Browse Items (610 total)

Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) is pleased to present the first solo exhibition in Southeast Asia by sound artist and composer Tarek Atoui, conceived as a composition that unfolds in space with its unique sound library…

Liang Shaoji, Lonely Cloud, 2016. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
NTU Centre for Contemporary Art Singapore is embarking on an inquiry into natural materials, exploring the knowledge they embody as biological forms as well as within social, geopolitical, and historical contexts.Trees of Life – Knowledge in Material…

Siah Armajani, Tomb for Arthur Rimbaud, 2016, painted balsa and aluminium, 48.26 x 39.37 x 39.37 cm. Siah Armajani: Spaces for the Public. Spaces for Democracy. (2019), NTU Centre for Contemporary Art Singapore, installation view.
Considered a leading figure in public art, Iranian-born artist Siah Armajani merges architecture and conceptual art in his sculptures, drawings, and public installations. Informed by democratic ideologies and inspired by American vernacular…

John Akomfrah, The Unfinished Conversation, 2012. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
Non-Aligned in the press! Read Stephanie Bailey’s article in Ocula and Object Lessons Space‘s interview with Dr Karin Oen, the Centre’s Deputy Director of Curatorial Programmes. The Unfinished Conversation (2012), John Akomfrah (United Kingdom), Two…

Trinh T. Minh-ha, A Tale of Love, 1995. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
“The making of each film transforms the way I see myself and the world. Once I start engaging in the process of making a film or in any artistic excursion, I am also embarking upon a journey whose point of arrival is unknown to me.”—Trinh T. Minh-ha…

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Unfolding over four weeks, the NTU CCA Singapore presents Four Practices, a display of resource material of current Artists-in-Residence. Showcasing publications, audio and visual documentation, Four Practices provides an entry point in understanding…

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As a genre of theatre that features exclusively women actors, Yeoseong Gukgeuk reached the peak of popularity in the 1950s and 1960s, its success being tightly intertwined with the process of modernisation of South Korea. While today it lingers on…

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Driven by his interest in exploring the conditions of the human body, multi-disciplinary artist Choy Ka Fai focuses his research on choreographic practices in
Asia. The wind that cuts the body presents his current investigation into Butoh, which…

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Since the establishment of the first human settlements in the late 19th century, the ecosystem of Christmas Island—a small volcanic outcrop in the Indian Ocean which was transferred from Singapore to Australia in 1958—underwent dramatic changes.…

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“To live and die well together in a thick present,” quotes the seminal text Staying with the Trouble: Making Kin in the Cthulhucene by Donna Haraway. In this text, Haraway responds to the rising sense of alarm surrounding ecological discourses on the…
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