local, ethnic and religious, economic and social—generates its own cohabitation of urban space and public culture to communicate with. The challenge for art in the public sphere lies in its openness to existing and yet, imagined communities of civic urbanism. Ranging from corporate cultural engagement in privately owned public spaces to urban regeneration, the invited speakers draw connections to the beginnings of community engagement in public art with its fluid methods. Furthermore, they suggest a critical look at different artistic and curatorial practices which reflect on “artists as citizens.” Or, how any space called public, first and foremost, is created by the different people inhabiting that space.

Guest-of-Honour: Prof Wang Dawei, Executive Dean, College of Fine Arts, Shanghai University

With contributions by: Ute Meta Bauer (Germany/Singapore), Richard Bell (Australia), Lewis Biggs (United Kingdom), Antonia Carver (United Kingdom/United Arab Emirates), Lilian Chee (Singapore), Amanda Crabtree (United Kingdom/France), Daniel Mudie Cunningham (Australia), Catherine David (France), Eileen Goh (Singapore), Sophie Goltz (Germany/Singapore), Limin Hee (Singapore), Kok Heng Leun (Singapore), Richard Lim (Singapore), Hongjohn Lin (Taiwan/Singapore), Massamba Mbaye (Senegal), Alecia Neo (Singapore), Alan Oei (Singapore), Nikos Papastergiadis (Australia), Jasmeen Patheja (India), Lorenzo Petrillo (Italy/Singapore), Milenko Prvački (Ex-Yugoslavia/Singapore), Ashley Thompson (United Kingdom), Philip Tinari (United States/China), Katherine Ann Leilani Tuider (United States), et al.

With capability-development workshops by Amanda Crabtree (United Kingdom/France), Daniel Mudie Cunningham (Australia), Hongjohn Lin (Taiwan/Singapore) and Katherine Ann Leilani Tuider (United States).

Held in association with Shanghai Academy of Fine Arts, Shanghai University, and Institute for Public Arts, London. Supported by Mapletree Investments and, additionally, by Public Art Trust, an initiative of National Arts Council Singapore.

Programme for Public Art Education Summit

Thursday, 17 October 2019, 9.00am – 7.30pm
Venue: The Single Screen, Block 43 Malan Road

8.45am             Registration and Coffee

9.00am             Opening addresses by Low Eng Teong (Singapore), Assistant Chief Executive, Sector Development, National Arts Council Singapore, Ute Meta Bauer (Germany/Singapore), Founding Director, NTU CCA Singapore and Professor, NTU ADM, and Guest-of-Honour Wang Dawei (China), Executive Dean, College of Fine Arts, Shanghai University followed by Introduction by Sophie Goltz (Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU

9.45am            Context is Everything, Presentation by Lewis Biggs (United Kingdom) Chair, Institute for Public Art, London

10.15am           Making Art, Making Society, Presentation by Amanda Crabtree (France), Director, artconnexion

10.45am          Community-First Public Art, Presentation by Katherine Ann Leilani Tuider (United States), Executive Director and Co-founder, Honolulu Biennial Foundation

11.15am           Coffee Break and Discussions

12.00pm          Public Art and Community Building
Roundtable Discussion with Eileen Goh (Singapore), Assistant Manager, Art-in-Transit at Land Transport Authority; Richard Lim (Singapore), Manager, Art Management, Project Development, CapitaLand; Lorenzo Petrillo (Italy/Singapore), Director and Founder, LOPELAB, moderated by Lilian Chee (Singapore), Associate Professor, Department of Architecture, National University of Singapore

1.00pm             Lunch Break

2.00pm            Capability-Development Workshops
                         Venue: Studios, Block 37 Malan Road

#Activating#Communities New Patron Model for Public Art Commissioning, Workshop by Amanda Crabtree (France), Director, artconnexion. Register at tiny.cc/amandacrabtreeworkshop.

#Building#Communities, Fundraising as Community Engagement, Workshop by Katherine Ann Leilani Tuider (United States), Executive Director and Co-founder, Honolulu Biennial Foundation. Register at tiny.cc/katherinetuiderworkshop.

5:30pm            End of Workshop

On the occasion of NTU CCA’s International Advisory Board annual meeting, invited members share their knowledge and experience.

