1
10
12
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Talk and Lecture
Performance
Audience
General
Programme Series
OPEN Studios
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies OPEN (in conjunction with Art After Dark)
Subject
The topic of the resource
Artistic Research
Description
An account of the resource
20 Sep 2019, Fri 07:00 PM - 11:00 PM <br />Blocks 37 & 38 Malan Road<br /><br /><p>Residencies OPEN offers a rare insight into the often-introverted sphere of the artist studios. Through showcasing discussions, performances, installations, and works-in-progress, Residencies OPEN profiles the diversity of contemporary art practice from around the globe and the divergent ways artists conceive an artwork with the studio as a constant space for experimentation and research.</p>
<p>Featuring Artists-in-Residence: <strong>Irene Agrivina</strong> (Indonesia), <strong>Chang Wen-Hsuan</strong> (Taiwan), <strong>Bridget Reweti</strong> (Aotearoa New Zealand), <strong>Tan Kai Syng</strong> (Singapore/United Kingdom), <strong>Wei Leng Tay</strong>(Singapore), <strong>Zarina Muhammad</strong> (Singapore).</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-09-20
Contributor
An entity responsible for making contributions to the resource
Irene Agrivina
Chang Wen-Hsuan
Bridget Reweti
Tan Kai Syng
Wei Leng Tay
Zarina Muhammad
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Oceania
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Filmed in Singapore,<em> earth, land, sky and sea as palimpsest</em> is an invitation to cross thresholds and observe the unobservable: to see with our skin, hear with our feet, and feel our way above and beneath pathless paths.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
None
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Free Jazz IV. Geomancers Screening Programme: earth, land, sky and sea as palimpsest, Zarina Muhammad & Zachary Chan (both Singapore)
Subject
The topic of the resource
Ecology
Urbanism
Nature
Description
An account of the resource
Blk 38 Malan Road, The Single Screen<br />2021, video, colour, sound, 17 min 37 sec<br /><br />Filmed in Singapore, <em>earth, land, sky and sea as palimpsest</em> is an invitation to cross thresholds and observe the unobservable: to see with our skin, hear with our feet, and feel our way above and beneath pathless paths. This poetic and multisensorial wandering is interspersed with historical forays into ways in which human activities unfold and affect the earth. Charting inclusive ecologies, the work subtly suggests that, while we are constantly distracted by rapid urban development, many trees are older than our buildings and spiritual landscapes find a way to survive within modern urban infrastructures. <em>earth, land, sky and sea as palimpsest</em> is the first iteration of a namesake research project initiated by Zarina Muhammad and Zachary Chan that engages with environmental histories, extractive capitalist urbanisation, and archival fragments in order to redraw hegemonic cartographies and seek out a more-than-human understanding of our place in the world.
Date
A point or period of time associated with an event in the lifecycle of the resource
14 - 23 January 2022
Contributor
An entity responsible for making contributions to the resource
Zarina Muhammad
Zachary Chan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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Dublin Core
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Title
A name given to the resource
Jana Winderen, <em>Listening Through the Dead Zones</em>, 2021, 2-channel sound installation, 22 min 54 sec, on loop. Photo by Kee Ya Ting.
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8a5b1b714bcab8c0f131278e777cf986
Dublin Core
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Title
A name given to the resource
Katie Paterson, <em>To Burn, Forest, Fire</em>. 2021, performance, 30 min approx. Photo by Kee Ya Ting.
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Dublin Core
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Title
A name given to the resource
Free Jazz IV. Geomancers, from Daniel Steegmann Mangrané's <em>Phantom (Kingdom of All the Animals and All The Beasts is My Name)</em>, January 14 - 23 2022, NTU CCA Singapore. Photo by Kee Ya Ting.
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Dublin Core
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Title
A name given to the resource
Free Jazz IV. Geomancers, video screening at Screening Room, 14 - 23 Janaury 2022, NTU CCA Singapore. Photo by Kee Ya Ting.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
From its first iteration in 2013, Free Jazz has pushed boundaries and expanded upon pressing concerns of our times. Free Jazz IV. Geomancers continues this approach, featuring artworks ranging from virtual reality to video, performance, and sound as an exercise in planetary awareness.
Exhibition Mode
Festival
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Single Screen
Block 37
Block 38
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Offsite
Exhibition Start Date
2022-01-14
Exhibition End Date
2022-01-23
Collaboration
Yes
Commissioned Work
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Free Jazz IV. Geomancers
Subject
The topic of the resource
Performance
Nature
Technology
Description
An account of the resource
<p>From its first iteration in 2013, <em>Free Jazz</em> has pushed boundaries and expanded upon pressing concerns of our times. <em><strong>Free Jazz IV. Geomancers</strong></em> continues this approach, featuring artworks ranging from virtual reality to video, performance, and sound as an exercise in planetary awareness. The exhibition presents significant artistic practices from across the globe that are deeply invested in creating an environmental consciousness and that share an understanding of the world as a vulnerable, yet resilient, mesh of coexistences, correlations, and co-creations. As with geomancy, these artworks can help us to read the signs that our planet is trying to send us and that they can inspire a stronger commitment to create a sustainable future for life on Earth.</p>
