2
10
53
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
Surname or Business Name
The Otolith Group
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014/2020
Birthplace
United Kingdom
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
The Otolith Group is an award-winning artist-led collective founded by Anjalika Sagar and Kodwo Eshun in 2002. Their moving image, audio works, performances, and installations are characterised by an engagement with the legacies and potentialities of diasporic futurisms that explore modes of temporal anomalies, anthropic inversions, and synthetic alienation. Their work is driven by extensive research into the histories of science fiction and the legacies of transnationalism. Recent solo exhibitions include Xenogenesis, Van Abbe Museum, Eindhoven (2019); Reconstruction of Story 2, National Museum of Modern and Contemporary Art, Korea (2018); In the Year of the Quiet Sun, CASCO, Utrecht (2014); Novaya Zemlya, Museu Serralves, Porto (2014); and Medium Earth, REDCAT, Los Angeles (2013). They have participated in exhibitions at Haus der Kulturen der Welt, Berlin (2019); Carnegie International, 57th Edition (2018); Kochi-Muziris Biennale, (2018); Rubin Museum of Art, New York (2018); Villa Empain - Fondation Boghossian, Brussels (2017); Sharjah Biennial 13, (2017); Gwangju Biennale (2016); and Institute of Contemporary Art, Philadelphia (2015).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United Kingdom
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Otolith Group
Subject
The topic of the resource
Race
Decolonialism
Geopolitics
Diaspora
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Africa
Asia
Europe
Contributor
An entity responsible for making contributions to the resource
The Otolith Group
Otolith Group
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Boedi
Surname or Business Name
Widjaja
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020-2021
Birthplace
Indonesia
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Driven by first-hand experiences of migration and diaspora, the practice of Boedi Widjaja (b. 1975, Indonesia/Singapore) articulates subtle reflections on migration, memory, and spatial relations across a variety of mediums with an emphasis on process and bodily engagement. Recent solo presentations include <i>Boedi Widjaja: Declaration of</i>, Helwaser Gallery, New York, United States (2019) and <i>Boedi Widjaja: Rivers and Lakes Tanah dan air</i> ShanghART, Singapore (2018). His works have been included in international group exhibitions such as Singapore Biennale (2019); Media Art Globale, Jakarta, Indonesia (both 2019), and The 9 Asia Pacific Triennial of Contemporary Art, Queensland, Australia (2018) amongst others.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1975
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Boedi Widjaja
Subject
The topic of the resource
Diaspora
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Boedi Widjaja
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Việt
Surname or Business Name
Lê
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
Vietnam
Occupation
Professional title or identity
Artist
Writer
Curator
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Việt Lê (b. 1976, Vietnam/United States) is an artist, writer, curator, and academic based in California, United States. Recent projects twist the formats of pop music videos and place trauma, representation, sexuality, and spiritualties within the framework of visual studies, ethnography, queer theory, and diasporic histories. Lê has recently presented his work at Pitzer College Art Galleries, Claremont, United States (2018) and Bangkok Art and Cultural Center, Thailand (2013) and in the solo exhibition <i>lovebang!</i> at Kellogg University Art Gallery, Los Angeles, United States (2016). He is a co-founder of The Diasporic Vietnamese Artists Network (DVAN).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1976
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Việt Lê
Subject
The topic of the resource
Diaspora
History
Contributor
An entity responsible for making contributions to the resource
Việt Lê
Viet Le
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PDF Text
Text
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Resources
Exhibition Resource
Collateral and other print or digital materials pertaining to exhibitions held at the Centre. Examples include exhibition guides, banners, postcards, digital tour videos, etc.
Short Description
No country: Contemporary Art for South and Southeast Asia Exhibition Guide
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>No country: Contemporary Art for South and Southeast Asia</i> Exhibition Guide
Description
An account of the resource
<i>No country: Contemporary Art for South and Southeast Asia</i> Exhibition Guide
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-05-10
Contributor
An entity responsible for making contributions to the resource
June Yap
Sheela Gowda
Sopheap Pich
Amar Kanwar
Arin Dwihartanto Sunaryo
Bani Abidi
Navin Rawanchaikul
Norberto Roldan
Poklong Anading
Reza Afisina
Sheela Gowda
Shilpa Gupta
Sopheap Pich
Tang Da Wu
Tayeba Begum Lipi
The Otolith Group
Tran Luong
Tuan Andrew Nguyen
Vincent Leong
Format
The file format, physical medium, or dimensions of the resource
Guide
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Regionalism
Geopolitics
Migration
Diaspora
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Bui Cong Khanh is interested in studying historical flows of Chinese immigration across the Southeast Asian region, and Singapore in particular, by tracking down the movements of Chinese porcelain artifacts.
