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              <text>Film Screening &amp; Conversation: An Invocation of the Earth (Yeo Siew Hua and Marc Gloede), part of the two-day symposium, "Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific"</text>
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                <text>Symposium: In Conversation | 'An Invocation to the Earth' Film Screening &amp; Director's Talk&#13;
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                <text>&lt;p class="first"&gt;Yeo Siew Hua (Filmmaker, Director) and Dr Marc Glöde (Assistant Professor, NTU School of Art, Design and Media)&lt;/p&gt;
&lt;p&gt;Conceived during the month of the Hungry Ghost Festival in 2019, while large scale fires were consuming the forests of Indonesia, Yeo Siew Hua's 'An Invocation to the Earth' confronts climate collapse through the lense of pre-colonial folktales and animistic rituals. Through spoken spells and bodily entanglements, the video conjures up the fallen environmental defenders of a region ridden with ecological threats in the hope that their spirits will be reborn once again.&lt;/p&gt;
&lt;p&gt;This recording is part of the two-day symposium, "Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific" held at NTU Centre for Contemporary Art Singapore, supported by the Ministry of Education Academic Research Fund Tier 1 Project (RG39/21) and led by Principal Investigator, Professor Ute Meta Bauer. This symposium was organised by Professor Ute Meta Bauer and Research Assistant Angela Ricasio Hoten, School of Art, Design and Media, Nanyang Technological University Singapore with additional support from Eunice Lacaste, PhD Candidate at NTU ADM.&lt;/p&gt;</text>
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                <text>&lt;p class="first"&gt;Nashin Mahtani (Peta Bencana and Climate Emergency Software Alliance, Indonesia), Dr Sang-Ho Yun (Director, Remote Sensing Lab, Earth Observatory of Singapore; Associate Professor, Asian School of the Environment and School of Electric and Electronic Engineering, NTU, Singapore), moderated by Eunice Lacaste (PhD Candidate, NTU ADM).&lt;/p&gt;
&lt;p&gt;Previous collaborators Nashin Mahtani, and Dr Sang-Ho Yun, will discuss the applications of satellite technology for localised tracking of disasters through smartphones. Learn about their previous collaboration on disaster risk reduction in Indonesia and how they utilised technology to construct more equitable forms of climate risk response and adaptation to the region.&lt;/p&gt;
&lt;p&gt;This recording is part of the two-day symposium, "Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific" held at NTU Centre for Contemporary Art Singapore, supported by the Ministry of Education Academic Research Fund Tier 1 Project (RG39/21) and led by Principal Investigator, Professor Ute Meta Bauer. This symposium was organised by Professor Ute Meta Bauer and Research Assistant Angela Ricasio Hoten, School of Art, Design and Media, Nanyang Technological University Singapore with additional support from Eunice Lacaste, PhD Candidate at NTU ADM.&lt;/p&gt;</text>
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              <text>In Conversation: Islands in Flux: Weathering the Future (Nice Buenaventura, Serina Rahman, Soh Kay Min) part of the two-day symposium, "Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific"</text>
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                <text>&lt;p class="first"&gt;Nice Buenaventura (Artist, Philippines), Serina Abdul Rahman (Lecturer, Department of Southeast Asia Studies, NUS), moderated by Soh Kay Min (Research Associate, NTU ADM).&lt;/p&gt;
&lt;p&gt;Filipina artist Nice Buenaventura and lecturer Serina Abdul Rahman discuss the value and importance of citizen-centered learning along the archipelago. Moderated by research associate, Soh Kay Min, the panel will discuss the ways that weather shapes community fishing practices and local knowledge and how these communities respond to changing weather through varied projects of counter-mapping.&lt;/p&gt;
&lt;p&gt;This recording is part of the two-day symposium, "Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific" held at NTU Centre for Contemporary Art Singapore, supported by the Ministry of Education Academic Research Fund Tier 1 Project (RG39/21) and led by Principal Investigator, Professor Ute Meta Bauer. This symposium was organised by Professor Ute Meta Bauer and Research Assistant Angela Ricasio Hoten, School of Art, Design and Media, Nanyang Technological University Singapore with additional support from Eunice Lacaste, PhD Candidate at NTU ADM.&lt;/p&gt;</text>
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              <text>Panel with Ang Song Nian, Zen Teh, Dr Ching Jianhong, moderated by Angela Ricasio Hoten, &lt;span&gt;part of the two-day symposium, "Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific"&lt;/span&gt;</text>
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              <text>&lt;a href="https://vimeo.com/920926286"&gt;https://vimeo.com/920926286&lt;/a&gt;</text>
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&lt;p&gt;We bring together long-term collaborators, artist Zen Teh and scientist Dr Ching Jianhong alongside image-based artist and lecturer at the NTU School of Art, Design and Media, Ang Song Nian to discuss lens-based artistic practices and their application to data visualisation and scientific communication. Moderated by Angela Ricasio Hoten, research assistant on the Tier 1 grant, this panel will explore the ways that artistic practices enhance scientific enquiries, looking more precisely at how lens-based work can contribute to public discourse around topics such as haze. The panel will also discuss some of the challenges faced by artists and scientists to create distinctions between transdisciplinary, interdisciplinary and cross-disciplinary vernacular.&lt;/p&gt;
&lt;p&gt;This recording is part of the two-day symposium, "Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific" held at NTU Centre for Contemporary Art Singapore, supported by the Ministry of Education Academic Research Fund Tier 1 Project (RG39/21) and led by Principal Investigator, Professor Ute Meta Bauer. This symposium was organised by Professor Ute Meta Bauer and Research Assistant Angela Ricasio Hoten, School of Art, Design and Media, Nanyang Technological University Singapore with additional support from Eunice Lacaste, PhD Candidate at NTU ADM.&lt;/p&gt;</text>
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&lt;p&gt;Professor Ute Meta Bauer, Principal Investigator of this project, will focus on the increasing engagement of artists in the climate crisis and other stresses that impact habitats and environments. Drawing from an expansive network of artists, Bauer relays the potential and impact of environmentally-engaged artistic practice to navigate the complexity of climate change. As an exploration of this inquiry, the Environmentally-Engaged Artistic Practices database will be launched during the symposium. The ambition for this online tool is to provide an entry point to connect artists, climate scientists, researchers and policymakers in similar regions of study or areas of expertise to develop transdisciplinary research methods.&lt;/p&gt;
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                    <text>MOE ACADEMIC RESEARCH FUND TIER 1 GRANT

ENVIRONMENTALLY-ENGAGED
ARTISTIC PRACTICES IN
SOUTH, SOUTHEAST ASIA
AND THE PACIFIC

SYMPOSIUM
26 - 27 January 2024
Friday &amp; Saturday
10 am - 4 pm
Seminar Room
#01-04, 37 Malan Road
Gillman Barracks
Singapore 109443

1

�MOE ACADEMIC RESEARCH FUND TIER 1 GRANT

ENVIRONMENTALLY-ENGAGED
ARTISTIC PRACTICES IN
SOUTH, SOUTHEAST ASIA
AND THE PACIFIC SYMPOSIUM

Across two days, this symposium will engage artists,
scientists, and climate change initiatives on themes
of interdisciplinary &amp; transdisciplinary collaboration,
designing for climate resilience, disaster technologies
and archipelagic histories across the South, Southeast
Asian and Pacific regions. This event continues NTU
CCA’s decade-long inquiry into research-based artistic
practices and draws from the expansive network of
artists engaged in environmentally grounded practices
connected to ecology and community.
Join our public workshops with artist Nice Buenaventura
(Tropikalye) and Nashin Mahtani (Peta Bencana &amp; Climate
Emergency Software Alliance) on 26 and 27 January 2024.
This symposium is supported by the Ministry of Education
Academic Research Fund Tier 1 Grant (RG39/21)
“Environmentally-Engaged Artistic Practices in South,
Southeast Asia and the Pacific and their potential impact as
contribution for transdisciplinary research in Singapore”
led by Principal Investigator Professor Ute Meta Bauer.
Cover page image credit: When Need Moves the Earth,
synchronized 3-channel video, 2014, Still from video,
© Som Supaparinya

2

�Day 1
26 Jan 2024
10 am - 4 pm

10 - 11 am

Seminar Room
37 Malan Road

Opening Address
Professor Simon Redfern
Dean, College of Science; President’s Chair in Earth
Sciences; Professor, Asian School of Environment,
Nanyang Technological University
Keynote Address
The Potential and Impact of EnvironmentallyEngaged Artistic Practices in Collaboration with
Academic Research
Ute Meta Bauer
Professor at the School of Art, Design and Media,
NTU &amp; Founding Director of NTU Centre for
Contemporary Art Singapore

Welcomed by Professor Simon Redfern, Dean of the College of Science and an
active volcanologist, this symposium brings together scientists and academics
across various disciplines in conversation with artists to encourage further
exchanges and collaboration between scientific and artistic research and
practice. Professor Ute Meta Bauer, Principal Investigator of this Project, will
focus on the increasing engagement of artists in the climate crisis and other
stresses that impact habitats and environments. Drawing from an expansive
network of artists, Bauer relays the potential and impact of environmentallyengaged artistic practice to navigate the complexity of climate change. As
an exploration of this inquiry, the Environmentally-Engaged Artistic Practices
database will be launched during the symposium. The ambition for this online
tool is to provide an entry point to connect artists, climate scientists, researchers
and policymakers in similar regions of study or areas of expertise to develop
transdisciplinary research methods. This presentation and the related database
on environmentally-engaged artistic practices is funded by the Ministry of
Education Academic Research Fund Tier 1 Grant.

3

�Day 1
26 Jan 2024
10 am - 4 pm

11 am - 12 pm

Seminar Room
37 Malan Road

In Conversation
Intersecting Ecosystems: Possibilities across the
Arts and Sciences
Ang Song Nian (Artist, Lecturer at NTU ADM,
Singapore), Zen Teh (Artist, Singapore), Dr Ching
Jianhong (Assistant Professor, Duke-NUS),
moderated by Angela Ricasio Hoten (Research
Assistant, NTU ADM)

We bring together long-term collaborators, artist Zen Teh and scientist Dr
Ching Jianhong alongside image-based artist and lecturer at the NTU School
of Art, Design and Media, Ang Song Nian to discuss lens-based artistic practices
and their applications to data visualisation and scientific communication.
Moderated by Angela R Hoten, research assistant on this Tier 1 grant, this panel
will explore the ways that artistic practices enhance scientific enquiries, looking
more precisely at how lens-based work can contribute to public discourse
around topics such as haze and plantations. The panel will also discuss some
of the challenges faced by artists and scientists to create distinctions between
transdisciplinary, interdisciplinary and cross-disciplinary vernacular.

1 - 2 pm

In Conversation
Islands in Flux: Weathering the Future
Nice Buenaventura (Artist, Philippines), Serina
Rahman (Lecturer, Department of Southeast Asian
Studies, NUS), moderated by Soh Kay Min (Research
Associate, NTU ADM)

Filipina artist Nice Buenaventura and lecturer Serina Abdul Rahman discuss
the value and importance of citizen-centered learning along the archipelago.
Moderated by research associate, Soh Kay Min, the panel will discuss the ways
that weather shapes community fishing practices and local knowledge and how
these communities respond to changing weather through varied projects of
counter-mapping.

4

�Day 1
26 Jan 2024
10 am - 4 pm

2 - 4 pm

Seminar Room
37 Malan Road

Workshop by Artist Nice Buenaventura
Tropikalye

Tropikalye is an exercise in citizen-ethnography, taking shape as a mutual colearning resource on vernacular material culture, particularly the accidental
intersections of aesthetics and the everyday in the Philippines and, occasionally,
the region.
This workshop will bring participants into the digital streets of Singapore, to
document the tangible manifestations of folk strategies that respond to tropical
and postcolonial conditions. From this workshop participants will build the
Singapore edition of the Tropikalye index through written, photographic and
audio documentation.

Tropikalye: Color-cooling, Nice Buenaventura, Image courtesy the artist.

5

�Day 2
27 Jan 2024
10 am - 4 pm

10 - 11 am

Seminar Room
37 Malan Road

In Conversation
Collaboration in Crisis: Technology in
Disaster Response
Nashin Mahtani (Peta Bencana, Indonesia),
Sang-Ho Yun (EOS, NTU), moderated by Eunice
Lacaste (PhD Candidate, NTU ADM)

Previous collaborators Nashin Mahtani, director of Yaysan Peta Bencana (Disaster
Map Foundation), and Dr Sang-Ho Yun, Director of the Remote Sensing Lab at
EOS, NTU will discuss the applications of satellite technology for localised tracking
of disasters through smartphones. Learn about their previous collaboration on
disaster risk reduction in Indonesia and how they utilised technology to construct
more equitable forms of climate risk response and adaptation to the region.

11 am - 12 pm

In Conversation
Liquid Landscapes: Designing for
Climate Resilience
Som Supaparinya (Artist, Thailand), Dr Erich Wolff
(NTU ASE), Stefan Huebner (ARI, NUS), moderated
by Laura Miotto (Associate Professor, NTU ADM)

Moderated by Architect and Associate Professor at NTU ADM, Laura Miotto,
this panel brings together Thai artist Som Supaparinya, Dr Erich Wolff (Earth
Observatory of Singapore, NTU) who is a trained engineer with a focus in naturebased solutions, and environmental historian Stefan Huebner (Asia Research
Institute, NUS). In this discussion they bring together insights from their various
disciplines towards the generative potentialities of varying strategies for climate
adaptation for water-based communities, drawing both from the past and thinking
toward speculative futures.

6

�Day 2
27 Jan 2024
10 am - 4 pm

1 - 2 pm

Seminar Room
37 Malan Road

Workshop by Nashin Mahtani, founder of Peta
Bencana and Climate Emergency Software Alliance
(CESA)
#ClimateEmergis, how to design the
future together

In this workshop, Nashin Mahtani will work with participants to create a unique
design development charette to conceptualise and refine the visual representation
of “climate emergis”. “Climate emergis” is a set of digital communications tailored
to represent and report various facets of climate change. These symbols, once
approved by Unicode and released via updates on every smart phone across the
globe, will offer people a simple yet powerful tool to share, report, and cooperate
to address urgent environmental challenges.

2:30 - 4 pm

Film Screening &amp; Conversation
An Invocation to the Earth, 2020
Yeo Siew Hua (Filmmaker, Director), Dr Marc Gloede
(Assistant Professor, NTU ADM)

Join us for a screening of An Invocation to the Earth (16 minutes) followed by the
film’s director, Yeo Siew Hua in conversation with film scholar Dr Marc Gloede.
Conceived during the month of the Hungry Ghost Festival in 2019, while large
scale fires were consuming the forests of Indonesia, Yeo Siew Hua’s An Invocation
to the Earth confronts climate collapse through the lense of pre-colonial folktales
and animistic rituals. Through spoken spells and bodily entanglements, the
video conjures up the fallen environmental defenders of a region ridden with
ecological threats in the hope that their spirits will be reborn once again.

7

�An Invocation to the Earth, 2020, Yeo Siew Hua.
Photograph by Mike Chang. Co-produced by
NTU CCA Singapore and Thyssen-Bornemisza Art
Contemporary (TBA21) for st_age. Courtesy of
the artist.

8

�Ang Song Nian
Artist, Lecturer at NTU School of Art, Design and Media
Ang Song Nian works with materials and traces of human behaviours made
visible within landscapes through photographic documentations and installation.
Intrigued by the narration of thoughts and ideologies through visuals, he has
always favoured a microscopic approach to concepts, a style which he always
employs to open up details in his practice. His work questions the relationship
of human interventions and invasions on landscapes. He received his Bachelor’s
and Master’s degrees in Photography from the UAL Camberwell College of Arts
and the London College of Communication respectively. Song Nian currently
lectures in the Photography department at the School of Art, Design and Media at
the Nanyang Technological University in Singapore. Song Nian’s solo exhibition,
Artificial Conditions: Something To Grow Into was held at the Tokyo Photographic
Art Museum in 2019. His other earlier solo exhibitions include Hanging Heavy
On My Eyes, exhibited at both DECK (Singapore) and the Sunderland University
Priestman Gallery (UK) in 2017. Group exhibitions include Unearthed at the
Singapore Art Museum and Engaging Perspectives at the NTU Centre for
Contemporary Art (Singapore).
Ute Meta Bauer
Founder of NTU Centre for Contemporary Art Singapore and Professor at
Nanyang Technological University School of Art, Design and Media
Ute Meta Bauer is the Founding Director of NTU Centre for Contemporary Art
Singapore and a Professor in the School of Art, Design and Media at Nanyang
Technological University. She co-chairs the Master of Arts in Museum Studies
and Curatorial Practices and is the Principal Investigator for EnvironmentallyEngaged Artistic Practices in South, Southeast Asia and the Pacific under the
Ministry of Education Singapore Tier 1 Academic Grant as well as project Climate
Change and Cultural Loss (italicised), under the Ministry of Education Singapore
Tier 2 Academic Grant. Stemming from her enquiry into CLIMATES. HABITATS.
ENVIRONMENTS., Bauer has curated multiple exhibitions in Singapore engaged
in critical environmental enquiries including ‘Posthuman City’ (italicised), 2020,
‘Trees of Life - Knowledge in Material’ (italicised), 2018 as well as ‘The Oceanic’,
2018 and its related convening ‘Tabu / Tapu - Who Owns the Ocean?’(italicised),
2018. Over the past two years, Bauer has also organised two multi-day conferences
under the title ‘Climate Futures #1 &amp; 2’ (italicised), that took place in Jakarta
and Siem Reap, co-directed with NTU CCA colleague Magdalena Magiera in
partnership with KONNECT ASEAN.

9

�Nice Buenaventura
Artist, Philippines
Nice Buenaventura (Philippines) is a visual artist from Manila. Her methods
revolve around the offloading of tensions, often between ethics and aesthetics,
through drawing, painting, installation, citizen-ethnography and writing. Using
various modes of productivity allows her work to generate expressions of
concern, exploring new semantics adapted to changing scenarios and future
conditions. Nice holds a postgraduate degree in media and arts technology from
Queen Mary, University of London, UK, and is a returning lecturer at the Ateneo
de Manila University, The Philippines. She has presented work and participated
in art-adjacent projects in Bangkok, London, Manila, Melbourne, Paris, Ruang,
Singapore and Zurich.
Dr Ching Jianhong
Scientist, Duke-NUS
Dr Ching Jianhong, is an Assistant Professor at the Cardiovascular and Metabolic
Disorders Programmed of Duke-NUS Medical School. He is a specialist in
metabolomics studies using mass spectrometers and applying his techniques in
metabolism research. His long-standing collaboration with Zen Teh spans across
multiple projects including Sensing States: Healing Spaces (2015) and A Familiar
Forest (2021-2022) and Infectious Collaboration: An Inquiry into Forests and the
Pandemic (2022).
Dr Marc Gloede
Assistant Professor, NTU School of Art, Design and Media
Marc Gloede is a curator, critic and film scholar. His work focuses on the
relationship between images, technology, space, and the body. It also examines
the dynamics between art, architecture and film. He has curated exhibitions and
programmes globally and has published widely. After beginning his career in
theatre and performance, he later shifted towards art and curating. Previously,
he was the senior curator of Art Basel’s film programme (2008-14). He received
his PhD at The Free University of Berlin and has taught at numerous institutions.
Glöde is currently Assistant Professor and Co-Director of the MA in Museum
Studies and Curatorial Practices at NTU ADM.
Angela Ricasio Hoten
Research Assistant, NTU School of Art, Design and Media
Angela Ricasio Hoten is a research assistant at the NTU ADM under the Ministry
of Education Tier 1 Grant Environmentally-Engaged Artistic Practices in South,
Southeast Asia and the Pacific. Graduating with a degree in Environmental Studies

10

�from Yale-NUS College, she has a particular interest in multispecies anthropology
and political ecology. Her role largely focuses on building the database and
working towards possibilities of cross-discipline collaboration through digital
mediums. She is also a contributing writer of Linking the Digital Humanities to
Biodiversity History in Singapore and Southeast Asia, a digital database at the
National University of Singapore.
Stefan Huebner
Senior Research Fellow, Asia Research Institute, NUS
Stefan Huebner (Hübner) is a Senior Research Fellow at the National University
of Singapore’s Asia Research Institute. He is also a historian whose work centers
on modern Japan and its connections to other parts of Asia and the West. He has
a PhD in History with special distinction (best degree) from Jacobs University
Bremen, Germany. His current research project is a global history of the
industrialisation and urbanisation of the world ocean during the twentieth and
twenty-first centuries. He is writing a monograph in which he argues that since
the Age of Coal, Earth has been experiencing an amphibious transformation.
Through novel forms of the built environment, this transformation has turned
many sea surfaces, particularly those of East Asian waters, into a new part of the
amphibious human habitat.
Eunice Lacaste
PhD Candidate, NTU School of Art, Design and Media
Eunice Lacaste was born in the Philippines and she grew up in Singapore.
After obtaining her bachelor degree from University of the Philippines,
she continued her postgraduate studies back in Singapore at the Nanyang
Technological University. She is currently researching screen cultures.
Eunice focuses on participatory art that engages the public through digital media.
As an emerging researcher practitioner, she intends on decompartmentalising
the aesthetic and the ethical, only to repackage them together in a more inclusive
approach. Eunice is currently a member of the Artist Village Singapore, one of
the pioneering art collectives in the country.
Nashin Mahtani
Director of Peta Bencana, Indonesia
Nashin Mahtani is the director of Yaysan Peta Bencana (Disaster Map Foundation),
a Southeast Asian NGO developing humanitarian technologies for communityled disaster risk reduction, as well as the co-founder of the Climate Emergency
Software Alliance (CESA). She led the expansion of the life-saving platform
PetaBenacna.id from a real-time flood mapping platform serving 50 million

11

�people in Indonesia to a multi-hazard mapping platform serving over 350 million
people in Southeast Asia. Mahtani is also the co-founder of the Climate Emergency
Software Alliance, developing and maintaining one of the largest open-source
infrastructure projects for climate adaptation. In 2021 she was recognised by
Forbes Asia 30 Under 30 for her contributions to the region’s social issues.
Lauro Miotto
Associate Professor (Practice), NTU School of Art, Design and Media
Laura Miotto is an award-winning exhibition designer and educator. With 20
years of experience, in the field of design both as a creative director and an
architectural designer Miotto has worked on the creation of a multitude of
permanent and temporary exhibitions. Her focus is on heritage interpretation
and design strategies that involve the sensorial experience in the context of
museums, thematic galleries and public spaces
Serina Rahman
Lecturer at the Department of Southeast Asian Studies at the National
University of Singapore (NUS)
Serina Rahman’s current areas of research include Malaysian rural and ethnic
politics, Malaysian rural studies (especially of coastal and fishing communities),
sustainable development and large infrastructural projects in Johor, as well
as community empowerment and development. She has also written on the
ethnography of Malaysian women and Islamic radicalisation, and is now looking
into issues of poverty in Malaysia, and Sabah’s oil palm industry. These are all
tributaries of her overarching fascination with Malaysian rural communities. She
is a practicing conservation scientist and environmental anthropologist, with
specific interest in the fishermen and youth of the western Tebrau Strait, amongst
whom she has lived and worked with since 2008.
Dr Sang-Ho Yun
Director, Remote Sensing Lab, Earth Observatory of Singapore; Associate
Professor, Asian School of the Environment and School of Electric and
Electronic Engineering, Nanyang Technological University Singapore
Sang-Ho Yun is the Director of the Earth Observatory of Singapore - Remote
Sensing Lab (EOS-RS) and Associate Professor of the Asian School of the
Environment (ASE) and the School of Electric and Electronic Engineering (EEE) at
Nanyang Technological University (NTU) in Singapore. To date, he has supported
over 150 major disaster response efforts globally. Prior to joining NTU in 2021,
he was a geophysicist and radar scientist at NASA’s Jet Propulsion Laboratory
(JPL) for 14 years. Sang-Ho received the 2023 NASA Honor Award for “Proactive

12

�development of a world-leading, disaster damage-mapping system supplying
vital data to a broad range of disaster assessment and relief agencies worldwide.”
He was the recipient of the 2018 NASA Exceptional Public Achievement Medal
and the 2014 NASA Exceptional Early Career Medal for innovative use of satellite
Synthetic Aperture Radar (SAR) data in support of rapid post-disaster response.
He also received JPL’s Voyager Award in 2015 and Mariner Award in 2012 for his
outstanding achievements in humanitarian assistance using satellite observations.
Prior to his work at NASA JPL, Sang-Ho was a postdoctoral fellow at the US
Geological Survey in Menlo Park, California. He received his PhD in geophysics
and MS in electrical engineering from Stanford University in California and his BS
in earth system science from Seoul National University in Korea.
Soh Kay Min
Research Associate, NTU School of Art, Design and Media
Soh Kay Min is a researcher, writer, and curator currently working at the School
of Art, Design, and Media, Nanyang Technological University Singapore (NTU
ADM), with an interest in elemental aesthetics and the ways in which they
evidence historical and future entanglements between art, environment, and
geopolitics. Recent research projects at NTU ADM include Climate Crisis and
Cultural Loss (2021–2024), Environmentally-Engaged Artistic Practices in South,
Southeast Asia and the Pacific (2021–2023), and Understanding Southeast Asia as
a ‘Geocultural’ Formation (2021–2023). Previously, Kay Min was assistant curator
for the 17th Istanbul Biennial (2022) co-curated by Ute Meta Bauer, Amar Kanwar,
and David Teh, and participated in the 7th Singapore Biennale (2022) as part of
the collective AWKNDAFFR. Prior to that, they were part of the research team at
NTU CCA Singapore (2018–2021), during which they co-curated the research
presentation Vapour Islands: To live and die well together in a thick present (2019)
with Sophie Goltz. Kay Min holds a BSc (Hons) in Anthropology from University
College London and MA in Contemporary Art Theory from Goldsmiths College.
Som Supaprinya
Visual Artist, Thailand
Som Supaparinya is a visual artist. She studied painting in Thailand and media arts
in Germany. Her work encompasses a wide range of mediums including objects,
installations, still and moving images with a documentarian approach, focusing
on the impact of human activities on other humans and landscapes through
political, historical and literary lenses. Her work is currently on show at the DC
Collection, Maiiam Contemporary Art Museum, Chiang Mai; Art-Centre Silpakorn
University, Bangkok, Thailand; Biennale de l’Art et de la Nature Urbaine-Beyond
Water, Geneva, Switzerland; and the Peabody Essex Museum, Salem.

13

�Zen Teh
Artist, Singapore
Zen Teh is an artist and educator interested in the interdisciplinary studies of
nature and human behavior. Her art practice spans across photography, sculpture
and installation art. Teh initiated numerous collaborative projects with artists,
art professionals and scientists over the years. A Familiar Forest is a long term
ongoing collaboration with scientist Dr Ching Jianhong from DUKE-NUS that
has been exhibited at the ArtScience Museum (2015) and Lee Wee Nam Library,
NTU (2021-2022). Her residency at Selasar Sunaryo Art Space (2019) and Sa Sa
Art Projects (2022) involved collaboration and research with geologist, urban
planner and architect, investigating the impact of rapid urban development on
Indonesia and Cambodia.
Dr Erich Wolff
Postdoctoral Research Fellow, Asian School of Environment and Earth
Observatory of Singapore, NTU
Dr Erich Wolff is a Postdoctoral Research Fellow at the Asian School of
Environment at Nanyang Technological University. His research delves into
topics of green infrastructure, nature-based solutions and climate adaptation
in the context of informal settlements and the Asia Pacific. His doctoral thesis
discusses participatory methods for mapping floods in data-poor contexts.
Yeo Siew Hua
Filmmaker, Singapore
Yeo Siew Hua’s practice spans film directing and screenwriting. His last feature
film, A Land Imagined (2018) was awarded the Golden Leopard at the 71st
Locarno Film Festival, Switzerland (2019) and selected as Singapore’s entry to the
92nd Academy Awards’ Best International Feature Film category, United States
(2020). Extending beyond conventional cinema festivals and networks, Yeo’s
films have also been shown at contemporary art venues including the Museum
of Modern Art (MoMA), New York, United States (2018), and the Museum of
Contemporary Art (MOCA), Taipei, Taiwan (both 2018). He is co-founder of 13
Little Pictures, a vanguard film collective which organises experimental film labs
around Southeast Asia.

14

�CLIMATE. HABITATS. ENVIRONMENTS. is NTU CCA Singapore’s overarching
research topic which informs and connects the Centre’s various activities over a
period of several years. Changes in the environment influence weather patterns
and these climatic shifts impact habitats, and vice versa. Precarious conditions of
habitats are forcing the migration of humans and other species at a critical level.
The consequences of human intervention are felt on a global scale, affecting
geopolitical, social, and cultural systems. The Centre intends to discuss and
understand these realities through art and culture in dialogue with other fields
of knowledge.
About NTU Centre for Contemporary Art Singapore
A leading international art institution, NTU CCA Singapore is a platform, host, and
partner creating and driven by dynamic thinking in its three-fold constellation:
Exhibitions; Residencies Programmes; Research and Academic Education.
A national research center for contemporary art of Nanyang Technological
University, the Centre focuses on _Spaces of the Curatorial_. It brings forth
innovative and experimental forms of emergent artistic and curatorial practices
that intersect the present and histories of contemporary art embedded in socialpolitical spheres with other fields of knowledge.
About Nanyang Technological University
A research-intensive public university, NTU has 33 000 undergraduate and
postgraduate students in the colleges of Engineering, Business, Science, and
Humanities, Arts and Social Sciences, and its Graduate College. NTU’s campus
is frequently listed among the top 15 most beautiful university campuses in the
world and has 57 Green Mark-certified (equivalent to LEED-certified) buildings.
Besides its 200-ha lush green, residential campus in western Singapore, NTU has
a second campus in the heart of Novena, Singapore’s medical district.
About the School of Art, Design and Media, NTU
With Singapore being a cosmopolitan nation with Asian sensibilities, the School
of Art, Design and Media (ADM) seeks to play a weighty role in transforming the
island state into a global media city. The interdisciplinary courses are designed
to mould creative individuals into outstanding artists, designers, animators, new
media performers, and business leaders. The school is equipped with exceptional
hands-on studios, digital creation laboratories, media studios, and open spaces.
ADM’s long-term plan is to focus on nurturing local talents and providing
opportunities for international study and education at a world class standard.

15

�Acknowledgements
This symposium is supported by the Ministry of
Education Academic Research Fund Tier 1 project
(RG39/21)
“Environmentally-Engaged
Artistic
Practices in South, Southeast Asia and the Pacific
and their potential impact as contribution for
transdisciplinary research in Singapore” led by
Principal Investigator Professor Ute Meta Bauer.
Organised by Professor Ute Meta Bauer and
Research Assistant Angela Ricasio Hoten, School
of Art, Design and Media, Nanyang Technological
University Singapore. with additional support from
Eunice Lacaste, PhD candidate at NTU ADM.
Hosted by NTU Centre for Contemporary Art
Singapore.
Registration
Click here to register for the full symposium
and workshops.
Contact us at ntuccaresearch@ntu.edu.sg
forfurther enquiries.

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                <text>&lt;p&gt;&lt;strong&gt;MOE ACADEMIC RESEARCH FUND TIER 2[MOE-T2EP40120-0002]&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;This project examines how climate crisis and cultural loss interconnect. The core objective is the co-production of knowledge that can lead to a changed understanding of environmental justice, which, in turn, will suggest changes in existing legal and policy frameworks. The project hypothesises that a fundamental connection between people and their environments has been lost in contemporary urban contexts, resulting in feelings of indifference towards the climate crisis or unexplained feelings of climate anxiety.&lt;/p&gt;
&lt;p&gt;It deploys a research team with transdisciplinary methods to build on emerging environmental jurisprudence in the Pacific region and produce narrative visualisations demonstrating the links between cultural loss and climate change. By combining scholarly knowledge with cultural and artistic practices, the project will develop an innovative framework for addressing the impact of accelerated climate change. Using tools from visual studies and forensic architecture, from ethnography and law, to make scientific evidence on climate change socially robust and impactful, it will also create a relay between local perspectives and knowledge generated in different academic fields. Data visualisation and audiovisual presentations of ecological and cultural loss will be instrumental to transform ecological grief and loss into catalysts for climate action. Such narrative visualisations make visible the necessity to re-establish a direct relation between human societies and the environment, especially in the rapidly-changing urban fabric of a metropolis like Singapore.&lt;/p&gt;
&lt;h2 class="wp-block-heading"&gt;&lt;strong&gt;RESEARCH OUTPUTS&lt;/strong&gt;&lt;/h2&gt;
&lt;p&gt;&lt;a href="https://ntuccasingapore.omeka.net/items/show/4619"&gt;&lt;em&gt;Climate Crisis and Cultural Loss&lt;/em&gt; Research Presentation&lt;/a&gt;, 23 March–13 October 2024, TBA21-Academy Ocean Space, Venice, Italy&lt;/p&gt;
&lt;p&gt;&lt;a href="https://ntuccasingapore.omeka.net/items/show/4619"&gt;&lt;em&gt;Climate Crisis and Cultural Loss&lt;/em&gt; Research Presentation&lt;/a&gt;, 12 April–24 May 2024, ADM Gallery, 81 Nanyang Drive, Singapore&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.wgtn.ac.nz/law/research/publications/about-nzacl/publications/special-issues/hors-serie-volume-xxvii-2024"&gt;Special Issue: &lt;em&gt;Climate Crisis and Cultural Loss&lt;/em&gt; (Vol. XXVII, 2024)&lt;/a&gt;, Comparative Law Journal of the Pacific (CLJP), Victoria University of Wellington&lt;/p&gt;
&lt;h2 class="wp-block-heading"&gt;&lt;strong&gt;RESEARCH PUBLICATIONS:&lt;/strong&gt;&lt;/h2&gt;
&lt;p&gt;Ahmed, N., Bauer, U. M., &amp;amp; Lallemant-Moe, H. R. (2024, October). Introductions to Cultural loss and climate change. Comparative Law Journal of the Pacific, Special Issue: Climate Crisis and Cultural Loss.&lt;/p&gt;
&lt;p&gt;Ahmed, N., Camus, G., Lallemant-Moe, H. R., &amp;amp; Rave, L. (2022, November). Cultural loss and climate change – A new field of research. Comparative Law Journal of the Pacific, 28.&lt;/p&gt;
&lt;p&gt;Soh, K. M. (2024, May). Monsoon equinox. Issue 13: Weather. LASALLE College of the Arts.&lt;/p&gt;
&lt;p&gt;Shaleh, A. (2024, October). Linking the commons and climate change to collective actions. Comparative Law Journal of the Pacific, Special Issue: Climate Crisis and Cultural Loss.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;A project of:&lt;/p&gt;
&lt;p&gt;NTU Centre for Contemporary Art Singapore&lt;br /&gt;NTU School of Art, Design and Media&lt;/p&gt;
&lt;p&gt;Partner institutions:&lt;/p&gt;
OCEAN SPACE&lt;br /&gt;ADM Gallery&lt;br /&gt;NTU Earth Observatory of Singapore&lt;br /&gt;&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Principal Investigator&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Ute Meta Bauer&lt;br /&gt;&lt;/strong&gt;Founding Director, NTU CCA Singapore; Professor, NTU ADM&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Co-Principal Investigator&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Sang-Ho Yun&lt;br /&gt;&lt;/strong&gt;Director, Remote Sensing Lab; Associate Professor, EEE and ASE, NTU&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Collaborators&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Nabil Ahmed&lt;/strong&gt;&lt;br /&gt;Professor, NTNU; Founder, INTERPRT&lt;br /&gt;&lt;strong&gt;Hervé Raimana Lallemant-Moe&lt;br /&gt;&lt;/strong&gt;Director General, Digital Economy, French Polynesia; Public Law Associate, UFP&lt;br /&gt;&lt;strong&gt;Kristy H.A. Kang&lt;/strong&gt;&lt;br /&gt;Associate Professor, ASU&lt;br /&gt;&lt;strong&gt;Guigone Camus&lt;/strong&gt;&lt;br /&gt;Research Engineer, CEA-DRF Saclay&lt;br /&gt;&lt;strong&gt;Armin Linke&lt;br /&gt;&lt;/strong&gt;Filmmaker, Photographer, Professor, AdBK&lt;br /&gt;&lt;strong&gt;Lisa Rave&lt;br /&gt;&lt;/strong&gt;Filmmaker, Photographer&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Research Team&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Adha Shaleh&lt;br /&gt;&lt;/strong&gt;Research Fellow, NTU ADM;&lt;br /&gt;&lt;strong&gt;Soh Kay Min&lt;br /&gt;&lt;/strong&gt;Research Associate, NTU ADM&lt;br /&gt;&lt;strong&gt;Ng Mei Jia&lt;/strong&gt;&lt;br /&gt;Research Assistant, NTU ADM&lt;/p&gt;</text>
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                <text>Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific Symposium (Jan 2024) </text>
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                <text>&lt;p&gt;Join us for the Environmentally-Engaged Artistic Practices in South, Southeast Asia, and the Pacific Symposium as we hear from artists, scientists, and climate change initiatives about the possibilities of transdisciplinary collaboration addressing the climate crisis. Exploring themes including Anthropogenic Impact and Deep Time, Traditional Knowledge and Cosmologies, Biodiversity, Ecosystems and Livelihoods and Risk, Resilience, and Resistance, this event continues NTU CCA’s decade-long inquiry into research-based artistic practices. This symposium draws from the expansive network of artists engaged in environmentally grounded practices connected to ecology and community.&lt;/p&gt;
&lt;h2 class="wp-block-heading"&gt;&lt;strong&gt;SCHEDULE&lt;/strong&gt;&lt;/h2&gt;
&lt;p&gt;&lt;strong&gt;Day 1&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;10:00AM – 11:00AM&lt;/strong&gt;&lt;br /&gt;Opening Address | &lt;strong&gt;Simon Redfern,&lt;/strong&gt; Dean, College of Science, President’s Chair in Earth Sciences, Professor, Asian School of Environment, Nanyang Technological University&lt;br /&gt;&lt;br /&gt;Keynote | &lt;em&gt;The Potential and Impact of Environmentally-Engaged Artistic Practices in Collaboration with Academic Research&lt;/em&gt;&lt;br /&gt;Presenter: &lt;strong&gt;Ute Meta Bauer&lt;/strong&gt;, Professor at the School of Art, Design and Media, NTU &amp;amp; Founding Director of NTU Centre for Contemporary Art Singapore &lt;br /&gt;&lt;br /&gt;In this keynote speech, Professor at NTU ADM and Director of NTU CCA, Ute Meta Bauer builds on her decade long inquiry into the potential of a cross disciplinary approach in research and practice engaged in the Centre’s overarching research framework Climates.Habitats.Environments. Encouraging inquiries and collaborations between environmentally and socially engaged artistic practices and the fields of climate science, conservation and preservation of cultures and ecosystems is the driver of a new database that has been created over the past 18 months. Drawing from an expansive network of artists mainly active in South and Southeast Asia this website is intended to give access to wealth of environmentally-engaged artistic practices whose long term engagement established impactful examples how to navigate and communicate the complexity of vast changing realities in a tangible way. The database presented in this keynote was designed to connect artists, climate scientists, researchers and policymakers with projects in similar regions to benefit from each other and to generate socially robust outcomes. On this project, Bauer is joined by research assistant &lt;strong&gt;Angela Ricasio Hoten&lt;/strong&gt;, an Environmental Studies graduate from Yale-NUS College and current research assistant at the School of Art, Design and Media, NTU, as well as &lt;strong&gt;Eunice Lacaste&lt;/strong&gt;, a PhD candidate at NTU School of Art, Design and Media. Together they work in close exchange with the more then hundred artists featured in this database. This project is supported by the Ministry of Education Academic Research Fund Tier 1 project (RG39/21) “Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific and their potential impact as contribution for transdisciplinary research in Singapore”. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;11:00AM – 12:00PM&lt;br /&gt;&lt;/strong&gt;In Conversation | &lt;em&gt;Intersecting Ecosystems: Possibilities across the Arts and Sciences&lt;/em&gt;&lt;br /&gt;Panel: &lt;strong&gt;Ang Song Nian&lt;/strong&gt; (Artist, Lecturer at NTU ADM, Singapore), &lt;strong&gt;Zen Teh&lt;/strong&gt; (Artist, Singapore), Dr &lt;strong&gt;Ching Jianhong&lt;/strong&gt; (Assistant Professor, Duke-NUS), Moderated by Angela Ricasio Hoten (ADM NTU)&lt;br /&gt;&lt;br /&gt;In our first panel discussion of the symposium, we bring together long-term collaborators, artist Zen Teh and scientist Dr Ching Jianhong (Duke-NUS) alongside artist and lecturer, Ang Song Nian (NTU ADM) to discuss the practice of interdisciplinary collaboration in Singapore. Moderated by Angela R Hoten, environmental research assistant at NTU, this panel will explore the challenges and joys of generating an interdisciplinary artistic practice through local and regional environmental sites. The panel will explore the differences across the various disciplines of art and science while also navigating the tricky distinctions between and across interdisciplinary, transdisciplinary and cross-disciplinary collaboration. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;12:00PM – 1:00PM&lt;br /&gt;&lt;/strong&gt;Lunch Break&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1:00PM – 2:00PM&lt;br /&gt;&lt;/strong&gt;In Conversation | &lt;em&gt;Islands in Flux: Weathering the Future&lt;/em&gt;&lt;br /&gt;Panel: &lt;strong&gt;Nice Buenaventura&lt;/strong&gt; (Artist, Philippines), &lt;strong&gt;Serina Rahman&lt;/strong&gt; (Lecturer, NUS), Moderated by &lt;strong&gt;Soh Kay Min&lt;/strong&gt;(NTU ADM)&lt;/p&gt;
&lt;p&gt;Join filipina artist Nice Buenaventura and lecturer Serina Rahman (Department of Southeast Asian Studies, NUS) as they discuss the value and importance of citizen-centered learning in their home localities. Moderated by research associate, Soh Kay Min (NTU ADM), the panel will discuss the ways that weather shapes community practices and strategies across the archipelago and the different ways that our panelists document these practices through art and citizen science. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2:00PM – 4:00PM&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Tropikalye&lt;/em&gt; Workshop | Nice Buenaventura&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Tropikalye&lt;/em&gt; is an exercise in citizen-ethnography, taking shape as a mutual co-learning resource on vernacular material culture, particularly the accidental intersections of aesthetics and the everyday in the Philippines and, occasionally, the region. In this edition, Nice Buenaventura will expand &lt;em&gt;Tropikalye&lt;/em&gt; to Singapore’s streets. Supported by MOE Tier 1 Grant &lt;em&gt;Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific&lt;/em&gt;, this workshop will bring participants into the digital streets of Singapore, to document the tangible manifestations of folk strategies that respond to tropical and postcolonial conditions. From this workshop participants will build the Singapore edition of the &lt;em&gt;Tropikalye&lt;/em&gt; index through written, photographic and audio documentation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Day 2&lt;/strong&gt;&lt;br /&gt;Register &lt;a href="https://www.eventbrite.sg/cc/environmentally-engaged-art-practices-symposium-2978659"&gt;here&lt;/a&gt;. Programme booklet &lt;a href="https://www.dropbox.com/scl/fi/371ei3z12ep62cik6hert/EEAP_Symposium_ProgrammeBooklet.pdf?rlkey=vx6g6pknog9pkw3qexyixcx7w&amp;amp;dl=0"&gt;here&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;10:00AM – 11:00AM&lt;/strong&gt;&lt;br /&gt;In Conversation | &lt;em&gt;Collaboration in Crisis: Technology in Disaster Response&lt;/em&gt;&lt;br /&gt;Panel: &lt;strong&gt;Nashin Mahtani&lt;/strong&gt;, Peta Bencana (Indonesia), &lt;strong&gt;Sang-Ho Yun&lt;/strong&gt; (NTU EOS), Moderated by&lt;strong&gt; Eunice Lacaste&lt;/strong&gt;(NTU ADM)&lt;br /&gt;&lt;br /&gt;For our second day, join our exciting panel discussion between Nashin Mahtani, director of Yayasan Peta Bencana (Disaster Map Foundation), and Sang-Ho Yun, Director of the Earth Observatory of Singapore – Remote Sensing Lab (NTU) on the use of remote-sensing technologies in disaster response. Learn about their previous collaborations together on disaster risk reduction in the Southeast Asian region and how they utilize technology to construct more equitable forms of climate risk response and adaptation for the region. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;11:00AM – 12:00PM&lt;/strong&gt;&lt;br /&gt;In Conversation | &lt;em&gt;Liquid Landscapes: Designing for Climate Resilience&lt;/em&gt;&lt;br /&gt;Panel: &lt;strong&gt;Som Supaparinya&lt;/strong&gt; (Thailand), Dr &lt;strong&gt;Erich Wolff&lt;/strong&gt; (ASE NTU), &lt;strong&gt;Stefan Huebner&lt;/strong&gt; (ARI NUS), &lt;strong&gt;Laura Miotto&lt;/strong&gt;(NTU ADM) &lt;br /&gt;&lt;br /&gt;For our final panel of the symposium, join us for a riveting discussion on designing for climate adaptation in coastal and floating communities with Thai artist Som Supaparinya, Dr Erich Wolff (Earth Observatory of Singapore, NTU), Stefan Huebner (Asia Research Institute, NUS) and moderated by Associate Professor Laura Miotto (NTU ADM). Gathering insights from the disciplines of art, architecture, environmental history, and engineering, the panel will discuss the generative potentialities of different strategies for climate adaptation for water-based communities drawing both from the past and from speculative futures. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;12:00PM – 1:00PM&lt;/strong&gt;&lt;br /&gt;Lunch Break&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1:00PM – 2:30PM&lt;/strong&gt;&lt;br /&gt;Workshop |&lt;em&gt; #ClimateEmergis, how to design the future together&lt;/em&gt;&lt;br /&gt;Workshop by Nashin Mahtani, Founder of Peta Bencana and Climate Emergency Software Alliance (CESA)&lt;/p&gt;
&lt;p&gt;Join Nashin in this workshop to develop a unique design development charette to conceptualise and refine the visual representation of “climate emergis”. “Climate Emergis” is a set of digital communications tailored to represent and report various facets of climate change. These symbols, once approved by Unicode and released via updates on every smart phone across the globe, will offer people a simple yet powerful tool to share, report, and cooperate to address urgent environmental challenges.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2:30PM – 4:30PM&lt;/strong&gt;&lt;br /&gt;Film Screening &amp;amp; Conversation &lt;br /&gt;In conversation with &lt;strong&gt;Yeo Siew Hua&lt;/strong&gt; and Dr &lt;strong&gt;Marc Glöde&lt;/strong&gt; (NTU ADM)&lt;br /&gt;&lt;br /&gt;Join us for a screening of &lt;em&gt;An Invocation to the Earth &lt;/em&gt;followed by a Director’s Talk with Director Yeo Siew Hua and moderated by Dr Marc Glöde (NTU ADM). Conceived during the month of the Hungry Ghost Festival in 2019, while large scale fires were consuming the forests of Indonesia, Yeo Siew Hua’s An Invocation to the Earth confronts climate collapse through the lense of pre-colonial folktales and animistic rituals. Through spoken spells and bodily entanglements, the video conjures up the fallen environmental defenders of a region ridden with ecological threats in the hope that their spirits will be reborn once again.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;span&gt;Acknowledgements&lt;/span&gt;&lt;/b&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;This symposium is supported by the Ministry of Education Academic Research Fund Tier 1 project (RG39/21) “Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific and their potential impact as contribution for transdisciplinary research in Singapore” led by Principal Investigator Professor Ute Meta Bauer&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Organised by Professor Ute Meta Bauer and Research Assistant Angela Ricasio Hoten, School of Art, Design and Media, Nanyang Technological University Singapore&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Hosted by NTU Centre for Contemporary Art Singapore&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Special thanks to Eunice Lacaste&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The &lt;em&gt;Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific Database&lt;/em&gt; aspires to provide a comprehensive and rich data source for artists, climate scientists, and policymakers on the artistic practices of artists and collectives from the South, Southeast Asian and Pacific Regions. The complexity of the climate crisis at hand requires a transdisciplinary approach to research and practice, even as we see climate change becoming an ever-pressing theme across the disciplines of science and art. This database does not aim to be an exhaustive list of artists from the South, Southeast Asian and Pacific region but a carefully crafted list of artists and collectives that have a keen focus on environmental themes. Drawing on the expertise built up by NTU CCA over the years, this database animates the expansive network of artists from around the South, Southeast Asian and Pacific regions dedicated to themes related to traditional knowledge, biodiversity and ecosystems, anthropogenic impacts and risk and resilience. The hope is that this database presents an easy to use and initial source of information for scientists, policymakers and artists to find artists relevant to their area of expertise or region of study with the possibility of collaborating with artists in the database toward building transdisciplinary research methods.&lt;/p&gt;
&lt;p&gt;The content featured in the database is edited and proofread by an internal team at NTU CCA. If you would like to contribute to, update or edit any of the information that currently exists in the database, please email ntuccacomms@ntu.edu.sg to get in touch.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;span&gt;Grant Acknowledgement &lt;/span&gt;&lt;/b&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;This database is supported by the Ministry of Education Academic Research Fund Tier 1 Grant (RG39/21) "Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific and their potential impact as contribution for transdisciplinary research" in Singapore led by Principal Investigator Professor Ute Meta Bauer. Any opinions, findings and conclusions or recommendations expressed in this material are those of the author (s) and do not reflect the views of the Ministry of Education, Singapore.&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;span&gt;Project Acknowledgement&lt;/span&gt;&lt;/b&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Principal Investigator: Professor Ute Meta Bauer, School of Art, Design and Media, Nanyang Technological University&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;MoE Academic Research Fund Tier 1 Grant (RG39/21) "Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific and their potential impact as contribution for transdisciplinary research in Singapore": Research Assistant: Angela Ricasio Hoten &lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Special thanks to Eunice Lacaste, student research assistant. &lt;/span&gt;&lt;/p&gt;
&lt;span&gt;The building of this database was done with the additional support of&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;Website Design: &lt;/span&gt;&lt;a href="http://studio.mono-amin.com/"&gt;&lt;span&gt;mono.studio&lt;/span&gt;&lt;/a&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;Coding: &lt;/span&gt;&lt;a href="https://web3000.net/"&gt;&lt;span&gt;web3000&lt;/span&gt;&lt;/a&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;p&gt;&lt;span&gt;Last but not least our heartfelt thanks goes to all the artists for their contributions to the database.&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="https://climateshabitatsenvironments.art/"&gt;https://climateshabitatsenvironments.art/&lt;/a&gt;</text>
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                <text>Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific (2021-2024) </text>
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                <text>&lt;div class="grid-4 grid-y-gapsmall"&gt;
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&lt;p&gt;&lt;strong&gt;MINISTRY OF EDUCATION SINGAPORE (MOE) ACADEMIC RESEARCH FUND TIER 1 [RG39/21]&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;In recent years, climate change has triggered alarming environmental scenarios in the region. Artists and climate activists have reacted to these circumstances by proposing methods to create awareness and navigate the environmental collapse. This research project aimed to identify artistic inquiries focused on addressing environmental challenges in South, Southeast Asia and the Pacific. By establishing a methodology to evaluate the significance and impacts of each inquiry, it will investigate the capacity of these art projects to deepen the understanding of the effect of accelerated climate change in the aforementioned regions. This project aims to foster a dialogue between artistic forms of knowledge production and the scholarly knowledge generated by scientific practitioners engaged in climate change matters. This research project generated the &lt;em&gt;Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific&lt;/em&gt; Database, with over 100 datasets of artistic research projects that are engage in environmental challenges spanning over 20 territories, it offered a first touchpoint for researchers to engage with artists that align across similar themes. This open database, was launched at the eponymous ‘Environmentally-Engaged Artistic Practices’ two-day symposium that took place during Singapore Art Week. Hosted at the NTU Centre for Contemporary Art Singapore, this symposium brought together local and regional artists, scientists, engineers, historians and climate initiatives to discuss the potential and possibilities of transdisciplinary and cross disciplinary collaborations geared towards climate and environmental aware inquiries and solution finding.&lt;/p&gt;
&lt;h2 class="wp-block-heading"&gt;RESEARCH OUTPUTS&lt;/h2&gt;
&lt;p&gt;Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific Database&lt;/p&gt;
&lt;p&gt;Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific Symposium&lt;/p&gt;
&lt;h2 class="wp-block-heading"&gt;PUBLICATIONS&lt;/h2&gt;
&lt;p&gt;Min, S.K. (2024). Telemetric Feeling in Tita Salina and Irwan Ahmett’s The Ring of Fire (2014–Present). &lt;em&gt;Southeast of Now: Directions in Contemporary and Modern Art in Asia&lt;/em&gt; 8(1), 67-89.&lt;/p&gt;
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&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Principal Investigator&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Ute Meta Bauer&lt;/strong&gt;&lt;br /&gt;Founding Director, NTU CCA Singapore; Professor, NTU ADM&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Collaborators&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Soh Kay Min&lt;/strong&gt;&lt;br /&gt;Research Associate, NTU ADM&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Research Team&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Angela Ricasio Hoten&lt;/strong&gt;&lt;br /&gt;Research Assistant, NTU ADM&lt;/p&gt;
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                <text>Ute Meta Bauer&#13;
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                <text>Southeast Asia</text>
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