6.00pm            Lecture by Nikos Papastergiadis (Australia), Professor, School of Culture and Communication, University of Melbourne

6:30pm            Lecture by Ashley Thompson (United Kingdom), Hiram W. Woodward Chair of Southeast Asian Art, SOAS University of London

7:00pm            Roundtable Discussion with Antonia Carver (United Kingdom/United Arab Emirates), Director, Jameel Arts Centre; Catherine David (France), Deputy Director, Research and Globalisation, MNAM/CCI, Centre Pompidou; Philip Tinari (United States/China), Director, UCCA Center for Contemporary Art, moderated by Ute Meta Bauer (Germany/Singapore), Founding Director, NTU CCA Singapore and Professor, School of Art, Design and Media, NTU

7:30pm            Reception

 

Friday, 18 October 2019, 9.00am – 5.30pm
Venue: The Single Screen, Block 43 Malan Road

8.45am             Registration and Coffee

9.00am            Introduction by Sophie Goltz (Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU

9.15am            A Railroad Switch in Time: South Eveleigh Case Study, Presentation by Daniel Mudie Cunningham (Australia), Director, Programs, Carriageworks

9.45am             Biennials as Public Space, Presentation by Hongjohn Lin (Taiwan/Singapore), Associate Professor, Taipei National University of Arts

10.15am           Action Sheroes, Heroes, Theyroes. Resonate #NeverAskForIt, Presentation by Jasmeen Patheja (India), Founder, Blank Noise

10.45am           Beyond Education, Beyond Community, Presentation by Milenko Prvački (Ex-Yugoslavia/Singapore), Senior Fellow, LASALLE College of the Arts, artist and founder, ART WALK Little India

11.15am            Coffee Break and Discussions

12.00pm           Art, Public Space, and Urban Development
Roundtable Discussion with Kok Heng Leun (Singapore), Artistic Director, Drama Box; Alecia Neo (Singapore), artist and co- founder, Brack; Alan Oei (Singapore), Artistic Director, The Substation, moderated by Limin Hee (Singapore), Director, Research, Centre for Liveable Cities

1.00pm             Lunch Break

2.00pm            Capability-Development Workshops
                         Venue: Studios, Block 37 Malan Road

#Supporting#Communities Urban Communities and their Stakeholders, Workshop by Daniel Mudie Cunningham (Australia), Director, Programs, Carriageworks.

#Educating#Communities Biennials as Public Space: Between Artistic Approaches and Public Demands, Workshop by Hongjohn Lin (Taiwan/Singapore), Associate Professor, Taipei National University of Arts.

5:30pm            End of Workshop

 

Saturday, 19 October 2019, 9.00am – 1.00pm
Venue: The Single Screen, Block 43 Malan Road

8.45am            Registration and Coffee

9.00am            Introduction by Sophie Goltz (Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU

9.15am            Participation in Practice: Artists as Ally, Presentation by Alecia Neo (Singapore), artist

9.45am             The Village of the Arts of Senegal, Presentation by Massamba Mbaye (Senegal), lecturer, Dakar Cheikh Anta Diop University & Virtual University of Senegal

10.15am           Aboriginal Tent Embassy, Presentation by Richard Bell (Australia), artist

10.45am           Coffee Break and Discussions

11.15am            Roundtable Discussion with Richard Bell (Australia), artist, Hongjohn Lin (Taiwan/Singapore), Associate Professor, Taipei National University of Arts, Massamba Mbaye (Senegal), lecturer, Dakar Cheikh Anta Diop University & Virtual University of Senegal, and Alecia Neo (Singapore), artist, moderated by Sophie Goltz (Germany/Singapore), Deputy Director, Research & Academic Programmes, NTU CCA Singapore, and Assistant Professor, School of Art, Design and Media, NTU

12.00pm           Closing Remarks by Lewis Biggs (United Kingdom)

 

Programme as of 1 October 2019, subject to change.

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Ute Meta Bauer]]> Richard Bell]]> Lewis Biggs ]]> Antonia Carver]]> Lilian Chee]]> Amanda Crabtree]]> Daniel Mudie Cunningham ]]> Catherine David]]> Eileen Goh]]> Sophie Goltz]]> Limin Hee ]]> Kok Heng Leun]]> Richard Lim]]> Hongjohn Lin]]> Massamba Mbaye]]> Alecia Neo]]> Alan Oei]]> Nikos Papastergiadis]]> Jasmeen Patheja]]> Lorenzo Petrillo]]> Milenko Prvački ]]> Ashley Thompson ]]> Philip Tinari ]]> Katherine Ann Leilani Tuider]]> Low Eng Teong ]]> Wang Dawei ]]> Southeast Asia]]>
Cities for People NTU CCA Ideas Fest 2016/17 Public Summit]]> Urbanism]]> CITIES FOR PEOPLE is the pilot edition of the annual NTU CCA Ideas Fest, a platform to catalyse critical exchange of ideas and encourage thinking “out of the box”. It is a bottom-up approach linking the artistic and academic community with grassroots initiatives. This pilot edition expands artistic interventions and engages contemporary issues such as air, water, food, environment, and social interaction in connection to artistic and cultural fields, academic research, and design applications.

