Residencies OPEN as part of Art Day Out! at Gillman Barracks
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Artistic+Research">Artistic Research</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Architecture">Architecture</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ways+of+Seeing">Ways of Seeing</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Heritage">Cultural Heritage</a>
<div class="event_single_dates text__residencies">19 Mar 2016, Sat 2:00pm - 7:00pm</div>
<div class="event_single_venue">Studios, Blocks 37 & 38 Malan Road<br /><br /><strong>Residencies: <em>OPEN</em></strong><span> offers a rare insight into the often introverted sphere of the artists’ studio. Through showcasing discussions, performances, research and works-in-progress, Residencies: </span><em>OPEN</em><span>profiles the diversity of contemporary art practice and the divergent ways artists conceive artwork with the studio as a constant space for experimentation and contemplation.</span><br /><span style="text-decoration:underline;"><strong><br />Zul Mahmod, Block 37, Studio #01-01</strong></span><br /><strong>Zul Mahmod</strong><span>’s (Singapore) practice investigates the aural architecture of spaces in order to explore the emotional, behavioural and visceral responses of its inhabitants. While in residence, Zul will explore the aural relationship between readymade sound sculptures and the architecture of space. Sonic characteristics, forms and textures of everyday objects will be examined in order to compose an orchestra of sonic sculptures.</span><br /><p><span style="text-decoration:underline;"><strong><br />Guo-Liang Tan, Block 37, Studio #01-03</strong></span><br />How does one speak of abstraction and what can the abstract say? As part of his residency, <strong>Guo-Liang Tan</strong> (Singapore) has initiated a number of conversations with other artists, writers and curators around the operation of abstraction as an artistic strategy today. This panel will gather part of this ongoing investigation to situate abstraction beyond its usual formal discourse and reconsider its relevance to the fields of semiotics, socio-politics and phenomenology. Tan is a visual artist working primarily in painting and text. In his work, the painterly and the textual act as surfaces for performing affect that can conjure a haunting or a promise.</p>
<p>Moderated by <strong>Guo-Liang Tan</strong>, speakers include <strong>Dr Kevin Chua</strong>, art historian; <strong>Joleen Loh</strong>, Assistant Curator, National Gallery Singapore; and <strong>Ian Woo</strong>, artist.<br /><br /><span><strong><span style="text-decoration:underline;">Saleh Husein, Block 37, Studio #01-04</span><br /></strong></span><strong>Saleh Husein</strong><span>’s (Indonesia) current research looks at Arabic descendants in Indonesia. This research crosses borders between art, politics, economy, and also science and centres around how they see themselves in the contemporary. Through themes of identity, transition and journeys, he is exploring the story of the Arabic society in Singapore, seeking artefacts and archives that look at the relationship and histories between the two groups from the perspective of its citizens. Husein will present new work developed whilst in residence at NTU CCA Singapore that considers the temporality and asynchrony of migration.</span><br /><br /><span style="text-decoration:underline;"><strong>Zac Langdon-Pole, Block 38, Studio #01-05</strong></span><br /><strong>Zac Langdon-Pole</strong><span>’s (New Zealand) work straddles cross-cultural experience and with it he seeks to investigate procedures of cultural exchange. The implications of such investigations are to reveal often overlooked, lyrical relationships between broader socio-cultural processes, objects, images and individual people. Langdon-Pole will present the film, </span><em>Pieces of 8</em><span> (2015), which depicts a yellow canary bird in a cage. The film references the historical usage of canaries in mining, where they would accompany miners in a small cage, their death serving as a warning signal if conditions became unsafe to consider broader notions of danger or anxiety.<br /><br /><span style="text-decoration:underline;"><strong>Dennis Tan, Block 38, Studio #01-07</strong></span><br /><strong>Dennis Tan</strong> (Singapore) will present the work-in-progress construction of a traditional Indonesian <em>Kolek</em> sailboat. Through construction of the boat, Tan will investigate ideas of self-organisation and the transmission of skills and knowledge through generations of oral history in the Riau Archipelago and how this enables the continuity of cultural communities. Tan’s practice suspends conceptualism, tinkers with found objects and the environment as a gestural structure upon which the loop closes with the behaviour of its recipients. To date, this inclination sets the tone of his evolving practice.</span></p>
</div>
2016-03-19
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Zul+Mahmod">Zul Mahmod</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Guo-Liang+Tan">Guo-Liang Tan</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Saleh+Husein">Saleh Husein</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Zac+Langdon-Pole">Zac Langdon-Pole</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dennis+Tan">Dennis Tan</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Kevin+Chua">Kevin Chua</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Joleen+Loh">Joleen Loh</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ian+Woo">Ian Woo</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Asia">Asia</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Oceania">Oceania</a>
Mapletree–NTU CCA Singapore Public Art Education Programme
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Public+Art">Public Art</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Public+Sphere">Public Sphere</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Education">Education</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Performance">Performance</a>
To mark the beginning of the Mapletree-NTU CCA Singapore Public Art Education Programme, Singaporean artist Zulkifle Mahmod will activate his work Sonic Pathway (2017), a commissioned work that is part of the Programme, inviting the audience to experience a multi-layered sound performance. Mahmod adopts different approaches to the medium by using recorded natural sounds as well as his own electronic compositions. The performance will be followed by a conversation with the artist.
2018-08-16
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Edmund+Cheng">Edmund Cheng</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Zulkifle+Mahmod">Zulkifle Mahmod</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Zul+Mahmod">Zul Mahmod</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Khim+Ong">Khim Ong</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Sophie+Goltz">Sophie Goltz</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Video">Video</a>
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Mapletree–NTU CCA Singapore Public Art Education Programme
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Public+Art">Public Art</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Public+Sphere">Public Sphere</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Performance">Performance</a>
<div class="event_single_dates text__research">16 Aug 2018, Thu 05:30 PM - 08:00 PM</div>
<div class="event_single_venue">Sonic Pathway Installation, 80 Mapletree Business City II</div>
<br />To mark the beginning of the Mapletree-NTU CCA Singapore Public Art Education Programme, Singaporean artist <strong>Zulkifle Mahmod</strong> will activate his work <i>Sonic Pathway</i> (2017), a commissioned work that is part of the Programme, inviting the audience to experience a multi-layered sound performance. Mahmod adopts different approaches to the medium by using recorded natural sounds as well as his own electronic compositions. The performance will be followed by a conversation with the artist. <br /><br />Mapletree–NTU CCA Singapore Public Art Education Programme includes regular guided tours, public events, educational materials, seminars, and conferences until September 2019.<br /><br /><span>5.45pm Welcome by </span><strong>Edmund Cheng</strong><span>, Chairman Mapletree Investments</span><br /><span>6.00pm Sound Performance by </span><strong>Zulkifle Mahmod</strong><br /><span>7.00pm Artist Talk</span><br /><span>7.30pm Guided Tour MBC II Art Trail by </span><strong>Khim Ong </strong><span>and</span><strong> Sophie Goltz</strong>
2018-08-16
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Zulkifle+Mahmod">Zulkifle Mahmod</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Zul+Mahmod">Zul Mahmod</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Edmund+Cheng">Edmund Cheng</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Khim+Ong">Khim Ong</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Sophie+Goltz">Sophie Goltz</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Culture City. Culture Scape.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Urbanism">Urbanism</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Public+Art">Public Art</a>
<p class="paragraph"><span class="normaltextrun">Published by NTU CCA Singapore, 2021<b><br /></b></span><span class="normaltextrun">Edited by Ute Meta Bauer, Sophie Goltz, and Khim Ong</span><span class="eop"><br /></span><span class="normaltextrun">Design by Studio Vanessa Ban</span><span class="eop"><span lang="en-gb"><br />© 2021 by NTU Centre for Contemporary Art Singapore</span></span></p>
<p class="paragraph"><span class="normaltextrun">I</span><span class="normaltextrun">SBN: 978-981-14-4377-0</span><span class="eop"><br /></span><span class="normaltextrun">Distributed by NUS Press (Asia Pacific and the Americas)</span><span class="scxw153350797"><span lang="en-gb"> </span></span><span lang="en-gb"><br /></span><span class="normaltextrun">Copies are available for sale at NTU CCA Singapore and through NUS Press</span><span class="eop"><span lang="en-gb"><br /></span></span><span class="normaltextrun">S$28</span></p>