<p>Alongside scientists, environmental activists, enlightened policy makers and civil society members, contemporary artists are increasingly concerned with future prospects of ecological collapse and planetary survival. They address these issues through the language of art, creating images, sounds, narratives, and experiences that allow us to establish affective and cognitive connections with the environment and partake in the planetary intelligence of the Earth. Stemming from NTU CCA Singapore’s ongoing engagement with the overarching subject of <em>Climates.Habitats. Environments.</em>, <em>Free Jazz IV. Geomancers</em> brings together a selection of creative practitioners who are distinctly alert to these urgencies.</p>
<p>Conceived for Singapore Art Week 2022, this programme consists of a film screening series, a virtual reality installation, a performance and a sound installation. Some of the featured artworks zero in on signs of earthly demise, others indicate pathways of resilience and strategies for regeneration. All the works result from long-term research and extensive fieldwork and, when presented together, they engender a kaleidoscopic overview of the multitudinous forms of ecological entanglements.</p>
<p>Artists: <strong>Martha Atienza </strong>(Philippines), <strong>Ursula Biemann</strong> (Switzerland), <strong>Carolina Caycedo & David de Rozas</strong> (United Kingdom; Spain/United States), <strong>Chu Hao Pei </strong>(Singapore), <strong>Liu Chuang</strong> (China), <strong>Pedro Neves Marques</strong> (Portugal), <strong>Katie Paterson </strong>(Scotland), <strong>Rice Brewing Sisters Club </strong>(South Korea), <strong>Daniel Steegmann Mangrané </strong>(Spain/Brazil), <strong>Jana Winderen </strong>(Norway), <strong>Zarina Muhammad & Zachary Chan</strong> (Singapore), and <strong>Robert Zhao Renhui </strong>(Singapore).<br /><br /></p>
<p class="has-medium-font-size"><strong><span>Exhibition Information</span></strong></p>
<p><strong>Katie Paterson<br /></strong><em>To Burn, Forest, Fire</em>, 2021, performance<br />Performance schedule: 14, 15, 18, 22, and 23 January, 6.30 – 7.00pm<br />Block 37 Malan Road, #01-04, Gillman Barracks<br />Entrance is on a first-come first-served basis up to the capacity allowed by the<br />prevailing social distancing measures. Audience to arrive at least 15 minutes<br />before the performance starts. Please note that the performance entails the<br />burning of incense inside an indoor space.<br />Please see our <a href="https://www.facebook.com/events/614164509912322/?acontext=%7B%22event_action_history%22%3A%5B%7B%22surface%22%3A%22page%22%7D%5D%7D">Facebook event</a> for the latest updates.</p>
<p><strong>Daniel Steegmann Mangrané</strong> <br /><em>Phantom (kingdom of all the animals and all the beasts is my name)<br /></em>2014–2015, VR installation<br />Tuesday to Sunday, 12.00 – 7.00pm<br />Fridays, 12.00 – 9.00pm<br />Block 38 Malan Road, #01-07, Gillman Barracks<br />Please see our <a href="https://www.facebook.com/events/472012560983385/">Facebook event</a> for the latest updates.</p>
<p><strong>Jana Winderen</strong><br /><em>Listening through the Dead Zones</em>, 2021, sound installation, 20 min, on loop.<br />Monday to Thursday: 8.00am to 9.00pm (last entry 8.00pm)<br />Fridays to Sundays: 8.00am to 10.00pm (last entry 9.00pm)<br />Please see our <a href="https://www.facebook.com/events/1327631087681077/">Facebook event</a> for the latest updates.</p>
<p>Green Roof, Marina Barrage, 8 Marina Gardens Drive, Singapore 018951<br />The sound installation is located on the Green Roof at Marina Barrage, above the<br />Sustainable Singapore Gallery, accessible either via the walking ramp or the elevator.<br />Once on the rooftop, visitors will find the work in the proximity of the glass house, on<br />the southern edge of the rooftop. Visitors are encouraged to take the time to pause and<br />experience Listening to the Dead Zones while facing the open sea.</p>
<p class="has-medium-font-size"><strong><span>Screening Programme</span></strong></p>
<p>Friday, 14 and 21 January 2022, 12.00 – 9.00pm<br />Session I: 12.00 – 2.50pm<br />Session II: 3.00 – 5.50pm<br />Session III: 6.00 – 8.50pm</p>
<p>Tuesday to Sunday, 15 – 23 January 2022, 12.00 – 7.00pm<br />Session I: 12.00 – 3.20pm (intermission: 1.30 – 2.00pm)<br />Session II: 3.30 – 6.50pm (intermission: 5.00 – 5.30pm)</p>
<p>Block 38 Malan Road, #01-06, Gillman Barracks<br />Films will be screened in the order as below during each session.<br />Please see our<a href="https://www.facebook.com/events/389146689658432/?acontext=%7B%22event_action_history%22%3A%5B%7B%22surface%22%3A%22page%22%7D%5D%7D"> Facebook event</a> for the latest updates.</p>
<p><em><strong>Martha Atienza <br /></strong>Panangatan 11°09’53.3”N 123°42’40.5”E</em> 2019-10-24, 9min<br /><br /><strong>Zarina Muhammad & Zachary Chan</strong><br /><em>earth, land, sky and sea as palimpsest</em>, 17 min 37 sec<br /><strong></strong><br /><strong>Rice Brewing Sisters Club</strong><br /><em>Mountain Storytellers, Storytelling Mountains: A Tale Theatre</em>, 15 min 37 sec</p>
<p><strong>Carolina Caycedo & David de Rozas</strong><br /><em>The Teaching of the Hands</em>, 47 min<br /><br /><strong>Pedro Neves Marques</strong><br /><em>Semente Exterminadora [Exterminator Seed]</em>, 28 min<br /><br /><strong>Ursula Biemann</strong><br /><em>Acoustic Ocean</em>, 18 min<br /><br /><strong>Liu Chuang</strong><br /><em>Can Sound be Currency?</em>, 19 min 43 sec<br /><br /><strong>Chu Hao Pei<br /></strong><em>Inventing Miracle: The Rice to Power</em>, 9 min 59 sec</p>
<p><strong>Robert Zhao Renhui</strong><br /><em>And A Great Sign Appeared</em>, 4 min 52 sec</p>
<p><em>Free Jazz IV. Geomancers </em>is supported by National Arts Council Singapore and Nicoletta Fiorucci Russo De Li Galli. NTU CCA Singapore also wishes to thank our collaborators IHME Helsinki, and PUB Singapore’s National Water Agency at Marina Barrage.</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
14 - 23 January 2022
Contributor
An entity responsible for making contributions to the resource
Martha Atienza
Ursula Biemann
Carolina Caycedo
Zachary Chan
Chu Hao Pei
Liu Chuang
Pedro Neves Marques
Katie Paterson
Rice Brewing Sisters Club
David de Rozas
Daniel Steegmann Mangrané
Jana Winderen
Zarina Muhammad
Robert Zhao Renhui
Anna Lovecchio
Magdalena Magiera
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
South America
Europe
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Short Description
Drawing on the rich cultural heritage and trajectories of the Asia Pacific and beyond, the exhibitions, works of art, and essays in <em>Climates.Habitats.Environments. </em>transcend disciplinary boundaries and linear histories to affirm the role of cultural production in the fight for environmental and social justice.
