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Dublin Core
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Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Passage to Dreamworld is a public programme held in conjunction with Passages, an exhibition of the second cycle of SEA AiR – Studio Residencies for Southeast Asian artists in the European Union. Featuring artists Priyageetha Dia (Singapore), Ngoc Nau (Vietnam) and Saroot Supasuthivech (Thailand) and their artworks Sap Sonic, Virtual Reverie: Echoes of a Forgotten Utopia and Spirit-forward in G Major, the exhibition is a culmination of their residencies in Europe.
Programme Type
Performance
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
Yes
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Performance: A Passage to Dreamworld
Subject
The topic of the resource
Performance
Technology
Description
An account of the resource
<p><strong><em>A Passage to Dreamworld </em></strong> <br />20 January 2024, 4.00 – 5.30pm<br />Blk 38 Malan Road, Gillman Barracks<br />Singapore 109441</p>
<p>This public programme will start punctually at 4.00pm. Please arrive at least 10min before time to secure a space. Admittance will be on a first-come-first-served basis. </p>
<p><strong><em>A Passage to Dreamworld</em></strong> is a public programme held in conjunction with <strong><em>Passages</em></strong>, an exhibition of the second cycle of SEA AiR – Studio Residencies for Southeast Asian artists in the European Union. Featuring artists <strong>Priyageetha Dia</strong> (Singapore), <strong>Ngoc Nau</strong> (Vietnam) and <strong>Saroot Supasuthivech</strong> (Thailand) and their artworks <strong><em>Sap Sonic</em></strong>, <strong><em>Virtual Reverie: Echoes of a Forgotten Utopia</em></strong> and <strong><em>Spirit-forward in G Major</em></strong>, the exhibition is a culmination of their residencies in Europe.<br /><br /><em><span>As an extension of the exhibition, </span>A Passage to Dreamworld<span> takes audiences through a performative journey into a liminal realm where reality and imagination intertwine. In creating a space where creative impulses take place, fresh perceptions can be formed to give way to new possibilities. </span><br /><br /></em>Priyageetha Dia will perform a reading from her work <em>Sonified Vision</em>, which looks into the sonification of visual material, accompanied with a live-mixing of sound samples from <em>Sap Sonic</em>. Ngoc Nau presents a two-channel projection drawn from additional footage alongside <em>Virtual Reverie: Echoes of a Forgotten Utopia</em>, and a sound performance on traditional Vietnamese instruments against a mix of soundtracks by her collaborator Dustin Ngo, a Vietnamese sound producer and instrumentalist. Saroot Supasuthivech’s video <em>The Ritual of Life and Music</em> shows the process of a Thai Buddhist monk making holy water and chanting the prayer Ratana Sutta, a sacred verse addressing the contemplation of the Triple Gem: Buddha, Dharma (the teachings), and Sangha (the monastic Buddhist community); followed by a live performance of <em>Sai Samon</em>, a Thai song featured in <em>Spirit-forward in G Major</em>, on the <em>khlui</em> (a Thai flute), by Thai musician Udom Kiattivikrai. </p>
<p>In view of the public programme that is held within the exhibition spaces, <em>Passages</em> will not be on view while the programme is ongoing.<br /><br /><strong>Singapore Art Week 2024 Late Night programme: <em>SPIRIT WORLD</em></strong><span> </span><br /><span>From 7.00pm till late </span><br /><span>Blk 38 Malan Road, #01-05, Singapore 109441</span><br /><br /><span>Responding to sounds from artist Priyageetha Dia’s </span><em>Sap Sonic</em><span>, DJs DIA.HRD (the artist herself), FATIMAH, C2AC and ALEEZON will perform a live mix evolving into free play as an activation of the exhibition space.</span><br /><br /><span>19:00 DIA.HRD</span><br /><span>20:00 FATIMAH</span><br /><span>21:00 ALEEZON</span><br /><span>22:00 C2AC</span><br /><br /><span>SPIRIT WORLD is a space for everyone, regardless of race, gender, sexual orientation, or background. This includes respecting personal space and boundaries. Discriminatory behaviour will not be tolerated.</span></p>
<p></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
20 January 2024
Contributor
An entity responsible for making contributions to the resource
Priyageetha Dia
Ngoc Nau
Nguyen Hong Ngoc
Saroot Supasuthivech
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Sound
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
NTU Centre for Contemporary Art Singapore presents the second-cycle exhibition of SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union (SEA AiR), a programme developed by NTU CCA Singapore and funded by the European Union. Titled Passages, this exhibition features new works by artists Priyageetha Dia (Singapore), Ngoc Nau (Vietnam) and Saroot Supasuthivech (Thailand), inspired by their three-month-long residencies in Europe.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Block 38
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
28 November 2023
Exhibition End Date
28 January 2024
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Singapore
Vietnam
Thailand
Germany
The Netherlands
Lithuania
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Passages
Subject
The topic of the resource
Decolonialism
Postcolonialism
Technology
Identity
Supernatural
Description
An account of the resource
<p><strong>NTU Centre for Contemporary Art Singapore</strong> presents the second-cycle exhibition of <strong>SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union (SEA AiR)</strong>, a programme developed by NTU CCA Singapore and funded by the European Union. Titled <strong><em>Passages</em></strong>, this exhibition features new works by artists <strong>Priyageetha Dia</strong> (Singapore), <strong>Ngoc Nau</strong> (Vietnam) and <strong>Saroot Supasuthivech</strong> (Thailand), inspired by their three-month-long residencies in Europe. </p>
<p>As part of the SEA AiR programme, Dia had undertaken her residency at <strong>Jan van Eyck Academie</strong> (Netherlands), Nau at <strong>Rupert</strong> (Lithuania) and Supasuthivech at<strong> Künstlerhaus Bethanien</strong><span> </span>(Germany) through the summer. Bringing back their experiences from diverse contexts in the EU to Singapore for this exhibition,<span> </span><em>Passages</em><span> </span>speaks of the artists’ journeys across geographical and cultural boundaries from one continent to another; the cultural exchanges that take place during this time; and the continuous development of ideas as they return to their home countries to create new works for the exhibition.<br /><br /><em><span>Employing new media technologies to aid their storytelling, each artist creates speculative narratives that traverse time and space, shifting between the past and present. While distinct in their artistic research and practices, their works evoke memories and explore meanings in liminal spaces, reverberating in their journey from one passage to the next.</span><br /><br /></em><strong>Priyageetha Dia’s</strong><span> </span>research interest lies in the plantations of Southeast Asia and their colonial histories, including those of migrant labour and structures of production and power. She explores gaps in historical records that are not only text-based, but also non-textual ones such as photographs, artefacts and oral interviews. Her four-channel sound installation<span> </span><strong><em>Sap Sonic</em></strong><span> </span>is a sonification of images from the photo album of the Sumatra Caoutchouc Company, a rubber planting company, from the archives of Rijksmuseum, Amsterdam. Beyond their visual representations, the images bear witness to the power dynamics between the coloniser and its labourers as well as the hierarchy between nature and machine. Reframing this landscape from a visual to a sonic one,<span> </span><em>Sap Sonic<span> </span></em>serves as an aural gateway to the plantations as it delves into the lived yet unspoken lives of those who work on and inhabit the plantations, both human and nonhuman. Accompanying the work,<span> </span><em>Sap Script</em><span> </span>is a text installation in white latex paint, referencing rubber sap, on a black, obsidian-like background. Its typeface echoes the slender and linear structure of rubber trees, distorted to resemble the waveform of sound waves. Through the intangible, unseen nature of sound, Sap Sonic probes aspects of the visual world; expanding the agentive possibilities of the uncounted and the underheard.<br /><br /><span>Upon her arrival in Vilnius, Lithuania, for her residency, </span><strong>Ngoc Nau</strong><span> was drawn to Soviet-era architectural elements in the city, such as the Soviet brutalist architecture of the Vilnius Palace of Concerts and Sports. She also became intrigued with the iconic image of a Lenin statue being removed, with its legs severed, from the city centre square in 1991. This imagery became a point of departure for her exploration into multifaceted aspects of post-Soviet realities in her own country. Portraying contemporary life amidst the remnants of socialist architecture and monuments using 3D animation and visual effects, Nau’s video installation, </span><strong><em>Virtual Reverie: Echoes of a Forgotten Utopia</em></strong><span>, demonstrates the transformative power of technology in reshaping our perceptions of reality. Central to the work is a constructed representation of the Vietnam-Soviet Friendship Palace of Culture and Labour in Hanoi, Vietnam, that serves as a stage for five hip-hop dancers embarking on a symbolic journey. As they interact with elements drawn from historical references in Vietnam and Lithuania, the dancers bridge the gap between historical artifacts and contemporary experiences. Echoing the ebb and flow of ideologies, their passage brings about new meanings when past memories evolve in the face of shifting landscapes.<br /><br /><strong>Saroot Supasuthivech’s</strong> multimedia installation,<strong><em> Spirit-forward in G Major</em></strong>, charts the transformative journey experienced by Thai expatriates in Germany, told through a metaphoric cycle of life, death and rebirth. The work’s narrative unfolds in four parts. “New Beginnings” uses therapeutic dialogues to depict the initial migrant experience. “A Surreal Interlude”, based on interviews conducted with Thai monks and nuns in Berlin, transports viewers into a realm of magic and mortality inspired by Grimm’s fairy tales. The third segment focuses on a Thai music score <em>Sai Samon</em>, the oldest documented. Finally, “A Glimpse Beyond” dives into a poetic meditation on death and the afterlife, told from the viewpoint of the deceased. This poignant culmination is an exploration into a liminal reality between the familiar and the surreal, encapsulating the interplay of tradition, adaptation and preservation within an evolving cultural landscape.</span></p>
<div class="wp-block-image">
<p><em>Passages </em>will be held through Singapore Art Week 2024, with a public programme taking place on 20 January 2024. Details of the public programme can be found<span> </span>here. </p>
<p>SEA AiR – Studio Residencies for Southeast Asian Artists in the European Union<em> </em>is made possible thanks to a generous grant of the European Union. </p>
</div>
<p><strong><span>Dates</span><br />Opening reception: </strong><br />28 November 2023, 5–8pm<br />Refreshments will be served</p>
<p><strong>Public programme:</strong><br />20 January 2023, 4-5.30pm</p>
<p><strong>Opening Hours</strong>:<br />1 December 2023 – 14 January 2024: Friday – Sunday, 1–7pm<br />Closed on 24, 25, 31 December 2023 and 1 January 2024<br /><br />Singapore Art Week<br />19 – 28 January 2024: Monday – Sunday, 1–7pm<br />Late nights on 20 and 27 January 2024: Saturday, 1–9pm</p>
<p><strong><span>Location:</span></strong><br />NTU CCA Singapore Residencies Studios<br />Block 38 Malan Road<br />Gillman Barracks<br />Singapore 109441</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
28 November 2023 - 28 January 2024
Contributor
An entity responsible for making contributions to the resource
Priyageetha Dia
Ngoc Nau
Nguyen Hong Ngoc
Saroot Supasuthivech
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Mixed Media
Multimedia Installation
Video
Sound
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sap Sonic
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
An entity responsible for making contributions to the resource
Priyageetha Dia
Description
An account of the resource
SCREENSHOT OF PRIYAGEETHA DIA’S WORK ON AN ARCHIVAL IMAGE FROM THE SUMATRA CAOUTCHOUC COMPANY PHOTO ALBUM (RIJKSMUSEUM, AMSTERDAM). THE IMAGE IS FURTHER PROCESSED BY MAKING DIRECT ‘GRAFFITI’ EDITS, WHICH MANIPULATES HOW THE SOUND NOTES ARE READ BETWEEN THE BRIGHT AND DARK AREAS OF THE IMAGE.
Creator
An entity primarily responsible for making the resource
Priyageetha Dia
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During her residency at Jan Van Eyck Academie, the artist is interested in delving deeper into the emergence and expansion of agro-industrial plantation projects, the dispossession and displacement of lands and communities in Southeast Asia, and their relation to The Netherlands through archival research.
Cycle
SEA AiR Cycle 2 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Singapore
The Netherlands
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Priyageetha Dia
Subject
The topic of the resource
Migration
Labour
Capitalism
Description
An account of the resource
<div class="type-subtitle highlight-yellow"><b>17 April - 14 July 2023<br />Artist-in-Residence at Jan van Eyck Academie (Maastricht)</b></div>
<div class="type-subtitle">
<p><em>“To be given this opportunity to further my research and artistic practice at Jan van Eyck Academie is an incredible one. Being part of the SEA AiR residency in the EU will allow me to explore the potential for a deeper and broader comprehension beyond the Southeast Asian landscape and into the corners and crossings that ties its relation to the Netherlands. To be able to witness, engage in and respond to an interdisciplinary environment with the possibility to gather with other peers and cultural workers, access resources and facilities, and share knowledge is what I am really looking forward to.”<br /><br /></em>Priyageetha Dia is an arts practitioner who experiments with time-based media, 3D animation and game engine software. Her practice addresses the transnational migration of ethnic communities and the intersections of the colonial production with land, labour and capital in Southeast Asia through speculative methods and counter-narratives. She has been invited to participate in several exhibitions including the Kochi-Muziris Biennale, India (2022); Attention Seeker, La Trobe Art Institute, Bendigo, Australia (2022); An Exercise of Meaning in a Glitch Season, National Gallery Singapore (2020); 2219: Futures Imagined, ArtScience Museum Singapore (2019). She was a recipient of the IMPART Art Award in 2019.</p>
<p>The migratory movements of her ancestral lineage from Southern India to Malaysia, and later to Singapore, sparked Priyageetha’s deep-seated engagement in South Asian diasporic histories, the labour relations that underlie plantation agriculture in Malaya and the vast terrain of colonial narratives. Interweaving these research threads in her multimedia practice, her works figure alternative histories that empower subaltern forms of existence. </p>
<p>During her residency at Jan Van Eyck Academie, the artist is interested in delving deeper into the emergence and expansion of agro-industrial plantation projects, the dispossession and displacement of lands and communities in Southeast Asia, and their relation to The Netherlands through archival research. Moreover, the residency will provide her with a supportive environment to articulate critical viewpoints and counter-narratives through her ongoing and self-led experiments with computer-generated imagery (CGI), animation technologies and game engine software while also allowing her to gain an understanding of issues related to contemporary transnational interactions within Southeast Asia and Europe.</p>
<p><em> </em></p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
17 April - 14 July 2023
Contributor
An entity responsible for making contributions to the resource
Priyageetha Dia
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Mixed Media
Video
Installation
-
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d4cdfd1c207fd2d679b7e1a845137eef
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
VIRTUAL REVERIE: ECHOES OF A FORGOTTEN UTOPIA
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
An entity responsible for making contributions to the resource
Ngoc Nau
Nguyen Hong Ngoc
Creator
An entity primarily responsible for making the resource
Ngoc Nau
Nguyen Hong Ngoc
Format
The file format, physical medium, or dimensions of the resource
Video still
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Cycle
SEA AiR Cycle 2 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Vietnam
Lithuania
Short Description
During the residency, Ngoc Nau intends to research the impact of urbanisation and modernisation on contemporary living conditions, collective memories, traditional practices, and the natural landscape.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ngoc Nau
Nguyen Hong Ngoc
Subject
The topic of the resource
Urbanism
Technology
Modernity
Description
An account of the resource
<div class="type-subtitle highlight-yellow"><b>12 April - 30 June 2023<br />Artist-in-Residence at Rupert (Vilnius)<br /></b><em><br />“I feel very grateful and proud to have been selected for the second edition of the SEA AiR programme and I am very excited about my upcoming residency in Vilnius. It will allow me to connect further with European culture and artists and to find new inspirations and materials to feed my research and thinking. I am very curious to see which bridges I will be able to establish between Northern Europe and Southeast Asia to foster my creative process. I look forward to engage in this opportunity and produce an innovative artwork for the exhibition in Singapore later this year.”</em><b><br /></b></div>
<div class="type-subtitle">
<p>The multimedia practice of Ngoc Nau encompasses photography, holograms, and Augmented Reality (AR) and she is currently working with 3D software and other open source technologies to create new possibilities for video installation. In Nau’s work, different materials and techniques attempt to capture the subtle ways in which new media shape and dictate our views of reality. Blending traditional culture and spiritual beliefs with modern technologies and lifestyles, her work often responds to Vietnam’s accelerated urban development. She has participated in several exhibitions across Asia, including the Thailand Biennale, Korat (2021) and the Singapore Biennale (2019) among others. She also participated in documenta 15, Kassel, Germany (2022) with Sa Sa Art Projects.</p>
<p>During the residency, Ngoc Nau intends to research the impact of urbanisation and modernisation on contemporary living conditions, collective memories, traditional practices, and the natural landscape. Situating herself within the creative community of Rupert will allow her to explore Lithuanian cultural landscape and to access a new trove of materials, including oral traditions, historical archives, and ritual ceremonies. Through encounters will the local community, she intends to unearth the traditional values and ancient practices that have been lost to industrial and technological advancements in order to come to a better understanding of how different communities configure their values and identities within the fast-changing landscape of today. Nau is particularly interested in the gaps created by modern development in the intergenerational transmission of knowledge and she plans to experiment with new media technologies to imagine modes of being that reconcile the past and the future.</p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
12 April - 30 June 2023
Contributor
An entity responsible for making contributions to the resource
Ngoc Nau
Nguyen Hong Ngoc
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Mixed Media
Video
Photography
-
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Dublin Core
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Title
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Spirit-Forward in C Major
Creator
An entity primarily responsible for making the resource
Saroot Supasuthivech
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
An entity responsible for making contributions to the resource
Saroot Supasuthivech
Format
The file format, physical medium, or dimensions of the resource
Video still
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3aa72ba94593a1f178b4867112b89f6f
Dublin Core
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Title
A name given to the resource
Spirit-Forward in G Major
Creator
An entity primarily responsible for making the resource
Saroot Supasuthivech
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
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Saroot Supasuthivech
Format
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Video still
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Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
For his residency at Künstlerhaus Bethanien, Saroot Supasuthivech will research the encounters of cultures, faiths and rituals among immigrant communities and local inhabitants.
Cycle
SEA AiR Cycle 2 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Thailand
Germany
Dublin Core
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Title
A name given to the resource
Saroot Supasuthivech
Subject
The topic of the resource
Ritual
Migration
Supernatural
Description
An account of the resource
<strong>17 March - 12 June 2023</strong><br /><strong>Artist-in-Residence at Künstlerhaus Bethanien (Berlin)</strong><br /><br /><em><em> “I am honoured to have been chosen for the SEA AiR programme and I am grateful to be part of the residency programme at Künstlerhaus Bethanien in Berlin. I am excited to explore different cultures and perspectives by researching and interviewing local people. During my stay in Berlin, I hope to learn more about the lives of Thai immigrants, their stories and beliefs, as well as to gain a deeper understanding of the cultural diversity, local histories and storytelling practices in Germany. I hope to contribute something meaningful through my artwork.”<br /></em></em>
<p>Drawing from oral histories and unwritten memories, the works of Saroot Supasuthivech unearth the multiplicity of narratives embedded in specific locations. His installations often combine moving image and sound to conjure the affective aura of a site and bring forth its intangible socio-historical stratifications. Using photogrammetry techniques, he turns 2D images into 3D models as a way of to blur the lines between the real and the mythical. His latest video installation, River Kwai: This Memorial Service Was Held in the Memory of the Deceased (2022), was featured in the Discoveries Section at Art Basel Hong Kong 2022.</p>
<p>For his residency at Künstlerhaus Bethanien, Saroot Supasuthivech will research the encounters of cultures, faiths and rituals among immigrant communities and local inhabitants. He is especially interested in the spiritual beliefs and ceremonial traditions by which humans ritualise the moment of death. With a focus on the historical impact of immigration on funerary practices across different regional and religious contexts, the artist will survey specific burial sites and rituals in Germany and Thailand looking at how foreign communities enact their funerary traditions abroad.</p>
<p>Major sites of interest for his research are the Protestant Cemetery in Bangkok and the Kurpark (Spa Park) in Bad Homburg, the only town outside of Thailand that features two Sala Thai (open pavilions). The Sala were gifted to the city of Bad Homburg by King Chulalongkorn of Siam (1853 to 1910) as a token of gratitude after the monarch’s illness was healed in the spa town in 1907. From the materials gathered through field trips, interviews and archival research, the artist plans to develop a video installation that will convey the mystical structures of those sites as well as the spiritual intersections engendered by global migrations.</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
17 March - 12 June 2023
Contributor
An entity responsible for making contributions to the resource
Saroot Supasuthivech
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Medium
The material or physical carrier of the resource.
Multimedia Installation
Video
Sound
-
Dublin Core
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Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
he Eye of Silence suggests a hallucinatory blurring of cosmic and the chthonic. Evoking critical moments in the Earth’s evolution, the work explores a series of antinomies: passages between creation and destruction, expansion and contraction, intrusion and extrusion, within and without, microcosm and macrocosm.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
Yes
Commissioned Work
No
Education
No
Dublin Core
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Title
A name given to the resource
Charles Stankievech: The Eye of Silence
Subject
The topic of the resource
Ways of Seeing
Description
An account of the resource
<p>Wednesday, 10<sup>th</sup> May 2023<br />The Screening Room, Block 38 Malan Road, #01-06<br />7:00pm – 8:30pm</p>
<p><em>The Eye of Silence</em><span> </span>is a newly commissioned video marshalling high atmospheric footage of the Albertan Badlands, the Utah Salt Flats, Icelandic and Japanese volcanoes, and a meteorite crater and cave paintings located within a region of the Namibian desert long closed off to visitors because of diamond mining. A field of stars becomes a point map of a lidar scan of a cave. At every polarity, the suggestion of a mystical inversion obtains, wherein a horizon or vanishing point unfolds to offer new vistas. An abyss, such as outer space, or some geological fissure, delivers a new world. Combining static camera, drone footage, and a mirrored screen, a churning mass of clouds, lava, and stone provides receptive viewers with ample grounds to project their own associations. Is that a face in the mist? In such moments, another antinomy is revealed—between subject and object; evidence and speculation.<em><span> </span>The Eye of Silence<span> </span></em>both depicts and implies metamorphosis on every level.<br /><br /><span>Mediating between stellar and subterranean motifs, fog, mist, clouds and smoke venting from a fresh lava flow spill across the screen. At times it softens tough terrain, while elsewhere stimulating a trance-like pareidolia, or roiling within volcanic craters. The visual dynamism of air recapitulates not only the ‘invention of the concept of atmosphere in the history of meteorology,’ but also the formation of the earth’s atmosphere back in deep geologic time—in a word, to </span><em>creation</em><span> itself. </span><em>The Eye of Silence</em><span> calls forth otherworldly experience from within the depths and heights of </span><em>this</em><span> world, at the same time cultivating an aesthetic disposition to receive them. <br /><br /></span>An introduction to the work will be given by the artist himself. The screening will be followed by a conversation between Charles Stankievech and Professor Ute Meta Bauer.</p>
<p><em>The Eye of Silence</em><span> </span>is a film by Charles Stankievech<br />Producer: Ala Roushan<br />Produced by The VEGA Foundation</p>
<p><span></span></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2023-05-10
Contributor
An entity responsible for making contributions to the resource
Charles Stankievech
Ute Meta Bauer
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Africa
South America
Asia
Europe
-
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a99d3a27b355c6d9373e170cafcf2a54
Dublin Core
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Rights
Information about rights held in and over the resource
NTU CCA Singapore
Dublin Core
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Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
In this keynote address, Huerta presents the main impacts of a linear economy food system and the importance of introducing a well-functioning circular economy food system. She will focus on applying solutions from the natural world and how to implement a sustainable organic loop system.
Programme Type
Conference and Symposium
Audience
Professional
Graduate/Post-Graduate
General
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
No
Education
No
Dublin Core
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Title
A name given to the resource
Keynote Address: Closing the Loop: The Role of Circular Economy in the Food Sector by Paula Huerta, Circular Economy Consultant and Director, Bambook Studio and GUASL
Subject
The topic of the resource
Globalisation
Ecosystems
Sustainability
Date
A point or period of time associated with an event in the lifecycle of the resource
2023-02-16
Contributor
An entity responsible for making contributions to the resource
Paula Huerta
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
North America
South America
Middle East
Oceania
Africa
Description
An account of the resource
Thursday, 16 February 2023 6.30pm<br />Venue: CREATE Tower, 1 Create Way, Theatrette, Level 2, Singapore 138602 <br /><br />Our present global crises oblige us to accelerate the move towards a low-carbon future. This includes the transition from a linear economy, defined by the consumption of finite resources and the accumulation of waste, to a circular economy, which redefines growth by prioritising both people and the planet. In our current linear economy, the food sector and its bio-waste accounts for the largest single component of municipal waste landfills and is a significant source of greenhouse gases such as methane. As part of a circular economy, bio-waste can bring gains linked to multiple higher-value products, such as natural fertilisers for agriculture, energy production, and even protein feed for aquaculture or farming. In this keynote address, Huerta presents the main impacts of a linear economy food system and the importance of introducing a well-functioning circular economy food system. She will focus on applying solutions from the natural world and how to implement a sustainable organic loop system.
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Paula
Surname or Business Name
Huerta
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2023
Affiliation
Company, organization, or institution name
Bambook Studio, Indonesia
Birthplace
Spain
Occupation
Professional title or identity
Architect
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Paula Huerta (Spain/Indonesia) is a Licensed Architect specialised in Sustainable Design and Net Zero Architecture with a Masters Degree in Energy & Environmental Studies of the University of East London. She is also a LEED AP, BREEAM AP and GREEN MARK MANAGER. Paula has a strong background in conceptual design and extensive building experience. She has been working as a Sustainability Consultant Internationally for over 15 years, developing sustainable strategies and optimisation of building performance. With her company, Bambook Studio, based in Lombok, Indonesia, she designs NET ZERO sustainable architecture in the region. She is also an Ambassador for Circular Economy and a Board Member of the Climate Action Alliance of the EU TECH Chamber with a clear mission to accelerate the UN SDGs and accelerate the transition towards a Low Carbon Future.Paula is also actively involved in Circular Food Systems and Food Security Challenges, helping develop a legal framework for Organic Waste Conversion through insect farming which will be crucial to achieve our goals. She is a Leader of the Advanced Leadership Foundation providing conferences and talks about Circular Economy and the role of Sustainable Architecture in the path towards a Low Carbon Future.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Indonesia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Dublin Core
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Title
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Paula Huerta
Subject
The topic of the resource
Architecture
Design
Sustainability
Contributor
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Paula Huerta
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Carlos
Surname or Business Name
Banon
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2023
Affiliation
Company, organization, or institution name
Singapore University of Technology and Design (SUTD)
Birthplace
Spain
Occupation
Professional title or identity
Assistant Professor of Architecture and Sustainable Design
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Carlos Banon (Spain/Singapore) is an Architect specialised in Digital Processes and Advanced Manufacturing methods. He is Director and Co-Founder of AIRLAB Singapore, Partner of Subarquitectura Architects, and Assistant Professor of Architecture and Sustainable Design at the Singapore University of Technology and Design. His research projects span from 3D Printing in the built environment (3DPA), Geometric Exploration for Sustainable Making (GESSM), Artificial Intelligence in structural design, and Affordable Housing. His work has been exhibited at the Venice Biennale of Architecture in 2018 and 2020, and has won several international awards including the Design of the Year Prize by the London Design Museum, the Mies Van der Rohe Prize nomination, the German Design Award 2020, and four SG Marks (Singapore Good Design), and selected as one of the Iconic designs by the German Design Council in 2020. His recent work AirMesh received the Singapore PD*A President Design Award, the highest distinction for designs and designers in Singapore.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Dublin Core
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Title
A name given to the resource
Carlos Banon
Subject
The topic of the resource
Architecture
Design
Contributor
An entity responsible for making contributions to the resource
Carlos Banon
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Tanvi
Surname or Business Name
Maheshwari
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2023
Affiliation
Company, organization, or institution name
Singapore-ETH Centre (SEC)
ZTH Zurich
Birthplace
India
Occupation
Professional title or identity
Associate Director for Research
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Dr. Tanvi Maheshwari (India/Singapore) is currently Associate Director for Research at Future Cities Laboratory Global, SingaporeETH Centre. She is an urban designer and planner, trained at the School of Planning and Architecture in Delhi and University of California, Berkeley. She conducted her doctoral studies at ETH Zurich, where she studied the impact of technological disruptions in transportation, such as vehicle automation and mobility-as-a-service, on urban design and planning. She has over a decade of experience in developing planning support tools, futures thinking, scenario building, and exploring design thinking methods for collaborative and transdisciplinary research.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Switzerland
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Guest Curator
Dublin Core
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Title
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Tanvi Maheshwari
Subject
The topic of the resource
Architecture
Design
Contributor
An entity responsible for making contributions to the resource
Tanvi Maheshwari
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe