2
10
54
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
T. Minh-ha
Surname or Business Name
Trinh
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014/2017/2018/2020/2021
Birthplace
Vietnam
Occupation
Professional title or identity
Artist
Professor of Gender & Women’s Studies and of Rhetoric
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Trinh T. Minh-ha is Professor of Gender & Women’s Studies and of Rhetoric at the University of California, Berkeley, and an award-winning artist and filmmaker. She grew up in South Vietnam during the Vietnam War and pursued her education at the National Conservatory of Music and Theater in Ho Chi Minh City. In 1970, she migrated to the United States where she continued her studies in music composition, ethnomusicology, and French literature at the University of Illinois, Urbana-Champaign. She embarked on a career as an educator and has taught in diverse disciplines which brought her to the National Conservatory of Music in Dakar, Senegal, where she shot her first film, Reassemblage. Trinh’s cinematic oeuvre has been featured in numerous exhibitions and film festivals. She has participated in biennales across the globe including Documenta11, Kassel (2002), and most recently at Manifesta 13, Marseille (2020). A prolific writer, she has authored nine books. She is the author of several books including <i>Lovecidal: Walking with the Disappeared </i>(2016), <i>D-Passage: The Digital Way</i> (2013), and <i>Elsewhere, Within Here: Immigration, Refugeeism and the Boundary Event </i>(2011). Her film <i>Surname Viet Given Name Nam</i> (1989) was presented as an installation within NTU CCA Singapore’s inaugural exhibition <i>Paradise Lost </i>(2014).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Vietnam
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Affiliation
Company, organization, or institution name
University of California, Berkeley
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Trinh T. Minh-ha
Subject
The topic of the resource
Feminism
Technology
Diaspora
Capitalism
Displacement
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
North America
Africa
Contributor
An entity responsible for making contributions to the resource
Trinh T. Minh-ha
-
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908a5b33f299824c7530403d8cf238ae
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Hamra
Surname or Business Name
Abbas
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015/2018
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Hamra Abbas is an artist. Her practice crosses a wide range of media, appropriating and transforming culturally loaded imagery, iconography, and traditional motifs and styles to raise questions of conflict within society. Between May and June 2015, Abbas was Artist-in-Residence at NTU CCA Singapore. During her residency, Abbas explored the complex intertwining of histories, class, race, and culture that defines Singapore, working with the courtly Chinese painting style of <i>Gongbi</i> to address the story of Indian migration in Singapore.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Kuwait
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
Pakistan
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hamra Abbas
Subject
The topic of the resource
Capitalism
Geopolitics
Description
An account of the resource
Hamra Abbas is an artist. Her practice crosses a wide range of media, appropriating and transforming culturally loaded imagery, iconography, and traditional motifs and styles to raise questions of conflict within society.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Hamra Abbas
-
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15958c7a000d04841a39cee67fe9f623
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Bo
Surname or Business Name
Wang
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016/2018
Affiliation
Company, organization, or institution name
School of Visual Arts, New York/ NTU CCA Singapore
Occupation
Professional title or identity
Artist
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Bo Wang is an artist, filmmaker, and faculty member at Visual and Critical Studies, School of Visual Arts, New York. Wang’s work depicts provocative portraits of China, presenting contradictions in its cultural identity, changing urban spaces, and power structures. Wang was Artist-in-Residence at NTU CCA Singapore, between August and September 2016, where he studied the role of sand in Singapore, tracing its physical circulation as a fundamental element for the state’s development but also its symbolic role in the cultural sphere.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
China
Germany
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bo Wang
Subject
The topic of the resource
Identity
Capitalism
Urbanism
Description
An account of the resource
Bo Wang is an artist, filmmaker, and faculty member at Visual and Critical Studies, School of Visual Arts, New York.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Bo Wang
-
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a4d0bf14ac698da00bca72fb7cbe4bad
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Arjuna
Surname or Business Name
Neuman
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015/2018
Birthplace
United Kingdom
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Arjuna Neuman (b.1984, United Kingdom) was born on an airplane, that’s why he has two passports. He shows his work internationally with recent exhibitions and screenings at: <i>Sunshinism</i>, State of the Art, Berlin, Germany (2014); <i>Les Recontres Internationales</i>, Haus Der Kunst der Welt, Berlin, Germany (2014); <i>The Museum of Immortality</i>, Ashkal Alwan, Beirut, Lebanon (2014); <i>Exposure</i>, Beirut Art Centre (2014); <i>Les Rencontres Internationales</i>, Le Gaite Lyric, Paris, France (2014); <i>Transpositions</i>, Verge Gallery Sydney University, Australia (2014); Young Artist Moscow Biennale, Moscow Museum (2014); <i>ABC : MTL</i>, Canadian Centre for Architecture, Montreal, Canada (2012); <i>In Our Sights</i>, Machine Projects, Los Angeles , United States (2012) amongst others. As a writer he has published articles in Relief Press, Into the Pines Press, The Journal for New Writing, VIA Press, Concord Press, Art Voices and e-flux.<br />
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Arjuna Neuman
Subject
The topic of the resource
Capitalism
Technology
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Description
An account of the resource
Arjuna Newman examines connections between subjects and across ideas, creating transdisciplinary works that invite audience participation.
Contributor
An entity responsible for making contributions to the resource
Arjuna Neuman
-
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36e26bfc3d2fc116c558122f3ea22787
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Luke Willis
Surname or Business Name
Thompson
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014-2015
Birthplace
New Zealand
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Luke Willis Thompson’s (b. 1988, New Zealand) objects are typically both curios drawn from historical blind-spots and markers of, or stand-ins for, very particular personal lived experience. Thompson’s recent projects have focused on politics around the circulation and repatriation of artefacts, and the class-bound art world’s mode of distribution. <br /><br />Thompson holds an MFA (2010) and a BFA (2009) from the ELAM School of Fine Arts, University of Auckland. Selected exhibitions include: Surround Audience, the New Museum Triennial (2015); Foreign Exchange (or the stories you wouldn’t tell a stranger), Weltkulturen Museum, Frankfurt, Germany (2014); The 5th Auckland Triennial, Auckland Art Gallery, New Zealand (2013). Thompson won the acclaimed Auckland Art Gallery’s Walters Prize in 2014.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United Kingdom
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1988
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Luke Willis Thompson
Subject
The topic of the resource
Capitalism
Ways of Seeing
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Oceania
Contributor
An entity responsible for making contributions to the resource
Luke Willis Thompson
-
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2ddd824f34927c72bdab1631e9cb99b0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Nolan
Surname or Business Name
Oswald Dennis
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
<span>The residency of Nolan Oswald Dennis was scheduled for April – June 2020, but the COVID-19 pandemic outbreak rendered international travel impossible. In order to continue to support artistic research and foster collaborations beyond borders, the NTU CCA Residencies Programme initiated <a href="https://ntuccasingapore.omeka.net/admin/items/show/2924"><em>Residencies Rewired</em></a></span><span>, a project that trailblazes new pathways to collaboration.</span>
Birthplace
Israel
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
The interdisciplinary practice of Nolan Oswald Dennis (b. 1988, Zambia/South Africa) looks at histories and futures of solidarity in the global south as strategic responses to capital and colonial power, and as trajectories of collective world-making. Engaging with ‚Äúa black consciousness of space‚ Äù, his practice unsettles dominant ways of knowing. His work has been shown internationally at Young Congo Biennial, Kinshasa, Congo (2019); Goethe Institute, Beijing, China (2018); Kalmar Konstmuseum, Sweden (2017), amongst others. In 2016, he was awarded the FNB Art Prize. He is a Research Associate in the Visual Identities in Art and Design Research Centre, University of Johannesburg, and a 2020/21 Digital Earth Fellow.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
South Africa
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1988
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nolan Oswald Dennis
Subject
The topic of the resource
History
Capitalism
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Africa
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Nolan Oswald Dennis
-
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8eb50b16c1d32b387182ec3856e1cbcf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Sung
Surname or Business Name
Tieu
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Birthplace
Vietnam
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
The artistic practice of Sung Tieu (b. 1987, Vietnam/Germany/United Kingdom) spans a variety of mediums includingsound installation, video, sculpture, photography, performance, and public interventions. In her work,she contends with notions of history and analyses transnational movements of people and capitals. Forthcoming solo exhibitions will be held at Haus der Kunst, Munich, Germany and NottinghamContemporary, United Kingdom (both 2020). Other forthcoming projects will be featured at TateModern and David Roberts Art Foundation (both London, United Kingdom, 2019), and the PragueBiennale (2020). She has had solo exhibitions at FRAGILE, Berlin, Germany (2019); Royal Academyof Arts, London, United Kingdom (2018); and Nha San Collective, Hanoi, Vietnam (2017).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
United Kingdom
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1987
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sung Tieu
Subject
The topic of the resource
Capitalism
Contributor
An entity responsible for making contributions to the resource
Sung Tieu
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EXHIBITION
RESEARCH
RESIDENCIES
NTU Centre for Contemporary Art Singapore
Block 6, #01-09/10, Gillman Barracks,
Singapore 108934
Offices
Website
+65 6460 0300
ntu.ccasingapore.org
26 SEPTEMBER 2015
INTERNATIONAL SYMPOSIUM
On the occasion of Allan Sekula: Fish Story, to be continued
10.30AM – 4.45PM | The Single Screen, Block 43 Malan Road
Allan Sekula, The Forgotten Space (2010), film still.
NTU CCA Singapore presents an International Symposium dedicated to the late photographer, theorist, photography
historian and critic, Allan Sekula. Situated within the context of Allan Sekula’s exhibition Fish Story, to be continued at
NTU CCA Singapore, the symposium will mark a concluding point to the show and highlight the continued relevance
of his work and writing on the theme of globalisation.
The programme of the symposium will focus on key themes underlying Allan Sekula’s practice including questions of
critical realism in contemporary art, representation of labour as well as the vast topic of the sea as the “forgotten
space” of the contemporary global economy.
SYMPOSIUM PARTICIPANTS
The symposium will bring together art professionals who have collaborated with Allan Sekula across the years and
who will share their insights and experience of working with the artist. The list of contributors comprises: Hilde Van
Gelder (Director of the Lieven Gevaert Research Centre for Photography, Leuven), Carles Guerra (Director of the
Fundació Antoni Tàpies, Barcelona), Roger Buergel (Director of the Johann Jacobs Museum, Zurich), Mercedes
Vicente, Curator and Writer (PhD Candidate, Royal College of Art, London).
In the second part of the symposium, the complexities of the maritime world and maritime nations unpacked by Allan
Sekula in his extensive research will be grounded in the local context of Singapore, an important harbour in colonial
and post-colonial times. Contributors to this discussion include Shabbir Hussain Mustafa (Curator for the Singapore
Pavilion, 56th Venice Biennale) Charles Lim (Artist for the Singapore Pavilion, 56th Venice Biennale) and Chung Chee
Kit (Naval Architect and former Director of Keppel). The symposium will be moderated by Ute Meta Bauer (Founding
Director of NTU CCA Singapore) and Anca Rujoiu (Curator, Exhibitions of NTU CCA Singapore).
Acknowledgments:
Frac Bretagne | Museum of Modern Art, New York | Thyssen-Bornemisza Art Collection, Vienna
�EXHIBITION
RESEARCH
RESIDENCIES
NTU Centre for Contemporary Art Singapore
Block 6, #01-09/10, Gillman Barracks,
Singapore 108934
Offices
Website
+65 6460 0300
ntu.ccasingapore.org
SYMPOSIUM PROGRAMME
Part I: Working with Allan Sekula
10:50am
| Welcome note by Ute Meta Bauer with Anca Rujoiu
11:00 – 11:30am | Keynote: Working with Allan Sekula by Hilde Van Gelder
This lecture addresses a selection of collaborations and exchanges between Allan Sekula and Hilde Van Gelder during
the last decade of the artist’s life. Starting from the outdoor billboard panel installation Shipwreck and Workers, which
Sekula exhibited at STUK Arts Centre in Leuven in 2005 and two years later at Documenta 12 in Kassel, the discussion
will lead up to Ship of Fools / The Dockers’ Museum (2010-2013) – Sekula’s last and, sadly, incomplete project. That
trajectory will allow us to understand in more depth the many ways in which Fish Story (1990-1995) was the decisive,
foundational project for most, if not all, of Sekula’s later works, which we have come to understand in terms of
“critical realism” (as coined by Benjamin H.D. Buchloh).
11:30 – 12:00pm | Presentation: Arrested Flow by Carles Guerra
On November 19, 2002 the Galician coast suffered one the biggest ecological disasters. A tanker carrying 77,000
tons of fuel oil split in half at about 130 miles offshore. The fuel oil released from the single-hulled tanker soon
reached the Spanish, Portuguese and French coastline and polluted the seabed and its beaches. In spite of the
overwhelming evidence, the conservative government ruling Spain at the time denied the immediate and severe
consequences of the oil spill. The national media made invisible what became a massive reaction of the population
who undertook a mobilisation to clean up thousands of kilometers invaded by the chapapote. The disaster turned
into a spectacular organisation. Corrupt leaders and volunteers engaging in a Sisyphean task shared the stage. For
Allan Sekula, a photographer committed in the long-term to the peculiarities of the maritime economies, this was
beyond the logic of the documentary. In Galicia he experienced the absurdity of the events as they were gathered
and recollected by factual descriptions. That is to say, he who championed documentary aesthetics experienced the
limits of such a genre. Finding impossible to report in a journalistic vein, Black Tide. Fragments for an Opera (2003)
delivered a pseudo-photojournalistic approach to the disaster. This was the result of an invitation issued by the
newspaper La Vanguardia that brought the two of us together during the last days of December 2002. The result,
one of the rare interventions Allan ever did in a newspaper, was finally published early in 2003. Footage from these
days was to be included in The Lottery of the Sea (2006), where the disaster appears as a fleeting episode in a more
ambitious constellation describing a global disorder based on the power that emanates from the sea.
12.00 – 12.30pm | Presentation by Roger Buergel
12.30 – 1:00pm | Q & A – Moderated by Ute Meta Bauer and Anca Rujoiu
1.00 – 2.00 pm | Lunch Break
2.00 – 2.30 pm | Presentation: Every page a victory. Who cooked the feast for the victors? (Poem “Questions From
a Worker Who Reads”, Bertolt Brecht 1935) by Mercedes Vicente
This presentation will draw on some of the themes that Allan Sekula’s essayistic film The Lottery of the Sea touches
upon — free markets, democracy, war – built around a bank of images of the lives of working people that form the
backdrop and the social and political fabric of what we term globalisation.
At the roundtable discussion, Vicente will also introduce parallels between Allan Sekula’s and Darcy Lange's mutual
interest in the representation of labour, their fidelity to the social referent in photographic and moving image
practices, and their commitment to critically question realism while being understood and articulated through their
different approaches. Sekula’s ‘critical realism’ sought structuralist semiotics as a way to engage with the complexity
of social representation, while Lange’s positivism offered a systematic and aesthetically uninflected approach that
rejected artistic expression for its prevailing social referential function. Both were invested in the image of work and
of the people at work so seldom portrayed and in documentary's potential of social transformation.
�EXHIBITION
RESEARCH
RESIDENCIES
NTU Centre for Contemporary Art Singapore
Block 6, #01-09/10, Gillman Barracks,
Singapore 108934
Offices
Website
+65 6460 0300
ntu.ccasingapore.org
Part II: The Sea as Forgotten Space
2.30 – 3.30pm
| Conversation between Chung Chee Kit, Shabbir Hussain Mustafa & Charles Lim
3.30 – 3.45pm
| Coffee Break
3.45 – 4.45 pm
| Final roundtable discussion
BIOGRAPHIES OF SPEAKERS
Hilde Van Gelder is a curator, writer and the director of the Lieven Gevaert Research Centre for Photography,
together with Alexander Streitberger (Université catholique de Louvain). She is editor of the Lieven Gevaert Series
(University Press Leuven). With a background in law and philosophy, her research focuses on how photographic and
moving image as contemporary art can contribute to shaping insights into the current state of the global political and
socio-economic sphere. She has published on a wide range of artists, including Allan Sekula, Victor Burgin, Peter
Friedl, Gilles Saussier, and Bruno Serralongue. She is the co-editor of Critical Realism in Contemporary Art, Around
Allan Sekulla’s Photography.
Carles Guerra is an artist, art critic and independent curator based in Barcelona. He was the Chief Curator at MACBA
(2011-2013) and Director of La Virreina Centre de la Imatge (2009-2011). Guerra is currently an associate professor at
the Universitat PompeuFabra. In 2011, he was awarded the Ciutat de Barcelona Prize for his contribution in the field
of visual arts. He is currently the member of the editorial board at Cultura/s since 2001 where he authored numerous
essays, N for Negri (2000), Allan Sekula speaks with Carles Guerra (2005) and Negatives of Europe. Video Essays and
Collective Pedagogies (2008).
Roger Buergel is an art critic, a curator, and a member of Parasophia: Kyoto International Festival of Contemporary
Culture 2015’s Professional Advisory Board. Before serving as a guest curator for the Museum of Contemporary Art
Barcelona he taught art history at Luneburg University (1999–2005) and the Academy of Fine Arts in Karlsruhe
(2007–09). He was appointed the artistic director of Documenta XII (Kassel, 2007) with art historian and curator Ruth
Noack. Buergel also served as the artistic director of the 6th Busan Biennale (2012). In 2010, he was appointed the
Founding Director of the Johann Jacobs Museum in Zurich, an exhibition space and research institution dedicated to
the cultural residue of global trade routes.
Mercedes Vicente is a curator and writer undertaking an AHRC-funded PhD at the Royal College of Art, London. Prior
to her current studies, Mercedes worked in New York and New Zealand. She was Curator of Contemporary Art at
Govett-Brewster Art Gallery and Darcy Lange Curator-at-Large. Mercedes earned masters’ degrees in Film and the
Arts at New York University and in Curatorial Studies at Bard College and was the Helena Rubinstein Curatorial Fellow
at the Whitney Independent Study Program in New York. Recent curatorial projects include Art and Social Change
Research Project: Delhi Residency, 2013 (Te Tuhi and The Physics Room 2014); Vestigios invisibles (EACC, 2014), and
at Govett-Brewster: Walters Prize nominee Maddie Leach’s If you find the good oil let us know (2013). She is also
contributing editor of Darcy Lange: Study of an Artist at Work (Govett-Brewster and Ikon Gallery, 2008) published in
conjunction with the exhibition Darcy Lange Work Studies in Schools (Ikon Gallery, 2008).
Shabbir Hussain Mustafa is Curator at the National Gallery of Singapore, where he researches on art from Singapore
and Southeast Asia. He was formerly Curator at the National University of Singapore (NUS) Museum from 2007 till
2013.
Charles Lim sees Singapore like no other artist. As a former professional sailor, his senses are keenly attuned to
environments we rarely see and to forces most of us do not even notice. His early collaborative project, tsunamii.net,
which participated in Documenta 11 (2002) traced the hidden submarine infrastructure that underpins our global
computer networks. After sailing for Singapore in the 1996 Olympics, Lim studied Fine Art at Central Saint Martins
School of Art and Design, London, graduating in 2001. His SEA STATE series is an ongoing body of work that has
been exhibited at the Dojima River Biennale, Osaka (2013); Lyon Biennial Rendez-Vous 13 at the Institut d’art
contemporain Villeurbanne (2013); the Singapore Biennale (2011); Manifesta 7, Trentino-South Tyrol (2008); Shanghai
Biennale (2008). Lim’s moving image works have been screened in international film festivals at Rotterdam, Tribeca
and Edinburgh. His multi-award-winning short film, All The Lines Flow Out, premiered at the 68th Venice Film
Festival, winning a Special Mention, the first award ever won there by a Singaporean production.
�EXHIBITION
RESEARCH
RESIDENCIES
NTU Centre for Contemporary Art Singapore
Block 6, #01-09/10, Gillman Barracks,
Singapore 108934
Offices
Website
+65 6460 0300
ntu.ccasingapore.org
Chung Chee Kit graduated in Naval Architecture from the University of Newcastle upon Tyne, United Kingdom. His
career with Keppel Corporation, Straits Steamship and IMC Shipping brought him into contact with ship repair,
shipbuilding, offshore engineering, ship management and port development, and he has developed a deep love for
all things connected with the sea and ships. Currently retired, he now enjoys painting maritime subjects, and is an
advocate of a greater appreciation of maritime heritage in Singapore.
ABOUT THE EXHIBITION, FISH STORY, TO BE CONTINUED
The exhibition Fish Story, to be continued (3 July – 27 September 2015) brings together at NTU CCA Singapore core
works of Allan Sekula’s research of the global maritime industry from the collections of Fond Regional d’art
contemporain Bretagne, the Museum of Modern Art (MoMA), New York and Thyssen-Bornemisza Art Contemporary
(TBA21), Vienna. Curated by Ute Meta Bauer and Anca Rujoiu (NTU CCA Singapore), the exhibition introduces
chapters from Fish Story (1988 – 1993) alongside two filmic extensions of the project, Lottery of the Sea (2006) and
The Forgotten Space (2010), co-directed with the film theorist and director Nöel Burch.
In juxtaposition to Allan Sekula’s exhibition, NTU CCA Singapore invited the curator Mercedes Vicente (Darcy Lange
Curator-at-Large) to present Darcy Lange: Hard, however, and useful is the small, day-to-day work (12 August – 27
September 2015). This selection of works by the late New Zealand artist Darcy Lange from the Darcy Lange Estate
and Govett-Brewster Art Gallery, examines these two artistic practices that meet in a shared interest of representing
labour, yet through different approaches.
Fish Story, to be continued and Darcy Lange: Hard, however, and useful is the small day-to-day work punctuate NTU
CCA Singapore’s overarching narrative PLACE.LABOUR.CAPITAL.
NTU CENTRE FOR CONTEMPORARY ART SINGAPORE
The NTU Centre for Contemporary Art Singapore (NTU CCA Singapore), opened in October 2013, is a national
research centre of Nanyang Technological University developed with support from the Economic Development
Board, Singapore. Located in Gillman Barracks alongside a cluster of international galleries, NTU CCA Singapore led
by Founding Director, Professor Ute Meta Bauer takes a holistic approach towards art and culture, intertwining its
three platforms: exhibitions, residencies, research & education.
NTU CCA Singapore positions itself as a centre for critical discourse and experimental practices for Singapore, the
region and beyond. It aims to play an active role within the local art scene, and contribute to the development of
regional and international art infrastructures.
Research Centre & Office: Block 6 Lock Road, #01-09/10, Gillman Barracks, Singapore 108934
Email: ntuccaevents@ntu.edu.sg
Phone: +65 6460 0300
For updates on exhibitions and programmes, visit
www.ntu.ccasingapore.org
www.facebook.com/ntu.ccasingapore
Follow us on Instagram: @ntu_ccasingapore
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Resources
Programme Resource
Collateral and other print or digital materials pertaining to residency programmes. Examples include residency brochures, postcards, etc.
Short Description
NTU CCA Singapore presents an international symposium that will mark a concluding point to the show and will highlight the continued relevance of Allan Sekula’s work and writings on the theme of globalisation and capitalism.
Programme Series
None
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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International Symposium on the occasion of Allan Sekula: Fish Story, To Be Continued
Description
An account of the resource
On the occasion of Allan Sekula’s exhibition, <i>Fish Story, to be continued</i>, NTU CCA Singapore presents an international symposium that will mark a concluding point to the show and will highlight the continued relevance of Allan Sekula’s work and writings on the theme of globalisation and capitalism. The symposium will bring together art professionals who have collaborated with Allan Sekula across the years, as well as different researchers and artists who share a set of common interests with his work.The programme will focus on key themes underlying Allan Sekula’s practice including questions of critical realism in contemporary art, representation of labour as well as the vast topic of the sea.<br /><br />The exhibition <i>Fish Story, to be continued</i> (3 July – 27 September 2015) brings together at NTU CCA Singapore core works of Allan Sekula’s research of the global maritime industry from the collections of Fond Regional d’art contemporain Bretagne, the Museum of Modern Art (MoMA), New York and Thyssen Bornemisza Art Contemporary (TBA21), Vienna. Curated by Ute Meta Bauer and Anca Rujoiu (NTU CCA Singapore), the exhibition introduces chapters from <i>Fish Story </i>(1988 – 1993) alongside two filmic extensions of the project, <i>Lottery of the Sea</i> (2006) and <i>The Forgotten Space </i>(2010), co-directed with the film theorist and director Nöel Burch.
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-09-26
Contributor
An entity responsible for making contributions to the resource
Hilde Van Gelder
Carles Guerra
Roger Buergel
Mercedes Vicente
Chung Chee Kit
Shabbir Hussain Mustafa
Charles Lim
Ute Meta Bauer
Anca Rujoiu
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
North America
Subject
The topic of the resource
Capitalism
Globalisation
Labour
Oceans & Seas
Language
A language of the resource
English
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
This talk by Curator-in-Residence, Hendrik Folkerts takes the Stedelijk Museum’s performance programme since 2010 as a point of departure.
Programme Type
Talk and Lecture
Programme Series
Residencies Insights
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Residencies Insights: Lecture by Hendrik Folkerts, WORKING ON IT: Notes on place, labour and economy in contemporary performance
Description
An account of the resource
<div class="event_single_dates text__residencies">1 Apr 2015, Wed 7:30pm - 9:00pm</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road, Gillman Barracks</div>
<br />This talk by Curator-in-Residence, Hendrik Folkerts takes the Stedelijk Museum’s performance programme since 2010 as a point of departure. How does museum architecture, scale and monumentality affect the display of contemporary performance practice? And in what ways can we address questions of capital and economy – relating to the presentation, acquisition and conservation of performance work?
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-04-01
Contributor
An entity responsible for making contributions to the resource
Hendrik Folkerts
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Subject
The topic of the resource
Institutional Critique
Capitalism
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Together with Ute Meta Bauer, Founding Director of NTU CCA Singapore, Amanda Heng will discuss the current issues and concerns of the place, labour and capital of women within contemporary art.
Programme Type
Discussion - Conversation
Programme Series
Residencies Insights
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies Insights: The place/labour/capital of women, Amanda Heng in conversation with Ute Meta Bauer
Description
An account of the resource
<span>27 May 2015, Wed 7:30pm - 9:00pm</span><br />Block 43 Malan Road, The Single Screen<br /><br />Amanda Heng has championed the representation of women within exhibitions in Singapore through examining notions of the female body through her performances, her work with WITAS (Women in the Arts Singapore), and through various artists’ initiatives in the early 1990s. Together with Ute Meta Bauer, Founding Director of NTU CCA Singapore, they will discuss the current issues and concerns of the place, labour and capital of women within contemporary art.
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-05-27
Contributor
An entity responsible for making contributions to the resource
Amanda Heng
Ute Meta Bauer
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Labour
Capitalism