Activism]]> Architecture]]> Urbanism]]> Matthew Mazzotta]]> North America]]> Activism]]> Identity]]> Public Art]]> Alecia Neo]]> Southeast Asia]]> Activism]]> Feminism]]> Performance]]> Amanda Heng]]> Performance]]> Southeast Asia]]> Curatorial Practice]]> Activism]]> The Grand Domestic Revolution and Composing the Commons and will share models of collaboration and self-organisation developed at Casco.]]> Binna Choi]]> Curating]]> Southeast Asia]]> Activism]]> Politics]]> History]]> Green Zeng]]> Film]]> Southeast Asia]]> Performance]]> Activism]]> Malevich looks at the idea of going back to “square one”. Within his residency, Lee has focused on drawing and improvisation through music and performance and as an opportunity to revisit and revive past projects.

His recent concerns have revolved around the memory of Singapore’s art history through the initiation of the Independent Archive and Resource Centre documenting performance art and recent conversations with art historian and NTU visiting faculty, Nora Taylor have result in a wider discussion on how to remember performance art practices here.]]>
Lee Wen]]> Performance]]> Southeast Asia]]>
Institutional Critique]]> Activism]]> Former West (2008–2016) and Future Vocabularies (2014–ongoing), all the while exploring the shifts within our existing conceptual lexicon for artistic, intellectual, and activist practices.]]> Maria Hlavajova]]> Curating]]> Europe]]> Activism]]> Politics]]>
True to his existing practice, during his time as an Artist-in-Residence, Ise will note take through drawing and create a series of events utilising food as a social binder whilst also going deeper into its layered histories and how this connects to Southeast Asia.]]>
Roslisham Ismail ]]> Ise]]> Roslisham Bin Ismail]]> Installation]]> Southeast Asia]]>
Activism]]> Body]]> Performance]]> Lee Wen]]> Southeast Asia]]> Activism]]> Special Issue for Roslisham Ismail aka Ise
Published by Teratak Nuromar with support from NTU CCA Singapore and A+ Works of Art, 2021
Edited by Nur Hanim Mohamed Khairuddin and Anca Rujoiu
Design by Yan
© 2021 Teratak Nuromar, NTU CCA Singapore, and A+ Works of Art

ISBN: 978-983-43887-6-8
S$22

This special issue of sentAp! dedicated to the late and cherished artist Roslisham Ismail aka Ise (b. Khota Bahru, 1972–2019) is published on the occasion of his solo project Campur, Tolak, Kali, Bahagi, Sama Dengan (Add, Subtract, Multiply, Divide, Equals).  Co-founded in 2005 by curator Nur Hanim Mohammed Khairuddin and Ise, sentAp! fostered for ten years writing about contemporary art in Malaysia and the region. Informed by the social nature of Ise’s artistic process, his penchant for connectivity and exchanges, this special issue embraces the dialogic form. In-depth interviews conducted by writer Tan Zi Hao with curators Ark Fongsmut, Russell Storer, and Khairuddin, a hybrid exchange by curator Anca Rujoiu with different members of ruangrupa close to the artist provide context, reflections, and intimate insights on Ise’s work. Full reproduction of the works Operation Bangkok (2014) and Comic Drawings (2018–20), exhibition documentation, and a related essay capture at length the artist’s much-contemplated solo project, completed posthumously.

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NTU CCA Singapore]]> A+ Works of Art]]> Roslisham Ismail aka Ise]]> Ute Meta Bauer]]> Ark Fongsmut]]> Syed Omar Husain]]> Nur Hanim Mohamed Khairuddin]]> M. Hijaz Mohammad]]> ruangrupa]]> Anca Rujoiu]]> Russell Storer]]> Tan Zi Hao]]> Publication]]> Southeast Asia]]>