The 10-day programme, coinciding with Singapore Art Week 2017 and Art After Dark at Gillman Barracks, comprises a conglomerate of performances, public installations, participatory projects and social experiment, urban farming initiatives, public dialogues, and a variety of workshops. It cumulates in a three-day summit that brings together a prominent group of architects, theorists, researchers, curators, and community groups to discuss and exchange ideas about urbanism, modes of exchange, critical spatial practice, and to envision a future city. CITIES FOR PEOPLE offers a platform to contemplate the possibilities for our shared space, reformulate our demands accordingly, and project solutions and desires for the future.

CITIES FOR PEOPLE, borrowing the title from a book by eminent Singapore architect William S. W. Lim published in 1990, expands on some of the ideas Lim developed, particularly in relation to tropical environments and recycling, as well as his call for a humanistic architecture. Organised on the occasion of the exhibition Incomplete Urbanism: Attempts at Critical Spatial Practice, this event is an invitation to share and engage in cooperative projects and collective experiences that critically reflect on current challenges in urban and social development.

Ideas Fest Concept: Ute Meta Bauer
Curators of CITIES FOR PEOPLE NTU CCA Ideas Fest 2016/17
Ute Meta Bauer and Khim Ong

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Ute Meta Bauer]]> Khim Ong]]> Southeast Asia]]>
Free Jazz]]> Spaces of the Curatorial]]> Performance]]> Free Jazz, NTU CCA Singapore’s inaugural programme brings together artists, curators, art critics and scholars to imagine and contribute to the thinking and envisioning of the potentials for this new Centre for Contemporary Art in Singapore. As the title suggests, Free Jazz is about improvisation, the ability to listen, to respond and engage into a less prescribed and controlled environment.  Improvisation stands for a form of inquiry that can become an active tool to generate new possibilities for conceptualising and programming art institutions. Free Jazz at NTU CCA  Singapore presents a series of paired presentations and juxtaposes different approaches into a single platform as a playful way to encourage conversational and performative interactions that can take spontaneous, fluid, unplanned moves.]]> Lee Wen]]> Lucy Davis]]> Grieve Perspective]]> OFFCUFF]]> Bani Haykal]]> Ute Meta Bauer]]> Lee Weng Choy]]> Anca Rujoiu]]> Cosmin Costinas]]> Ade Darmawan]]> Mark Nash]]> Zai Kuning]]> Bige Örer ]]> Geert Lovink]]> Nikos Papastergiadis ]]> Southeast Asia]]> Amar Kanwar: The Sovereign Forest in collaboration with Sudhir Pattnaik/Samadrusti and Sherna Dastur Exhibition Guide]]> Amar Kanwar: The Sovereign Forest in collaboration with Sudhir Pattnaik/Samadrusti and Sherna Dastur Exhibition Guide]]> Ute Meta Bauer]]> Khim Ong]]> Magdalena Magiera]]> Amar Kanwar]]> Sudhir Pattnaik]]> Sherna Dastur]]> Guide]]> Asia]]> Charles Lim Yi Yong: SEA STATE]]> Geopolitics]]> Sustainability]]> Ecology]]> Ecosystems]]> Nature]]> Climate Crisis]]> Oceans & Seas]]> SEA STATE by artist Charles Lim Yi Yong, commissioned for the Singapore Pavilion for the 56th Venice Biennale and curated by Shabbir Hussain Mustafa, will be presented at the NTU CCA Singapore from 30 April to 10 July 2016. For over a decade, Lim’s ongoing project SEA STATE examines the biophysical, political and psychic contours of Singapore through the visible and invisible lenses of the sea. SEA STATE is an in-depth inquiry by an artist that scrutinises both man-made systems, opening new perspectives on our everyday surroundings, from unseen landscapes and disappearing islands to the imaginary boundaries of a future landmass.

First held at the Palazzo Franchetti on the occasion of the Singapore Pavilion at the 56th Venice Biennale, the symposium The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context will continue and expand upon the debate with a second iteration at NTU CCA Singapore during Lim’s exhibition on 17 and 18 June 2016.

