2
10
123
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Artist Resource Platform: activate! II features Selene Yap, Programme Manager for Visual Arts at The Substation. Yap will engage with artist Susie Wong to foreground her artistic practice and position in the local art scene.
Programme Type
Talk and Lecture
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Resource Platform: activate! II with Selene Yap (Singapore), Programme Manager, Visual Arts, The Substation
Description
An account of the resource
27 May 2016, Fri 7:30pm - 9:00pm<br /><b><i><br /></i></b><i>Artist Resource Platform: activate! II</i> features Selene Yap, Programme Manager for Visual Arts at The Substation. Yap will engage with artist Susie Wong to foreground her artistic practice and position in the local art scene. Wong’s practice has been described as autobiographical, and the self-determined nature of her works calls into question contingencies of operating systems in the state of artistic production in Singapore – what are the implications for what is made visible and valued? In this session, Yap will converse with artist Loo Zihan on the nature of archives as cultural tools that enable/disable or include/exclude by means of collection and documentation – what are the traditional positions and normalising effects of the power of collection and display?
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-05-27
Contributor
An entity responsible for making contributions to the resource
Selena Yap
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Curatorial Practice
Archival Practice
Cultural Production
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
Artist Resource Platform: activate! III – Curating with art: Melanie Pocock in conversation with Michael Lee
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/486736410">https://vimeo.com/486736410</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
486736410
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist Resource Platform: activate! III – Curating with art: Melanie Pocock in conversation with Michael Lee
Description
An account of the resource
10 Jun 2016, Fri 7:30pm - 9:00pm <br /><br />How are curatorial concepts shaped by artistic practices? For Artist Resource Platform: activate! III curator and writer Melanie Pocock discusses her approach to curating as a response to ideas and aesthetics of particular artworks. Highlighting her inspiration from several artists in the NTU CCA Singapore Artist Research Platform, she revisits two projects: Countershadows (tactics in evasion), an exhibition that was presented at the Institute of Contemporary Arts Singapore, LASALLE College of the Arts in 2014, and A machine for (living) dying in (2014), a solo exhibition by artist, curator and publisher Michael Lee. During the session, Pocock and Lee also reflect on reciprocal relationships between curators and artists, and their respective practices.
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-06-10
Contributor
An entity responsible for making contributions to the resource
Melanie Pocock
Michael Lee
Subject
The topic of the resource
Artistic Research
Cultural Production
Format
The file format, physical medium, or dimensions of the resource
Video
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Three exhibition artists lead talks as part of No Country public programme of events.
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Programme Type
Talk and Lecture
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artists' Talks: Sheela Gowda, Navin Rawanchaikul, Norberto Roldan
Description
An account of the resource
<span>10 May 2014, Sat 3:00pm - 5:00pm<br /></span><br />Three exhibition artists lead talks as part of No Country public programme of events. In addition to speaking about their artwork in the exhibition, they discussed their artistic methods in the context of national identity and the way in which their works in the exhibition, within the framework of their art practices, explore conceptions of borders, both imagined and real.<br /><br />A public programme of <em>No Country: Contemporary Art for South and Southeast Asia</em>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-05-10
Contributor
An entity responsible for making contributions to the resource
Sheela Gowda
Navin Rawanchaikul
Norberto Roldan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Subject
The topic of the resource
Identity
Cultural Production
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
Behind the Scenes with Jan Kroeze
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/528700127">https://vimeo.com/528700127</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
528700127
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Behind the Scenes with Jan Kroeze
Description
An account of the resource
19 Jan 2016, Tue 1:00pm - 3:00pm The Single Screen, Block 43 Malan Road <br /><br />A world-renowned lighting designer and director of photography, Jan Kroeze works across the lighting spectrum in fashion, music, performance art, theatre, and television. Focusing on Joan Jonas’ site-specific installation, he will talk about the way light influences our experience and perception as well as our emotional relationship to what we see. Kroeze will elaborate on the lights he created exclusively for They Come to Us without a Word. <br /><br />This Behind the Scenes is part of the Education and Public Programme of Joan Jonas: They Come to Us without a Word. <br /><br />Jan Kroeze is a lighting designer and director of photography. He conceived and created custom lighting for They Come to Us without a Word during the 56th Venice Biennale. Kroeze has worked previously with Joan Jonas for Volcano Saga (1989), and designed the lighting for Philippe Parreno’s Anywhere, Anywhere Out of the World, Palais de Tokyo (2013) and Merce Cunningham’s Locale (1978), as well as numerous theatre productions on and off Broadway. Artists with whom Kroeze has collaborated include Laurie Anderson, Philip Glass, Red Grooms, Marc Jacobs, Joan Jonas, Christian Lacroix, Karl Lagerfeld, Nam Jun Paik, Judy Pfaff, Kanye West, and Robert Wilson.
