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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions Description An account of the resource NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion. Exhibition Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals. Short Description CITIES FOR PEOPLE offers a platform to contemplate the possibilities for our shared space, reformulate our demands accordingly, and project solutions and desires for the future. Exhibition Mode Festival Show Type Individual Artist (solo show) Thematic Presentation (group show) Thematic Presentation Exhibition Space Exhibition Hall Location Onsite (CCA) Offsite Online Onsite (CCA) Exhibition Start Date 2016-11-13 Exhibition End Date 2017-01-22 Collaboration No Commissioned Work No Related Countries Singapore Theme Place.Labour.Capital. Climates. Habitats. Environments. None Place.Labour.Capital. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CITIES FOR PEOPLE NTU CCA Ideas Fest 2016/7 Subject The topic of the resource Knowledge Production Public Sphere Urbanism Ecology Spaces of the Curatorial Architecture Environmental Crisis Description An account of the resource CITIES FOR PEOPLE is the pilot edition of the annual NTU CCA Ideas Fest, a platform to catalyse critical exchange of ideas and encourage thinking “out of the box”. It is a bottom-up approach linking the artistic and academic community with grassroots initiatives. This pilot edition expands artistic interventions and engages contemporary issues such as air, water, food, environment, and social interaction in connection to artistic and cultural fields, academic research, and design applications. The 10-day programme, coinciding with Singapore Art Week 2017 and Art After Dark at Gillman Barracks, comprises a conglomerate of performances, public installations, participatory projects and social experiment, urban farming initiatives, public dialogues, and a variety of workshops. It cumulates in a three-day summit that brings together a prominent group of architects, theorists, researchers, curators, and community groups to discuss and exchange ideas about urbanism, modes of exchange, critical spatial practice, and to envision a future city. CITIES FOR PEOPLE offers a platform to contemplate the possibilities for our shared space, reformulate our demands accordingly, and project solutions and desires for the future. CITIES FOR PEOPLE, borrowing the title from a book by eminent Singapore architect William S. W. Lim published in 1990, expands on some of the ideas Lim developed, particularly in relation to tropical environments and recycling, as well as his call for a humanistic architecture. Organised on the occasion of the exhibition Incomplete Urbanism: Attempts at Critical Spatial Practice, this event is an invitation to share and engage in cooperative projects and collective experiences that critically reflect on current challenges in urban and social development. Contributor An entity responsible for making contributions to the resource Ute Meta Bauer Khim Ong indieguerillas Lulu Lutfi Labibi Ari Wulu Lucy + Jorge Orta Foodscape Collective Marjetica Potrč Laura Anderson Barbata Brooklyn Jumbies Misso Russell Keith Post-Museum Xu Tan Edible Garden City Michelle Lai Dan Susman Victoria Marshall Medium The material or physical carrier of the resource. 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Title A name given to the resource NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, vitrine from Fish containing one mask (plaster cloth, wire, and Japanese watercolor), nine sea-urchin shells, one sand dollar, one dried seahorse, one drawing (pigmented- inkjet exhibition copy), three photocopies, two Japanese postcards(facsimilies), six pieces of white sea cora, and one glass sea sponge. https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/79db02a4590818a608599e1186f6b906.jpg?Expires=1773878400&Signature=ULUWW474ZtJLre34v5pWwJAqho03p%7EbdkgkDOb8p38Zo23A9TdUgJCcKPnDG9HUx%7EPriXzI9G8M0LMA4SdP7qsbTmvhgVcrHQDGqP-qYeB6Cw7kMqCBKDI1KesfIOwuaegNEbeI3HJ3GA5v4yxQEVC6%7EWlr%7EMR2RN-TUQneGbxdKh443s2HgjEbqBon1HFPkHAc4RJh-6V2M7Np8MF3SyiCXtnsEIUZzulkGul09c-oLaZRAzV0YTUgOI6nN24CK1cZSbm23DaomZ4cxhJ1ZL65w3aLjESyMG9U%7ECobN%7EwH%7ERBv8owjd1egH1-47Hs%7EZNxPN1CAMJEkFeStk7d955A__&Key-Pair-Id=K6UGZS9ZTDSZM f04a2eee7dfe76eca2f345e0295d07dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Title A name given to the resource NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View: Wind (2015). https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/b5d92170d010e9a3fe25125726d0a8dd.jpg?Expires=1773878400&Signature=mKKW8ZtBhNqNulKxG85gr4-JHDiD8prNWciGxsZJNT%7EOsVGH0XanApzGCCuKgkQ%7EH4chio7FpnRoyWGQdzuqkPGWRTo03DNuZA-C%7E0sIfgKs8P7rd4MV54U73cP15f23LmM9SE7%7Ek094HUGO7fzxRmOM12KFQXO-2vvJ9raKvjI4y-tOMak5BEzrOlOPqoe-AZ0v9IgQOq1QRF48dYvDUjDiT45xh64HU20iQ1ALgkks%7EtrCguxFh6EroNB61YBvkBORxzIZcrmMpsCs7shAoazhZ7ZcoKanruPMMJVNCMTp5Blr3rRbsrRD9cpf5IGQ8DRxyr1gGgTZmO1XS%7E3SCg__&Key-Pair-Id=K6UGZS9ZTDSZM 43e1a7213740ff151a75bcb98f206d6f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, vitrine from Wind containing one found mas, one bird’s skull, one bird’s nest, four postcards, two photocopies, one miniature glass owl made by Virrorio Costantini, and two mirrored glass props made by Alexander Rosenberg. https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/2bbecd586bbd3ad6144506ed00d6261e.jpg?Expires=1773878400&Signature=CInaGpy6fkScDA8JKBvwF9dUSD-WvhBJwk3elmEZdBj%7EEChj3jxEcskoqADN%7EMz%7E7VqGFK1JovcyQAPP3h8K3616TBYwgf2Aep8mFAfy9Rgr%7EnfO8pcs%7ENqfEriNgOwozd7NDr65ORowU9-NlqKjGsoS3CFyjph8ugULSuShG32ReYw9%7E7w3f4hmWhlezZEwK3MRjSDinJemwvjsp0V0YI8gFkJI8apx7-Or0vP85rzL0QBMYql3f31Ffhf7wRuarGa4HRZfpJVCAKowenDUwRBhE7OIlcyl-fumK164JzGsOzh%7EAmNXdl9wDQX16PIJuM4aXWg11n7tOIRUk2nN%7Ew__&Key-Pair-Id=K6UGZS9ZTDSZM 1acda06763270b12e78c7b34e8e95fa7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Title A name given to the resource NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/16b4a426ed5c7650b79a47fe07ded2b4.jpg?Expires=1773878400&Signature=QMC1NmZDal5PZKszHiTYnzeH3UV3Yrfy4YVAZvu6SIEHemgGIv8fP49J2NjkNHfaHiz8FwazaA0TpTus2IZgTgez2JyI13DIx3tFs54Z3bEiSu0B4thoBovVOh5jh7XQcUZcyiKgJ8AuW6bEBTRIU3yF3LX4IwAkzIIjieposL5PHlSLK4KFaGUND2q3-%7EfGe07laGZuEdriBHK438jl8tEEFBfWIaCq9mLvWOao0o8CrjMkP29MIGt%7EPZGoAeliGgSl7NksFlch6LbZhqidwGjAZyhemKbgGj7pA-wTIQlRUgz541N29870eMgJoF54D7N3eZQO4KYMRQcFHdKsXw__&Key-Pair-Id=K6UGZS9ZTDSZM e6a0c9db78b6b02ce18e21dbe4a0d2c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/25e90cb2dd33b7778e8106d214b684b7.jpg?Expires=1773878400&Signature=Y4VCH%7EI4lUT5ykKiBoZs%7EZMfTx-deBBsvGCdwFrqE272cBKEUxbWThNWfXokou3I1Yt8NnXoZ8a3UmBVM5PZDji010MCRmeqUBOQGw%7EMkrk-8lo9oxj9TkEn6vsLwKE%7E9Sei2sSr531VUhXxO0rUqmEILXwEyEKPDrjQYNQkC5jS-Td%7EA1fjMqrBMWUrr3KEN%7ErHCxCDo7yHzVuDjuB8KJTcoxTgsoy5CZvAFk3xXdd%7EWIYGvBGZRGpP01fpNVSW1CS6G0gfERmta02cRn%7E1QQOSlreDUkEMWte0vYbWVipm-nChjlmY3csLHZkEVxCLGYrYyabZIvk836LGz8%7E4rQ__&Key-Pair-Id=K6UGZS9ZTDSZM ce75eb6dafd66556d82d3cefd70f5b3f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/4c11ebe1c1c960c897455ef8ece2b0cb.jpg?Expires=1773878400&Signature=pNCVlHLVeaDHSDC1F6xzYlmJUmhdfqRRT3-%7EJuQikE77M5fz%7Emr%7E485ny6rVx%7El9ylJ1mBECFTrV5cY%7Egs3FRhwU2-c%7ESdNTY0Ff3zaOdFJixNI1JhVZ7aVnYIvX-gwrnbrOj85B%7EuZumW1tyWtyfxVroinNPGKplBFrHgOGdUpMpMmQXFMAIfAlDkKWnDkAUMDbUN83Qn%7EQWCMxvbbIKqcp-yMsAGCsnJRhSCE6FgqVqJq7puCBaz3bJ8JBpCPH-xTesbzN2g5pgYwNTrsMPTJDi1EAzKzBDLHu-KC9hfq66qpjxszCIoE6HwgiD1Jd7ToQ0hD9DhMYd7iKx%7ELerA__&Key-Pair-Id=K6UGZS9ZTDSZM a3b523d8b7a136a0cc8c47d5d5fb3056 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, vitrine from Homeroom containing one found mask, two glass frogs made by Vittorio Costantini, one fossil, two found black-and-white photographs, two color photographs by Joan Jonas, one photocopy, one found card, and two hand mirrors. https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/7aa2d52e9048a948bb732268121234a8.jpg?Expires=1773878400&Signature=MyfO5rqM649t62tCt1shEe%7EG2ffQPW9OemEU33wHNPcSPClHPFTXOcbU1fCa-JTJ%7EWt0JntDXjy7Ie2Es2GAXNQnOYW5I%7Efd25lufMDR2AyutRn-Uvam8MmPyIi-lVlK0SC%7E%7EGLCJm3k3TJ4VKaUZIAAKcoatlv1T3RkxDM3%7E24-S83ijKQqTi20O4q4odnu39m6cfEm%7EHnmXtwxMNI87DFRhAdMfMolCT7dw5iDw8b4ac-hwPEEj7HTq8UWCQ-%7Eovhz9%7E3hvQBvF5nP921LKuMpSG4bGjK1h9g2hAEoRMd5T2rpb4s9Ej%7EQP0e0RetbcEX0xa67r7ZDD9CrgrHxFQ__&Key-Pair-Id=K6UGZS9ZTDSZM 0106fa640226bd57249c807a8ce6cf9c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Title A name given to the resource NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/f4c84dc1760c0c88d8614a12cf1b2194.jpg?Expires=1773878400&Signature=FV-nUJ7NPG8qyOIqEG4T7SAm1y6M3Px-dQcPCfd9nCPRPom64nmaSPu3E7TNBCorQKXSOmldESWbg8I3S4a0KOJni66mwvClv8-C3nqd0hC-nWK3HPTbHcwFF1%7E3xpVmgWeS2RW-gF4oUw8d1gxJop36yzksuIpA4gRZfYNqrn1bRzPRBJsjMZrcteZkqhTZRMXjAa62tK5zkmg8xymfWKekOMa0FC4GqPxT4vJ0Eo1n2WfLJ8nXLLxqbjEoAHcZ7OrXKTLKeySF%7EnioT02YwfEgJkIzkaZArou1i22QKGbVFysBGAAbEYuFwKgAp1nFsvS0vHJomAP7NKV%7EHw5zjA__&Key-Pair-Id=K6UGZS9ZTDSZM 19a33f91c70544d415a843a68b484566 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource NTU Centre for Contemporary Art Singapore; Joan Jonas, They Come to Us without a Word, 22 January – 3 April 2016, Installation View Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibitions Description An account of the resource NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion. Exhibition Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals. Short Description They Come to Us without a Word is a video and performance by Joan Jonas, as his first large-scale exhibition in Singapore and Southeast Asia. Exhibition Mode Exhibition Show Type Individual Artist (solo show) Thematic Presentation (group show) Individual Artist Exhibition Space Exhibition Hall Location Onsite (CCA) Offsite Online Onsite (CCA) Exhibition Start Date 2016-01-22 Exhibition End Date 2016-04-03 Collaboration No Commissioned Work No Related Countries None Theme Place.Labour.Capital. Climates. Habitats. Environments. None Place.Labour.Capital. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joan Jonas: They Come to Us Without a Word Subject The topic of the resource Supernatural Ecology Ecosystems Biodiversity Coexistence Environmental Crisis Description An account of the resource The NTU Centre for Contemporary Art Singapore is honoured to present They Come to Us without a Word, video and performance pioneer Joan Jonas’ first large-scale exhibition in Singapore and Southeast Asia. They Come to Us without a Word was organised for the U.S. Pavilion of the 56th Venice Biennale by the MIT List Visual Arts Center and co-curated by Paul C. Ha, Director of the MIT List Visual Arts Center and Ute Meta Bauer, Founding Director of the NTU Centre for Contemporary Art Singapore. With this exhibition Jonas evokes the fragility of nature, using her own poetic language to address the irreversible impact of human interference on the environmental equilibrium of our planet. Acknowledgements They Come to Us without a Word was organised for the U.S. Pavilion of the 56th Venice Biennale by the MIT List Visual Arts Center and co-curated by Paul C. Ha, Director of the MIT List Visual Arts Center and Ute Meta Bauer, Founding Director of the NTU Centre for Contemporary Art Singapore. The exhibition was generously supported by U.S. Department of State, Cynthia and John Reed, the Helen Frankenthaler Foundation, and the Massachusetts Institute of Technology. Additional major support was provided by the Council for the Arts at MIT, Toby Devan Lewis, VIA Art Fund, Agnes Gund, Lambent Foundation. The exhibition in Singapore is organised by the NTU Centre for Contemporary Art Singapore, Nanyang Technological University with support by the Economic Development Board, Singapore. Additional support has also been provided by the U.S. Embassy Singapore. Contributor An entity responsible for making contributions to the resource Paul C. Ha Ute Meta Bauer Joan Jonas Medium The material or physical carrier of the resource. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Lab Exhibition Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals. Short Description Taking Donna Haraway's quote as a starting point, Vapour Islands invites us to consider the global ecosystem as a network of entangled and interconnected life-forces, taking the earth's hydrolic cycle and consider the ways in which thin air can be transformed into a present thick with possibility. Exhibition Mode Research Presentation Show Type Individual Artist (solo show) Thematic Presentation (group show) Thematic Presentation Exhibition Space The Lab Location Onsite (CCA) Offsite Online Onsite (CCA) Exhibition Start Date 2019-03-07 Exhibition End Date 2019-04-07 Collaboration No Commissioned Work No Related Countries None Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vapour Islands: to live and die well together in a thick present* Subject The topic of the resource The Anthropocene Environmental Crisis Capitalism Coexistence Posthumanism Ecosystems Description An account of the resource “To live and die well together in a thick present,” quotes the seminal text Staying with the Trouble: Making Kin in the Cthulhucene by Donna Haraway. In this text, Haraway responds to the rising sense of alarm surrounding ecological discourses on the Anthropocene and the Capitalocene. The book is a proposal to move instead towards the discursive framework of the Cthulhucene—an ecological epoch that, for Haraway, “eschews futurism” and remains resolutely with the present and all its problems; one that stays with the trouble and finds kin within it. To consider the global ecosystem as a network of entangled and interconnected life-forces, the ecological imminence is also an imminence of existence. It begins with disappearance—of water, of trees, of entire habitats and species—all turned to vapour and thin air. And yet thin air in a thick present takes vapour as a beginning, too: vapour cycles through time, becoming cloud, becoming rainfall, becoming water-body again. Taking the Earth’s hydrologic cycle—that is, the sequence of processes detailing the cyclical movement of water on and off the Earth’s surface—as its entry-point, Vapour Islands: to live and die well together in a thick present* is an archipelago of thematic “islands,” in which each island corresponds to one of the four main stages of the hydrologic cycle: evaporation, condensation, precipitation, and percolation. Interacting with books and research materials from the Centre’s Public Resource Platform while thinking through the cycle of water, this presentation moves through and between loss and regain, release and redistribution, to consider the ways in which thin air can be transformed into a present thick with possibility. Contributor An entity responsible for making contributions to the resource Sophie Goltz Soh Kay Min Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Asia Europe Medium The material or physical carrier of the resource. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Lab Exhibition Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals. Short Description What is Deep Sea Mining? addresses both knowledge of the deep sea and ocean governance, but also efforts to defend a sustained ocean literacy beyond the United Nations’ “blue economy” at a time when the deep ocean, its species, and its resources remain largely unmapped and understudied. Exhibition Mode Research Presentation Show Type Individual Artist (solo show) Thematic Presentation (group show) Thematic Presentation Exhibition Space The Lab Location Onsite (CCA) Offsite Online Onsite (CCA) Exhibition Start Date 2019-11-02 Exhibition End Date 2020-02-08 Collaboration Yes Commissioned Work No Related Countries Papua New Guinea Fiji Tonga New Zealand Japan Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource What is deep sea mining? Subject The topic of the resource Environmental Crisis Oceans & Seas Extractivism Nature Postcolonialism Description An account of the resource By inhabitants in collaboration with Margarida Mendes Deep sea mining is a new frontier of resource extraction located on the ocean seabed. It is set to begin in the next few years, as the technology is currently under development. Mining companies are, at present, leasing areas for exploitation in national and international waters in order to assess the potential to extract minerals and metals such as manganese, cobalt, gold, copper, iron, and other rare earth elements. The main geological sites targeted are areas rich in polymetallic nodules, seamounts, and hydrothermal vents; areas typically found where tectonic plates meet. The areas to be mined could cover parts of the Mid-Atlantic Ridge and the Clarion Clipperton Zone in the Pacific Ocean in international waters, and national waters off the islands of Papua New Guinea, Fiji, Tonga, New Zealand, Japan, and the Portuguese archipelago of the Azores. Assessment of the impact on deep sea ecosystems is underway, though their cumulative effects remain difficult to comprehend given the unprecedented variety and expanse of the mining sites targeted. At the same time, local and indigenous communities living in these regions are not being adequately consulted. The prospects of this form of mining re-actualise a colonial, frontier mentality and are redefining extractivist economies for the twenty-first century. What is Deep Sea Mining? addresses both knowledge of the deep sea and ocean governance, but also efforts to defend a sustained ocean literacy beyond the United Nations’ “blue economy” at a time when the deep ocean, its species, and its resources remain largely unmapped and understudied. Episode 1, Tools for Ocean Literacy, is historical and geographical introduction to deep sea mining, playing with Charles and Ray Eames’ 1977 film Powers of Ten. Episode 2, Deep Frontiers, tells a story about knowledge of the seabed and its alien life, written by anthropologist Stefan Helmreich. Episode 3, The Azore Case, focuses on the Portuguese Azores nine island archipelago, following European Union plans to mine in the region, based on a series of interviews with marine biologists and politicians conducted in the islands. Episode 4, A Glossary on Mining, offers a brief glossary of terms that can be used to better tackle the issue of mining reserves and monopolies on land, which in turn may lead to the potential threat of deep sea mining. Episode 5, The Papua New Guinea Case, addresses the plans to mine off the coast of Papua New Guinea as well as the long activist struggle by local communities across the Pacific against deep sea mining. Episode 5 will be premiered at NTU CCA Singapore, simultaneously in the Lab space and online on social media and the websites of NTU CCA Singapore’s website, the funding and partner institution TBA21 – Academy’s website, and inhabitants-tv. Contributor An entity responsible for making contributions to the resource inhabitants Margarida Mendes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Oceania Asia South America Medium The material or physical carrier of the resource. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Vitrine Exhibition Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals. Short Description Does a landscape harbour ill-feelings towards events and circumstances that have caused it harm? What forgotten stories would a land reveal? Nguyen’s photographs suggest these environments contain a plethora of unspoken histories. Exhibition Mode Research Presentation Show Type Individual Artist (solo show) Thematic Presentation (group show) Individual Artist Exhibition Space The Vitrine Exhibition Start Date 2019-05-28 Exhibition End Date 2019-12-01 Collaboration No Commissioned Work No Related Countries Vietnam Theme Place.Labour.Capital. Climates. Habitats. Environments. None Place.Labour.Capital. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Landscape Series #1, 2013 by Nguyen Trinh Thi Subject The topic of the resource Archival Practice Geopolitics Ecosystems Environmental Crisis Description An account of the resource Interested in the idea of landscapes as a quiet witness to history, artist Nguyen Trinh Thi collects and compilates hundreds of images in which anonymous persons are portrayed pointing towards seemingly empty locations within a landscape. Taken by innumerable Vietnamese press photographers, figures are always captured in the same position, gesturing towards the landscape to indicate a past event, the location of something gone or something lost or missing. We are left with no information about the people and their specific thoughts or feelings, only their repetitious sameness of pointing towards an “evidence” within the silent landscape. The land bearing witness to the volatile transitions in our geo-political, cultural, and social systems questions the extent of which unsustainable and environmentally-taxing practices effect the environment. Does a landscape harbour ill-feelings towards events and circumstances that have caused it harm? And if it were to break its silence, what forgotten stories would it reveal? Rather than disregarding the land, Nguyen’s photographs suggest these environments contain a plethora of unspoken histories. Nguyen’s works are built upon and are often generative of one another. Parallel to this presentation, two of her films, Vietnam the Movie (2015) and Fifth Cinema (2018), will be on view in The Single Screen from 28 May – 9 June and 11 – 23 June respectively. This screening is part of the Centre’s Film Screening Programme: Faces of Histories, 14 May – 17 July 2019. Contributor An entity responsible for making contributions to the resource Ngyuen Trinh Thi Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Southeast Asia Medium The material or physical carrier of the resource. Installation Photography Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Contributors Contributor An individual, collective, or corporate entity. First Name Eugene Surname or Business Name Heng Years Affiliated Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable. For date range with year only: YYYY/YYYY, e.g., 2014/2015 For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06 2017 Affiliation Company, organization, or institution name Waterways Watch Society Birthplace Singapore Occupation Professional title or identity Founder and Chairman Biographical Text Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description Eugene Heng is the founder and CEO of Waterways Watch Society. Eugene started his environmental journey in the 1980s, first as an environment coordinator at the foreign bank he worked for. He was later appointed to the Government Parliamentary Committee (Environment) from 1995 to 2000. When the committee decided in 1997 that a society should be set up to help monitor and protect the cleaned-up Singapore River and Kallang Basin, he was nominated and he accepted the challenge. He went on to serve in several advisory committees relating to environmental issues in Singapore, including the Water Focus Group, the Policy Study Workgroup on Physical and Environment Sustainability and the Singapore Green Plan 2012 Coordinating Committee He also served as a PUB board member from 2001 to 2005 and was a pioneer member of the Public Hygiene Council which he served till June 2019. Since his retirement as a bank executive in the 2002, he has committed himself heart and soul fully to his environmental cause, focusing on water advocacy and education. As the founder of WWS, he spearheaded many of our activities and initiatives that are catered mainly for students from pre-school to tertiary institutions, such as Youth Bicycle Patrol and the River Monster Programme. In 2005, he was awarded the Pingat Bakti Masyarakat (PBM) and subsequently the Bintang Bakti Masyarakat (BBM) in 2015 for his valuable public service. In 2014, he received the President’s Award for the Environment (Individual Category). Eugene is currently a Justice of the Peace (JP), and continues to work closely with various public agencies such as the Public Utilities Board (PUB), the National Environmental Agency (NEA) and the National Parks Board (NParks). Country of Practice At least one country of practice should be listed for each Contributor, up to three countries of practice. Singapore Public Resource Centre Affiliation Artist Research Platform Library Video Resource Platform None None Contributor Type Speaker Theme Place.Labour.Capital. Climates. Habitats. Environments. None Place.Labour.Capital. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eugene Heng Subject The topic of the resource Sustainability Urbanism Environmental Crisis Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Southeast Asia Contributor An entity responsible for making contributions to the resource Eugene Heng Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Contributors Contributor An individual, collective, or corporate entity. Surname or Business Name Ant Farm Years Affiliated Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable. For date range with year only: YYYY/YYYY, e.g., 2014/2015 For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06 2019 Birthplace United States Occupation Professional title or identity Artist Biographical Text Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description Ant Farm was founded in 1968 in San Francisco by architects Chip Lord and Doug Michels as a countercultural collective intersecting between media art and architecture. Their influential work, which integrated art into everyday life with an ironic humour, highlighted environmental degradation, promoted sustainability, and challenged the ideologies and pervasiveness of American mass media, culture, and consumerism. They disbanded in 1978 after a fire destroyed their studio. Country of Practice At least one country of practice should be listed for each Contributor, up to three countries of practice. United States Public Resource Centre Affiliation Artist Research Platform Library Video Resource Platform None None Contributor Type Artist Theme Place.Labour.Capital. Climates. Habitats. Environments. None Climates. Habitats. Environments. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ant Farm Subject The topic of the resource Architecture Sustainability Environmental Crisis Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Asia North America Contributor An entity responsible for making contributions to the resource Ant Farm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Contributors Contributor An individual, collective, or corporate entity. First Name Michael Surname or Business Name Taussig Years Affiliated Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable. For date range with year only: YYYY/YYYY, e.g., 2014/2015 For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06 2016 Affiliation Company, organization, or institution name Columbia University Birth Date 1940 Birthplace Australia Occupation Professional title or identity Anthropologist Professor at Columbia University Biographical Text Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description Michael T. Taussig is an Australian anthropologist and professor at Columbia University. He has visited Colombia annually since 1969. In 2012 and 2015 he made three short visits to the extensive swamps of northern Colombia in the Bolívar department, for a total of seven weeks. Two of these visits were with the Colombian law professor, Juan Felipe García, working pro bono with the peasant-colonists of the village of Buenos Aires in Colombia, consisting of 144 houses on the island of Papayal. Since 2007 the village has been under siege by oil palm plantation owners trying to rid the peasants of the land, using armed force as well as the courts. Further west in Chocó in the mid-1990s, entire communities have been subject to aerial bombing combined with paramilitary ground assault for the same purpose. Country of Practice At least one country of practice should be listed for each Contributor, up to three countries of practice. United States Public Resource Centre Affiliation Artist Research Platform Library Video Resource Platform None Library Contributor Type Scholar Theme Place.Labour.Capital. Climates. Habitats. Environments. None Place.Labour.Capital. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Michael Taussig Subject The topic of the resource Environmental Crisis Description An account of the resource Michael T. Taussig is an Australian anthropologist and professor at Columbia University. Contributor An entity responsible for making contributions to the resource Michael Taussig Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Contributors Contributor An individual, collective, or corporate entity. Surname or Business Name ruttens-wille Years Affiliated Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable. For date range with year only: YYYY/YYYY, e.g., 2014/2015 For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06 2017 Biographical Text Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description ruttens-wille is a Belgian graphic design firm. Country of Practice At least one country of practice should be listed for each Contributor, up to three countries of practice. Belgium Public Resource Centre Affiliation Artist Research Platform Library Video Resource Platform None Library Contributor Type Commercial Partner Theme Place.Labour.Capital. Climates. Habitats. Environments. None Place.Labour.Capital. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ruttens-wille Subject The topic of the resource Environmental Crisis Description An account of the resource ruttens-wille is a Belgian graphic design firm. Contributor An entity responsible for making contributions to the resource ruttens-wille https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/278f47cde708452ccab907fd82e21300.jpg?Expires=1773878400&Signature=h83bK0VrEPdgjb1L7hPB0BOPT5fnQIXVtorgA%7EoQ6eSq2fRf0sd%7EczKneQlk3PXgkK7ChgtIsO7DFoW6thPbi5qXxZNekw6tWjsF237bTE-sdv5rE7zMjUrJwwYeO9i4BhCD5AWF1hur3CttTOA090DU2ziL4Tew5e-NFe13HutbuQp0fNx5OgHfZ6CrdyTi7YUIB6tKh84Lmh8aVWZqOTMAry1Y8TVrravY93ayYd1O-1w7wbcrVOxbaikZkGIELwlNBKbPnp36%7EN4bf7WT4GnSQbYjNacFEp-oTXkEi67hJuOzFZ6BICDGC3z5aw0I79Jp2XnfhWq0RujwPKsJGQ__&Key-Pair-Id=K6UGZS9ZTDSZM 4378f848eef136bc5fd250e217f421a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Contributors Contributor An individual, collective, or corporate entity. First Name Carolina Surname or Business Name Caycedo Years Affiliated Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable. For date range with year only: YYYY/YYYY, e.g., 2014/2015 For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06 2020, 2022 Affiliation Company, organization, or institution name NTU CCA Singapore Birthplace United Kingdom Occupation Professional title or identity Artist Biographical Text Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description Merging studio practice and long-term involvements with local communities, the artistic practiceof Carolina Caycedo (b. 1978, United Kingdom/United States) shows a deep commitment tomovements of resistance, economies of solidarity, and environmental rights. Through her work,she investigates dynamics of assimilation and resistance, representation and control, addressing human and natural environments affected by extractivist modes of development. Recently,she held solo exhibitions at Institute of Contemporary Art, Boston, United States (2020) andOrange County Museum of Art, Santa Ana, United States (2019). Her work has been included innumerous international exhibitions and biennials including 32nd São Paulo Biennial, Brazil (2016);8th Berlin Biennial, Germany (2014), and X Havana Biennial, Cuba (2009) among others. Country of Practice At least one country of practice should be listed for each Contributor, up to three countries of practice. United States Public Resource Centre Affiliation Artist Research Platform Library Video Resource Platform None None Contributor Type Artist-in-Residence Filmmaker Theme Place.Labour.Capital. Climates. Habitats. Environments. None Climates. Habitats. Environments. Birth Date 1978 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carolina Caycedo Subject The topic of the resource Environmental Crisis Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant North America Contributor An entity responsible for making contributions to the resource Carolina Caycedo