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Climates.Habitats.Environments.
Subject
The topic of the resource
Climate Crisis
Cultural Production
Description
An account of the resource
Published by NTU CCA Singapore and The MIT Press, 2022 <br />Edited by Ute Meta Bauer<br />Design by mono.studio<br />Printed by DZA Druckerei zu Altenburg GmbH<br />© 2022 the artists, the authors, NTU Centre for Contemporary Art Singapore, Nanyang Technological University <br />ISBN: 978-0-262-04681-7 <br />Distributed by The MIT Press <br />Copies are available for sale at NTU CCA Singapore and through MIT Press S$80/US$60<br /><br />Modeling the curatorial as a method for uniting cultural production and science,<span class="apple-converted-space"> </span><i>Climates. Habitats. Environments</i>. weaves together image and text to address the global climate crisis. Through exhibitions, artworks, and essays, artists and writers transcend disciplinary boundaries and linear histories to bring their knowledge and experience to bear on the fight for environmental justice. In doing so, they draw on the rich cultural heritage of the Asia-Pacific, in conversation with international discourse, to demonstrate transdisciplinary solution-seeking.<br /><p><span>Experimental in form as well as in method,<span class="apple-converted-space"> </span><i>Climates. Habitats. Environments.</i><span class="apple-converted-space"> </span>features an inventive book design by mono.studio that puts word and image on equal footing, offering a multiplicity of media, interpretations, and manifestations of interdisciplinary research. For example, botanist Matthew Hall draws on Ovid's<span class="apple-converted-space"> </span><i>Metamorphoses</i><span class="apple-converted-space"> </span>to discuss human-plant interpenetration; curator and writer Venus Lau considers how spectrality consumes—and is consumed—in animation and film, literature, music, and cuisine; and critical theorist and filmmaker Elizabeth Povinelli proposes “Water Sense” as a geontological approach to “the question of our connected and differentiated existence,” informed by the “ancestral catastrophe of colonialism.” Artists excavate the natural and cultural DNA of indigo, lacquer, rattan, and mulberry; works at the intersection of art, design, and architecture explore “The Posthuman City”; an ongoing research project investigates the ecological urgencies of Pacific archipelagos. The works of art, the projects, and the majority of the texts featured in the book were commissioned by NTU Centre for Contemporary Art Singapore.</span></p>
<p></p>
Publisher
An entity responsible for making the resource available
NTU CCA Singapore
The MIT Press
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
Anna Lovecchio
Michael Marder
Kong Yin Ying
Marian Pastor Roces
Ravi Agarwal
Donna J. Haraway
Matthew Hall
Nikos Papastergiadis
Donna J. Haraway
David Pledger
Dan Koh
Tan Zi Hao
May Adadol Ingawanij
Michael M. J. Fischer
Venus Lau
Elizabeth A. Povinelli
Cynthia Chou
Nina Oeghoede
Philippe Pirotte
Epeli Hau'ofa
Nabil Ahmed
Édouard Glissant
Tania Roy
Alfian Sa'at
Jake Atienza
Kenneth Dean
Faizah Zakaria
Stefanie Hessler
Huang Jui-mao
Anna Källén
Philippa Lovatt
Laura Miotto
Rob Nixon
Khim Ong
Markus Reymann
Dirk Snauwaert
Matariki Williams
Irene Agrivina
Nabil Ahmed
Irwan Ahmett
Tita Salina
Atif Akin
Animali Domestici
Apichatpong Weerasethakul
Martha Atienza
Tarek Atoui
Laura Anderson Barbata
Rosella Biscotti
Guigone Camus
Choy Ka Fai
Roko Josefa Cinavilakeba
Sean Connelly
Ade Darmawan
Lucy Davis
Ines Doujak
Jef Geys
Tue Greenfort
Newell Harry
Ho Tzu Nyen
Chia-Wei Hsu
Pierre Huyghe
ila
inhabitants
The Institute of Critical Zoologists
Kristy H. A. Kang
Susanne Kriemann
Zac Langdon-Pole
Jae Rhim Lee
Liang Shaoji
PerMagnus Lindborg
Armin Linke
Nicholas Mangan
Alice Miceli
Manish Nai
Nguyễn Trinh Thi
Phi Phi Oanh
Lucy + Jorge Orta
Park Chan-kyong
Sophia Pich
Marjetica Potrč
Shubigi Rao
Lisa Rave
Lucy Raven
Bridget Reweti
Hito Steyerl
Melati Suryodarmo
Tanatchai Bandasak
Sung Tieu
Jegan Vincent de Paul
Wu Mali
Vivian Xu
Yeo Siew Hua
Zarina Muhammad
Edouard Glissant
Anna Kallen
Nguyen Trinh Thi
Marjetica Potrc
mono.studio
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Date
A point or period of time associated with an event in the lifecycle of the resource
2022
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
Flowers from our Bloodlines – Lecture Performance by Zarina Muhammad
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/413417470">https://vimeo.com/413417470</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
413417470
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:21:50
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Flowers from our Bloodlines – Lecture Performance by Zarina Muhammad
Description
An account of the resource
22 Sep 2017, Fri 07:30 PM - 09:00 PM <br />The Single Screen, Block 43 Malan Road <br /><br />Therianthropy, the mythological ability of humans to metamorphose into other animals through shapeshifting, has marked myth and folklore across cultures and times, remaining one of the most common tropes in magical and otherworldly narratives. Drawing from concepts of the demonised and desired body, gender-based archetypes, and mythmaking, this lecture performance invokes family histories and revokes the lineages of colonisation in Southeast Asia. The event unfolds through the layering of personal memory, collective history, and fragments of ancestral and indigenous knowledge on healing and killing. Remembering the rites of the Wolf Spider and the Harimau Jadian (Were-Tiger) and exploring their multiple translations and adaptations, the performance looks at intergenerational and cross-cultural exchange through storytelling, rituals, gestures, and embodied movement. <br /><br />This programme takes place on the occasion of <em>Art After Dark x Gillman Barracks</em> 5th Anniversary Celebrations. <br />
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-09-22
Contributor
An entity responsible for making contributions to the resource
Zarina Muhammad
Subject
The topic of the resource
Animism
Cultural Heritage
Decolonialism
History
Ritual
Embodiment
Performance
Format
The file format, physical medium, or dimensions of the resource
Video
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
Residencies Studio Sessions: Revisiting the Penunggu* and the Demon Naga at the Threshold – Artist talk by Zarina Muhammad
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/490604337">https://vimeo.com/490604337</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
490604337
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies Studio Sessions: Revisiting the Penunggu* and the Demon Naga at the Threshold – Artist talk by Zarina Muhammad
Description
An account of the resource
5 Sep 2019, Thu 07:00 PM - 08:30 PM <br /><br />Claiming the role of the artist as “cultural ventriloquist” who lends multiple voices to spectral matters and speculative histories, for this talk Zarina Muhammad will weave together research threads and aesthetic strategies that underpin the main projects she developed in the past year: Talismans for Peculiar Habitats, Pharmacopeias for Accredited Agents of Poisoning and Apotropaic Texts, and Pragmatic Prayers for the Kala at the Threshold. The artist will unpack the polyphonic narratives embedded in her installations and expand upon her long-term engagement with Austronesian cosmologies, guardian spirits, non-conforming bodies, and memory lapses occurring in the cultural shifts from pre-colonial to post-colonial times. <br /><br />* Penunggu refers to the spirit that guards, supervises, or protects a particular place, region, nation, age group, country, culture, or occupation. It is believed that it can be protective, benign or malevolent. Though not entirely synonymous with the Kala, the gate guardian in sacred architectures, the penunggu is also a guardian of spaces. The root word of ʻpenungguʼ is derived from the Malay word ʻtungguʼ, which means ʻto waitʼ.
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-09-05
Contributor
An entity responsible for making contributions to the resource
Zarina Muhammad
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Ritual
Supernatural
Format
The file format, physical medium, or dimensions of the resource
Video
Language
A language of the resource
English
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
In this period of solidarity, the Centre brings forth a collection of archival videos on decolonisation and the legacies of colonialism, and post-war independence movements.
Programme Type
Screening
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alignments from the Archive
Description
An account of the resource
In this period of solidarity, the Centre brings forth a collection of archival videos, featuring lectures, conversations, and discussions that relate to themes of decolonisation, legacies of colonialism, and post-war independence movements explored in the exhibition Non-Aligned.<br /><br /><p><strong><i>#1: Mise-en-Scéne and Misalignments: Resetting the Postcolonial Stage</i></strong></p>
<p>While the Cold War raged on in the years following 1945, in the spaces between East and West, smaller theatres of war were emerging throughout the postcolonial world. This collection highlights moments of mise-en-scène that reset a global stage framed by colonial axes of power, featuring thinkers and artists such as<span class="apple-converted-space"> </span>Isaac Julien, Mark Nash, Stefano Harney, Škart,<span class="apple-converted-space"> </span>and<span class="apple-converted-space"> </span>Bojana Piškur.</p>
<p><strong><em>Paradise Lost: </em>Lecture: Postcolonial critique today – Stefano Harney</strong><br />7 March 2014</p>
<p>Referencing the works of Zarina Bhimji and Trinh T. Minh-ha in the exhibition<em>Paradise Lost</em>, Dr Stefano Harney investigates the renewed power of postcolonial critique today. By returning to the great thinkers of the “colonial situation” and its aftermath, Harney re-evaluates the proposition that globalisation has erased “old ideas of the lines between coloniser and colonised.”</p>
<p><strong><em>Theatrical Fields: </em>Special Brunch and Screening Session with Isaac Julien and Mark Nash</strong><br />26 October 2014</p>
<p>Dr Mark Nash and Isaac Julien discuss theatricality as criticality through<span class="apple-converted-space"> </span><em>Vagabondia</em><span class="apple-converted-space"> </span>(2000), Julien’s seven-minute film for<span class="apple-converted-space"> </span><em>Theatrical Fields</em>, in which the figure of the vagabond is used to explore how the Sir John Soane’s Museum collection has benefitted from colonisation. Julien’s<span class="apple-converted-space"> </span><em>Playtime</em><span class="apple-converted-space"> </span>(2014), a part-documentary part-fiction exploration of global capital, plays following their conversation.<br /><br /></p>
<p><strong>Residencies Insights: Non-Aligned Movement: New Spaces of Liberty, New Lines of Alliance, New Modes of Creativity</strong><br />22 November 2017</p>
<p>Belgrade-based collective<span class="apple-converted-space"> </span>Škart<span class="apple-converted-space"> </span>and<span class="apple-converted-space"> </span>Bojana Piškur<span class="apple-converted-space"> </span>situate the Non-Aligned Movement’s ideas, ideals, and principles in the present and apply them to exhibition-making and cultural exchange. Looking beyond the complex history of the Non-Aligned Movement, they map out possible prototypes for institutions, networks, and politics within art and culture today.</p>
<p><strong>#2: <em>Phantasms and Futurities: Decolonial Propositions </em></strong></p>
<p>From a global stage reset in <em>Mise-en-Scéne and Misalignments</em>, this collection rescripts the linear trajectories of colonial pasts and postcolonial presents, towards the realisation of decolonised futures. Prof Timothy Murray noted in his keynote lecture that “the theatrical script always opens to the arrival of the future; they are contingent and dependent upon futurity”. Artists, performers, and curators, such as Zarina Muhammad and Brigitte van der Sande enact and identify heterotopias — spatial alterities or counter-sites wherein alternative realities are constructed — that rewrite these politicised narratives through explorations of mythmaking and science fiction.<br /><br /></p>
<p><strong><em>Theatrical Fields: </em>Symposium: <em>Screening Theatrical Phantasms: Toward an Uncertain Futurity</em></strong><br />Keynote Lecture by Prof Timothy Murray<br />23 August 2014</p>
<p>This talk addresses the fascination of artworks in our previous exhibition <em>Theatrical Fields</em> in 2014, which introduces theatricality as a critical strategy in performance, film and video. In providing a brief theoretical overview of “the politics of theatricality,” Murray will reflect on the exhibition’s screenic re-possession of cinematic characters, buried stories, and influential texts in ways that challenge the historical groundings of theatricality in the ethnocentric certainty of culture and law. <br /><br /></p>
<p><strong>Lecture Performance: <em>Flowers from our Bloodlines </em>by Zarina Muhammad, artist; Stefania Rossett, choreographer; Vivian Wang pianist; Eric Lee, artist; and Tini Aliman, sound artist</strong><br />22 September 2017</p>
<p>Drawing from concepts of the demonised and desired body, gender-based archetypes, and mythmaking, this lecture performance invokes family histories and revokes the lineages of colonisation in Southeast Asia. Intergenerational and cross-cultural exchanges, facilitated by storytelling, rituals, gestures, and embodied movement, are explored through the rites of the Wolf Spider and the Harimau Jadian (Were-Tiger), and their multiple translations and adaptations.<br /><br /></p>
<p><strong>Residencies Insights: <em>Speculations on other futures </em>by Brigitte van der Sande, former Curator-in-Residence</strong><br />6 December 2018</p>
