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10
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https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/eb8bb6f72f18e8fc78739da9bdb4aaca.jpg?Expires=1712793600&Signature=q3urdsaKYbrCEud-R6PM15I6tzk81FHQHxVzsmtvN2RJkvlOkMdZug9F6WIiqrLY9l-yz%7Eg9DEE29rlh45IhxfBHUuvZY4xCoyWs8ftWVlM5rdJbyw4X1upcH0Vcp5j2X6y2tGU5ynRj1%7EcNaGb5mlfnNAI5l4q2W-Y568IJdPhOIG917W56s773nNzNl75-xOAc4T0iMiRZyzGX1mmBf26nbCQJhwVsOVf3sNGZCOrXoO4%7ERGkf9vJCjJA38PQUZLER6G5feaGi8%7E3CfU2CAsIyEfdI5rJmpTDgEd2Y%7EQyHBksQ3hwpQj2iWA4dpYlzy6WgUTP4oH3QRdQTa4bkSw__&Key-Pair-Id=K6UGZS9ZTDSZM
6c3da7ce9d75d020192745632055f302
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Citra Sasmita
Description
An account of the resource
Press photo of Citra Sasmita
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Citra
Surname or Business Name
Sasmita
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2022 - 2023
Birth Date
1990
Birthplace
Indonesia
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Citra Sasmita (b.1990, Indonesia) is concerned with unravelling the myths and misconceptions of Balinese art and culture. She is also deeply invested in questioning a woman’s place in social hierarchy and seeks to upend normative constructs of gender. Due to her interests and research around these themes of identity and agency, the artist’s oeuvre is often peppered with provocative themes that challenges the status quo, whether in its aesthetics or the messages that it conveys. Taking traditional elements, myths and iconography from ancient Balinese culture and literature, Sasmita departs from convention and traces the marginalised narrative of women in Balinese society. In her works, she endows her female figures with powerful agency, which reimagines the depiction of Balinese women against the backdrop of a patriarchal Indonesian society.<br /><br />Sasmita has been exhibited internationally at various institutions and biennales, including the Kathmandu Triennale 2021-2022, Nepal; Jogja National Museum, Yogyakarta; ParaSite Hong Kong; MACAN Museum, Jakarta; and Redbase Foundation, Yogyakarta. Her most recent solo exhibition, ‘Ode to the Sun’ was held at Yeo Workshop, Singapore in 2020. In the same year, Sasmita was commissioned by UOB Museum MACAN Jakarta to create ‘Tales of Nowhere’ for the Children Art Space; following her recognition as the Gold Winner UOB Painting of The Year in 2017.<br /></span>
Personal Website
Leave blank if not applicable
<a href="https://art.citrasasmita.com">https://art.citrasasmita.com</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Indonesia
Belgium
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Dublin Core
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Title
A name given to the resource
Citra Sasmita
Subject
The topic of the resource
Diaspora
Feminism
Identity
Indigenous Knowledge
Contributor
An entity responsible for making contributions to the resource
Citra Sasmita
-
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9e8b24254e3d2f782a8e3c214b298928
Dublin Core
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Title
A name given to the resource
TIMUR MERAH PROJECT I, THE EMBRACE OF MY MOTHERLAND, 5 PANELS PAINTINGS (90X400 CM) AND TURMERIC POWDER TEXT, 2019. Courtesy the artist.
https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/04fe547c95141ad8b7eb3e1b7d90bf6e.jpg?Expires=1712793600&Signature=dU-FpB4JXb-aq1lLldO06o40y%7ExGVl64C4gaPdkc0MPUimgIcdeZ71d69JrOz8bQRKN%7EGg6L0K%7EpiakgKM8IZq-Vn0sG9lvPKKO-ZLIRcaFH8vJWnNor1QEy1T9x4q1GWuvbnxXHk1wzF6mZAMJbQm%7ENIOEAelSRk4y3uzyPNxWK-cMenMdowZUaLACqHITTpvbSeL7PHDeQk8D6eUDQwXRtLWMg%7EgUTsVTCggp3nMWC85nypZq1OXvBZ5ORdl67ep9l74H7%7EdXw1cDt4od3VxVNJAksqOmnQyTPOlrg0-H6HSstMWQJDN2Qlq1gn9rXlqJezEZ2qNlqoWxJo%7Elp3w__&Key-Pair-Id=K6UGZS9ZTDSZM
e9fce8e452f8f9f006bfa75d302363f3
Dublin Core
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Title
A name given to the resource
TIMUR MERAH PROJECT II : THE HARBOUR OF RESTLESS SPIRITS, 180 X 200 CM, INK AND ACRYLIC ON COW HIDE, 2019. Courtesy the artist.
