Browse Items (53 total)

Ulrike Ottinger, China. The Arts – The People: Photographs and Films from the 1980s and 1990s, 27 May – 13 August 2017, NTU Centre for Contemporary Art Singapore, installation view.
The exhibition China. The Arts – The People, Photographs and Films from the 1980s and 1990s by acclaimed filmmaker Ulrike Ottinger (b. 1942 in Constance, Germany) is the first large-scale exhibition by the award-winning filmmaker and artist in Asia.…

John Akomfrah, The Unfinished Conversation, 2012. Non-Aligned (2020), NTU Centre for Contemporary Art Singapore.
Non-Aligned in the press! Read Stephanie Bailey’s article in Ocula and Object Lessons Space‘s interview with Dr Karin Oen, the Centre’s Deputy Director of Curatorial Programmes. The Unfinished Conversation (2012), John Akomfrah (United Kingdom), Two…

Trinh T. Minh-ha, A Tale of Love, 1995. Trinh T. Minh-ha. Films. (2020–21), NTU Centre for Contemporary Art Singapore.
“The making of each film transforms the way I see myself and the world. Once I start engaging in the process of making a film or in any artistic excursion, I am also embarking upon a journey whose point of arrival is unknown to me.”—Trinh T. Minh-ha…

Trinh T. Minh-ha.jpg

Yuen Chee Wai.tiff

ila.jpg
Unfolding through visual, narrative, and performative acts, ila’s artist practice revolves around urgencies for repair, care, and mutual support. Amid frustrations resulting from the ever-shifting urban landscape and rising social inequalities, the…

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Tangled with her own experience of migration, cultural collision, and displacement, the works of Sung Tieu often elicit a variety of sensorial engagements. During the residency, the artist plans to explore the sonic environment of Singapore guided by…

21 Feb 2014, Fri 7:30pm - 9:00pmThis talk will contextualise Trinh T. Minh-ha’s installation Surname Viet Given Name Nam (1989) within the larger picture of her own work and film practice.Surname Viet Given Name Nam addresses notions of identity,…

28 Feb 2014, Fri 7:30pm - 9:00pmDavid Teh will introduce Paradise Lost with reference to the genre and histories of the artist-made moving image in the Southeast Asian context. The presentation is structured around three moving-image works from this…
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