<p>Brigitte van der Sande explores how science fiction is used to envision alternative futures and critique existing power structures while shunning censorship, within countries where continuous change is the status quo because of war or political instability. Her long-term project Other Futures, “a multidisciplinary online and offline platform for thinkers and builders of other futures”, features non-Western science fiction makers and thinkers.</p>
<p><strong>#3: <em>Tidalectic Topographies, Counter Cartographies </em></strong></p>
<p>Extending the exploration of counter-sites from <em>Phantasms and Futurities</em>, this collection carries postcolonial inquiry from landlocked cartographies to liquid liminalities. Reflecting on shifting geopolitical, sociocultural, ethnoreligious, and environmental rhythms that ripple throughout the global hydrosphere, artists, curators, and scholars including Ade Darmawan, Shubigi Rao, Melati Suryodarmo, Prof Philippe Pirotte, Tita Salina, Irwan Ahmett, Dr Cresantia Frances Koya Vaka’uta, and Dr Cynthia Chou introduce a tidalectic worldview – in the tradition of Barbadian poet and historian Kamau Brathwaite – as a way of troubling territorial borders that became embedded during the post-Cold War wave of nationalist independence movements.<br /><br /></p>
<p><strong>In Conversation Part I: <em>Arus Balik w</em>ith artists Ade Darmawan, Shubigi Rao, and Melati Suryodarmo, Moderated by curator Philippe Pirotte</strong><br />23 March 2019</p>
<p>This panel discussion focuses on the Indonesian epic <em>Arus Balik</em> (1995) – loosely translated to mean “turn of the tide” – by revolutionary writer Pramoedya Ananta Toer, which served as the starting point for the eponymous exhibition <em>Arus Balik – from below the wind to above the wind and back again</em>(2019). Three of the participating artists – Ade Darmawan, Shubigi Rao, and Melati Suryodarmo – join exhibition curator Philippe Pirotte in a discussion on Pramoedya’s body of work, its influence and legacy, as well as notions of censorship and the forbidden book.<br /><br /></p>
<p><strong>Performance: <em>A Tumbling Inch </em>by Former Artists-in-Residence Irwan Ahmett and Tita Salina</strong><br />11 June 2019</p>
<p><em>A Tumbling Inch</em> is a performative action by Jakarta-based artists Irwan Ahmett and Tita Salina, which crystallised in the hydrospheric spatiality between Batam, the Indonesian island closest to Singapore, and the undulating maritime borders between the two countries. The work revolves around a nostalgic longing for the Lion City. Following the free movement of sea waves across the Straits of Malacca, the performance addresses archipelagic histories and the impact of global economic development.<br /><br /></p>
<p><strong>The Current </strong><em><strong>Convening #3 Tabu / Tapu – Who Owns the Ocean?</strong><br /></em><strong><em>Rights of Cultures, Rights of Nature: Case Studies </em>by Dr Cresantia Frances Koya Vaka’uta, Director, Oceania Centre for Arts, and Dr Cynthia Chou, Professor, Department of Anthropology, University of Iowa<br /></strong>27 January 2018</p>
<p><em>Rights of Cultures, RIghts of Nature</em> features case studies that position oceanic spaces as charged relational spaces. Dr Cresantia Frances Koya Vaka’uta’s exposition on <em>tabu/tapu </em>– the Fijian indigenous practice of taboo – outlines the relationality between environment and peoples, complicated by histories of colonial extractivism and the globalising project of cultural and environmental commodification. Dr Cynthia Chou brings these relationalities closer to home with a study of the <em>Orang Suku Laut</em> of the Riau archipelago. The practices of oceanic indigenous communities presented explore how a tidalectic way of living can inform modes of engagement with the hydrosphere, challenge conceptions of land-based embeddedness, and contribute to a vision of fluid futures.<br /><br /></p>
<p><strong>#4: <em>Summoning Spectres: Historiography as Hauntology</em></strong></p>
<p>This month’s curated selection of NTU CCA Singapore’s past programmes draws on Jacques Derrida’s concept of hauntology – the return or persistence of elements from the past manifesting as ghosts and apparitions. – Summoning Spectres: Historiography as Hauntology speaks to the remnants of personal and collective cultural memory incompletely erased by imperial and colonial violence. These traces of erasure remain inscribed in post-Cold War regional histories and embedded in their lexicon and legacy. Using historiography as a method of inquiry, this playlist showcases the ways in which curator Dr June Yap, artists Sung Tieu, Amy Lien, and Enzo Camacho approach the subjectivation of colonial spectres through their practices, to surface historical narratives of oppression and to summon the ghosts of lost futures.<br /><br /></p>
<p><strong>Symposium: Ghosts and Spectres – Shadows of History</strong><br /><strong><em>In the Interest of Time </em>by Dr June Yap, Director of Curatorial Programmes and Publications, Singapore Art Museum</strong></p>
<p>28 October 2017</p>
<p>Through a survey of historiographical works by artists Nguyen Trinh Thi and Ho Tzu Nyen, Dr June Yap addresses how cinematic works engage their medium specificity in a play of historical phantoms and repressed collective memories. These works contribute to a broader artistic tradition involving the subjectivation of histories, which is at its heart a process of self-determination: “in subjectivation there is constitution — the constitution of the self and or an identity… as a rising, as produced or perpetuated… as temporal, as arising from relations, as produced in a struggle”. As Yap aptly phrases, “in temporal consciousness, an identity is arrived.”<br /><br /></p>
<p><strong>Residencies Insights: <em>Two Worlds, Four Spirits</em> by Sung Tieu, Former Artist-in-Residence</strong></p>
<p>3 December 2019</p>
<p>Central to the artistic practice of Sung Tieu is a personal experience of migration from Vietnam to Germany, which impels her to address Post-Cold War histories and the multiple negotiations that underpin a diasporic identity haunted by the spectres of French colonialism in Vietnam and Cold War military violence during the American-Vietnam wars. In this talk, the artist discusses recent projects — <em>Memory Dispute</em> (2017), <em>Coral Sea As Rolling Thunder</em> (2017), <em>Remote Viewing</em> (2017) and <em>Loveless</em>(2019) — which variously employ text, performance, installation, moving image, and sound to convey a sense of dislocation while offering deliberate interventions into canonical readings of history.</p>
<p><strong>Behind the Scenes: On Alfonso Ossorio’s <em>Angry Christ</em> mural by artists Amy Lien and Enzo Camacho </strong></p>
<p>1 December 2018</p>
<p>In this talk, collaborating artists Amy Lien and Enzo Camacho present their research on the Filipino-American modernist painter, Alfonso Ossorio (1916–1990), focusing on his 1950 mural, <em>Angry Christ</em>. For the artists, this mural, located in the province of Negros Occidental, the “sugar bowl of the Philippines”, is a “multivalent cipher”. When it is decoded, spectres of sixteenth century Spanish colonial violence — from the accorded name “Negros” to enforced religious, economic, and environmental functions — and the ghosts of indigenous people who were displaced or exterminated materialise. Lien and Camacho question whether the <em>Angry Christ</em> can be “radically reprogrammed” from the specific and highly privileged subjectivity of Ossorio, its maker, and the Ossorio family’s sugar dynasty, its commissioning patron.</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
4 April - 27 September 2020
Contributor
An entity responsible for making contributions to the resource
Isaac Julien
Mark Nash
Stefano Harney
Škart
Bojana Piškur
Timothy Murray
Zarina Muhammad
Stefania Rossett
Vivian Wang
Eric Lee
Tini Aliman
Brigitte van der Sande
Ade Darmawan
Shubigi Rao
Melati Suryodarmo
Philippe Pirotte
Tita Salina
Irwan Ahmett
Cresantia Frances Koya Vaka’uta
Cynthia Chou
June Yap
Sung Tieu
Amy Lien
Enzo Camacho
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Geopolitics
Decolonialism
Identifier
An unambiguous reference to the resource within a given context
<a href="https://vimeo.com/showcase/7098739">Alignments from the Archive video collection</a>
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
IdeasCity Singapore’s residency and public program will examine the urgency of solidarity structures in negating climate change and its impact on Southeast Asia and communities worldwide.
Programme Type
Discussion - Conversation
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU CCA Ideas Fest: Discussion by Shumon Basar, Heman Chong, Vere van Gool, Charles Lim, and Zarina Muhammad on sovereignty and indigenous contexts
Description
An account of the resource
NTU Centre for Contemporary Art Singapore and the New Museum are pleased to announce participants and collaborators for the second edition of the NTU CCA Ideas Fest, IdeasCity Singapore, guest-curated by IdeasCity, taking place in Singapore and across Southeast Asia from February 15 to 22, 2020. <br /><br />Building upon the NTU CCA Singapore’s research theme Climates. Habitats. Environments. and IdeasCity’s exploration of the role of art and culture beyond the walls of the museum, IdeasCity Singapore’s residency and public program will examine the urgency of solidarity structures in negating climate change and its impact on Southeast Asia and communities worldwide.
Date
A point or period of time associated with an event in the lifecycle of the resource
2020-02-22
Contributor
An entity responsible for making contributions to the resource
Shumon Basar
Heman Chong
Vere van Gool
Charles Lim
Zarina Muhammad
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Indigenous Knowledge
History
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Zarina Muhammad will weave together research threads and aesthetic strategies that underpin the main projects she developed in the past year
Programme Type
Talk and Lecture
Programme Series
Residencies Studio Sessions
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies Studio Sessions: <em>Revisiting the Penunggu* and the Demon Naga at the Threshold</em> by Zarina Muhammad
Description
An account of the resource
Claiming the role of the artist as “cultural ventriloquist” who lends multiple voices to spectral matters and speculative histories, for this talk Zarina Muhammad will weave together research threads and aesthetic strategies that underpin the main projects she developed in the past year: <i>Talismans for Peculiar Habitats, Pharmacopeias for Accredited Agents of Poisoning and Apotropaic Texts, and Pragmatic Prayers for the Kala at the Threshold</i>. The artist will unpack the polyphonic narratives embedded in her installations and expand upon her long-term engagement with Austronesian cosmologies, guardian spirits, non-conforming bodies, and memory lapses occurring in the cultural shifts from pre-colonial to post-colonial times. <br /><br />The talk will take place in the artist’s studio. <br /><br /><i>* Penunggu</i> refers to the spirit that guards, supervises, or protects a particular place, region, nation, age group, country, culture, or occupation. It is believed that it can be protective, benign or malevolent. Though not entirely synonymous with the Kala, the gate guardian in sacred architectures, the penunggu is also a guardian of spaces. The root word of ʻpenungguʼ is derived from the Malay word ʻtungguʼ, which means ʻto waitʼ.
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-09-05
Contributor
An entity responsible for making contributions to the resource
Zarina Muhammad
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Supernatural
Mythology
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Audiences participate in a breathing exercise led by Chloe Chotrani.
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Becca D’Bus interviews Fellows Pati Sayuri, Francisco Brown, Angela Mayrina, Kar-men Cheng, Calvin Chua, and John Kenneth Paranada.
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Discussion by Shumon Basar, Heman Chong, Vere van Gool, and Charles Lim, courtesy NTU CCA Singapore, 2020.
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Residency Fellows reflect on IdeasCity Singapore at NTU CCA Singapore. Image credit Kee Ya Ting, 2020.
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Rhada La Bia “Midnight Masala” performance at NTU CCA Singapore, 2020.