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af794e28eb784e647d8429f7a102d9b4
Dublin Core
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Title
A name given to the resource
TIMUR MERAH PROJECT III : ODE TO THE SUN, INK AND ACRYLIC ON KAMASAN TRADITIONAL CANVAS, VARIABLE DIMENSTION, 2020. Courtesy the artist.
https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/140e2669c5ac88cc9fa0256f874a123d.jpg?Expires=1712793600&Signature=Vne0eoOc17GBirWFkAQJxkuFSaER0jCn098mEAa1eg%7EfW48ARVIfrXisDSI3EH%7EPKagj5GTaU%7ENu0sfNs8UiEg5qHyRQA92XOloB9HpkyTKBxLqRtEUU%7EOi7ZbuTYQgMmQKLN6B9j%7EkPGqPYOP3Wt5jOrbLuok9fxZFrj48l%7EB-anYaG8pvhIkYOLsSfhpHTsYxz13H6zshtzNcWeaJr8jWrRTNnYc26MTpEjRhBbqsvgjX1CAp6FlEuoAO-Qr9a80VpsY0V30WP-Z9qfnk0wx2veDFr8Pki0vgQ6%7E1B%7EZ6-HXnu6d9HnBHCmR7kGx-QcCYnHrPZgvtMC3-GlLUsCQ__&Key-Pair-Id=K6UGZS9ZTDSZM
80a2cc5db71ba98ade91886f452283b7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
TIMUR MERAH PROJECT VI : TIDINGS OF THE HEAVENS,
TIMUR MERAH PROJECT VI : INTO THE LAND OF BEAST-GOD,
TIMUR MERAH PROJECT VI : VALLEY OF ETERNAL FIRE,
ACRYLIC ON KAMASAN CANVAS, 155 X 145 CM, 2021. Courtesy the artist.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
The residency allows Citra to deepen her understanding of the influence of Dutch colonial power onto the development of visual arts and culture in Bali.
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
Yes
Related Countries
Indonesia
Belgium
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Citra Sasmita
Subject
The topic of the resource
Diaspora
Feminism
Identity
Indigenous Knowledge
Postcolonialism
Description
An account of the resource
<b><b>4 April - 1 July 2022<br />Artist-in-Residence at WIELS (Belgium, Brussels)<br /></b></b>
<p>In encountering Balinese cultural artifacts brought to European museums during the colonial period and examining the cultural diplomacy politics enacted by the colonizers, she aims to excavate pre-colonial Balinese culture and understand how the perspectives and aesthetic criteria formed under colonial rule persist until today. The artist is interested in developing a critical reading of the journey of colonial legacies into the present and in understanding how they still inform contemporary cultural consciousness.</p>
<p>By providing her with direct access to historical archives and museum collections, the residency will allow Citra to deepen her understanding of the influence of Dutch colonial power onto the development of visual arts and culture in Bali.</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
4 April - 1 July 2022
Contributor
An entity responsible for making contributions to the resource
Citra Sasmita
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Nuanxin
Surname or Business Name
Zhang
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015
Birth Date
1940
Birthplace
China
Death Date
1995
Occupation
Professional title or identity
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Zhang Nuanxin was a Chinese film director, and a leading figure of the Fourth Generation of Chinese directors. Her most famous film The Drive to Win won the 2nd Golden Rooster special awards. Nuanxin Zhang is also best known for her films <em>Sacrifice of Youth</em>, <em>A Yunnan Story</em>.<br /><br />Zhang's film treats themes of alienated youth, contemporary Chinese history, as well as her signature usage of the long-take, color digital video, and his realist style. Chinese film theorist Zhang Zhenqin argues that Nuanxin Zhang's work speaks to a vision of "authentic" Chinese life.<sup id="cite_ref-:1_2-6" class="reference"></sup><i>The Drive to Win</i>, in particular, Zhang tells a story about women, about a normal female volleyball athlete(Sha Ou Played by Shanshan Chang)'s life, even Sha ou has been going through the team lose world champion and her husband's death, but her still facing her life optimistic. She represents a generation who was living in that period. So Chinese film theorist Zhang Zhenqin argues that she is the pioneer of Chinese film realistic aesthetics, and Chinese women cinema.<sup id="cite_ref-:1_2-7" class="reference"></sup>And because <i>The Drive to Win</i>represents a generation and women's life who living in that period, this film is being considered as Zhang Nuanxin's most important.<sup id="cite_ref-:3_3-2" class="reference"></sup><br /></span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
China
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Zhang Nuanxin
Subject
The topic of the resource
Labour
Politics
Feminism
Contributor
An entity responsible for making contributions to the resource
Zhang Nuanxin
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
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Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
The film is a homage to the way nomadic cultures leave their mark along the travelled paths, and embraces the migration of culture. Different kinds of narration are explored within this feature, emphasising cultural relations, similarities and contrasts, as well as how misunderstandings can be productive.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Daily Screenings: Johanna d’Arc of Mongolia by Ulrike Ottinger, artist and filmmaker (Germany)
Subject
The topic of the resource
Feminism
Migration
Description
An account of the resource
<div class="event_single_dates text__exhibitions">27 May 2017, Sat - 13 Aug 2017, Sun 01:00 PM - 04:00 PM<br />27 May 2017, Sat - 13 Aug 2017, Sun 04:00 PM - 07:00 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road<br /><br /><em>Johanna d’Arc of Mongolia</em><span> (1989), starring Badema, Lydia Billiet, Inés Sastre, and Delphine Seyrig, is Ottinger’s only feature fiction film shot in East Asia. Staged in the legendary Trans-Siberian Railroad, the film starts by introducing four different Western women, each representing a story from different epochs, and who meet on this train. A group of Mongolian female warriors kidnap them, and the story unfolds amidst multiple cultural misunderstandings. The intersection of the fictional and the documentary arises from the encounter with the foreign, which intervenes unpredictably and filled with humour along the plot.</span><br /><br /><span>The entire film is a homage to the way nomadic cultures leave their mark along the travelled paths, and embraces the migration of culture. Different kinds of narration are explored within this feature, emphasising cultural relations, similarities and contrasts, as well as how misunderstandings can be productive.</span><br /><br /><em>Johanna d’Arc of Mongolia</em><span> is part of the daily screenings of </span><span>Ulrike Ottinger: <em>China. The Arts – The People, Photographs </em><em>and Films from the 1980s and 1990s</em></span><span>. It is presented at The Single Screen on every other day, alternating with </span><em>Exile Shanghai</em><span>.<br /><br /></span>A public programme of <span><em>Ulrike Ottinger:</em> <em>China. The Arts – The People, Photographs </em><em>and Films from the 1980s and 1990s</em></span><span>.</span></div>
Date
A point or period of time associated with an event in the lifecycle of the resource
27 May - 13 August 2017
Contributor
An entity responsible for making contributions to the resource
Ulrike Ottinger
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Melanie
Surname or Business Name
Bonajo
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
Birth Date
1978
Birthplace
Netherlands
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<strong>Melanie Bonajo</strong><span>’s (Netherlands/United States) work examines the paradoxes inherent to ideas of comfort with a strong sense for community, equality, and body‐politics. Through her videos, performances, photographs, and installations, she studies subjects related to how technological advances and commodity-based pleasures increase feelings of alienation, removing a sense of belonging in an individual. Captivated by concepts of the divine, Bonajo explores the spiritual emptiness of her generation, examines peoples’ shifting relationship with nature and tries to understand existential questions by reflecting on our domestic situation, ideas around classification, concepts of home, gender, and attitudes towards value.</span>
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Melanie Bonajo
Subject
The topic of the resource
Feminism
Technology
Modernity
Contributor
An entity responsible for making contributions to the resource
Melanie Bonajo
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
North America
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Raeesah
Surname or Business Name
Khan
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020
Affiliation
Company, organization, or institution name
Reyna Movement, Singapore
Birth Date
1993
Birthplace
Singapore
Occupation
Professional title or identity
Activist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Raeesah Khan (Singapore), Founder and CEO, Reyna Movement, is an activist, humanitarian, women’s rights advocate and a young mother. In 2016, she founded the Reyna Movement, an organisation that aims to empower women through upskilling programmes and community engagement. The Reyna Movement also seeks to raise awareness on issues and struggles faced by women, and get the public involved in helping them cope with their struggles. Raeesah was a Member of Parliament for Sengkang Group Representation Constituency from 2020 - 2021.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
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Title
A name given to the resource
Raeesah Khan
Subject
The topic of the resource
Activism
Feminism
Contributor
An entity responsible for making contributions to the resource
Raeesah Khan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Vanessa
Surname or Business Name
Ho
Affiliation
Company, organization, or institution name
Project X, Singapore
Birthplace
Singapore
Occupation
Professional title or identity
Sex Rights Activist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Vanessa Ho is the Executive Director of Project X, the only rights-based sex worker organization in Singapore that provides social, legal, and emotional support for sex workers. Vanessa has written and spoken extensively about sex work, human trafficking, rape culture, and LGBTQ rights in Singapore. She believes that if people can speak about sex, gender and sexuality in open and in non-judgmental ways, society will become a safer place for everyone.</span>
Professional Website
Leave blank if not applicable
<a href="https://theprojectx.org">https://theprojectx.org</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vanessa Ho
Subject
The topic of the resource
Feminism
Activism
Contributor
An entity responsible for making contributions to the resource
Vanessa Ho
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Marwa
Surname or Business Name
Asanios
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020
Birth Date
1978
Birthplace
Lebanon
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<div class="sc-bXexck gHZZsJ">Marwa ARSANIOS (1978, USA) obtained her MFA from the University of the Arts in London and has worked as a researcher at the Jan Van Eyck Academy in Maastricht. She co-founded the 98Weeks Research Project in 2007. Arsanios has received a number of grants and in 2012 she was nominated for a Future Generation Art Prize and the Sovereign Art Prize. In 2019, her short <strong class="sc-bkbkJK dMYpQs">Amateurs, Stars and Extras or the Labor of Love</strong> premiered at FIDMarseille. <strong class="sc-bkbkJK dMYpQs">Who Is Afraid of Ideology? Part 3 Micro Resistances </strong>(2020) is the third part of a trilogy.</div>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marwa Arsanios
Subject
The topic of the resource
Urbanism
Ecology
Feminism
Contributor
An entity responsible for making contributions to the resource
Marwa Arsanios
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Europe
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Sya
Surname or Business Name
Taha
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Affiliation
Company, organization, or institution name
Crit Talk, Singapore
Birthplace
Singapore
Occupation
Professional title or identity
Activist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Sya Taha is a PhD candidate researching on obstetric violence in Singapore. Her interests include decolonial theory, intersectional feminism and medical anthropology. She co-founded and co-runs Crit Talk, a safe discussion space for Muslims.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sya Taha
Subject
The topic of the resource
Activism
Feminism
Race
Decolonialism
Contributor
An entity responsible for making contributions to the resource
Sya Taha
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Wulan
Surname or Business Name
Dirgantoro
Affiliation
Company, organization, or institution name
University of Melbourne
Birthplace
Indonesia
Occupation
Professional title or identity
Postdoctoral Fellow
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Wulan Dirgantoro is a McKenzie Postdoctoral Fellow in the School of Culture and Communication at the University of Melbourne. Her research interests are gender and feminism, and trauma and memory in Indonesian modern and contemporary art. Her publications including Feminisms and Indonesian Contemporary Art: Defining Experiences (Amsterdam University Press, 2017) and ‘Aesthetics of Silence: Exploring Trauma in Indonesian Painting 1970-1980’ in Ambitious Alignment: New Histories of Southeast Asian Art (Power Publication and the National Gallery of Singapore, 2018). She has also contributed to various art publications in Asia, Australia and UK on Indonesian modern and contemporary art. Prior to her current role she was a lecturer at the MA Asian Art Histories program at LASALLE College of the Arts, Singapore (2014-2016) and research fellow of Art Histories and Aesthetic Practices 2016/2017 program, at the Forum Transregionale Studien, Berlin and Visiting Fellow at the Institute for Cultural Inquiry (ICI), Berlin.</span>
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Collaborator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Australia
Singapore
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Wulan Dirgantoro
Subject
The topic of the resource
Feminism
Contributor
An entity responsible for making contributions to the resource
Wulan Dirgantoro
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia