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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Liang Shaoji, Lonely Cloud, 2016. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Liang Shaoji, Lonely Cloud, 2016. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Manish Nai, Untitled, 2018. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Phi Phi Oanh, Palimpsest, 2013–18. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Phi Phi Oanh, Palimpsest, 2013–18. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sopheap Pich, Delta, 2007. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vivian Xu, Silkworm Project, 2013–ongoing. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Trees of Life – Knowledge in Material, 21 July – 30 September 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Trees of Life – Knowledge in Material, 21 July – 30 September 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Trees of Life – Knowledge in Material, 21 July – 30 September 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Liang Shaoji, Lonely Cloud, 2016. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Manish Nai, Untitled, 2018. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Phi Phi Oanh, Palimpsest, 2013–18. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sopheap Pich, Red Grid, 2015. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vivian Xu, Silkworm Project, 2013–ongoing. Trees of Life – Knowledge in Material (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Trees of Life – Knowledge in Material, 2018, NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Trees of Life – Knowledge in Material, 2018, NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Trees of Life – Knowledge in Material, 2018, NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Trees of Life – Knowledge in Material, 2018, NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Trees of Life – Knowledge in Material, 2018, NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
Dublin Core
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Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Trees of Life – Knowledge in Material embarks on an inquiry into natural materials, exploring the knowledge they embody as biological forms as well as within social, geopolitical, and historical contexts.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2018-07-21
Exhibition End Date
2018-09-30
Collaboration
No
Commissioned Work
No
Related Countries
India
Vietnam
Cambodia
China
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
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Title
A name given to the resource
<i>Trees of Life — Knowledge in Material</i>
Subject
The topic of the resource
Materiality
Biodiversity
Geopolitics
Botany
Indigenous Knowledge
Ecosystems
Description
An account of the resource
NTU Centre for Contemporary Art Singapore is embarking on an inquiry into natural materials, exploring the knowledge they embody as biological forms as well as within social, geopolitical, and historical contexts.<i>Trees of Life – Knowledge in Material</i> is part of the Centre’s long-term research cluster Climates.Habitats.Environments. <br /><br />This exhibition focuses on materials from four plants deeply rooted in Asia: <b>indigo</b> (<i>Indigofera tinctoria</i>), <b>lacquer</b> (<i>Rhus succedanea and Melanorrhoea usitata</i>), <b>rattan</b> (<i>Calamoideae</i>), and <b>mulberry</b> (<i>Morus</i>). The works trace the ongoing involvement with these plants in the artistic practices of <b>Manish Nai</b> (India) with indigo, <b>Phi Phi Oanh</b> (United States/Vietnam) with lacquer, <b>Sopheap Pich</b> (Cambodia) with rattan, and <b>Liang Shaoji</b> (China) and <b>Vivian Xu</b> (China) with mulberry silk. While the featured installations serve as a starting point to uncover the materiality of the chosen plants, the study of their natural and cultural DNA allows further exploration into their biological processes and diverse usages at their locale. <br /><br />The artworks intertwine with selected research documents that address the complex histories and circulation, as well as the effects of human intervention on these natural resources. Starting from the properties and characteristics of the materials themselves, the project expands into their cultural representation and significance for communities and their crafts. <br /><br />The longstanding social and cultural practices associated with indigo, lacquer, rattan, and mulberry silk have accumulated a vast repository of knowledge, whether formal or tacit. Beyond the format of the exhibition, topical seminars will be dedicated to each of the four materials, further investigating their social applications over centuries in terms of their materiality, cultural references, or expanded ecology, and as arising from technological advancements. The lectures, panels, talks, and workshops feature the participating artists, as well as craftsmen, scientists, ethnobotanists, anthropologists, scholars, and designers who are working with these materials and researching innovative applications. From the diverse perspectives offered by the contributors, the public programme excavates layers of meanings and reiterates the deeper role art and craft traditions have in supporting local communities and their ecosystems. <br /><br />Topical seminars take place between <b>21 July and 8 September 2018.</b> <br /><br /><b>On Lacquer</b>: 21, 22 July <br /><br /><b>On Rattan</b>: 25, 26 August <br /><br /><b>On Indigo</b>: 4, 19 August, and 1 September <br /><br /><b>On Mulberry</b>: 8 September <br /><br />The project <i>Trees of Life – Knowledge in Material</i> is led by <b>Ute Meta Bauer</b>, Founding Director, NTU CCA Singapore and Professor, NTU School of Art, Design and Media (ADM); <b>Laura Miotto</b>, Associate Professor and Co-director, MA Museum Studies and Curatorial Practices, NTU ADM; and <b>Khim Ong</b>, Deputy Director, Curatorial Programmes, NTU CCA Singapore.