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Screening of video work by Rindon Johnson, NTU CCA Singapore. Images credit Kee Ya Ting, 2020.
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Led by Fellow Chloe Chotrani, a group of Fellows wraps up the day with a movement exercise outdoors, Singapore, 2020.
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Crit presentations by Fellows, Pati Sayuri, 2020.
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Jennifer Teo discusses the cultural history of Bukit Brown cemetery, Singapore, 2020
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Fellows on Pulau Ubin, Singapore 2020.
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Fellows work together at NTU CCA Singapore, 2020.
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Objects and materials used in Zarina Muhammad’s “Conjuring Ourselves as Ghosts” workshop at NTU CCA Singapore, 2020
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Exhibitions
Description
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NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Related Countries
Singapore
Short Description
Building upon the NTU CCA Singapore’s research theme Climates. Habitats. Environments. and IdeasCity’s exploration of the role of art and culture beyond the walls of the museum, IdeasCity Singapore’s residency and public program will examine the urgency of solidarity structures in negating climate change and its impact on Southeast Asia and communities worldwide.
Exhibition Mode
Festival
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Online
Exhibition Start Date
2020-02-15
Exhibition End Date
2020-02-22
Collaboration
Yes
Commissioned Work
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
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Title
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Ideas Fest 2020
Subject
The topic of the resource
Climate Crisis
Ecology
Sustainability
Description
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<p>NTU Centre for Contemporary Art Singapore and the New Museum are pleased to announce participants and collaborators for the second edition of the<span> </span><strong>NTU CCA Ideas Fest</strong>,<span> </span><strong>IdeasCity Singapore</strong>, guest-curated by IdeasCity, taking place in Singapore and across Southeast Asia from February 15 to 22, 2020.</p>
<p>Building upon the NTU CCA Singapore’s research theme<span> </span><em>Climates. Habitats. Environments.</em><span> </span>and IdeasCity’s exploration of the role of art and culture beyond the walls of the museum, IdeasCity Singapore’s residency and public program will examine the urgency of solidarity structures in negating climate change and its impact on Southeast Asia and communities worldwide.</p>
<p>Twenty practitioners have been selected from an international open call for the residency program at the NTU CCA Singapore to develop independent research at the intersection of art and ecology. Throughout the residency, participants will engage in workshops and lectures presented by local artists, practitioners, and community leaders<span>, including </span><strong>Heman Chong</strong><span>, </span><strong>Lynette Chua</strong><span>, </span><strong>Drama Box</strong><span>, </span><strong>Charles Lim</strong><span>, </span><strong>Zarina Muhammad</strong><span>, and </span><strong>Post-Museum</strong><span>, along with organizations such as </span><strong>New Naratif</strong><span>, </span><strong>The Projector</strong><span>, </span><strong>Singapore Community Radio</strong><span>, </span><strong>soft/WALLS/studs</strong><span>, and </span><strong>The Substation</strong><span>.</span><br /><br /></p>
<p>Residency Fellows include:<span> </span><strong>Francisco Brown</strong><span> </span>(United States),<span> </span><strong>Jane Chang Mi<span> </span></strong>(United States),<strong><span> </span>Kar-men Cheng<span> </span></strong>(Singapore),<strong><span> </span>Lingying Chong<span> </span></strong>(Singapore),<strong><span> </span>Chloe C. Chotrani<span> </span></strong>(Philippines/Singapore),<strong><span> </span>Calvin Chua<span> </span></strong>(Singapore), <strong>Fataah T. Dihaan</strong><span> </span>(United States),<span> </span><strong>ila<span> </span></strong>(Singapore),<strong><span> </span>Heider Ismail<span> </span></strong>(Singapore),<strong><span> </span>Lily Kwong</strong><span> </span>(United States),<span> </span><strong>Clarissa Ai Ling Lee<span> </span></strong>(Malaysia),<strong><span> </span>Michelle Lai<span> </span></strong>(Singapore),<strong><span> </span>Kwan Q Li<span> </span></strong>(Hong Kong),<strong><span> </span>Angela Mayrina<span> </span></strong>(Indonesia/United Kingdom),<strong><span> </span>John Kenneth Paranada<span> </span></strong>(Philippines/United Kingdom),<strong><span> </span>Patricia Sayuri<span> </span></strong>(Japan/Brazil),<strong><span> </span>Pen Sereypagna</strong><span> </span>(Cambodia),<span> </span><strong>Shahmen Suku<span> </span></strong>(Singapore/Australia),<strong><span> </span>Ruby Thiagarajan<span> </span></strong>(Singapore),<strong><span> </span>Dat Vu<span> </span></strong>(Vietnam), <strong>Nikan Wasinondh (Bow) </strong>(Thailand) and<strong> Jason Wee<span> </span></strong>(Singapore). For more information please visit: <a href="http://www.ideas-city.org/">http://www.ideas-city.org</a>.<br /><br /></p>
<p>On February 22, 2020 at NTU CCA Singapore, IdeasCity Singapore will present and broadcast a series of dialogues between local and international artists and community leaders on topics including food sovereignty (<b>Angela Dimayuga</b><span> </span>and<span> </span><b>Emeka Ogboh</b>), underground archives (<b>Heman Chong</b><span> </span>and<span> </span><b>Monica Narula</b><span> </span>of Raqs Media Collective), image and power (<b>Ho Rui An</b><span> </span>and<span> </span><b>Shumon Basar</b>), ecofeminism (<b>Marwa Arsanios</b>), and traces of migration (<b>Kunlé Adeyemi</b>,<span> </span><b>Eleena Jamil</b>,<span> </span><b>Bouchra Khalili<span> </span></b>and<span> </span><b>Alfian Sa’at</b>). A sequence of debate circles will examine the roles of solidarity and speculation in addressing climate injustice, featuring interdisciplinary perspectives from speakers such as<span> </span><b>Becca D’Bus</b>,<span> </span><b>Kirsten Han</b>,<span> </span><b>Prasoon Kumar</b><span> </span>and<span> </span><b>Zarina Muhammad</b>.</p>
<p>Workshops and conversations facilitated by Bakudapan Food Study Group and a presentation of new VR work by artist<span> </span><b>Rindon Johnson</b><span> </span>will invite select audiences to engage directly with artists envisioning pathways to equitable and sustainable futures. The programme will also feature screenings, showings, and remarks by performance artist<span> </span><b>ila</b><span> </span>and Digital Minister of Taiwan,<span> </span><b>Audrey Tang</b>.</p>
<p>Responding to the context of climate crisis, in which artists, activists, and scholars around the world are working today, IdeasCity Singapore will include a series of programmes across Southeast Asia in collaboration with<span> </span><strong>The Forest Curriculum</strong><span> </span><strong>and </strong><strong>Nomina Nuda (Los Baños, Philippines)</strong>,<span> </span><strong>Malaysia Design Archive (Kuala Lumpur, Malaysia)</strong>,<span> </span><strong>House of Natural Fiber (Yogyakarta, Indonesia)</strong>,<span> </span><strong>The Land (Chiang Mai, Thailand)</strong>, <strong>Sàn Art (Ho Chi Minh City, Vietnam)</strong><span> </span>and<span> </span><strong>Harvard’s Graduate School of Design</strong><span> </span><strong>(Boston, United States)</strong>.</p>
<p>Facilitated by IdeasCity and workshopped at NTU CCA Singapore with an advisory council of Singaporean community members whose work exemplifies equitable practices, a community agreement was developed that details best practices for achieving an accountable, sustainable, and authentic collaboration in Singapore.<br /><br /><strong><u>Programme on 22 February 2020</u></strong><span> </span><br />10.00am<br />Start and Finish by<span> </span><b>Ute Meta Bauer</b><span> </span>and<span> </span><strong>Vere van Gool</strong><br />10.15am<br />Dialogues by<span> </span><strong>Shumon Basar</strong><span> </span>and<span> </span><strong>Ho Rui An</strong><span> </span>on capitalism and the extreme self<br />11.00am<br />Lecture by<span> </span><strong>Kirsten Han</strong><span> </span>on emergent medias and speech<br />11.20am<br />Film screening by<span> </span><strong>ila</strong><br />12.00pm<br />Presentation by<span> </span><strong>Heman Chong</strong><span> </span>on archives as commons<br />12.15pm<br />Lecture Screening by<span> </span><strong>Marwa Arsanios</strong><span> </span>on ecofeminism and community<br />1.00pm<br />Presentation by<span> </span><strong>Monica Narula</strong><span> </span>on submarine horizons<br />1.30pm<br />Performance by<span> </span><strong>Radha</strong><span> </span>“Midnight Masala”<br />1.55pm<br />Hologram lecture by<span> </span><strong>Audrey Tang</strong><br />2.00pm<br />Conversation between<span> </span><strong>Becca D’Bus</strong><span> </span>and Fellows on solidarity with nature<br />3.00pm<br />Discussion by<span> </span><strong>Shumon Basar</strong>,<span> </span><strong>Heman Chong</strong>,<span> </span><strong>Vere van Gool</strong>,<span> </span><strong>Charles Lim</strong>, and<span> </span><strong>Zarina Muhammad</strong><span> </span>on sovereignty and indigenous contexts<br />4.00pm<br />Lecture by<span> </span><strong>Emeka Ogboh</strong><span> </span>on food diasporas<br />4.15pm<br />Reading by<span> </span><strong>Alfian Sa’at</strong><span> </span>on the poetics of migration<br />4.30pm<br />Presentations by<span> </span><strong>House of Natural Fiber</strong><span> </span>and the<span> </span><strong>Land Foundation</strong><span> </span>on strategies for combatting climate change<br />5.00pm<br />Video Presentation by<span> </span><strong>Angela Dimayuga</strong><span> </span>on culture and cookbooks<br />5.10pm<br />Discussion by<span> </span><strong>Ute Meta Bauer</strong>,<span> </span><strong>Vanessa Ho</strong>, and<span> </span><strong>Prasoon Kumar</strong><span> </span>on trust networks and sustainability<br />6.00pm<br />Kitchen Mapping Workshop by<span> </span><strong>Bakudapan Food Study Group</strong><br />6.30pm<br />VR Demo by<span> </span><strong>Rindon Johnson</strong><span> </span>on speculative futures<br />7.00pm<br />Roundtable by Fellows<br />7.45pm<br />Live Music by<span> </span><strong>Bani Haykal</strong><br />8.00pm<br />Lecture Screenings by<span> </span><strong>Kunlé Adeyemi</strong>,<span> </span><strong>Eleena Jamil</strong>, and<span> </span><strong>Bouchra Khalili</strong><span> </span>on the poetics of migration<br />10.00pm<br />Start and Finish by<span> </span><strong>Ute Meta Bauer</strong><span> </span>and<span> </span><strong>Vere van Gool<br /></strong></p>
<p><strong></strong>NTU CCA Ideas Fest 2020 is guest-curated by IdeasCity, New Museum, New York.<strong><br /></strong></p>
Contributor
An entity responsible for making contributions to the resource
Heman Chong
Lynette Chua
Drama Box
Charles Lim
Zarina Muhammad
Post-Museum
New Naratif
The Projector
Singapore Community Radio
soft/WALLS/studs
The Substation
Francisco Brown
Jane Chang Mi
Kar-men Cheng
Lingying Chong
Chloe C. Chotrani
Calvin Chua
Fataah T. Dihaan
ila
Heider Ismail
Lily Kwong
Clarissa Ai Ling Lee
Michelle Lai
Kwan Q Li
Angela Mayrina
John Kenneth Paranada
Patricia Sayuri
Pen Sereypagna
Shahmen
Ruby Thiagarajan
Dat Vu
Suku
Nikan Wasinondh
Jason Wee
Ho Rui An
Shumon Basar
Angela Dimayuga
Emeka Ogboh
Monica Narula
Marwa Arsanios
Kunlé Adeyemi
Eleena Jamil
Bouchra Khalili
Alfian Sa’at
Becca D’Bus
Kirsten Han
Prasoon Kumar
Ute Meta Bauer
Ideas City
Vere Van Gool
Bani Haykal
Rindon Johnson
Bakudapan Food Study Group
Vanessa Ho
House of Natural Fiber
Land Foundation
Audrey Tang
Radha
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia