Browse Items (64 total)

Free Jazz III. Sound. Walks., October 2 2020 – March 31 2021, Courtesy NTU CCA Singapore.
Collaborative and experimental by nature, Free Jazz III builds upon its past iterations by activating and challenging common understandings of exhibition-making and the use of space. Sound walks. Machines listen. We are living through unusual…

Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
Stagings. Soundings. Readings. Free Jazz II reviews the performative format that marked NTU CCA Singapore’s inauguration in 2013. Free Jazz 2013 was a series of talks and performances where participants of various disciplines were invited to imagine…

Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) is pleased to present the first solo exhibition in Southeast Asia by sound artist and composer Tarek Atoui, conceived as a composition that unfolds in space with its unique sound library…

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Driven by his interest in exploring the conditions of the human body, multi-disciplinary artist Choy Ka Fai focuses his research on choreographic practices in
Asia. The wind that cuts the body presents his current investigation into Butoh, which…

3 May 2017, Wed 07:30 PM - 09:00 PM The Single Screen, Block 43 Malan Road Sublime Dreams of the Body Explorers is a collection of proposals on new perspectives for imagining our future through the body. Choy Ka Fai presents his ongoing research and…

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In her videos, services, concoctions and drawings, Ana Prvacki uses a gently pedagogical and comedic approach in an attempt to reconcile etiquette and erotics. Prvacki’s practice also centres around the human negotiation involved in endeavours such…

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How to breathe deeply and sing expressively in this moment when the mouth and nose embody danger? How to have pleasure in music when in its essences it is airborne and moist? Let us return power and agency to the mouth and voice while still…
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