3
10
38
-
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3a8d99b0671afc77a64638f2d4bd45c2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Tayeba Begum
Surname or Business Name
Lipi
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014
Birth Date
1969
Birthplace
Bangladesh
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Tayeba Begum Lipi makes paintings, prints, installations, and videos. Lipi cofounded the Britto Arts Trust, Bangladesh’s first artist-run alternative arts platform, which has extended its reach beyond Bangladesh through exhibitions, residencies, talks, collaborations, and exchanges. Her 2012 work <em>Love Bed</em>, acquired for the Guggenheim’s collection, addresses themes of female identity, and references the double bind of political and gender-specific violence. Lipi was awarded the Grand Prize at the Asian Art Biennial, Dhaka, in 2004, and was the commissioner for the Bangladesh Pavilion at the 54th Venice Biennale (2011). She has had solo exhibitions at Alliance Française (1998 and 2004) and Bengal Gallery (2007) in Dhaka. Notable group exhibitions include the Venice Biennale (2011) and Colombo Art Biennial (2012). Lipi lives and works in Dhaka.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Bangladesh
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tayeba Begum Lipi
Subject
The topic of the resource
Feminism
Identity
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Tayeba Begum Lipi
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
IdeasCity Singapore’s residency and public program will examine the urgency of solidarity structures in negating climate change and its impact on Southeast Asia and communities worldwide.
Programme Type
Talk and Lecture
Screening
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU CCA Ideas Fest 2020: Lecture Screening by Marwa Arsanios on ecofeminism and community
Description
An account of the resource
NTU Centre for Contemporary Art Singapore and the New Museum are pleased to announce participants and collaborators for the second edition of the NTU CCA Ideas Fest, IdeasCity Singapore, guest-curated by IdeasCity, taking place in Singapore and across Southeast Asia from February 15 to 22, 2020. <br /><br />Building upon the NTU CCA Singapore’s research theme Climates. Habitats. Environments. and IdeasCity’s exploration of the role of art and culture beyond the walls of the museum, IdeasCity Singapore’s residency and public program will examine the urgency of solidarity structures in negating climate change and its impact on Southeast Asia and communities worldwide.
Date
A point or period of time associated with an event in the lifecycle of the resource
2020-02-22
Contributor
An entity responsible for making contributions to the resource
Marwa Arsanios
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Feminism
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
In this talk, Rossella Biscotti interweaves thoughts and methodological considerations on some recent works that engage collective voices and female figures.
Programme Type
Talk and Lecture
Programme Series
Residencies Insights
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies Insights: <em>Oral Histories and Female Accounts</em>, Artist talk by Rossella Biscotti, Artist-in-Residence
Description
An account of the resource
<div class="event_single_dates text__residencies">18 Feb 2020, Tue 07:00 PM - 08:30 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
<br />In this talk, Rossella Biscotti interweaves thoughts and methodological considerations on some recent works that engage collective voices and female figures. She will present the research process that led to the making of Surati (2019), a work inspired by a character in Pramoedya Ananta Toer’s tetralogy Buru Quartet (1980-88) who contracts smallpox voluntarily in her efforts to escape subjection as a concubine under Dutch colonialism, and Clara (2016), a work related to the eponymous female Indian rhinoceros imported to Europe by a captain of the Dutch East India Company in the 18th century. Finally, she will touch upon I dreamt that you changed into a cat (2013), a complex audio and sculptural work created through a one-year long “oneiric laboratory” with the female inmates of Venice’s women prison during which night dreams were shared and vegetable organic waste was turned into a compost installation.
Date
A point or period of time associated with an event in the lifecycle of the resource
2020-02-18
Contributor
An entity responsible for making contributions to the resource
Rossella Biscotti
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Feminism
Postcolonialism
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Through the lens of their artworks and projects, the speakers and respondents will address the problematic notion of ‘sisterhood’ and its relevance for envisioning a different future.
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Programme Type
Talk and Lecture
Audience
General
Programme Series
Residencies Studio Sessions
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies Studio Sessions: Exploring ‘Sisterhood’: How Can We Imagine A Better Way Forward?
Description
An account of the resource
A panel discussion with Dr Tan Kai Syng (Singapore), Artist-in-Residence, Amanda Heng (Singapore), artist, and Véronique Sapin (France/Singapore), curator. Respondents: Professor C.J. Wan-ling Wee (Singapore), School of Humanities, NTU and Dr Fang-Tze Hsu (Taiwan/Singapore), curator, NUS Museum, introduced by Dr Anna Lovecchio, curator, NTU CCA Singapore. <br /><br />How have notions and practices of sisterhood evolved over the last four decades? Is it possible to co-create a vision for the future in dialogue with each other? For the second part of her residency, Dr Tan Kai Syng picks up from when she last collaborated with pioneering feminist artist Amanda Heng and Singapore-based arts professional Véronique Sapin to trigger a collective reflection upon gender and social change in the arts in today’s Singapore and beyond. Through the lens of their artworks and projects, the speakers and respondents will address the problematic notion of ‘sisterhood’ and its relevance for envisioning a different future. <br /><br />This session will take place in the artist’s studio.
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-09-26
Contributor
An entity responsible for making contributions to the resource
Tan Kai Syng
Amanda Heng
Véronique Sapin
C.J. Wan-ling Wee
Fang-Tze Hsu
Anna Lovecchio
Veronique Sapin
Hsu Fang-Tze
C.J. Wee Wan-ling
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Feminism
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
The reading group invites participants to further relate the status of narrative truth-claims to those of the (neuro)biological sciences.
Programme Type
Reading Group
Programme Series
None
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reading Group: <em>Gut-Geographies: Queering Public Space and the Narratable Self after Feminism</em> by Sophie Goltz and Dr Tania Roy
Description
An account of the resource
The topic of gut-geographies is suggested to outline the relation of space, collective action, and phenomenological appearance, to the proposition of organic empathy—or the capacity of biological substrata in the body to problem-solve, “control, calculate, protect, and destroy” (Wilson 2004: 82). Following through key positions in post-gender theories of embodiment, the readings widely engage the interventions of “gut-feminism” with the wider problematics of public space and communal action, especially in urban contexts that are not directly addressed by the readings. By suggesting the capacity of bodies to affect and be affected in mutually implicated ways within the material or historical constraints of public space, the reading group invites participants to further relate the status of narrative truth-claims to those of the (neuro-)biological sciences.<br /><br /><p><span>22 August 2019</span></p>
<p><i><span>Love and the Politics of Seclusionary Action</span></i><span> by Adriana Cavarero, </span><span>with additional readings by Luce Irigaray and Hannah Arendt</span> </p>
<p><span>26 September 2019</span></p>
<p><i><span>Gut-Knowledges</span></i><span> by Elizabeth Wilson</span> </p>
<p><span>24 October 2019</span></p>
<p><i><span>Precarity, Plasticity and Entanglement</span></i><span> in texts by Catherine Malabou and Judith Butler</span></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
22 August - 24 October 2019
Contributor
An entity responsible for making contributions to the resource
Sophie Goltz
Tania Roy
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
North America
Subject
The topic of the resource
Feminism
Body
Public Sphere
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
!Women’s Questions? is a collaboration with Crit Talk and a facilitated discussion around issues related to women in contemporary Singapore.
Programme Type
Workshop
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Workshop: !Women’s Questions? a facilitated discussion by ground-up initiative Crit Talk
Description
An account of the resource
<i>!Women’s Questions?</i> (1965) was a list of handwritten questions that artist and educator Jef Geysmade for, and with, the students he taught. For Geys, his artistic life was often integrated with his work—instead of teaching the history of classical art, Geys preferred to engage his students in discussions about the position of women in society. Taking inspiration from <i>!Women’s Questions?</i>, this collaboration with Crit Talk is a facilitated discussion around issues related to women in contemporary Singapore. It hopes to provide a safe and critical space for participants to share their perspectives, personal encounters or observations on feminism and gender identity, and to debate and create new “Women’s Questions” that take on relevance today.<br /><br />A public programme of Jef Geys <em>Quadra Medicinale Singapore</em>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-02-16
Contributor
An entity responsible for making contributions to the resource
Sya Taha
Saiful Anuar
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Feminism
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
After a revolution, what is left? How do we measure the quality or success of a socially driven art project that desires social transformation? How does a project fulfill its artistic or curatorial intents? How does a project relate to social movements? Where is a place of art in a paradigm shift? Binna Choi, Director, Casco – Office of Art, Design and Theory in Utrecht, the Netherlands, discusses the above questions.
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Programme Type
Talk and Lecture
Audience
General
Programme Series
Residencies Insights
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies Insights: Measuring Revolutions – Intentions, Occurrences and Continuity from The Grand Domestic Revolution to Composing the Commons, talk by Binna Choi (South Korea/Netherlands), Curator-in-Residence
Description
An account of the resource
<div class="event_single_dates text__residencies">19 Oct 2016, Wed 7:30pm - 9:00pm</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
<br />After a revolution, what is left? How do we measure the quality or success of a socially driven art project that desires social transformation? How does a project fulfill its artistic or curatorial intents? How does a project relate to social movements? Where is a place of art in a paradigm shift? Binna Choi, Director, Casco – Office of Art, Design and Theory in Utrecht, the Netherlands, discusses the above questions, taking three major projects she co-developed at Casco in the last years: The Grand Domestic Revolution, a “living research” project inspired by late nineteenth-century “material feminist” movements in the United States that experimented with communal solutions to isolated domestic life, work, and intervention with urban planning; Composing the Commons, a research trajectory on the notion and practice of the commons; as well as her recent curatorial work for the Gwangju Biennale initiated in the aftermath of the 18 May democratic uprising that took place in Gwangju in 1980.
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-10-19
Contributor
An entity responsible for making contributions to the resource
Binna Choi
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
Subject
The topic of the resource
Curatorial Practice
Feminism
Urbanism
-
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4c92d7821ce54e22a33f74bb4c5d33cd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Amanda Heng has championed the representation of women within exhibitions in Singapore through examining notions of the female body through her performances, her work with WITAS (Women in the Arts Singapore) and through various artists’ initiatives in the early 1990s.
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Amanda Heng
Description
An account of the resource
Amanda Heng has championed the representation of women within exhibitions in Singapore through examining notions of the female body through her performances, her work with WITAS (Women in the Arts Singapore) and through various artists’ initiatives in the early 1990s.Heng's recent work is focused on the issues of history, memory, communication and human relationships in urban conditions.
Date
A point or period of time associated with an event in the lifecycle of the resource
1 April – 30 September 2015
Contributor
An entity responsible for making contributions to the resource
Amanda Heng
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Performance
Subject
The topic of the resource
Activism
Feminism
Performance
-
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d3e615cd608ee77cb34831b281489b46
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Susie
Surname or Business Name
Wong
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018-2019
Birthplace
Singapore
Occupation
Professional title or identity
Artist
Writer
Curator
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Susie Wong (b. 1956, Singapore) began her artistic practice in the late 1980s as a painter and art writer, later developing curatorial projects focused on collaboration and women‚ issues. In recent years, her work has engaged with memory and loss, documentation and nostalgia through a variety of mediums such as painting, drawing, and time-based installation.She participated to group exhibitions at The Substation, Singapore (2016, 2010, 2008), The Esplanade, Singapore (2015, 2013); and Institute of Contemporary Arts, Singapore (2012).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1956
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Susie Wong
Subject
The topic of the resource
Feminism
Contributor
An entity responsible for making contributions to the resource
Susie Wong
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Nataša
Surname or Business Name
Petrešin-Bachlez
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
Slovenia
Occupation
Professional title or identity
Curator
Writer
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Nataša Petrešin-Bachelez is an independent curator, editor, and writer based in Paris whose research interest spans situated curatorial practices, empathy, transnational feminism, slow institutions, degrowth, and performative practices in the former Eastern Europe.She is the curator of the Contour Biennale 9 (Mechelen, Belgium, 2019). She is developing, with Giovanna Zapperi, the first comprehensive exhibition of the videos of French actress and feminist activist Delphine Seyrig (1932-1990). She co-founded, with Elisabeth Lebovici and Patricia Falguières,<i>Something You Should Know</i>, a seminar series held at the School of Advanced Studies in the Social Sciences (EHESS) and she is a member of the research group <i>Travelling Féministe</i> at the Centre audiovisuel Simone de Beauvoir, both in Paris. <br /><br /><span>Her previous exhibitions include: </span><em>Let’s Talk about the Weather. Art and Ecology in a Time of Crisis</em><span> (curated with Nora Razian), Sursock Museum (Beirut, Lebanon, 2016); </span><em>Becoming Earthlings. Blackmarket for Useful Knowledge and Non-Knowledge #18</em><span> (curated with Alexander Klose, Council, and Mobile Academy), Musée de l’Homme (Paris, France, 2015); </span><em>Tales of Empathy</em><span>, Jeu de Paume (Paris, France, 2014), and </span><em>Resilience</em><span>, Triennial of Contemporary Art, Museum of Contemporary Art (Ljubljana, Slovenia, 2013) amongst others. Petrešin-Bachelez was chief editor of </span><em>L’Internationale Online</em><span> (2014-2017) and of the </span><em>Manifesta Journal</em><span> (2012-2014); co-director of Les Laboratoires d’Aubervilliers (2010-2012), and co-founder of Cluster, an European network of small-scale art institutions. She has contributed texts to numerous publications and magazines such </span><em>e-flux journal</em><span>, </span><em>Bidoun</em><span>, </span><em>Sarai Reader,</em><span> </span><em>Springerin</em><span>, </span><em>Parkett Magazine</em><span>.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Curator-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nataša Petrešin-Bachelez
Subject
The topic of the resource
Feminism
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Nataša Petrešin-Bachelez
Natasa Petresin-Bachelez