2
10
53
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Dublin Core
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Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Bui Cong Khanh is interested in studying historical flows of Chinese immigration across the Southeast Asian region, and Singapore in particular, by tracking down the movements of Chinese porcelain artifacts.
Cycle
Cycle 4 (2017 – 2018)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bui Cong Khanh
Description
An account of the resource
Bui Cong Khanh is interested in studying historical flows of Chinese immigration across the Southeast Asian region, and Singapore in particular, by tracking down the movements of Chinese porcelain artifacts. His research intertwines the Chinese ancestry of the artist’s own family and traditional forms of Chinese cultural heritage, while concurrently addressing the complexities embedded in the construction of national identities. During his residency, he also plans to collaborate with local kilns and porcelain workshops.
Date
A point or period of time associated with an event in the lifecycle of the resource
4 December 2017 – 31 January 2018
Contributor
An entity responsible for making contributions to the resource
Bui Cong Khanh
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Medium
The material or physical carrier of the resource.
Installation
Painting
Subject
The topic of the resource
History
Diaspora
Migration
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
TIMUR MERAH PROJECT I, THE EMBRACE OF MY MOTHERLAND, 5 PANELS PAINTINGS (90X400 CM) AND TURMERIC POWDER TEXT, 2019. Courtesy the artist.
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Dublin Core
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Title
A name given to the resource
TIMUR MERAH PROJECT II : THE HARBOUR OF RESTLESS SPIRITS, 180 X 200 CM, INK AND ACRYLIC ON COW HIDE, 2019. Courtesy the artist.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
TIMUR MERAH PROJECT III : ODE TO THE SUN, INK AND ACRYLIC ON KAMASAN TRADITIONAL CANVAS, VARIABLE DIMENSTION, 2020. Courtesy the artist.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
TIMUR MERAH PROJECT VI : TIDINGS OF THE HEAVENS,
TIMUR MERAH PROJECT VI : INTO THE LAND OF BEAST-GOD,
TIMUR MERAH PROJECT VI : VALLEY OF ETERNAL FIRE,
ACRYLIC ON KAMASAN CANVAS, 155 X 145 CM, 2021. Courtesy the artist.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
The residency allows Citra to deepen her understanding of the influence of Dutch colonial power onto the development of visual arts and culture in Bali.
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Indonesia
Belgium
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Citra Sasmita
Subject
The topic of the resource
Diaspora
Feminism
Identity
Indigenous Knowledge
Postcolonialism
Description
An account of the resource
<b><b>4 April - 1 July 2022<br />Artist-in-Residence at WIELS (Belgium, Brussels)<br /></b></b>
<p>In encountering Balinese cultural artifacts brought to European museums during the colonial period and examining the cultural diplomacy politics enacted by the colonizers, she aims to excavate pre-colonial Balinese culture and understand how the perspectives and aesthetic criteria formed under colonial rule persist until today. The artist is interested in developing a critical reading of the journey of colonial legacies into the present and in understanding how they still inform contemporary cultural consciousness.</p>
<p>By providing her with direct access to historical archives and museum collections, the residency will allow Citra to deepen her understanding of the influence of Dutch colonial power onto the development of visual arts and culture in Bali.</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
4 April - 1 July 2022
Contributor
An entity responsible for making contributions to the resource
Citra Sasmita
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Citra Sasmita
Description
An account of the resource
Press photo of Citra Sasmita
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Citra
Surname or Business Name
Sasmita
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2022 - 2023
Birth Date
1990
Birthplace
Indonesia
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Citra Sasmita (b.1990, Indonesia) is concerned with unravelling the myths and misconceptions of Balinese art and culture. She is also deeply invested in questioning a woman’s place in social hierarchy and seeks to upend normative constructs of gender. Due to her interests and research around these themes of identity and agency, the artist’s oeuvre is often peppered with provocative themes that challenges the status quo, whether in its aesthetics or the messages that it conveys. Taking traditional elements, myths and iconography from ancient Balinese culture and literature, Sasmita departs from convention and traces the marginalised narrative of women in Balinese society. In her works, she endows her female figures with powerful agency, which reimagines the depiction of Balinese women against the backdrop of a patriarchal Indonesian society.<br /><br />Sasmita has been exhibited internationally at various institutions and biennales, including the Kathmandu Triennale 2021-2022, Nepal; Jogja National Museum, Yogyakarta; ParaSite Hong Kong; MACAN Museum, Jakarta; and Redbase Foundation, Yogyakarta. Her most recent solo exhibition, ‘Ode to the Sun’ was held at Yeo Workshop, Singapore in 2020. In the same year, Sasmita was commissioned by UOB Museum MACAN Jakarta to create ‘Tales of Nowhere’ for the Children Art Space; following her recognition as the Gold Winner UOB Painting of The Year in 2017.<br /></span>
Personal Website
Leave blank if not applicable
<a href="https://art.citrasasmita.com">https://art.citrasasmita.com</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Indonesia
Belgium
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Citra Sasmita
Subject
The topic of the resource
Diaspora
Feminism
Identity
Indigenous Knowledge
Contributor
An entity responsible for making contributions to the resource
Citra Sasmita
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Clara
Surname or Business Name
Law
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Birth Date
1957
Birthplace
Macau
Occupation
Professional title or identity
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<b>Clara Law</b><span> (Macau/Hong Kong) studied film at the National Film and Television School in England after graduating from the Hong Kong University in English Literature. Her internationally acclaimed features including </span><em>Temptation Of A Monk</em><span> (1993), </span><em>Floating Life</em><span> (1996) </span><em>The Golldess Of 1967 </em><span>(2000) </span><em>Letters To Ali</em><span> (2004) and </span><em>Like A Dream </em><span>(2010) have won her numerous prestigious awards and have been presented in film festivals worldwide. Her most recent work, </span><em>Drifting Petals</em><span><span>, a bold and experimental feature/essay won the </span></span>Best Director award at the 2021 Taipei Golden Horse Film Festival and Awards, Taiwan.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Australia
Hong Kong
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Clara Law
Subject
The topic of the resource
Diaspora
Displacement
Contributor
An entity responsible for making contributions to the resource
Clara Law
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Oceania
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Exile Shanghai (1997) tells the stories of six German, Austrian, and Russian Jews that intersect while exiled in Shanghai. Through narratives, photographs, documents, and music and images of the contemporary city, the film is a real-life epic with significant historical value.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Daily Screenings: Exile Shanghai by Ulrike Ottinger, artist and filmmaker (Germany)
Subject
The topic of the resource
Migration
Diaspora
History
Description
An account of the resource
27 May 2017, Sat - 13 Aug 2017, Sun 01:00 PM - 06:00 PM The Single Screen, Block 43 Malan Road <br /><br /><em>Exile Shanghai</em><span> (1997) tells the stories of six German, Austrian, and Russian Jews that intersect while exiled in Shanghai. Through narratives, photographs, documents, and music and images of the contemporary city, the film is a real-life epic with significant historical value. Albeit the film focuses on the life of Jewish refugees, it stresses at the same time the very condition of the exiled, preserving their culture in midst of another.</span><br /><br /><span>Visually, the interconnectedness of different histories and people is emphasised by the diversity of cultural influences. This moment of openness of Shanghai created a whole cosmos within the city. Presented through the lens of the exiled, its tone is nonetheless optimistic, converted through the enthusiasm of the characters.</span><br /><br /><em>Exile Shanghai</em><span> is part of the daily screenings of </span><span><em>Ulrike Ottinger:</em> <em>China. The Arts – The People, Photographs and Films from the 1980s and 1990s</em></span><span>. It is presented at The Single Screen on every other day, alternating with </span><em>Johanna d’Arc of Mongolia</em><span>.<br /><br /></span>A public programme of <span><em>Ulrike Ottinger:</em> <em>China. The Arts – The People, Photographs and Films from the 1980s and 1990s</em></span><span>.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
27 May - 13 August 2017
Contributor
An entity responsible for making contributions to the resource
Ulrike Ottinger
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Ema
Surname or Business Name
Tavola
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Birth Date
1982
Birthplace
Fiji
Occupation
Professional title or identity
Curator
Bibliography
<b><span lang="en">Ema Tavola </span></b><span lang="en">(Fiji/New Zealand) is an independent artist-curator based in South Auckland, New Zealand. Having established her practice whilst managing Fresh Gallery Ōtara, a local government-funded community art gallery, Tavola’s curatorial concerns are grounded in the opportunities of contemporary art to engage grassroots audiences, shift representational politics, and archive the Pacific diaspora experience. Tavola is committed to curating as a mechanism for social inclusion, centralising Pacific ways of seeing, and exhibition-making as a mode of decolonisation.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
New Zealand
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ema Tavola
Subject
The topic of the resource
Curatorial Practice
Diaspora
Contributor
An entity responsible for making contributions to the resource
Ema Tavola
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oceania
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
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First Name
Eunsong
Surname or Business Name
Kim
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020
Affiliation
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Northeastern University, Boston
Birthplace
United States
Occupation
Professional title or identity
Assistant Professor, Department of English
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Eunsong Kim is an Assistant Professor in the Department of English at Northeastern University. Her practice spans: poetry, translation, visual culture and critical race & ethnic studies. Her writings have appeared in: Lateral: Journal of the Cultural Studies Association, Journal of Critical Library and Information Studies, and in the book anthologies, Poetics of Social Engagement and Reading Modernism with Machines. Her poetry has appeared in the Brooklyn Magazine, The Iowa Review, Minnesota Review amongst others. She is the author of gospel of regicide, published by Noemi Press in 2017, and with Sung Gi Kim she translated Kim Eon Hee’s poetic text Have You Been Feeling Blue These Days? published in 2019. Her academic book project in progress, The Politics of Collecting: Property & Race in Aesthetic Formation (under contract with Duke University Press) materializes the histories of immaterialism by examining the rise of US museums, avant-garde forms, and neoliberal aesthetics, to consider how race and property become foundational to modern artistic institutions. She is the recipient of the Ford Foundation Fellowship, a grant from the Andy Warhol Art Writers Program, and Yale’s Poynter Fellowship.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Contributor Type
Speaker
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Eunsong Kim
Subject
The topic of the resource
Activism
Diaspora
Identity
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Contributor
An entity responsible for making contributions to the resource
Eunsong Kim
-
Dublin Core
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Title
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Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
While visiting her grandfather, a recent widower in his 90s in Hawai’i, Takesue begins to follow his everyday routines
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/508317113">https://vimeo.com/508317113</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
508317113
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
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Title
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Film Introduction: 95 and 6 to Go by Dr Ella Raidel
Description
An account of the resource
95 and 6 to Go, Kimi Takesue, 2016 Digital, colour, sound, 85 min Rating: G <br /><br />While visiting her grandfather, a recent widower in his 90s in Hawai’i, Takesue begins to follow his everyday routines. When he shows interest in his granddaughter’s stalled romantic screenplay, an interesting discussion about her work, family, memories, and identity unfolds. Shot over six years, this film shows how personal aspects intertwine with a critical reflection of the documentary genre. <br /><br />Kimi Takesue (United States) is an award-winning filmmaker and recipient of the Guggenheim and Rockefeller Fellowships in Film. www.kimitakesue.com
Date
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2021-02-15
Contributor
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Ella Raidel
Kimi Takasue
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
North America
Subject
The topic of the resource
Diaspora
Identity
Format
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Video
Language
A language of the resource
English
-
Dublin Core
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Title
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Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
NTU CCA Singapore will present a selection of films from the Asian Film Archive (AFA) with a focus on independent cinema from Southeast Asia. The launching session will feature the first part of Sherman Ong's film Flooding in the Time of Drought (Singapore, 2009).
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
Yes
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
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Film Screening in collaboration with Asian Film Archive
Subject
The topic of the resource
Migration
Diaspora
Displacement
Race
Ritual
Description
An account of the resource
Thu 21 May 2015<br />Wed 3 Jun 2015 Block 43 Malan Road, The Single Screen <br /><br />Part I: DROUGHT – 92 mins | Colour | with English subtitles Language: Hindi, Indonesian, Italian, Tagalog, Mandarin, German<br /><br />Part II: FLOOD – 92 mins | Colour | with English subtitles Languages: Japanese, Korean, Mandarin, Thai, Indonesian, Malay, Hokkien <br /><br />NTU CCA Singapore will present a selection of films from the Asian Film Archive (AFA) with a focus on independent cinema from Southeast Asia. The launching session will feature the first part of Sherman Ong's film <em>Flooding in the Time of Drought (</em>Singapore, 2009). This docu-narrative fusion depicts the lives of foreign immigrants as they face an impending water crisis. Touching on issues as diverse as ethnic discrimination, ritual beliefs, World War II, and racial tensions in post-’97 riots Indonesia, the film explores how ingrained problems are transported along with migrant communities.
Contributor
An entity responsible for making contributions to the resource
Sherman Ong
Asian Film Archive
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
This is the second screening session in collaboration with the Asian Film Archive (AFA) as a response to NTU CCA Singapore's yearlong framework, PLACE.LABOUR.CAPITAL.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
Yes
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Film Screenings in collaboration with the Asian Film Archive
Subject
The topic of the resource
Labour
Migration
Diaspora
Description
An account of the resource
Sat 25 Jul 2015<br />Block 43 Malan Road, The Single Screen<br /><br />This is the second screening session in collaboration with the Asian Film Archive (AFA) as a response to NTU CCA Singapore's yearlong framework, PLACE.LABOUR.CAPITAL. The Asian Film Archive was founded in 2005 with the mission to preserve and share the film heritage of Asia.<br /><br /><em><span style="text-decoration:underline;">Punggok Rindukan Bulan </span></em><span style="text-decoration:underline;">(</span><em><span style="text-decoration:underline;">This Longing, </span></em><span style="text-decoration:underline;">2008), Directed by Azharr Rudin</span><em></em><br />12.30pm - 2.30 pm|122 min|Malaysia|Malay with English subtitles<br /><br /><em>Punggok Rindukan Bulan</em>, directly translated from Malay as "the owl misses the moon", is a reflection on longing. Set in the border town of Johor Bahru, Malaysia, the film focuses on a teenage boy and his father, who are faced with the sudden absence of a key female figure in their life.<br /><br /><span style="text-decoration:underline;"><em>Return to Burma</em> (2011), Directed by Midi Z</span><br />7.30 pm - 9.00 pm|84 mins|Myanmar/Taiwanz|Mandarin/Burmese with English subtitles<br /><br />The film focuses on the story of a Burmese labourer who has worked on construction in Taipei for 10 years. Changes in Myanmar prompt him to return with the ashes of his friend and co-worker who died in Taipei. Back in his home village he feels like a stranger in a foreign land with family, friends and neighbours living in poverty.
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-07-25
Contributor
An entity responsible for making contributions to the resource
Azharr Rudin
Midi Z
Asian Film Archive
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia