Browse Items (12 total)

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For the past decade, Zarina Muhammad has embarked on a multidisciplinary research that explores magico-religious belief systems, ritual practices, and sacred sites. The various embodiments of her work, which engage broader contexts of myth-making,…

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NTU Centre for Contemporary Art Singapore and the New Museum are pleased to announce participants and collaborators for the second edition of the NTU CCA Ideas Fest, IdeasCity Singapore, guest-curated by IdeasCity, taking place in Singapore and…

Claiming the role of the artist as “cultural ventriloquist” who lends multiple voices to spectral matters and speculative histories, for this talk Zarina Muhammad will weave together research threads and aesthetic strategies that underpin the main…

NTU Centre for Contemporary Art Singapore and the New Museum are pleased to announce participants and collaborators for the second edition of the NTU CCA Ideas Fest, IdeasCity Singapore, guest-curated by IdeasCity, taking place in Singapore and…

In this period of solidarity, the Centre brings forth a collection of archival videos, featuring lectures, conversations, and discussions that relate to themes of decolonisation, legacies of colonialism, and post-war independence movements explored…

5 Sep 2019, Thu 07:00 PM - 08:30 PM Claiming the role of the artist as “cultural ventriloquist” who lends multiple voices to spectral matters and speculative histories, for this talk Zarina Muhammad will weave together research threads and aesthetic…

22 Sep 2017, Fri 07:30 PM - 09:00 PM The Single Screen, Block 43 Malan Road Therianthropy, the mythological ability of humans to metamorphose into other animals through shapeshifting, has marked myth and folklore across cultures and times, remaining…

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Published by NTU CCA Singapore and The MIT Press, 2022 Edited by Ute Meta BauerDesign by mono.studioPrinted by DZA Druckerei zu Altenburg GmbH© 2022 the artists, the authors, NTU Centre for Contemporary Art Singapore, Nanyang Technological…

Jana Winderen, Listening Through the Dead Zones, 2021, 2-channel sound installation, 22 min 54 sec, on loop. Photo by Kee Ya Ting.
From its first iteration in 2013, Free Jazz has pushed boundaries and expanded upon pressing concerns of our times. Free Jazz IV. Geomancers continues this approach, featuring artworks ranging from virtual reality to video, performance, and sound as…
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