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-01-19
Contributor
An entity responsible for making contributions to the resource
Jan Kroeze
Subject
The topic of the resource
Cultural Production
Design
Format
The file format, physical medium, or dimensions of the resource
Video
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
A world-renowned lighting designer and director of photography, Jan Kroeze works across the lighting spectrum in fashion, music, performance art, theatre, and television.
Programme Type
Discussion - Conversation
Programme Series
Behind the Scenes
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Behind the Scenes with Jan Kroeze, lighting designer (United States)
Description
An account of the resource
<div class="event_single_dates text__exhibitions">19 Jan 2016, Tue 1:00pm - 3:00pm</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
<br />A world-renowned lighting designer and director of photography, Jan Kroeze works across the lighting spectrum in fashion, music, performance art, theatre, and television. Focusing on Joan Jonas’ site-specific installation, he will talk about the way light influences our experience and perception as well as our emotional relationship to what we see. Kroeze will elaborate on the lights he created exclusively for <i>They Come to Us without a Word</i>. <br /><br />This Behind the Scenes is part of the Education and Public Programme of <em>Joan Jonas:</em> <i>They Come to Us without a Word</i>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-01-19
Contributor
An entity responsible for making contributions to the resource
Jan Kroeze
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Cultural Production
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
Behind the Scenes: artist Carlos Casas and composer Phill Niblock
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/530158359">https://vimeo.com/530158359</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
530158359
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Behind the Scenes: artist Carlos Casas and composer Phill Niblock
Description
An account of the resource
23 Oct 2018, Tue 07:30 PM - 09:00 PM The Single Screen, Block 43 Malan Road <br /><br /><br />Artist Carlos Casas together with eminent composer and filmmaker Phill Niblock will discuss their approaches to film, video, and soundscapes. Sharing their experience of collaborating on Avalanche—the project on view in Stagings. Soundings. Readings. Free Jazz II—Casas and Niblock will expand on notions of improvisation and site-specificity. <br /><br />The work Avalanche documents Hichigh, a village in Tajikistan and one of the highest located villages in the world. With each iteration and presentation, the work will change according to the context and space it’s being presented. <br /><br />BIOGRAPHIES <br /><br />Carlos Casas (Spain/France) works with film and the sonic. His last three films have been awarded in festivals around the world including Torino, Madrid, Buenos Aires, and Mexico City. He has recently concluded a trilogy of films, END, dedicated to the most extreme environments on the planet: Patagonia, Aral Sea, and Siberia. Avalanche is a lifelong project and site-specific film based on one of the highest inhabited villages in the Pamirs, a mountain range in Central Asia. His films have been shown in festivals such as the Venice Film Festival; Rotterdam Film Festival; FID Marseille; BAFICI Buenos Aires; Jeonju International Film Festival, South Korea; Documenta Madrid; FICCO Mexico; and others. His works have been presented at institutions including Tate Modern, London; Palais de Tokyo, Paris; Hangar Bicocca, Milan; Bozar Bruxelles; Oi Futuro, Rio de Janeiro; MIS São Paulo; Centre Pompidou and Fondation Cartier, Paris; Centre Cultura Contemporanea, Barcelona; MALBA, Buenos Aires; and GAM, Torino. He was Creative Director of Colors Music and Films from 2005–08 where he developed audio-visual projects and music research in various regions around the world. He is Co-founder of Map Productions and the visual sound label Von Archives. Casas is Visiting Professor at Dartmouth College, United States, and ECAM, the Madrid film school. He was an NTU CCA Singapore Artist-in-Residence from December 2017 to February 2018. <br /><br />Phill Niblock (United States) is an intermedia artist using music, film, photography, video, and computers. Since the mid-60s he has been making music and intermedia performances shown at numerous venues around the world, including the Museum of Modern Art, New York; the Wadsworth Atheneum, Connecticut; the Kitchen, New York; Palais des Beaux Arts, Brussels; Institute of Contemporary Art, London; Akademie der Künste, Berlin; ZKM, Karlsruhe; Harvard University’s Carpenter Center for the Visual Arts, Cambridge; World Music Institute, New York; Centre Pompidou, Paris and Metz; and the Maerzmusik Festival, Berlin. Since 1985, he is the Director of the Experimental Intermedia Foundation (EI) in New York, which he joined as member in 1968. He is the Producer of Music and Intermedia presentations at EI since 1973 (about 1,000 performances) and the curator of EI’s XI Records label. In 1993, he was part of the formation of an EI organisation in Gent, which supports artists-in-residence. Niblock’s music is available on the XI, Moikai, Mode, VonArchive, Touch, and Extreme labels. In 2014, he was the recipient of the John Cage Award from the Foundation for Contemporary Arts in New York. Recently, he presented films and photographs from 1970 and ’71 at Tate Modern, London, with music from the past three years. <br /><br />A public programme of Stagings. Soundings. Readings. Free Jazz II.
Date
A point or period of time associated with an event in the lifecycle of the resource
2018-10-23
Contributor
An entity responsible for making contributions to the resource
Carlos Casas
Phil Niblock
Subject
The topic of the resource
Cultural Production
Nature
Format
The file format, physical medium, or dimensions of the resource
Video
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Anna Daneri has worked with Joan Jonas on several occasions, and was the production manager for the presentation of <em>They Come to Us without a World</em> at the US Pavilion during the 56th Venice Biennale.
Programme Type
Tour
Programme Series
Behind the Scenes
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Behind the Scenes: Curatorial Tour with Anna Daneri, curator (Italy)
Description
An account of the resource
<div class="event_single_dates text__exhibitions">23 Jan 2016, Sat 11:00am - 1:00pm</div>
<div class="event_single_venue">The Exhibition Hall, Block 43 Malan Road</div>
<br />Anna Daneri has worked with Joan Jonas on several occasions, and was the production manager for the presentation of <i>They Come to Us without a Word</i> at the US Pavilion during the 56th Venice Biennale. Her tour will provide a deeper understanding of Jonas’ way of working and share insights into how the artist developed the different elements of her exhibition. <br /><br />This curatorial tour is part of the Education and Public Programme of <i>Joan Jonas: They Come to Us without a Word.</i>
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-01-23
Contributor
An entity responsible for making contributions to the resource
Anna Daneri
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Cultural Production
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
Surname or Business Name
Brooklyn Jumbies
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016-2017
Birthplace
United States
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Brooklyn Jumbies Inc. (United States), founded by Ali Sylvester and Najja Codrington, is an organisation with the purpose of heightening cultural awareness of African and African-Caribbean culture. Performing stilt dancing, one of the numerous cultural elements of the African and Caribbean diaspora, their goal is to help revive knowledge, respect, and pride in these traditions. Since 2007, the Brooklyn Jumbies have worked closely with Laura Anderson Barbata, presenting outreach projects in Mexico and the United States, also collaborating with los Zancudos de Zaachila, traditional stilt dancers from Oaxaca. With Barbata they have performed in various museums. Among their most significant performances are <i>Intervention: Wall Street</i>, in the Financial District of New York (2011); and Intervention: Indigo, Brooklyn, New York, and The Macy's Thanksgiving Day Parade (2015). Publications include <i>Transcommunality. Interventions And Collaborations With Stilt Dancing Communities</i> (2013).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Performer
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Brooklyn Jumbies
Subject
The topic of the resource
Cultural Production
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Contributor
An entity responsible for making contributions to the resource
Brooklyn Jumbies
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Christopher
Surname or Business Name
Rompré
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Affiliation
Company, organization, or institution name
littleBIG Films, Cambodia
Birthplace
Canada
Occupation
Professional title or identity
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Christopher Rompré is the co-founder of littleBIG Films, a production house based in Cambodia, specializing in international documentary, public service and promotional video production. An experienced DP with dozens of productions under his belt, Christopher specializes at translating complex ideas into powerful, easy-to understand visuals. Christopher has worked extensively in Cambodia, bringing local and cultural knowledge to the project. Before founding LBF, Christopher directed independent films, studied international development, and had more time to play music. It’s the power of everyday stories and joy of being out in the world finding them that drive him.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Cambodia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Christopher Rompré
Subject
The topic of the resource
Cultural Production
Contributor
An entity responsible for making contributions to the resource
Christopher Rompré
Christopher Rompre
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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485a31257ab6ebab13f3e7038633d4c0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Publications
Description
An account of the resource
A recipient and producer of knowledge, NTU CCA Singapore’s publishing activities contribute to its holistic approach, expanding the connections across the Centre’s exhibitions, residencies, public programming, and academic education.
Research Publication
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Based on DMCI Text type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/Text)
Short Description
Drawing on the rich cultural heritage and trajectories of the Asia Pacific and beyond, the exhibitions, works of art, and essays in <em>Climates.Habitats.Environments. </em>transcend disciplinary boundaries and linear histories to affirm the role of cultural production in the fight for environmental and social justice.
Availability
Electronic (eBook)
Print
Print
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Climates.Habitats.Environments.
Subject
The topic of the resource
Climate Crisis
Cultural Production
Description
An account of the resource
Published by NTU CCA Singapore and The MIT Press, 2022 <br />Edited by Ute Meta Bauer<br />Design by mono.studio<br />Printed by DZA Druckerei zu Altenburg GmbH<br />© 2022 the artists, the authors, NTU Centre for Contemporary Art Singapore, Nanyang Technological University <br />ISBN: 978-0-262-04681-7 <br />Distributed by The MIT Press <br />Copies are available for sale at NTU CCA Singapore and through MIT Press S$80/US$60<br /><br />Modeling the curatorial as a method for uniting cultural production and science,<span class="apple-converted-space"> </span><i>Climates. Habitats. Environments</i>. weaves together image and text to address the global climate crisis. Through exhibitions, artworks, and essays, artists and writers transcend disciplinary boundaries and linear histories to bring their knowledge and experience to bear on the fight for environmental justice. In doing so, they draw on the rich cultural heritage of the Asia-Pacific, in conversation with international discourse, to demonstrate transdisciplinary solution-seeking.<br /><p><span>Experimental in form as well as in method,<span class="apple-converted-space"> </span><i>Climates. Habitats. Environments.</i><span class="apple-converted-space"> </span>features an inventive book design by mono.studio that puts word and image on equal footing, offering a multiplicity of media, interpretations, and manifestations of interdisciplinary research. For example, botanist Matthew Hall draws on Ovid's<span class="apple-converted-space"> </span><i>Metamorphoses</i><span class="apple-converted-space"> </span>to discuss human-plant interpenetration; curator and writer Venus Lau considers how spectrality consumes—and is consumed—in animation and film, literature, music, and cuisine; and critical theorist and filmmaker Elizabeth Povinelli proposes “Water Sense” as a geontological approach to “the question of our connected and differentiated existence,” informed by the “ancestral catastrophe of colonialism.” Artists excavate the natural and cultural DNA of indigo, lacquer, rattan, and mulberry; works at the intersection of art, design, and architecture explore “The Posthuman City”; an ongoing research project investigates the ecological urgencies of Pacific archipelagos. The works of art, the projects, and the majority of the texts featured in the book were commissioned by NTU Centre for Contemporary Art Singapore.</span></p>
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Publisher
An entity responsible for making the resource available
NTU CCA Singapore
The MIT Press
Contributor
An entity responsible for making contributions to the resource
Ute Meta Bauer
Anna Lovecchio
Michael Marder
Kong Yin Ying
Marian Pastor Roces
Ravi Agarwal
Donna J. Haraway
Matthew Hall
Nikos Papastergiadis
Donna J. Haraway
David Pledger
Dan Koh
Tan Zi Hao
May Adadol Ingawanij
Michael M. J. Fischer
Venus Lau
Elizabeth A. Povinelli
Cynthia Chou
Nina Oeghoede
Philippe Pirotte
Epeli Hau'ofa
Nabil Ahmed
Édouard Glissant
Tania Roy
Alfian Sa'at
Jake Atienza
Kenneth Dean
Faizah Zakaria
Stefanie Hessler
Huang Jui-mao
Anna Källén
Philippa Lovatt
Laura Miotto
Rob Nixon
Khim Ong
Markus Reymann
Dirk Snauwaert
Matariki Williams
Irene Agrivina
Nabil Ahmed
Irwan Ahmett
Tita Salina
Atif Akin
Animali Domestici
Apichatpong Weerasethakul
Martha Atienza
Tarek Atoui
Laura Anderson Barbata
Rosella Biscotti
Guigone Camus
Choy Ka Fai
Roko Josefa Cinavilakeba
Sean Connelly
Ade Darmawan
Lucy Davis
Ines Doujak
Jef Geys
Tue Greenfort
Newell Harry
Ho Tzu Nyen
Chia-Wei Hsu
Pierre Huyghe
ila
inhabitants
The Institute of Critical Zoologists
Kristy H. A. Kang
Susanne Kriemann
Zac Langdon-Pole
Jae Rhim Lee
Liang Shaoji
PerMagnus Lindborg
Armin Linke
Nicholas Mangan
Alice Miceli
Manish Nai
Nguyễn Trinh Thi
Phi Phi Oanh
Lucy + Jorge Orta
Park Chan-kyong
Sophia Pich
Marjetica Potrč
Shubigi Rao
Lisa Rave
Lucy Raven
Bridget Reweti
Hito Steyerl
Melati Suryodarmo
Tanatchai Bandasak
Sung Tieu
Jegan Vincent de Paul
Wu Mali
Vivian Xu
Yeo Siew Hua
Zarina Muhammad
Edouard Glissant
Anna Kallen
Nguyen Trinh Thi
Marjetica Potrc
mono.studio
Format
The file format, physical medium, or dimensions of the resource
Publication
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Date
A point or period of time associated with an event in the lifecycle of the resource
2022