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                <text>&lt;p&gt;Join us for a walking and reading session exploring the intersection of art, ecologies, and local knowledge to reimagine relationships within Earth systems.  &lt;/p&gt;
&lt;p&gt;Taking inspiration from case studies in the newly published &lt;strong&gt;&lt;em&gt;Earth Ethics: Art, Institutions and Regenerative Practices&lt;/em&gt;&lt;/strong&gt; (Monash University Publishing, 2025), co-edited by our current visiting researcher &lt;strong&gt;Madeleine Collie&lt;/strong&gt;, this session explores some of the book’s strategies, offerings and ideas. Through collective reading, walking and discussion we will consider how place-based and relational approaches to art, research, and institution-making can cultivate ways of putting Earth Ethics into practice. &lt;/p&gt;
&lt;p&gt;&lt;span&gt;11 November 2025&lt;/span&gt;&lt;br /&gt;&lt;span&gt;6:30 – 8:30pm&lt;/span&gt;&lt;br /&gt;&lt;span&gt;The Hall, NTU CCA Singapore&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Free with &lt;/span&gt;&lt;a href="https://www.eventbrite.sg/e/gathering-walking-and-reading-session-earth-ethics-tickets-1903422641359?aff=web" target="_blank" rel="noreferrer noopener"&gt;registration&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Earth Ethics: Art, Institutions and Regenerative Practices&lt;/em&gt; is the second in a series of readers published by Monash University Museum of Art | MUMA, edited by Madeleine Collie, Megan Cope, Charlotte Day and Melissa Ratliff.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="text-decoration:underline;"&gt;&lt;b&gt;Climate Transformation Gatherings (Nov 2024 - May 2026)&lt;/b&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;span&gt;About the &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span&gt;Climate Transformation &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span&gt;Gatherings&lt;/span&gt;&lt;/b&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Extended from the Climate Transformation Sustainable Societies Lecture Series, the Climate Transformation Gatherings consolidates critical concepts and ideas around various environmental themes and theories. These gatherings take various formats including open-discussion seminars, reading groups, workshops and guided tours to engage interested members of the public on various environmental issues.&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;span&gt;About the Team&lt;/span&gt;&lt;/b&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;The Climate Transformation: Sustainable Societies Series is organised by members of the Climate Transformation Programme (CTP) Cross-Cutting Theme 1: Sustainable Societies research team, Principal Investigator Professor Ute Meta Baue, research fellow &lt;/span&gt;&lt;b&gt;&lt;span&gt;Joshua Gebert, &lt;/span&gt;&lt;/b&gt;&lt;span&gt;research associate &lt;/span&gt;&lt;b&gt;&lt;span&gt;Ng Mei Jia&lt;/span&gt;&lt;/b&gt;&lt;span&gt; and research assistant &lt;/span&gt;&lt;b&gt;&lt;span&gt;Angela Ricasio Hoten&lt;/span&gt;&lt;/b&gt;&lt;span&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;This series is supported by the Singapore Ministry of Education Academic Research Fund Tier 3 grant[MOE-MOET32022-0006] for the Climate Transformation Programme.&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;How do geological forces, local cosmologies, and policy frameworks converge and collide to shape life around an active volcano? This performative lecture by &lt;strong&gt;Ng Hui Hsien&lt;/strong&gt;, STAR Artist-in-Residence, NTU CCA Singapore, and &lt;strong&gt;Yoonhee Jung&lt;/strong&gt;, Senior Research Fellow, Department of History, NUS, delves into the complexities of human-environment relationships in and around Mount Batur in Bali, Indonesia. Drawing on research and lived experience, the presentation examines socio-economic shifts and the fraying of spiritual-ecological bonds intensified by the area’s designation as a UNESCO Global Geopark in 2012.&lt;/p&gt;
&lt;p&gt;Through interwoven visual sequences, academic analysis, and textual explorations, the presenters show how artistic and scholarly perspectives diverge and intersect in interpreting this contested ground – and how Mount Batur acts as a sacred agent within local worldviews and ecologies.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Saturday, 13 December 2025&lt;/span&gt;&lt;br /&gt;&lt;span&gt;3:00 – 4:30pm&lt;/span&gt;&lt;br /&gt;&lt;span&gt;The Hall, NTU Centre for Contemporary Art Singapore&lt;/span&gt;&lt;br /&gt;&lt;span&gt;6 Lock Road, #01-09, Gillman Barracks, 108934&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;This two-part programme activates the &lt;strong&gt;Geology Gallery&lt;/strong&gt; as an interdisciplinary space where artistic and scientific research converge to illuminate Singapore’s ecological timescales. Science and story-telling, data and divination are engaged as complementary frameworks of knowledge to deepen our understanding of geological and ecological processes.&lt;/p&gt;
&lt;p&gt;PART 1&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Zarina Muhammad&lt;/strong&gt;, STAR Artist-in-Residence at &lt;strong&gt;NTU Centre for Contemporary Art Singapore&lt;/strong&gt;, and &lt;strong&gt;Aron Meltzner&lt;/strong&gt;, Assistant Professor at &lt;strong&gt;NTU Asian School of the Environment &lt;/strong&gt;and&lt;strong&gt; NTU Earth Observatory of Singapore&lt;/strong&gt;, will present their research on microatolls, circular coral colonies that serve as a natural record of sea-level change. Drawing from their intersecting fieldwork at Tanjong Rimau—one of Singapore’s last remaining coastal cliffs where microatolls were recently discovered—their presentations will weave together quantitative data and ancestral narratives, and entangle scientific interpretations with memories and myths. Their combined perspectives will compose a broader reflection on how rocks, corals, and cultural stories bear witness to the dynamic relationship between land, sea, and climate across the vast expanse of deep time.&lt;/p&gt;
&lt;p&gt;PART 2&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;strong&gt;Amuletic Diagrams for Climate Futures&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Participatory workshop by Zarina Muhammad&lt;/p&gt;
&lt;p&gt;This hands-on activity reenvisions the Geology Gallery as a living laboratory for dialogue and creative making. Participants will co-create a compass of warnings, memories, futures, and actions, drawing on EOS research into coral microatolls as records of sea-level change and Zarina Muhammad’s investigations into omens, divination, and ecological witnessing. The resulting collective compass will be an amuletic diagram—a tool for orientation across science and stories, deep time, and present urgencies. This temporary installation will serve as a map that guides us to relate differently to the sea, honour memory, and act collectively with care in the face of shifting climates.&lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Register&lt;/span&gt;&lt;br /&gt;Date: Saturday, 8 November 2025, 2:30 – 5pm&lt;/p&gt;
&lt;p&gt;Location: Geology Gallery, Sentosa Nature Discovery&lt;br /&gt;51 Imbiah Road Singapore, 099702&lt;br /&gt;Located next to the Skyline Luge Singapore at Imbiah Lookout&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Ecological Witnessing: Geology as Archive, Microatolls as Record &lt;/em&gt;is organised in collaboration with &lt;strong&gt;Sentosa Development Corporation.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The public programme is part of STAR Residencies – Cycle 1, a programme developed by NTU Centre for Contemporary Art Singapore in collaboration with NTU Earth Observatory of Singapore.&lt;/p&gt;
&lt;p&gt;The programme is free for all participants. Please note that if you wish to attend both Part 1 and Part 2, a refundable deposit of $10 is required to reserve a slot (attendance to Part 1 is required to participate in Part 2).&lt;/p&gt;
&lt;p&gt;The deposit will be returned upon attendance of both the presentation and the workshop. To qualify for a cancellation refund, reservation must be cancelled by 5 November, 12pm.&lt;/p&gt;</text>
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                <text>“With the scientist’s brain, the poet’s heart, and the painter’s eye”—this was the guiding principle of György Kepes, an artist, designer, and cultural catalyst who introduced the term interthinking. With this concept, he envisioned a bold new approach: uniting artists and engineers to tackle some of the world’s most pressing issues—such as ecological awareness, augmented reality, and adaptive design—long before these ideas entered the mainstream.&#13;
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Márton Orosz’s documentary film offers the first comprehensive portrait of this shape-shifting modernist and intellectual force. It reveals Kepes not only as a visionary thinker and polymath but as a pioneering figure in the Art and Technology Movement whose ideas remain startlingly relevant today.&#13;
&#13;
György Kepes. Interthinking Art + Science&#13;
(Canada/Hungary, 2023), 98 minutes &#13;
Screening followed by virtual Q&amp;A with film director Márton Orosz&#13;
&#13;
Tuesday, 12 August 2025&#13;
7.00 – 9.00pm&#13;
The Hall, NTU CCA Singapore &#13;
#01-09, 6 Lock Road &#13;
Gillman Barracks&#13;
&#13;
Free with registration&#13;
&#13;
György Kepes (Hungary, 1906 – United States, 2001) was an art theorist, author, designer, educator, painter, and photographer. He studied painting at the School of Arts in Budapest, and, after moving to the United States in 1937, he taught design as the head of the Light and Colour Department of the New Bauhaus at Chicago, now known as the Institute of Design. In 1944, he published his seminal book, Language of Vision,exploring concepts of visual organisation and design methodology that remain deeply influential for design education. In 1967, György Kepes founded the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (MIT) to serve as a “brainstorming laboratory” for artists and scientists to bridge the gap between art and science and address the social responsibility of design. Kepes served as CAVS’s director until his retirement in 1972, nurturing a community for close collaborations between artists and scientists, extending the fields of science and technology into art and visual expression.&#13;
&#13;
Dr. Márton Orosz is the Founder and Curator of the Photography and Media Arts Collection at the Museum of Fine Arts – Hungarian National Gallery, and has served as Director of the Vasarely Museum in Budapest since 2014. He has curated numerous exhibitions internationally, authored several books and scholarly articles on a wide range of art-historical topics, and lectured widely across the globe. His research interests encompass light-based media, photography, avant-garde collecting, abstract geometric and kinetic art, computer art, film, and animation. In 2023, he released his first feature-length documentary, György Kepes. Interthinking Art + Science which has been screened at several international festivals and has received multiple awards. Dr. Orosz is currently a Beinecke Senior Visiting Fellow at the Center for Advanced Study in the Visual Arts (CASVA) at the National Gallery of Art in Washington, D.C., and a Humboldt Research Fellow at ZKM | Center for Art and Media in Karlsruhe, Germany. He was Curator-in-Residence at NTU CCA Singapore from 1 to 7 February 2017.</text>
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                <text>&lt;p&gt;&lt;strong&gt;In conversation with the artist&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Saturday, 20 January, 11:00am – 12:30pm&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Artist Noor Abed will be in conversation with Ute Meta Bauer, Founding Director of NTU Centre for Contemporary Art Singapore and Professor at the School of Art, Design, and Media, NTU, to delve into Abed’s vision and motivation in light of winning the Han Nefkens Foundation – Fundació Antoni Tàpies Video Art Production Grant 2022, in collaboration with NTU Centre for Contemporary Art, Singapore; WIELS, Brussels; Museum of Contemporary Art and Design (MCAD), Manila and Jameel Art Centre, Dubai, engaging in transcontinental institutional collaboration and the impact it had on her work.&lt;/p&gt;
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                <text>&lt;strong&gt;Opening reception: &lt;/strong&gt;&lt;br /&gt;&lt;span&gt;28 November 2023, 5–8pm&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Location:&lt;/strong&gt;&lt;br /&gt;NTU CCA Singapore Residencies Studios&lt;br /&gt;Block 38 Malan Road&lt;br /&gt;Gillman Barracks&lt;br /&gt;Singapore 109441&lt;br /&gt;&lt;/span&gt;</text>
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              <text>Helsinki International Artist Programme (HIAP) is an international artist residency organisation which was established in 1998. The HIAP residency programme offers time and space for developing new work in dialogue&lt;br /&gt;with the local art scene. The goal is to support experimental, crossdisciplinary art practices and to actively contribute to topical debates within and around the context of art. Since 2019 HIAP is also responsible formanaging the Villa Eläintarha artist residency which focuses on short-term production residencies.</text>
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