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                <text>&lt;em&gt;Culture City. Culture Scape.&lt;/em&gt; Public Art Trail at Mapletree Business City II</text>
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                <text>&lt;p&gt;Our upcoming guided tour is an excellent way to get inspired and unwind in the company of art. Enjoy a well-deserved cup of coffee and snack while we walk you through the artworks nestled in the lush compounds of Mapletree Business City II (MBC II).&lt;/p&gt;
&lt;p&gt;Themed&lt;span&gt; &lt;/span&gt;&lt;em&gt;Culture City. Culture Scape.&lt;/em&gt;, this public art project, commissioned by Mapletree and curated by NTU CCA Singapore comprises works by internationally renowned artists&lt;span&gt; &lt;/span&gt;&lt;strong&gt;Dan Graham&lt;/strong&gt;&lt;span&gt; &lt;/span&gt;(United States),&lt;span&gt; &lt;/span&gt;&lt;strong&gt;Zulkifle Mahmod&lt;/strong&gt;&lt;span&gt; &lt;/span&gt;(Singapore),&lt;span&gt; &lt;/span&gt;&lt;strong&gt;Tomás Saraceno&lt;/strong&gt;&lt;span&gt; &lt;/span&gt;(Argentina/Germany), and&lt;span&gt; &lt;/span&gt;&lt;strong&gt;Yinka Shonibare&lt;/strong&gt;&lt;span&gt; &lt;/span&gt;(Nigeria/United Kingdom). Inspired by the idea of expanded sculptural environments, the artworks explore the interplay between landscape, architecture, and the broader social and economic environments they are placed in. More than being monumental or site-specific, each work alters or permeates its local context to invite visitors to a broader, richer engagement.&lt;/p&gt;
&lt;p&gt;For more information about our tours, please visit:&lt;span&gt; &lt;/span&gt;&lt;a href="http://www.mapletreearts.sg/"&gt;www.mapletreearts.sg&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;div class="event_single_dates text__research"&gt;16 Aug 2018, Thu 05:30 PM - 08:00 PM&lt;/div&gt;
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&lt;br /&gt;To mark the beginning of the Mapletree-NTU CCA Singapore Public Art Education Programme, Singaporean artist &lt;strong&gt;Zulkifle Mahmod&lt;/strong&gt; will activate his work &lt;i&gt;Sonic Pathway&lt;/i&gt; (2017), a commissioned work that is part of the Programme, inviting the audience to experience a multi-layered sound performance. Mahmod adopts different approaches to the medium by using recorded natural sounds as well as his own electronic compositions. The performance will be followed by a conversation with the artist. &lt;br /&gt;&lt;br /&gt;Mapletree–NTU CCA Singapore Public Art Education Programme includes regular guided tours, public events, educational materials, seminars, and conferences until September 2019.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;5.45pm Welcome by &lt;/span&gt;&lt;strong&gt;Edmund Cheng&lt;/strong&gt;&lt;span&gt;, Chairman Mapletree Investments&lt;/span&gt;&lt;br /&gt;&lt;span&gt;6.00pm Sound Performance by &lt;/span&gt;&lt;strong&gt;Zulkifle Mahmod&lt;/strong&gt;&lt;br /&gt;&lt;span&gt;7.00pm Artist Talk&lt;/span&gt;&lt;br /&gt;&lt;span&gt;7.30pm Guided Tour MBC II Art Trail by &lt;/span&gt;&lt;strong&gt;Khim Ong &lt;/strong&gt;&lt;span&gt;and&lt;/span&gt;&lt;strong&gt; Sophie Goltz&lt;/strong&gt;</text>
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                <text>Place.Labour.Capital., published by NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) and Mousse Publishing, connects cultural production and artistic research to broader political and social concerns, engaging readers with contemporary debates in Southeast Asia and beyond.&lt;br /&gt;&lt;br /&gt;The title of the book refers to the framework employed at NTU CCA Singapore in its first cycle of activities, from 2013 to March 2017, which took Singapore, the world’s second-largest trading port and the economic epicentre of Southeast Asia, as a point of departure to investigate the notion of place, the intersection between locality and the global, labour, and flows of capital.&lt;br /&gt;&lt;br /&gt;Unfolding across four broad sections of “The Making of an Institution,” “The Geopolitical and the Biophysical,” “Incidental Scripts,” and “Incomplete Urbanism,” this publication reads as an exhibition. Drawing connections across disciplines and merging theory with practice, Place.Labour.Capital. weaves together a constellation of different bodies of materials from essays, poetry, and fiction to artworks and documentation of the Centre’s past exhibitions.&lt;br /&gt;&lt;br /&gt;Richly illustrated, the publication brings together the voices of more than 80 contributors, from former Research Fellows such as Tony Godfrey (Philippines), Regina (Maria) Möller (Germany), T. K. Sabapathy (Singapore), Yvonne Spielmann (Germany), to former Artists-in-Residence including Tiffany Chung (Vietnam/United States), Amanda Heng (Singapore), Shooshie Sulaiman (Malaysia), Lee Wen (Singapore), and Yee I-Lann (Malaysia). Other contributions include those from the Centre’s exhibitions and public programmes such as artists, academics, and curators including Amar Kanwar (India), Lee Weng Choy (Malaysia), David Teh (Australia/Singapore), and June Yap (Singapore).&lt;br /&gt;&lt;br /&gt;This extensive publication “reminds us that institution building remains enormously significant as a means of opening up new spaces, claims, communities, dialogues, publics, and trajectories for critical artistic practice.” (Felicity D. Scott, Associate Professor Graduate School of Architecture, Planning and Preservation, Columbia University, New York)&lt;br /&gt;&lt;br /&gt;“Drawing together stories, voices, and thinking by leading artists and academics, Place.Labour.Capital. traces the invention of a remarkable model of an institution. The publication is an inspiration and a valuable tool to anyone trying to find ways of building releveant arts institutions for the future.” (Sally Tallant, Director, Liverpool Biennial)&lt;br /&gt;&lt;br /&gt;Place.Labour.Capital. takes a reflective look the art institution, and serves as a means to review the parameters of its own position in the present globalised art world and knowledge-production economies. &lt;br /&gt;&lt;br /&gt;The visual concept of the book was conceived by renowned Singapore design firm H55.</text>
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                <text>In partnership with Mapletree Investments Pte Ltd., &lt;i&gt;Culture City. Culture Scape.&lt;/i&gt; is a public art education programme launched in 2017. A first of its kind in Singapore, the programme features a series of newly commissioned public art works by &lt;b&gt;Dan Graham&lt;/b&gt;, &lt;b&gt;Zulkifle Mahmod&lt;/b&gt;, &lt;b&gt;Tomás Saraceno&lt;/b&gt; and &lt;b&gt;Yinka Shonibare CBE (RA)&lt;/b&gt;, nestled at Mapletree Business City II, and aims to bring the arts closer to the communities. &lt;br /&gt;&lt;br /&gt;Conceived as a research presentation at NTU CCA Singapore’s The Lab, &lt;i&gt;Art, Urban Change, and the Public Sphere&lt;/i&gt; engages with the making of the Public Art Trail at Mapletree Business City II in the context of Privately-Owned Public Spaces (POPS) together with other artistic and urban developments in Singapore. The works of the Public Art Trail by international renowned artists Dan Graham, Zulkifle Mahmod, Tomás Saraceno and Yinka Shonibare CBE (RA)are animated through augmented reality in a unique spatial setting. The presentation reflects on emerging discourses such as Future Asian Spaces or Art in the Public Sphere and situates the interconnectedness of cultural politics, urban developments and economic conditions in today’s Singapore. A same-titled Public Art Education Summit in October will reflect on the socio-poltical changes and challenges of Art in the Public Sphere with a focus on community engagement, social (corporate) responsibility, and new artistic approaches in an ever-expanding urban setting.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Contributors include: &lt;/span&gt;&lt;strong&gt;Lewis Biggs&lt;/strong&gt;&lt;span&gt;, Chairman, Institute for Public Art; &lt;/span&gt;&lt;strong&gt;Lilian Chee&lt;/strong&gt;&lt;span&gt;, Associate Professor &amp;amp; Deputy Head (academic), Department of Architecture, National University of Singapore; &lt;/span&gt;&lt;strong&gt;Connie Chester&lt;/strong&gt;&lt;span&gt;, Head of Research and Communication, Studio Tomás Saraceno; &lt;/span&gt;&lt;strong&gt;Heman Chong&lt;/strong&gt;&lt;span&gt;, artist; &lt;/span&gt;&lt;strong&gt;Speak Cryptic&lt;/strong&gt;&lt;span&gt;, artist; &lt;/span&gt;&lt;strong&gt;Priyageetha Dia&lt;/strong&gt;&lt;span&gt;, artist; &lt;/span&gt;&lt;strong&gt;Eileen Goh&lt;/strong&gt;&lt;span&gt;, Assistant Manager, Art-In-Transit; &lt;/span&gt;&lt;strong&gt;Jeremy Hiah&lt;/strong&gt;&lt;span&gt;, artist and founder, Your Mother gallery; &lt;/span&gt;&lt;strong&gt;Ruth Hogan&lt;/strong&gt;&lt;span&gt;, Studio Manager; &lt;/span&gt;&lt;strong&gt;Yinka Shonibare CBE (RA)&lt;/strong&gt;&lt;span&gt;; &lt;/span&gt;&lt;strong&gt;Kevin Hsiu&lt;/strong&gt;&lt;span&gt;, Assistant Director, Liveable Cities; &lt;/span&gt;&lt;strong&gt;Eileen Lee&lt;/strong&gt;&lt;span&gt;, Manager, Corporate Communications, Mapletree Investments; &lt;/span&gt;&lt;strong&gt;Vincent Lee&lt;/strong&gt;&lt;span&gt;, Principal Architectural Assistant, Art-In-Transit; &lt;/span&gt;&lt;strong&gt;Samantha Lo/SKL0&lt;/strong&gt;&lt;span&gt;, artist; &lt;/span&gt;&lt;strong&gt;Zulkifle Mahmod&lt;/strong&gt;&lt;span&gt;, artist; &lt;/span&gt;&lt;strong&gt;Khim Ong&lt;/strong&gt;&lt;span&gt;, independent curator; &lt;/span&gt;&lt;strong&gt;Seelan Palay&lt;/strong&gt;&lt;span&gt;, artist and founder, Coda Culture; &lt;/span&gt;&lt;strong&gt;Aurel von Richthofen&lt;/strong&gt;&lt;span&gt;, Senior Researcher, Singapore-ETH Centre SEC; &lt;/span&gt;&lt;strong&gt;Regina de Rozario&lt;/strong&gt;&lt;span&gt;, PhD candidate, NTU ADM; &lt;/span&gt;&lt;strong&gt;Peter Schoppert&lt;/strong&gt;&lt;span&gt;, Managing Director, National University of Singapore Press; &lt;/span&gt;&lt;strong&gt;Mustafa Shabbir&lt;/strong&gt;&lt;span&gt;, Senior Curator, National Gallery Singapore; &lt;/span&gt;&lt;strong&gt;Angela Tan&lt;/strong&gt;&lt;span&gt;, Assistant Director, Sector Development (Visual Arts), National Arts Council; &lt;/span&gt;&lt;strong&gt;Isaiah Tan&lt;/strong&gt;&lt;span&gt;, 3D Modeler; &lt;/span&gt;&lt;strong&gt;Ludovica Tomarchio&lt;/strong&gt;&lt;span&gt;, Research Assistant, Singapore-ETH Centre SEC; &lt;/span&gt;&lt;strong&gt;Ian Woo&lt;/strong&gt;&lt;span&gt;, artist; &lt;/span&gt;&lt;strong&gt;Robert Zhao&lt;/strong&gt;&lt;span&gt;, artist; Epigram Books; Lisson Gallery; DCA Architects,; Shma Company Limited,; Shimizu Corporation; and among others.&lt;/span&gt;</text>
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