The presentation of SEA STATE and the symposium The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context, Part II held at NTU CCA Singapore are generously supported by the Ministry of Culture, Community & Youth, National Arts Council Singapore and the Singapore Tourism Board.]]>
Charles Lim Yi Yong]]> Ute Meta Bauer ]]> Video]]> Multimedia Installation]]> Film]]> Photography]]> Southeast Asia]]>
Charles Lim Yi Yong: SEA STATE Exhibition Brochure]]> Charles Lim Yi Yong: SEA STATE Exhibition Brochure]]> Charles Lim Yi Yong]]> Ute Meta Bauer ]]> Brochure]]> Southeast Asia]]> Charles Lim Yi Yong: SEA STATE Exhibition Guide]]> Charles Lim Yi Yong: SEA STATE Exhibition Guide]]> Charles Lim Yi Yong]]> Ute Meta Bauer ]]> Guide]]> Southeast Asia]]> CITIES FOR PEOPLE NTU CCA Ideas Fest 2016/7]]> Knowledge Production]]> Public Sphere]]> Urbanism]]> Ecology]]> Spaces of the Curatorial]]> Architecture]]> Environmental Crisis]]> CITIES FOR PEOPLE is the pilot edition of the annual NTU CCA Ideas Fest, a platform to catalyse critical exchange of ideas and encourage thinking “out of the box”. It is a bottom-up approach linking the artistic and academic community with grassroots initiatives. This pilot edition expands artistic interventions and engages contemporary issues such as air, water, food, environment, and social interaction in connection to artistic and cultural fields, academic research, and design applications.

The 10-day programme, coinciding with Singapore Art Week 2017 and Art After Dark at Gillman Barracks, comprises a conglomerate of performances, public installations, participatory projects and social experiment, urban farming initiatives, public dialogues, and a variety of workshops. It cumulates in a three-day summit that brings together a prominent group of architects, theorists, researchers, curators, and community groups to discuss and exchange ideas about urbanism, modes of exchange, critical spatial practice, and to envision a future city. CITIES FOR PEOPLE offers a platform to contemplate the possibilities for our shared space, reformulate our demands accordingly, and project solutions and desires for the future.

CITIES FOR PEOPLE, borrowing the title from a book by eminent Singapore architect William S. W. Lim published in 1990, expands on some of the ideas Lim developed, particularly in relation to tropical environments and recycling, as well as his call for a humanistic architecture. Organised on the occasion of the exhibition Incomplete Urbanism: Attempts at Critical Spatial Practice, this event is an invitation to share and engage in cooperative projects and collective experiences that critically reflect on current challenges in urban and social development.]]>
Ute Meta Bauer]]> Khim Ong]]> indieguerillas]]> Lulu Lutfi Labibi]]> Ari Wulu]]> Lucy + Jorge Orta]]> Foodscape Collective]]> Marjetica Potrč]]> Laura Anderson Barbata]]> Brooklyn Jumbies]]> Misso Russell Keith]]> Post-Museum]]> Xu Tan]]> Edible Garden City]]> Michelle Lai]]> Dan Susman]]> Victoria Marshall]]> Performance]]> Sound]]> Installation]]> Southeast Asia]]>
Ghosts and Spectres – Shadows of History]]> Archival Practice]]> Fiction]]> Supernatural]]> Mythology]]> Politics]]> Ghosts and Spectres — Shadows of History features video installations and films by Apichatpong Weerasethakul (Thailand), Ho Tzu Nyen (Singapore), Nguyen Trinh Thi (Vietnam), and Park Chan-kyong (South Korea). The artists’ research into their own cultural and historical backgrounds gain shape through allegories that re-evaluate the social and political reforms in Post-War and Cold-War Asia. The cinematic works in the exhibition combine fact and fiction. They not only allude to rarely discussed subject-matters but also raise crucial questions about power and authority, construction of narratives, repression of identities, and collective trauma.

Embedded in the vernacular, ghosts, myths, and rituals present systems of knowledge that enable the expression of unknown worlds. Ghosts and Spectres — Shadows of History brings to light clouded histories at times not officially recounted but those that remain a lingering presence in collective memories through local mythologies, ghostly figures, and traditions. The works create their own language and systems of reference, reflecting current efforts of exposing written historical accounts and contemporary situations that subvert mainstream narratives.

In parallel, The Lab, NTU CCA Singapore’s platform for research in-progress, will be featuring projects by siren eun young jung (South Korea) and Choy Ka Fai (Singapore/Germany), both recent NTU CCA Singapore artists-in-residence. While jung focuses on Yeoseong Gukgeuk, a vanishing form of traditional Korean theatre featuring only female performers, Choy brings up his long-time research into Butoh dance, also called “dance of darkness,” and looks at its evolution and influence through one of the Butoh founders, Tatsumi Hijikata.

Ghosts and Spectres—Shadows of History is curated by Ute Meta Bauer, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, NTU, and Khim Ong, Deputy Director, Curatorial Programmes.]]>
Apichatpong Weerasethakul]]> Ho Tzu Nyen]]> Nguyen Trinh Thi]]> Park Chan-kyong]]> siren eun young jung]]> Choy Ka Fai]]> Ute Meta Bauer]]> Khim Ong ]]> Video]]> Multimedia Installation]]> Film]]> Southeast Asia]]> Asia]]>