Cycle
Cycle 4 (2017 – 2018)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Vietnam
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bui Cong Khanh
Description
An account of the resource
Bui Cong Khanh is interested in studying historical flows of Chinese immigration across the Southeast Asian region, and Singapore in particular, by tracking down the movements of Chinese porcelain artifacts. His research intertwines the Chinese ancestry of the artist’s own family and traditional forms of Chinese cultural heritage, while concurrently addressing the complexities embedded in the construction of national identities. During his residency, he also plans to collaborate with local kilns and porcelain workshops.
Date
A point or period of time associated with an event in the lifecycle of the resource
4 December 2017 – 31 January 2018
Contributor
An entity responsible for making contributions to the resource
Bui Cong Khanh
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
Medium
The material or physical carrier of the resource.
Installation
Painting
Subject
The topic of the resource
History
Diaspora
Migration
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Haegue Yang will shift her attention to researching film histories in Southeast Asia.
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Germany
South Korea
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Haegue Yang
Description
An account of the resource
Haegue Yang will shift her attention to researching film histories in Southeast Asia. These film histories within the region intersect with her research on Korean filmmaker Shin Sangok who was kidnapped by North Korean in 1978 and produced 17 films after his prolific career in South Korea. Shin had co-produced films in partnership with the famed Shaw Brothers of Singapore before his abduction. While in residence Haegue Yang will also examine questions of home, destinies and narratives that are interwoven with migratory figures in a colonial history. Her research on the Southeast Asian Diaspora figures extends from an annual commission, <i>Accommodating the Epic Dispersion – On Non-Cathartic Volume of Dispersion</i> (2012) for Haus der Kunst in Munich. The length of this work’s title is deliberate, in response to the overlapping of diaspora history with the specific history of the work’s location — a large and voluminous hall once known as ‘Ehrenhalle’ under the Third Reich. By critically extending and dispersing a reconstruction of histories in an epic dimension, the work introduced issues of migration, diaspora, movement and thereby, colonialism, through questions such as, “is movement mental or physical? When we migrate, do we lose our sense of home? How do we maintain and accommodate our migratory destinies and narratives?”
Date
A point or period of time associated with an event in the lifecycle of the resource
14 December 2015 – 15 January 2016
28 March – 17 April 2016
Contributor
An entity responsible for making contributions to the resource
Haegue Yang
Medium
The material or physical carrier of the resource.
Installation
Sculpture
Subject
The topic of the resource
History
Diaspora
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
For this long-term project, Tieu intends to explore the acoustic ecology of several urban soundscapes, extending her research in Vietnam and, possibly, other Southeast Asian countries.
Cycle
Cycle 6 (2019 – 2020)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Germany
United Kingdom
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sung Tieu
Description
An account of the resource
Tangled with her own experience of migration, cultural collision, and displacement, the works of Sung Tieu often elicit a variety of sensorial engagements. During the residency, the artist plans to explore the sonic environment of Singapore guided by the following questions: What is the soundscape of a financial capital that trades mostly in abstract exchange rather than in material production? Who occupies public space and in what acoustic proportion? How do aural economies affect the multi-species inhabitants of the city on physical, psychological, and emotional levels? How does sound convey different political and environmental climates? Her investigation on the sounds of contemporary Singapore will also encompass instances of oral communication that operate in a multicultural context characterised by a large linguistic diversity. For this long-term project, Tieu intends to explore the acoustic ecology of several urban soundscapes, extending her research in Vietnam and, possibly, other Southeast Asian countries.
Date
A point or period of time associated with an event in the lifecycle of the resource
21 October – 4 December 2019
Contributor
An entity responsible for making contributions to the resource
Sung Tieu
Medium
The material or physical carrier of the resource.
Installation
Performance
Subject
The topic of the resource
Migration
Displacement
Diaspora
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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66042381ee87caf2b5f6aca690b610ca
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Lê’s residency is dedicated to pursuing follow-up research and post-production editing for the final stages of this project.
Cycle
Cycle 5 (2018 – 2019)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
United States
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Việt Lê
Description
An account of the resource
Over the past five years, Việt Lê has been collecting film footage as well as sociological, historical, and archival materials for his experimental film trilogy <i>Sonic Spiritualties</i>. Interweaving the artist’s interest in popular culture and diaspora studies, the trilogy explores the impact of economic and environmental turbulences on music and various forms of spirituality in Southeast Asia. By framing situations where Buddhism meets pop music and violent displacement is translated into songs, the trilogy envisages sonic environments that challenge the borders of traditional and experimental music, the sacred and the mundane, the sublime and the banal. Halfway between documentary and music video, this hybrid production re-envisages the relationship between music and spiritual practices by working across dance, art history, ethnomusicology, and anthropology. Lê’s residency is dedicated to pursuing follow-up research and post-production editing for the final stages of this project.
Date
A point or period of time associated with an event in the lifecycle of the resource
7 May – 5 Jul 2018
Contributor
An entity responsible for making contributions to the resource
Việt Lê
Viet Le
Medium
The material or physical carrier of the resource.
Curating
Subject
The topic of the resource
Diaspora
History
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
This talk will contextualise Trinh T. Minh-ha’s installation Surname Viet Given Name Nam within the larger picture of her own work and film practice.
Programme Type
Talk and Lecture
Commissioned Work
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist’s talk: Trinh T. Minh-ha
Description
An account of the resource
<span>21 Feb 2014, Fri 7:30pm - 9:00pm</span><br /><br />This talk will contextualise Trinh T. Minh-ha’s installation <i>Surname Viet Given Name Nam </i>(1989) within the larger picture of her own work and film practice.<br /><br /><i>Surname Viet Given Name Nam </i>addresses notions of identity, popular memory and culture. While docusing on aspects of Vietnamese reality as seen through the lives and history of women's resistance in Vietnam and in the U.S., it raises questions on the politics of interviewing and documenting. A theoretically and formally complex work, <i>Surname Viet Given Name Nam</i> explores the difficulty of translation, and themes of dislocation and exile, critiquing both traditional society and life since the war. Jusxtaposing archival footage, proverbs, and poetry, voice-over narratives, and written text, the film festures interviews with five Vietnamese women. It becomes clear throughout the film that these interviews are restaged and the women portrayed are actually amatuer actresses living in the U.S. Taking a hybrid form, the film articulates the complex diversity of the lives and roles of Vietnamese women within culture, and confronts the essentialising Western paradigms. It challenges the traditions of documentary filmmaking through complex interconnections of sound and image, rejection of a single, omniscient voice and undermining of the authority of the camera itself.<br /><br />A public programme of <em>Paradise Lost</em>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-02-21
Contributor
An entity responsible for making contributions to the resource
Trinh T. Minh-ha
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
North America
Subject
The topic of the resource
Identity
Displacement
Diaspora
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
This talk presents the different material forms through which Samsui women have been remembered and merchandised, and addresses the politics of remembering and forgetting.
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Programme Type
Talk and Lecture
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Social Memory Making and the Samsui Women: Objects, Heritage, Merchandisation: A talk by Kelvin E.Y. Low, Assistant Professor, Department of Sociology, National University of Singapore (Singapore)
Description
An account of the resource
<div class="event_single_dates text__research">11 Mar 2016, Fri 6:00pm - 7:30pm</div>
<div class="event_single_venue">The Lab, Block 43 Malan Road</div>
<i><br />Samsui</i> women migrated from Southern China to Singapore in the early decades of the twentieth century to toil mainly as construction workers. They were easily recognised through their distinctive red headscarves, black tunic and black pants which formed the livery that they wore to work every day. In the past few decades, these women have formed the subject of a plethora of social memory texts, ranging from art, literature, and popular history books to various media outlets and community exhibitions. This talk presents the different material forms through which Samsui women have been remembered and merchandised, and addresses the politics of remembering and forgetting. <br /><br />This talk is part of the research project <i>Interrogative Pattern – Text(ile) Weave</i> by Regina (Maria) Möller at <i>The Lab</i>, Block 43 Malan Road, 4 December 2015 – 20 March 2016.
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-03-11
Contributor
An entity responsible for making contributions to the resource
Kelvin E.Y. Low
Kelvin Low
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Diaspora
Labour
Migration