Browse Items (21 total)

The Disappearance, 5 April –6 April 2014, Laure Prouvost, Eva 43 years old (2002). Photograph by Clare Bottomley.
The Disappearance situates itself in the architectural setting of a previous exhibition Paradise Lost. It works with what is left out: the traces of the show in the space; its echoes in our memory, The Disappearance conceals and reveals: what has…

The Disappearance_ Exhibition guide.pdf
The Disappearance Exhibition Guide

Theatrical Fields, 22 August – 2 November 2014, Installation view: Constanze Ruhm, X Characters / RE(hers)AL (2003/4). Courtesy NTU Centre for Contemporary Art Singapore.
Theatrical Fields introduces theatricality as a critical strategy in performance, film and video. This exhibition presents six video installations shown for the first time in Southeast Asia: Voice off by Judith Barry (USA), Suspiria by Stan Douglas…

Theatrical Fields_Exhibition Guide.pdf
Theatrical Fields Exhibition Guide

Amanda Heng.jpg
Amanda Heng is an artist. With an interest in the clash of Eastern and Western values, traditions, and gender roles in the context of a multicultural and fast-changing society of Singapore, her work embraces different media.

VIT_MD_01.jpg
How to breathe deeply and sing expressively in this moment when the mouth and nose embody danger? How to have pleasure in music when in its essences it is airborne and moist? Let us return power and agency to the mouth and voice while still…

2 Oct 2018, Tue 07:30 PM - 09:00 PM The Single Screen, Block 43 Malan Road Choreographer and artist Cally Spooner shares her fascination with language, politics, and philosophy and how societies’ orders and regimes are reflected in her work. She will…

22 Sep 2017, Fri 07:30 PM - 09:00 PM The Single Screen, Block 43 Malan Road Therianthropy, the mythological ability of humans to metamorphose into other animals through shapeshifting, has marked myth and folklore across cultures and times, remaining…

Guoliang-1.-Play-Dead-I.jpg
Guo-Liang Tan’s practice revolves around how the space of painting and writing can be charged with affect and otherness. Tan is interested in how this sense of absence, pointing towards an imagined past and/or future, frames our present-ness and of…
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