Browse Items (61 total)

NTU Centre for Contemporary Art Singapore; Tomás Saraceno, Arachnid Orchestra. Jam Sessions, 23 October – 20 December 2015, Installation view: Tomás Saraceno, Hybrid Musical instrument Cygnus A: built by a solitary spider Nephila kenianensis and two semi-social spiders Cyrtophora citricola (2014). Spidersilk, carbon fibre, and glass.
NTU CCA Singapore is pleased to present the pioneering and visionary work of artist Tomás Saraceno for the first time in Southeast Asia. Situated at the intersection between art, architecture and science, Saraceno’s artistic practice is an…

NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Bees (2015).
The NTU Centre for Contemporary Art Singapore is honoured to present They Come to Us without a Word, video and performance pioneer Joan Jonas’ first large-scale exhibition in Singapore and Southeast Asia. They Come to Us without a Word was organised…

Animali Domestici, Bangkok Opportunistic Ecologies, 2019, printed synthetic fabric canvas, embroidery, 300 x 300 cm. The Posthuman City. Climates. Habitats. Environments. (2019), NTU Centre for Contemporary Art Singapore.
Currently, more than half of the world’s human population lives in urban areas. Urban growth poses challenges to the various city dwellers, and creates material demands that cause lasting damage to the wider environment. The climate crisis is already…

The Haze_01.jpg
This ongoing research project is inspired by Amar Kanwar’s The Sovereign Forest. Referencing Kanwar’s artistic approach, The Haze: An Inquiry brought together people from different disciplines in a focus group that takes the haze situation in…

LAB_Vapour Islands 01.jpg
“To live and die well together in a thick present,” quotes the seminal text Staying with the Trouble: Making Kin in the Cthulhucene by Donna Haraway. In this text, Haraway responds to the rising sense of alarm surrounding ecological discourses on the…

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