1
10
39
-
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e9765bc4fa95c237a390912524186785
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Banu
Surname or Business Name
Cennetoglu
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
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2015
Birthplace
Turkey
Occupation
Professional title or identity
Artist
Biographical Text
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Banu Cennetoglu is an artist who lives and works in Istanbul. Her work challenges the stereotyped ideas of categorization and information in terms of sharing, access and manipulation, sometimes using photography and the book format as its platform. She initiated the project space BAS, using archives of artists’ publishing. She also co-founded the imprint Bent, a publishing project focusing on the production and distribution of artists’ books and printed matte
Country of Practice
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Turkey
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
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Banu Cennetoglu
Subject
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Artistic Research
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Middle East
Europe
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Banu Cennetoglu
-
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Title
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Contributors
Contributor
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First Name
Antonia
Surname or Business Name
Carver
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
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2019-
Affiliation
Company, organization, or institution name
Jameel Arts Centre
Birthplace
United Kingdom
Occupation
Professional title or identity
Director
Biographical Text
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Antonia CARVER is a member of NTU CCA’s International Advisory Board and is currently the Director of Art Jameel, Dubai, an organisation that fosters and promotes a thriving arts and culture scene and support the development of creative enterprises in the region of Middle East, North Africa, Turkey and beyond. Art Jameel is the founding partner of Edge of Arabia, The Crossway Foundation, Jeddah Art Week, and The Archive. Prior to joining Art Jameel, Antonia was the director of Art Dubai, where she has overseen its development into the leading art fair of the Middle East and South Asia, along with its diverse programmes, artists residencies and commissions as well as other educational initiatives and prizes. Before relocating to the UAE, Antonia was editor at Phaidon Press and had roles at Institute of international Visual Arts and G+B Arts International.
Country of Practice
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United Kingdom
United Arab Emirates
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Contributor Type
Speaker
International Advisory Board
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Title
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Antonia Carver
Subject
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Public Art
Architecture
Urbanism
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Middle East
Europe
Contributor
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Antonia Carver
-
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Silke
Surname or Business Name
Schmickl
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
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2017/2021
Affiliation
Company, organization, or institution name
M+ Museum
Birthplace
Germany
Occupation
Professional title or identity
Lead Curator
Biographical Text
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Silke Schmickl (Germany/Hong Kong) was previously curator at the National Gallery Singapore, the Institute of Contemporary Arts Singapore, a researcher at the German Art History Center in Paris and the co-founding director of Lowave, a Paris/Singapore based curatorial platform and publishing house for artists’ moving images. She has initiated and directed numerous art and film projects dedicated to emerging art scenes in the Middle East, Africa, India, Turkey and Singapore. Recent exhibitions at the National Gallery include include <i>Minimalism: Light. Space. Object, Rirkrit Tiravanija: untitled 2018 (the infinite dimensions of smallness) and Haegue Yang: Forum for Drone Speech – Singapore Simulations</i>.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Hong Kong
Singapore
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Place.Labour.Capital.
Contributor Type
Speaker
Dublin Core
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Silke Schmickl
Subject
The topic of the resource
Spaces of the Curatorial
Fiction
Performance
Contributor
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Silke Schmickl
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Middle East
Africa
-
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17d044b6477bcd5dcbaf5c2cb37233cf
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Azra
Surname or Business Name
Akšamija
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015
Occupation
Professional title or identity
Artist
Architectural historian
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Azra Akšamija is a Sarajevo born artist and architectural historian. She is an Associate Professor at the Massachusetts Institute of Technology’s (MIT) Art, Culture and Technology Programme. In her multi-disciplinary work, Akšamija investigates the politics of identity and memory on the scale of the body (clothing and wearable technologies), on the civic scale (religious architecture and cultural institutions), and within the context of history and global cultural flows. <br /><br />Akšamija was trained in architecture at the Technical University Graz, Austria (Dipl.Ing. in 2001) and Princeton University (M.Arch. in 2004), and received her PhD in History of Islamic Art and Architecture from MIT (History Theory and Criticism of Art and Architecture / Aga Khan Program for Islamic Architecture) in 2011. <br /><br />Akšamija’s work has been published and exhibited in leading international venues such as at the Generali Foundation Vienna, Valencia Biennial, Gallery for Contemporary Art Leipzig, Liverpool Biennial, Museum of Contemporary Art Zagreb, Sculpture Center New York, Secession Vienna, Manifesta 7, Stroom The Hague, the Royal Academy of Arts London, Jewish Museum Berlin, Queens Museum of Art in New York, and the Fondazione Giorgio Cini as a part of the 54th Art Biennale in Venice.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Research Fellow
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birthplace
Bosnia and Herzegovina
Affiliation
Company, organization, or institution name
Massachusetts Institute of Technology (MIT), United States
Personal Website
Leave blank if not applicable
<a href="https://www.azraaksamija.net">https://www.azraaksamija.net</a>
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Title
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Azra Akšamija
Subject
The topic of the resource
Architecture
Description
An account of the resource
Azra Akšamija is a Sarajevo born artist and architectural historian. She is an Associate Professor at the Massachusetts Institute of Technology’s (MIT) Art, Culture and Technology Programme.<br /><br /><span><strong>Research Focus</strong><br /><br />Azra Akšamija’s projects explore the potency of art and architecture to facilitate the process of transformative conflict mediation though cultural pedagogy, and in so doing, provide a framework for analysing and intervening in contested socio-political realities. Her recent work focuses on the representation of Islam in the West, architectural forms of nationalism in the Balkans since the 1990s, and the role of cultural institutions and heritage in constructing common good in divided societies. Akšamija investigates the role of cultural and religious identity in conflicts, especially in the recent history of the Yugoslavian war and its aftermath.</span>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Middle East
Europe
Contributor
An entity responsible for making contributions to the resource
Azra Akšamija
Azra Aksamija
-
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27b34434945db270fc47539dc3e8936e
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Orit
Surname or Business Name
Gat
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Birthplace
Israel
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Orit Gat (b. 1984, Israel) is a writer whose work focuses on contemporary art, publishing, internet culture, and their different meeting points. Gat is currently the feature editor of <i>Rhizome</i>, managing editor of <i>WdW Review</i>, and contributing editor at <i>The White Review</i>. Gat has taught at CCS Bard and the City College of New York, United States and founded a monthly reading group of art magazines, organised in various cities around the world, including New York, London, and Singapore. In 2015, she won the Creative Capital/Warhol Foundation Arts Writers Grant in the short-form writing category and is currently nominated for the 2017 Absolut Art Writing Award.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United Kingdom
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Writer-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1984
Personal Website
Leave blank if not applicable
<a href="http://oritgat.com">http://oritgat.com</a>
Dublin Core
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Title
A name given to the resource
Orit Gat
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Middle East
Europe
Contributor
An entity responsible for making contributions to the resource
Orit Gat
Subject
The topic of the resource
Knowledge Production
Technology
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Pelin
Surname or Business Name
Tan
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016, 2022
Affiliation
Company, organization, or institution name
Batman University, Turkey
Birthplace
Turkey
Occupation
Professional title or identity
Curator
Professor, Film Department, Batman University
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Pelin Tan (b. 1974, Turkey) is a sociologist and art historian based in Mardin, Turkey. Assoc.Prof. at Architecture Faculty, Mardin Artuklu University and contributor of The Silent University (educational platform for/by refugees/migrants). Currently visiting Assoc.Prof. at School of Design, Hong Kong PolyU (2016). Fellow of ACT Program, School of Architecture and Urban Planning, The Massachusetts Institute of Technology. Tan is a member of Art1kisler video collective. She is the Turkey curator of Actopolis project (Goethe Inst. Athens, 2015 ‚ 2017). Lead author of <i>Towards New Urban Society</i>- IPSP (Edts.Saskia Sassen&Edgar Pieterse, 2015 ‚ 2017). Tan participated in Lisbon Architecture Triennial (2013), Montreal Biennial (2014), Istanbul Biennial (2007, 2015), Oslo Architecture Triennial (2016), Cyprus Pavilion, Venice Architecture Biennial (2016). Residencies: CCA Kitakyushu (2015), IASPIS (2008), GeoAir (2011).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Turkey
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Curator-in-Residence
Writer
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Birth Date
1974
Dublin Core
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Title
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Pelin Tan
Subject
The topic of the resource
Migration
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Middle East
Contributor
An entity responsible for making contributions to the resource
Pelin Tan
-
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Title
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Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Thinking through the exhibition as an architectural ruin where residue remains and resonance cannot evaporate, the artworks in this selection try to make sense of traces in an on-going reflection on the old and the new.
Programme Type
Screening
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
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Screening programme: The Tear Down curated by Anca Rujoiu & Vera Mey
Description
An account of the resource
5 Apr 2014, Sat 2:00pm - 3:30pm<i><br /></i>6 Apr 2014, Sun 2:00pm - 3:30pm<i><br /><br />The tear down </i>refers to that period of change after the exhibition has finished – the moment of de-installation and erasure. Thinking through the exhibition as an architectural ruin where residue remains and resonance cannot evaporate, the artworks in this selection try to make sense of traces in an on-going reflection on the old and the new. <br /><br />With works by Cyprien Gaillard, Mona Vatamany & Florin Tudor, Malak Helmy, Deigo Tonus, Marie Shannon <br /><br />Cyprien Gaillard, <i>Desniansky Raion</i> (2007) is a three-part meditation on the failed utopias of the past and present with reference to the Eastern Bloc. The first section of the video navigates from a monumental triumphal arch in Belgrade, Serbia to a battle between two hooligan gangs in the suburbs of Saint Petersburg. The second part captures the façade of a high-rise block in Paris with lights projected on. <br /><br />This grandiose staging, usually saved for historical buildings, ends abruptly with the building collapsing. The last section wanders through Desniansky Raion, a district in the suburbs of Kiev where the circular arrangement of communist blocks recalls the megalithic monument of Stonehenge, England. Desniansky Raion unwinds to an electro-lyrical composition by artist and musician Koudlam.<br /><br /><span>In the filmed performance of </span><em>Vacaresti </em><span>(2006) by Mona Vatamanu and Florin Tudor, “Florin Tudor traces, with string and small wooden sticks, the outline of the church from the Vacaresti Monastery in Bucharest, Romania demolished by the communist regime in 1986. Retracing the shape of the lost building functions as symbolic recuperation and gains resonance in relation to current plans to build a commercial mall on the same site, situating the work between an unclear ‘then’ and a problematic ‘now’, pointing at loss and at the entropy that architecture ‘constructs’ while it seeks to embody power, be it political or economic.” (Mihnea Mircan)</span><br /><br /><span>Malak Helmy, </span><em>Keyword searches for dust</em><span> (2009) is a narrative of dust in its mutable forms investigates and it, itself, gets caught in a symptom. A condition. A form sheds its properties and characteristics, becoming contagious: an avalanche razes a populated residential plateau; spontaneous combustions erupt in both a people’s assembly archive and a national theatre, in the countryside a home-bound train catches fire.</span><br /><br /><span>Diego Tonus, </span><em>Hour of the wolf</em><span> (2010) is a film disclosing the backstage of </span><em>The Collectors</em><span>, a project curated by Michael Elmgreen & Ingar Dragset for the Danish and Nordic Pavilions at the 53rd Venice Biennale of Art, 2009. The video shows the exhibition’s dismantling and demolition, the fictional dimension of the set design as well as the collapse of illusion between the staged objects, suggesting a different vision of them.</span><br /><br />Marie Shannon, <em>What I am looking at</em> (2011), takes its title from Julian Dashper’s work, <em>What I am reading at the moment</em> (1993)- a library chair with a pile of every issue of Art Forum to 1993. The video uses rolling text with simultaneous voiceover to describe the contents of an artist’s studio and the work that needs to be done to make sense and create order once the artist is no longer there. The text describes categories and lists of objects: the precious, the mundane and the baffling.<br /><p><br />A public programme of <em>The Disappearance</em>.</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
5 - 6 April 2014
Contributor
An entity responsible for making contributions to the resource
Anca Rujoiu
Vera Mey
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Middle East
Oceania
Subject
The topic of the resource
Cultural Production
-
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Title
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Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Akšamija who has a background in both fields will address how these factors pose new challenges and opportunities regarding the continuous use of the label “Islamic” dedicated to the study of very diverse aspects of art and architecture of highly heterogeneous and hybrid world cultures. She will outline an alternative perspective in her own work, which she calls “Transcultural Practice”.
Programme Type
Talk and Lecture
Programme Series
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
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Title
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<p class="event_single_title">Transcultural Suits: A lecture presented by Visiting Researcher and artist Azra Akšamija at the International Forum on Contemporary Islamic Art, Design and Architecture (CIADA): Where/How does the North meet the East?</p>
Description
An account of the resource
<div class="event_single_dates text__research">8 Oct 2015, Thu 11:50am - 12:30pm</div>
<div class="event_single_venue">Auditorium (Level 2), School of Art, Design & Media, Nanyang Technological University, 81 Nanyang Drive</div>
<br />Over the past two decades, the field of Islamic art and architecture has been affected by the political developments and cultural destruction in the Islamic World, the rise of the new art world in the Gulf region, and finally, an increased recognition of interdisciplinary and transcultural approaches in the broader fields of art and architecture. Azra Akšamija who has a background in both fields will address how these factors pose new challenges and opportunities regarding the continuous use of the label “Islamic” dedicated to the study of very diverse aspects of art and architecture of highly heterogeneous and hybrid world cultures. She will outline an alternative perspective in her own work, which she calls “Transcultural Practice”, addressing the pressing concerns over the global societal polarisation around Islamic identity. <br /><br />More information on the conference here: www.ciada2015.com
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-10-08
Contributor
An entity responsible for making contributions to the resource
Azra Akšamija
Azra Aksamija
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Middle East
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Architecture
Identity
-
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Title
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Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
<p>This talk will look at a number of specific artworks, which conflate the urban and digital space as well as on the hidden aspects of the internet’s infrastructure. In light of internet changes since 1995, Orit Gat will examine possibilities art opens up to make the internet a genuine public space of the commons.</p>
<p></p>
Programme Type
Talk and Lecture
Programme Series
Exhibition (de)Tour
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">Exhibition (de)Tour: <i>Townhall or Marketplace, Can Art Find a Public Space on the Internet? Can It Create One?</i> by Orit Gat, Writer-in-Residence, NTU CCA Singapore</p>
Description
An account of the resource
<div class="event_single_dates text__exhibitions">16 Nov 2016, Wed 07:30 PM - 09:00 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road<br /><br />In 1995, eight per cent of all websites on the internet belonged to artists. Today, as the internet has grown to be the commercial structure we know, what is the room artists carve online? This talk will look at a number of specific artworks, which conflate the urban and digital space as well as on the hidden aspects of the internet’s infrastructure. In light of internet changes since 1995, Orit Gat will examine possibilities art opens up to make the internet a genuine public space of the commons.</div>
<div>
<p>This Exhibition (de)Tour is a public programme of <em><span>Incomplete Urbanism: Attempts of Critical Spatial Practice</span></em>.</p>
<p></p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-11-16
Contributor
An entity responsible for making contributions to the resource
Orit Gat
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
Africa
North America
Middle East
Subject
The topic of the resource
Technology
Public Sphere
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Bahbak Hashemi-Nezhad’s presentation will focus on Hello Stranger (2016), a critical game designed with and for staff members at the Victoria & Albert’s Museum of Childhood, London, United Kingdom. Wilfried Kuehn will address the concept of “Curatorial Design”, an expression coined by the Kuehn himself. Laura Miotto will address site-specific spatial narratives focusing on her work for the Malay Heritage Centre in Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Programme Type
Talk and Lecture
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">The Making of an Institution — Communication and Mediation, Part II –SPATIAL IDENTITY: Lectures by Bahbak Hashemi-Nezhad (Iran/United Kingdom), Wilfried Kuehn (Germany), and Laura Miotto (Italy/Singapore)</p>
Description
An account of the resource
<div class="event_single_dates text__exhibitions">18 Mar 2017, Sat 10:00 AM - 01:30 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
<br />Bahbak Hashemi-Nezhad’s practice spans from neighbourhood plans and public spaces to recipes, games and objects. His approach to design draws on play theories and strategies of defamiliarisation as contextual research tools that actively engage different publics in design processes. <br /><br />His presentation will focus on <i>Hello Stranger</i> (2016), a critical game designed with and for staff members at the Victoria & Albert’s Museum of Childhood, London, United Kingdom. Estrangement devices were created to induce “question-making” as a tool to recalibrate the overfamiliar and sense the museum anew in order to critically reflect upon the experiences it offers and the qualities it values. <br /><br />In this lecture, Wilfried Kuehn will address the concept of “Curatorial Design”, an expression coined by the Kuehn himself. He will explore the role of space and architecture in artistic and curatorial practices through several case studies of exhibition displays and institutional projects he developed, including the exhibition design for <i>Documenta11</i>. <br /><br />Laura Miotto will address site-specific spatial narratives focusing on her work for the Malay Heritage Centre in Singapore. Located in the historical precinct of Kampong Glam and re-opened to the public in 2012, the Centre undergone three years of interpretative planning that repositioned the institution in the cultural ecosystem of Singapore. Miotto will unpack site-specific strategies to regenerate connections with the many identities associated to this significant place, looking at the intersection between architecture, site, and narratives. <br /><br />This lecture is part of the public programme of <i>The Making of an Institution.</i>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-03-18
Contributor
An entity responsible for making contributions to the resource
Bahbak Hashemi-Nezhad
Wilfried Kuehn
Laura Miotto
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Middle East
Europe
Subject
The topic of the resource
Design
Curatorial Practice
Identity
Public Sphere