<p><span class="normaltextrun">Works of art presented in public spaces are increasingly viewed from the perspective of place-making, a holistic approach that engages the diverse functions of a location and its wider context. As a practice, place-making integrates urban planning, landscape architecture, and cultural management.</span></p>
<p class="paragraph"><span class="normaltextrun"><i>Culture City. Culture Scape.</i><span> </span>documents a major public art commission for a newly designed business park in Singapore, Mapletree Business City II, featuring works by international and local artists<span> </span><b>Dan Graham</b>,<span> </span><b>Tomás Saraceno</b>,<span> </span><b>Yinka Shonibare CBE</b>, and<span> </span><b>Zul Mahmod</b>, which draw upon regional histories and urban politics.</span></p>
<p class="paragraph"><span class="normaltextrun">The curators’ conversations with the artists and with<span> </span><b>Edmund Cheng</b>, Chairman of Mapletree Investments Pte Ltd, as well as reflective essays on the development process and the potential of art in public spaces, lend context on the multiple points of view that must be reconciled to create meaningful public spaces and explore the role art can play in public education and social corporate investment.</span></p>
NTU CCA Singapore
2021
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ute+Meta+Bauer">Ute Meta Bauer</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Edmund+Cheng">Edmund Cheng</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Sophie+Goltz">Sophie Goltz</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Khim+Ong">Khim Ong</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Tom%C3%A1s+Saraceno">Tomás Saraceno</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yinka+Shonibare+CBE">Yinka Shonibare CBE</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dan+Graham">Dan Graham</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Zul+Mahmod">Zul Mahmod</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Tomas+Saraceno">Tomas Saraceno</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Mapletree+Investments+Pte+Ltd">Mapletree Investments Pte Ltd</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=NUS+Press%C2%A0Pte+Ltd">NUS Press Pte Ltd</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Studio+Vanessa+Ban">Studio Vanessa Ban</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Zulkifle Mahmod
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Architecture">Architecture</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Nature">Nature</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Public+Art">Public Art</a>
Formally trained in sculpture, Zul Mahmod has continued to build and expand his practice over the last three years to include sculpted sound and live sound performances. Zul’s practice investigates the aural architecture of spaces in order to explore the emotional, behavioural and visceral responses of its inhabitants. While in residence, Zul will explore the aural relationship between readymade sound sculptures and the architecture of space. Sonic characteristics, forms and textures of everyday objects will be examined in order to compose an orchestra of sonic sculptures.
1 February – 17 June 2016
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Zul+Mahmod">Zul Mahmod</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Zulkifle+Mahmod">Zulkifle Mahmod</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Zulkifle Mahmod
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Public+Art">Public Art</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Zulkifle+Mahmod">Zulkifle Mahmod</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Zul+Mahmod">Zul Mahmod</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
<i>Four Practices</i>: Artist Resource Platform
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Artistic+Research">Artistic Research</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Regionalism">Regionalism</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Geopolitics">Geopolitics</a>
Unfolding over four weeks, the NTU CCA Singapore presents <i>Four Practices</i>, a display of resource material of current Artists-in-Residence. Showcasing publications, audio and visual documentation, <i>Four Practices</i> provides an entry point in understanding the artists’ diverse body of works and the complexity of their practices. <br /><br /><i>Four Practices</i> complements and expands on NTU CCA Singapore’s Artist Resource Platform, a growing collection of resource materials from more than 80 local and international artists, independent art spaces and NTU CCA Singapore’s Artists-in-Residence.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Haegue+Yang">Haegue Yang</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Zac+Langdon-Pole">Zac Langdon-Pole</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Zul+Mahmod">Zul Mahmod</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dennis+Tan">Dennis Tan</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Oceania">Oceania</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Asia">Asia</a>