Contributor
An entity responsible for making contributions to the resource
Manish Nai
Phi Phi Oanh
Sopheap Pich
Liang Shaoji
Vivian Xu
Laura Miotto
Ute Meta Bauer
Khim Ong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Painting
Sculpture
Multimedia Installation
Object
-
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Dublin Core
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Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Jef Geys, Chinese Cabbage, from Seed Bag Series, 2018, acrylic paint on canvas. Quadra Medicinale Singapore (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, foyer view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Title
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Jef Geys, Quadra Medicinale Singapore, 1 December 2018 – 3 March 2019, NTU Centre for Contemporary Art Singapore, outdoor view. Courtesy NTU CCA Singapore.
Dublin Core
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Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Quadra Medicinale Singapore introduces an artistic practice that questions the hierarchies and adaptability of nature and society, provoking reflections on both their communicable and imperceptible structures.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2018-12-01
Exhibition End Date
2019-03-03
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Italy
France
Russia
Belgium
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Jef Geys Quadra Medicinale Singapore</i>
Subject
The topic of the resource
Botany
Urbanism
Ecosystems
Archival Practice
Pedagogy
Description
An account of the resource
NTU Centre for Contemporary Art Singapore presents <i>Quadra Medicinale Singapore</i>, the late Belgian artist <b>Jef Geys</b>’s first institutional exhibition in Asia. Geys’s conceptual practice adopted an interdisciplinary and collaborative process of research and knowledge-formation, and was driven by his belief that art should be intertwined with the everyday. <br /><br />For <i>Quadra Medicinale</i> (2009), Geys invited residents of Villeurbanne, New York, Moscow, and Brussels to demarcate a geometrical quadrant, with their home or workplace at the centre, and document 12 unassuming street plants, or “weeds.” From this collection, the collaborators uncovered the productive, and often times medicinal, properties of these plants. <br /><br /><i>Quadra Medicinale</i> is structured as a universal manual capable of being replicated anywhere and has, since its first presentation at the Pavilion of Belgium during the 53rd Venice Biennale International Art Exhibition in 2009, been realised and shown in various cities including at the Museum of Contemporary Art Detroit (2010). The exhibition was followed by similar methods of botanical and medicinal plant studies as documented in the accompanying publication <i>Kempens Informatieblad</i>. This alternative model set up by Geys for collective knowledge production, sharing, and documentation has, underlying its process, a socially-active role: Geys asked questions such as, “What can a homeless person who has a toothache, for example, chew-on to ease the pain, and to eventually cure the problem?” <br /><br />On view will be four chapters of the project, including a newly-created Singapore chapter following Geys’s instructions with contributions by local collaborators, Louise Neo and Teo Siyang. Each chapter includes framed plant specimens with their characteristics labelled, photographs of the site where the plants were originally found, as well as maps of the geographical quadrant explored. Through inciting a collaborative process, Geys created a unique model for knowledge production and sharing. <br /><br />Questioning mainstream and organised systems of urban planning and information dissemination, Geys casted doubt on the fundaments of language and visual representation, interrogating art’s relation to meaning-making. He produced a text explaining the <i>Quadra Medicinale</i> project that has been translated into 10 languages, with annotations by the artist himself on the translations. Their display as large-format scrolls, further probes systems of interpretation, communication, and accessibility. A selection of these text scrolls and a Malay translation, produced for this exhibition, will be shown. <br /><br /><i>Quadra Medicinale Singapore</i> introduces an artistic practice that questions the hierarchies and adaptability of nature and society, provoking reflections on both their communicable and imperceptible structures. It also poses the question of whether conceptual artworks can be continued after an artist’s passing. <br /><br />In addition to the elements from <i>Quadra Medicinale</i>, the exhibition includes two paintings from Geys’s <i>Seed-bags</i> series (1963–2018), a long-term project the artist started when, during his own gardening process, he discovered that the image of the vegetables or flowers pictured on the bag did not match the actual plant. With these paintings, which Geys would create every year, he challenged the accuracy and truth of commercial photography. The medium, however, played a significant role in the artist’s practice enabling him to accumulate an extensive archive of his own projects and interests. <br /><br />In The Single Screen, <i>Day and Night and Day</i>… (2002), his 36-hour-long film produced for Documenta 11 (Kassel, Germany), will be screened in parallel to the exhibition. This film is a mesmeric sequence composed of thousands of black-and-white photographs Geys took from the mid-1950s to 1998. <br /><br />The exhibition is made possible by generous loans from the Jef Geys Estate and Air de Paris. <br /><br /><i>Quadra Medicinale Singapore</i> is curated by <b>Dirk Snauwaert</b>, Artistic Director at WIELS Contemporary Art Centre, Brussels, in collaboration with <b>Ute Meta Bauer</b> and <b>Khim Ong</b>, NTU CCA Singapore. Snauwaert was the Curator of <i>Jef Geys: Quadra Medicinale</i> in Venice 2009, commissioned for the National Pavilion of Belgiumby the Flemish Community. Snauwaert was an NTU CCA Singapore Curator-in-Residence in 2015.
Contributor
An entity responsible for making contributions to the resource
Louise Neo
Teo Siyang
Dirk Snauwaert
Ute Meta Bauer
Khim Ong
Medium
The material or physical carrier of the resource.
Photography
Print
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
North America
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Vitrine
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Vitrine
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Semangat Kejiranan</i> by Izat Arif
Subject
The topic of the resource
Nature
Urbanism
Botany
Description
An account of the resource
Interested in the contiguities and frictions between the natural and urban environment, <b>Izat Arif</b> has conducted experiential and erratic fieldwork in various landscapes in Singapore observing plants, soil, insects, and traces of human presence. This investigation is presented in The Vitrine as a form of a provisional “cabinet of essential items,” which contains a selection of the artist’s notes and drawings, research tools, and findings.
Contributor
An entity responsible for making contributions to the resource
Izat Arif
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Mixed Media
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Jef
Surname or Business Name
Geys
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018-2019
Birth Date
1934
Birthplace
Belgium
Death Date
2018
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Jef Geys was among Europe’s most respected yet under-acknowledged artists. Producing artwork since the 1950s, Geys’ practice probes the construction of social and political engagement, and his work radically embraces art as being intertwined with everyday life. Geys graduated from the Antwerp Arts Academy before settling in Balen in the Kempen region of Belgium, where from 1960 to 1989, he taught art at a state school, focusing on educational experimentation in the arts. Since the late 1960s, Geys has been the editor and publisher of his local newspaper, the Kempens Informatieblad, and subsequently produced them in line with his exhibitions. He is known for his meticulous archive of his work, which in turn becomes generative of other works.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Belgium
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jef Geys
Subject
The topic of the resource
Botany
Urbanism
Ecosystems
Archival Practice
Pedagogy
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Jef Geys
-
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28e5dd9995711c93b6f7773143e3dc69
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Dirk
Surname or Business Name
Snauwaert
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015/2018-2019
Birthplace
Belgium
Occupation
Professional title or identity
Artist Director
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Dirk Snauwaert (<span>b. 1963, Belgium)</span> is Artist Director of WIELS Contemporary Art Centre, Brussels, and was involved in its creation since July 2004. At WIELS, Snauwaert has curated exhibitions of Tauba Auerbach (2013) and Mike Kelley (2008). Prior, Snauwaert was Co-Director of the Institut d’art contemporain Villeurbanne/Rhône-Alps where he was in charge of the exhibition programme and the development of the FRAC Rhône-Alpes collection. He was Director of the Kunstverein Munich from 1996 to 2001, where he curated solo shows by Rita McBride (1999), William Kentridge (1998), David Lamelas (1997), and Fareed Armaly (1997). He was also the curator of Jef Geys at the Pavilion of Belgium, 53rd Venice Biennale International Art Exhibition. Snauwaert was an NTU CCA Singapore Curator-in-Residence in 2015.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Belgium
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Curator-in-Residence
Guest Curator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Affiliation
Company, organization, or institution name
WIELS Contemporary Art Centre, Belgium
Birth Date
1963
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dirk Snauwaert
Subject
The topic of the resource
Botany
Urbanism
Ecosystems
Curatorial Practice
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
Contributor
An entity responsible for making contributions to the resource
Dirk Snauwaert
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Louise
Surname or Business Name
Neo
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018-2019
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
Singapore
Occupation
Professional title or identity
Botanical Researcher
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Louise Neo is a botanical researcher and the co-author of Wayside Flowers of Singapore, a full-colour guidebook that showcases the diversity of wildflowers in Singapore and interesting facts about each species. Neo is a contributor to Urban Forest (uforest.org), a non-profit online platform that aims to provide an accessible and convenient identification guide to the diversity of plants in Singapore and the region.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Collaborator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Louise Neo
Subject
The topic of the resource
Botany
Urbanism
Ecosystems
Archival Practice
Pedagogy
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Louise Neo
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Siyang
Surname or Business Name
Teo
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018-2019
Birthplace
Singapore
Occupation
Professional title or identity
Data Analyst
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Teo Siyang is a full-time data analyst with a biology degree and the founder of Urban Forest (uforest.org), which aims to provide information about the diversity of plants in Singapore. The platform was built on the belief that the first step in conservation is enabling people to identify the nature around them so they can foster a deeper connection with it.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Collaborator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Teo Siyang
Subject
The topic of the resource
Botany
Urbanism
Ecosystems
Archival Practice
Pedagogy
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Teo Siyang
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Matthias
Surname or Business Name
Sohr
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2017
Birthplace
Germany
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Premised upon the methodologies of ethnographic fieldwork, Matthias Sohr’s (b. 1980, Germany) artistic practice results in sculptures and installations that draw from technology and social sciences to reflect a wide range of research interests, from medical anthropology to “Bureaucracy Studies”. He is currently pursuing a PhD in the History of Medicine, University of Lausanne, Switzerland. <br /><br />Matthias Sohr obtained a Master of Visual Arts from the University of Art and Design Lausanne, Switzerland in 2013. He has been a visiting lecturer at the University of Arts and Industrial Design Linz, Austria (2011-2012); Berlin University of the Arts, Institute of Spatial Experiments, Germany (2010). His work has been exhibited at Museum of Contemporary Art Tokyo (MOT), Japan (2011) and Neue Nationalgalerie, Berlin, Germany (2014), among others.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Switzerland
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Birth Date
1980
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Matthias Sohr
Subject
The topic of the resource
Technology
Botany
Contributor
An entity responsible for making contributions to the resource
Matthias Sohr
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
The artist plans to delve deeper into the intersections between botanical studies, colonial histories, and urban planning in Indochina, framing them against the backdrop of ancestral wisdom and haunting presences.
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
No
Commissioned Work
No
Related Countries
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Cycle
Cycle 7 (2020 – 2021)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lêna Bùi
Description
An account of the resource
Research interests: <br /><br />- Botanical studies and urban planning <br />- Regional folklore, ghost myths, animistic practices <br />- Alternative historiographies <br /><br />Inspired by the recent felling of Khaya senegalensis (a tree species native to West Africa) in one of Ho Chi Minh City’s oldest streets for urban development purposes, Lêna Bùi’s project revolves around widespread regional beliefs about hungry and unresolved spirits residing in trees. The artist plans to delve deeper into the intersections between botanical studies, colonial histories, and urban planning in Indochina, framing them against the backdrop of ancestral wisdom and haunting presences. The research will eventually lead to an articulation of unspoken stories from times gone by.<br /><br />The residency of Lêna Bùi was scheduled for April – June 2020, but the COVID-19 pandemic outbreak rendered international travel impossible. In order to continue to support artistic research and foster collaborations beyond borders, the NTU CCA Residencies Programme initiated Residencies Rewired, a project that trailblazes new pathways to collaboration.<br /><br /><br />Research Liaison: Elizabeth Ang <br /><br />Elizabeth Ang is a freelance creative and writer who holds a BA in International History from the London School of Economics and Political Science. Her research interests include Cold War historiography as well as social, cultural, and religious histories of Southeast Asia.
Date
A point or period of time associated with an event in the lifecycle of the resource
1 December 2020 – 28 February 2021
Contributor
An entity responsible for making contributions to the resource
Lêna Bùi
Lena Bui
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Botany
Mythology
Animism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
The artist intends to focus on the history and evolution of the Wardian case, a glass container for growing and transporting flora devised by British physician Nathaniel Bagshaw Ward in 1833.
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Cycle
Cycle 7 (2020 – 2021)
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marvin Tang
Description
An account of the resource
The Colony (2017 – ongoing) is the title of Marvin Tang’s long-term research project which examines the impact of botanical institutions on the movement of seeds, plants, and people in the colonial era. For the next iteration of the project, the artist intends to focus on the history and evolution of the Wardian case, a glass container for growing and transporting flora devised by British physician Nathaniel Bagshaw Ward in 1833. The direct precursor of the modern terrarium, this transportable receptacle proved instrumental in allowing the circulation of plants across the globe in the 19th century. Here, it is framed as a point of departure to excavate the social, economic, and environmental implications of planetary plant movements and the displacement of labour forces required to sustain booming plantation economies. During the residency, the studio will be used to conduct durational experiments with natural substances and photographic materials and try out different modes of display.
Date
A point or period of time associated with an event in the lifecycle of the resource
1 April – 29 September 2020
Contributor
An entity responsible for making contributions to the resource
Marvin Tang
Medium
The material or physical carrier of the resource.
Installation
Object
Subject
The topic of the resource
Botany
Labour
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia