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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Installation shots of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the Centre for Contemporary Art Singapore, a national research centre of the Nanyang Technological University (NTU), May 10, 2014 – July 20, 2014.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Installation shots of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the Centre for Contemporary Art Singapore, a national research centre of the Nanyang Technological University (NTU), May 10, 2014 – July 20, 2014.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Installation shot of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the NTU Centre for Contemporary Art Singapore, May 10, 2014 – July 20, 2014. Courtesy of Solomon R. Guggenheim Museum, New York, and NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Installation shots of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the Centre for Contemporary Art Singapore, a national research centre of the Nanyang Technological University (NTU), May 10, 2014 – July 20, 2014.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
No Country: Contemporary Art for South and Southeast Asia, May 10, 2014 – July 20, 2014, Reza Afisina, What . . ., 2001. Color video, with sound, 11 min., edition 3/3. Installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Installation shots of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the Centre for Contemporary Art Singapore, a national research centre of the Nanyang Technological University (NTU), May 10, 2014 – July 20, 2014.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
No Country: Contemporary Art for South and Southeast Asia, May 10, 2014 – July 20, 2014,Amar Kanwar, The Trilogy: A Season Outside (1997), 1997–2003. Color video, with sound, 30 min., edition 5/6. Installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
No Country: Contemporary Art for South and Southeast Asia, May 10, 2014 – July 20, 2014,Amar Kanwar, The Trilogy: A Season Outside (1997), 1997–2003. Color video, with sound, 30 min., edition 5/6. Installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Installation shot of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the NTU Centre for Contemporary Art Singapore, May 10, 2014 – July 20, 2014. Courtesy of Solomon R. Guggenheim Museum, New York, and NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
No Country: Contemporary Art for South and Southeast Asia, May 10, 2014 – July 20, 2014, Sopheap Pich, Morning Glory, 2011. Rattan, bamboo, wire, plywood, and steel, 17 feet 6 inches x 103 inches x 74 inches (533.4 x 261.6 x 188 cm). Installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Installation shot of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the NTU Centre for Contemporary Art Singapore, May 10, 2014 – July 20, 2014. Courtesy of Solomon R. Guggenheim Museum, New York, and NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
No Country: Contemporary Art for South and Southeast Asia, May 10, 2014 – July 20, 2014, Bani Abidi, The Boy Who Got Tired of Posing, 2006. Installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
No Country: Contemporary Art for South and Southeast Asia, May 10, 2014 – July 20, 2014, Tang Da Wu, Our Children, 2012. Galvanized steel, glass, and milk. Installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Installation shot of No Country: Contemporary Art for South and Southeast Asia, the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, at the NTU Centre for Contemporary Art Singapore, May 10, 2014 – July 20, 2014. Courtesy of Solomon R. Guggenheim Museum, New York, and NTU Centre for Contemporary Art Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
No Country: Contemporary Art for South and Southeast Asia is part of a multi-year collaboration that charts contemporary art practice in South and Southeast Asia, Latin America, and the Middle East and North Africa.
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2014-05-10
Exhibition End Date
2014-07-20
Collaboration
Yes
Commissioned Work
No
Related Countries
Thailand
Philippines
Indonesia
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Exhibition Mode
Exhibition
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>No country: Contemporary Art for South and Southeast Asia</i>
Subject
The topic of the resource
Regionalism
Geopolitics
Migration
Diaspora
Cultural Heritage
Description
An account of the resource
<i>No Country: Contemporary Art for South and Southeast Asia</i> is part of the Guggenheim UBS MAP Global Art Initiative which was launched in April 2012, a multi-year collaboration that charts contemporary art practice in three geographic regions—South and Southeast Asia, Latin America, and the Middle East and North Africa—and encompasses curatorial residencies, international touring exhibitions, audience-driven education programming, and acquisitions for the Guggenheim’s permanent collection. <br /><br />Curated by June Yap, No Country at NTU Centre for Contemporary Art Singapore brought the artworks back to the Southeast Asia region from which many of the artists hail and called for an even closer examination of regional cultural representations and relations. This return suggests the possibility of a renewed understanding through a process of mutual rediscovery that transcends physical and political borders. The exhibition in Singapore also marked the debut of two works from the Guggenheim UBS MAP Purchase Fund not previously shown as part of <i>No Country: Loss</i> by Sheela Gowda and <i>Morning Glory</i> by Sopheap Pich.
Contributor
An entity responsible for making contributions to the resource
June Yap
Sheela Gowda
Sopheap Pich
Amar Kanwar
Arin Dwihartanto Sunaryo
Bani Abidi
Navin Rawanchaikul
Norberto Roldan
Poklong Anading
Reza Afisina
Shilpa Gupta
Tang Da Wu
Tayeba Begum Lipi
The Otolith Group
Tran Luong
Tuan Andrew Nguyen
Vincent Leong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Sculpture
Painting
Mixed Media
Installation
Photography
-
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def4b91783979f7a58c2d0704bed73fe
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Heri
Surname or Business Name
Dono
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015
Affiliation
Company, organization, or institution name
Indonesia Pavilion, Voyage – Trokomod, 56th Venice Biennale
Birthplace
Indonesia
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Heri Dono is one of Indonesia’s most internationally renowned artists. Since graduating in the late 1980s his international profile has increased through a series of exhibitions and residencies around the world. Heri Dono is perhaps best known through his installations which are heavily influenced by, and the result of experimenting with, the most popular Javanese folk theater: wayang. Wayang performances combine a number of artistic and extra-artistic elements––visual arts, singing, music, storytelling, mythological promotion of a philosophy of life, social criticisms, and humour. Dono combines these elements to form multimedia performances, which often use the physical space of the performance as well as interactions with the audience, in the process revitalising the traditional art so profoundly rooted in Indonesia. References to wayang are also integral to Heri Dono’s paintings: from out of wild deformations and free fantasies emerge characters from the traditional wayang stories, which are mixed together with his profound knowledge of children’s cartoons, animation films, and comics. The resulting canvases are populated by astonishing characters and strange juxtapositions, the fantastic and absurd joined by the everyday to create new and vibrant stories in which he inserts his own critical remarks on socio-political issues both in Indonesia and abroad.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Indonesia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Heri Dono
Subject
The topic of the resource
Geopolitics
Theatre
Cultural Heritage
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Heri Dono
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Kian Woon
Surname or Business Name
Kwok
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015-2021
Affiliation
Company, organization, or institution name
Nanyang Technological University (NTU), Singapore
Birthplace
Singapore
Occupation
Professional title or identity
Associate Vice President (Wellbeing), NTU
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Professor Kwok Kian-Woon is a Sociology faculty and currently <span>Associate Vice President (Wellbeing)</span> at Nanyang Technological University. His research interests include the study of social memory, mental health, civil society, and heritage and the arts. As a sociologist and a citizen, he has been actively involved in public life. He has served on many key committees of the National Heritage Board, on the boards of the NTU Centre for Contemporary Art Singapore and the Intercultural Theatre Institute, and as external advisor to the Nanyang Academy of Fine Arts. He was President (1997-2001) of the Singapore Heritage Society, which has worked with many Singaporeans to shape the national agenda on heritage conservation.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Governing Council
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Kwok Kian Woon
Subject
The topic of the resource
Cultural Heritage
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Kwok Kian Woon
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Alan K. L.
Surname or Business Name
Chan
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014-2018
Affiliation
Company, organization, or institution name
Chinese University of Hong Kong
Birthplace
Hong Kong
Occupation
Professional title or identity
Provost and J. S. Lee Professor of Chinese Culture
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Professor Alan Chan is currently the Provost and J.S. Lee Professor of Chinese Culture at The Chinese University of Hong Kong (CUHK). Prior to joining CUHK, Professor Chan was Toh Puan Mahani Idris Daim Chair Professor of Humanities at the Nanyang Technological University (NTU) of Singapore. He joined NTU as Dean of the College of Humanities, Arts, and Social Sciences, and Professor of Philosophy in 2009. In January 2018, Professor Chan was appointed Vice President of NTU, responsible for alumni engagement, university advancement and international relations. Professor Chan was born in Hong Kong and completed his secondary school education here. He then pursued his higher education in Canada. He received his BA from the University of Winnipeg, MA from the University of Manitoba, and PhD in religious studies from the University of Toronto. Professor Chan began his academic career as an assistant professor at the University of Manitoba. He then joined the National University of Singapore (NUS), where he held several leadership roles, including the Vice-Dean of the Faculty of Arts and Social Sciences, and Associate Provost (Undergraduate Education). While at NUS, Professor Chan twice received the Teaching Excellence Award. Professor Chan has held visiting professorships and fellowships in North America, Asia and Greater China, through which he has developed a broad understanding of higher education in a global context. Professor Chan’s research focuses on Chinese philosophy and religion, and hermeneutics and critical theory. He is a member of various international boards, including the Social Science Research Council of Singapore, the Governing Council of International Confucian Association, China, and the editorial boards of the Journal of Daoist Studies and Oxford Bibliographies in Chinese Studies. He has published widely and recently developed an online course on “Explorations in Confucian Philosophy,” which has drawn over 10,000 learners on Coursera. Professor Chan is a member of the Social Science Research Council of Singapore, a member of the Founding Editorial Board, Oxford Bibliographies of Chinese Studies; member of the Board of Directors, Consortium of Humanities Centres and Institutes; Chairman of the Board of Directors, Confucius Institute, NTU; member of the Board of Directors, International Confucian Association; member of the International Advisory Panel, Asia Competiveness Institute, Lee Kuan Yew School of Public Policy, NUS; member of the Editorial Board, Journal of Daoist Studies (USA) and Frontiers of Daoist Studies (China); NTU CCA Singapore Governing Council (2014 - 2018) and member of several other Boards. Previously, he served on the Board of Directors, Singapore Examination and Assessment Board (2007–2010).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Hong Kong
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Contributor Type
Scholar
Speaker
Governing Council
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alan K. L. Chan
Subject
The topic of the resource
Education
Cultural Heritage
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Alan K. L. Chan
-
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da31ed654ee884f3d56e6cce91703735
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Bui Cong
Surname or Business Name
Khanh
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2017-2018
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
Vietnam
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
The artist practice of Bui Cong Khanh (b. 1972, Vietnam) often addresses social and political implications embedded in the notion of cultural heritage. He first gained international recognition in the 1990s through performances that questioned restrictions of individual expression in his own country at a time of political turmoil. Initially focused on oil painting, his practice has come to encompass mediums such as sculpture, installation, video, and drawing often combining traditional fine arts and a conceptual approach. <br /><br />Recent solo projects include exhibitions at Sàn Art and The Factory Contemporary Arts Centre, Ho Chi Minh City, Vietnam (2016). His works have been presented at the Asia Pacific Triennial of Contemporary Art, Brisbane, Australia (2009); Bangkok Art and Culture Centre, Thailand (2013 and 2015), and Arter, Istanbul, Turkey (2014). He currently lives and works between Ho Chi Minh City and Hoi An, Vietnam.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Vietnam
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1972
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bui Cong Khanh
Subject
The topic of the resource
Cultural Heritage
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Bui Cong Khanh
-
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27e54f9382b299957a1c13eb735cf308
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Dianna
Surname or Business Name
Campbell Betancourt
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2017
Birthplace
United States
Occupation
Professional title or identity
Curator
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Diana Campbell Betancourt (b. 1984, United States) is currently Artistic Director of Samdani Art Foundation and Chief Curator of Dhaka Art Summit, Dhaka, Bangladesh, a major research and exhibition platform for art in South Asia. In addition, Betancourt is Artistic Director of Bellas Artes Projects, Bagac, Philippines. She has collaborated on commissions of Indian scupture with several sculpture parks across the world including, Yorkshire Sculpture Park, United Kingdom; de Cordova, Massachusetts, United States; and Wanas Konst, Malmö, Sweden. Betancourt has also curated numerous solo projects with artists such as Haroon Mirza, Simryn Gill, Tino Sehgal, Lynda Benglis, Shilpa Gupta, Shahzia Sikander, Naeem Mohaiemen, Runa Islam, Shumon Ahmed, Pawel Althamer among others. She chairs the board of the Mumbai Art Room, has been a Research Fellow at the Henry Moore Institute, Leeds, United Kingdom and the FRAC Champagne-Ardenne, Reims, France.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Bangladesh
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist-in-Residence
Birth Date
1984
Affiliation
Company, organization, or institution name
Samdani Art Foundation, Bangladesh
Dhaka Art Summit, Bangladesh
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Diana Campbell Betancourt
Subject
The topic of the resource
Cultural Heritage
Public Art
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Diana Campbell Betancourt
-
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1544b8e027732bba4b0e6243bda55af6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Irina Botea Bucan and Jon Dean will investigate the history and current role of community centres in Singapore.
Cycle
Cycle 6 (2019 – 2020)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Irina Botea Bucan & Jon Dean
Description
An account of the resource
During the 1950s, in many Eastern Bloc countries, cultural houses and clubs were created to fulfil the utopian dream of providing ‘culture for everybody’ whilst also structuring opportunities for people to participate in the collective production of culture. At the same time, these communal environments often enabled the state to monitor leisure time and socio-cultural activities. In order to expand their long-term comparative research on these institutions, Irina Botea Bucan and Jon Dean will investigate the history and current role of community centres in Singapore. Aiming to produce an experimental documentary, they will conduct archival and sociological research to understand how these centres operate and the criteria by which they were designed and managed to provide a specific range of social, cultural, and educational activities at a foundational moment in the country’s history. In particular, they are interested in the process of community-building, the nature of people’s participation, and the role community centres played in the formation of Singapore’s post-colonial identity.
Date
A point or period of time associated with an event in the lifecycle of the resource
1 November – 30 December 2019
Contributor
An entity responsible for making contributions to the resource
Irina Botea Bucan
Jon Dean
Medium
The material or physical carrier of the resource.
Film
Subject
The topic of the resource
Cultural Heritage
History
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Resources
Corporate Resource
Collateral and other print or digital materials for corporate development or marketing purposes. Examples include quarterlies and residency inserts, Chinese New Year cards, exhibition reports, fact sheets, news clippings, etc.
Short Description
2017 Master Programme in Museum Studies and Curatorial Practices (MSCP) Postcard
Corporate Resource Type
Communications
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
2017 Master Programme in Museum Studies and Curatorial Practices (MSCP) Postcard
Description
An account of the resource
2017 Master Programme in Museum Studies and Curatorial Practices (MSCP) Postcard
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-06-24
Contributor
An entity responsible for making contributions to the resource
NTU CCA Singapore
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Education
Curatorial Practice
Cultural Heritage
Format
The file format, physical medium, or dimensions of the resource
Postcard
Language
A language of the resource
English
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Resources
Corporate Resource
Collateral and other print or digital materials for corporate development or marketing purposes. Examples include quarterlies and residency inserts, Chinese New Year cards, exhibition reports, fact sheets, news clippings, etc.
Short Description
2018 Master Programme in Museum Studies and Curatorial Practices (MSCP) Postcard
Corporate Resource Type
Communications
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
2018 Master Programme in Museum Studies and Curatorial Practices (MSCP) Postcard
Description
An account of the resource
2018 Master Programme in Museum Studies and Curatorial Practices (MSCP) Postcard
Date
A point or period of time associated with an event in the lifecycle of the resource
2018
Contributor
An entity responsible for making contributions to the resource
NTU CCA Singapore
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Education
Curatorial Practice
Cultural Heritage
Format
The file format, physical medium, or dimensions of the resource
Postcard
Language
A language of the resource
English
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Resources
Corporate Resource
Collateral and other print or digital materials for corporate development or marketing purposes. Examples include quarterlies and residency inserts, Chinese New Year cards, exhibition reports, fact sheets, news clippings, etc.
Short Description
2020 Master Programme in Museum Studies and Curatorial Practices (MSCP) Postcard
Corporate Resource Type
Communications
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
2020 Master Programme in Museum Studies and Curatorial Practices (MSCP) Postcard
Description
An account of the resource
2020 Master Programme in Museum Studies and Curatorial Practices (MSCP) Postcard
Date
A point or period of time associated with an event in the lifecycle of the resource
2020
Contributor
An entity responsible for making contributions to the resource
NTU CCA Singapore
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Education
Curatorial Practice
Cultural Heritage
Format
The file format, physical medium, or dimensions of the resource
Postcard