Bui Cong Khanh
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Bui Cong Khanh is interested in studying historical flows of Chinese immigration across the Southeast Asian region, and Singapore in particular, by tracking down the movements of Chinese porcelain artifacts. His research intertwines the Chinese ancestry of the artist’s own family and traditional forms of Chinese cultural heritage, while concurrently addressing the complexities embedded in the construction of national identities. During his residency, he also plans to collaborate with local kilns and porcelain workshops.
4 December 2017 – 31 January 2018
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Citra Sasmita
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<b><b>4 April - 1 July 2022<br />Artist-in-Residence at WIELS (Belgium, Brussels)<br /></b></b>
<p>In encountering Balinese cultural artifacts brought to European museums during the colonial period and examining the cultural diplomacy politics enacted by the colonizers, she aims to excavate pre-colonial Balinese culture and understand how the perspectives and aesthetic criteria formed under colonial rule persist until today. The artist is interested in developing a critical reading of the journey of colonial legacies into the present and in understanding how they still inform contemporary cultural consciousness.</p>
<p>By providing her with direct access to historical archives and museum collections, the residency will allow Citra to deepen her understanding of the influence of Dutch colonial power onto the development of visual arts and culture in Bali.</p>
4 April - 1 July 2022
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Citra Sasmita
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Clara Law
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Daily Screenings: Exile Shanghai by Ulrike Ottinger, artist and filmmaker (Germany)
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27 May 2017, Sat - 13 Aug 2017, Sun 01:00 PM - 06:00 PM The Single Screen, Block 43 Malan Road <br /><br /><em>Exile Shanghai</em><span> (1997) tells the stories of six German, Austrian, and Russian Jews that intersect while exiled in Shanghai. Through narratives, photographs, documents, and music and images of the contemporary city, the film is a real-life epic with significant historical value. Albeit the film focuses on the life of Jewish refugees, it stresses at the same time the very condition of the exiled, preserving their culture in midst of another.</span><br /><br /><span>Visually, the interconnectedness of different histories and people is emphasised by the diversity of cultural influences. This moment of openness of Shanghai created a whole cosmos within the city. Presented through the lens of the exiled, its tone is nonetheless optimistic, converted through the enthusiasm of the characters.</span><br /><br /><em>Exile Shanghai</em><span> is part of the daily screenings of </span><span><em>Ulrike Ottinger:</em> <em>China. The Arts – The People, Photographs and Films from the 1980s and 1990s</em></span><span>. It is presented at The Single Screen on every other day, alternating with </span><em>Johanna d’Arc of Mongolia</em><span>.<br /><br /></span>A public programme of <span><em>Ulrike Ottinger:</em> <em>China. The Arts – The People, Photographs and Films from the 1980s and 1990s</em></span><span>.</span>
27 May - 13 August 2017
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Ema Tavola
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Eunsong Kim
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Film Introduction: 95 and 6 to Go by Dr Ella Raidel
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95 and 6 to Go, Kimi Takesue, 2016 Digital, colour, sound, 85 min Rating: G <br /><br />While visiting her grandfather, a recent widower in his 90s in Hawai’i, Takesue begins to follow his everyday routines. When he shows interest in his granddaughter’s stalled romantic screenplay, an interesting discussion about her work, family, memories, and identity unfolds. Shot over six years, this film shows how personal aspects intertwine with a critical reflection of the documentary genre. <br /><br />Kimi Takesue (United States) is an award-winning filmmaker and recipient of the Guggenheim and Rockefeller Fellowships in Film. www.kimitakesue.com
2021-02-15
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English
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Film Screening in collaboration with Asian Film Archive
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Displacement">Displacement</a>
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ritual">Ritual</a>
Thu 21 May 2015<br />Wed 3 Jun 2015 Block 43 Malan Road, The Single Screen <br /><br />Part I: DROUGHT – 92 mins | Colour | with English subtitles Language: Hindi, Indonesian, Italian, Tagalog, Mandarin, German<br /><br />Part II: FLOOD – 92 mins | Colour | with English subtitles Languages: Japanese, Korean, Mandarin, Thai, Indonesian, Malay, Hokkien <br /><br />NTU CCA Singapore will present a selection of films from the Asian Film Archive (AFA) with a focus on independent cinema from Southeast Asia. The launching session will feature the first part of Sherman Ong's film <em>Flooding in the Time of Drought (</em>Singapore, 2009). This docu-narrative fusion depicts the lives of foreign immigrants as they face an impending water crisis. Touching on issues as diverse as ethnic discrimination, ritual beliefs, World War II, and racial tensions in post-’97 riots Indonesia, the film explores how ingrained problems are transported along with migrant communities.
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Film Screenings in collaboration with the Asian Film Archive
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Sat 25 Jul 2015<br />Block 43 Malan Road, The Single Screen<br /><br />This is the second screening session in collaboration with the Asian Film Archive (AFA) as a response to NTU CCA Singapore's yearlong framework, PLACE.LABOUR.CAPITAL. The Asian Film Archive was founded in 2005 with the mission to preserve and share the film heritage of Asia.<br /><br /><em><span style="text-decoration:underline;">Punggok Rindukan Bulan </span></em><span style="text-decoration:underline;">(</span><em><span style="text-decoration:underline;">This Longing, </span></em><span style="text-decoration:underline;">2008), Directed by Azharr Rudin</span><em></em><br />12.30pm - 2.30 pm|122 min|Malaysia|Malay with English subtitles<br /><br /><em>Punggok Rindukan Bulan</em>, directly translated from Malay as "the owl misses the moon", is a reflection on longing. Set in the border town of Johor Bahru, Malaysia, the film focuses on a teenage boy and his father, who are faced with the sudden absence of a key female figure in their life.<br /><br /><span style="text-decoration:underline;"><em>Return to Burma</em> (2011), Directed by Midi Z</span><br />7.30 pm - 9.00 pm|84 mins|Myanmar/Taiwanz|Mandarin/Burmese with English subtitles<br /><br />The film focuses on the story of a Burmese labourer who has worked on construction in Taipei for 10 years. Changes in Myanmar prompt him to return with the ashes of his friend and co-worker who died in Taipei. Back in his home village he feels like a stranger in a foreign land with family, friends and neighbours living in poverty.
2015-07-25
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