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10
103
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Dublin Core
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Title
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Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Considered one of Cocteau’s masterpieces, Orpheus updates the myth of Orpheus and depicts a famous poet, scorned by the Left Bank youth, and his love for both his wife, Eurydice, and a mysterious princess.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Screening: <em>Orpheus</em>, Jean Cocteau, France, 1950, 110 min
Subject
The topic of the resource
Mythology
Fiction
Description
An account of the resource
<div class="event_single_dates text__exhibitions">29 Sep 2017, Fri 07:30 PM - 09:00 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road<br /><br /><p>Considered one of Cocteau’s masterpieces, <em>Orpheus</em> updates the myth of Orpheus and depicts a famous poet, scorned by the Left Bank youth, and his love for both his wife, Eurydice, and a mysterious princess. Seeking inspiration, the poet follows the princess to the land of the dead, through Cocteau’s famous mirrored portal. Translating this Greek myth by adapting the story about love, death, and the underworld into a modern scenario allows Cocteau to resonate political questions concerning some younger historical events like war, oppression, and Nazism. This film is the central part of Cocteau’s <em>Orphic Trilogy</em>, the other two being <em>The Blood of a Poet</em> (1930) and <em>Testament of Orpheus</em> (1960).</p>
<p>This Screening is part of the public programme of <em>Ghosts and Spectres – Shadows of History.</em></p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-09-29
Contributor
An entity responsible for making contributions to the resource
Jean Cocteau
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
-
Dublin Core
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Title
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Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Park’s first full-length feature film, Anyang, Paradise City is a mix between documentary and fiction, inspired by a seldom-remembered incident during the Olympic Games in 1988, where 22 female workers were killed in a fire in Anyang. The glorious past of Anyang (a Buddhist term for “paradise”) allegedly includes the existence of a huge temple surrounded by the beautiful mountains and streams around 1000 years ago.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
Yes
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
Screening: <em>Anyang, Paradise City</em>, Park Chan-kyong, South Korea, 2010, 101 min
Subject
The topic of the resource
Mythology
History
Fiction
Description
An account of the resource
<div class="event_single_dates text__exhibitions">8 Sep 2017, Fri 07:30 PM - 09:00 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road<br /><br /><p>Park’s first full-length feature film, <em>Anyang, Paradise City </em>is a mix between documentary and fiction, inspired by a seldom-remembered incident during the Olympic Games in 1988, where 22 female workers were killed in a fire in Anyang. The glorious past of Anyang (a Buddhist term for “paradise”) allegedly includes the existence of a huge temple surrounded by the beautiful mountains and streams around 1000 years ago. Researching into Buddhism and the history of Anyang, Park follows the temple excavations and searches for the 500-year-old “grandma tree”. The film traces this
past through the natural landscape
and alludes to the future through the city’s mayoral election. As if travelling between paradise and hell, the camera hunts, rests, and plays as if dancing with the cityscape, while layering narrative, history, contemporary life, landscape/ architecture, and politics.</p>
<p>This Screening is part of the public programme of <em>Ghosts and Spectres – Shadows of History.</em></p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-09-08
Contributor
An entity responsible for making contributions to the resource
Park Chan-kyong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
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Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Inspired by the commentary and writings of novelist Viet Thanh Nguyen, this reading group explores the overlapping concepts related to immigration and transnationalism.
Programme Type
Reading Group
Audience
General
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
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Title
A name given to the resource
Reading Group: <em>Good Immigrant, Bad Immigrant</em> by Billy Tang, Senior Curator, Rockbound Art Museum
Subject
The topic of the resource
Migration
Fiction
Identity
Diaspora
Description
An account of the resource
<div class="event_single_dates text__exhibitions">27 Oct 2020, Tue 05:30 PM - 07:00 PM</div>
<div class="event_single_venue">Online<br /><br /><p class="p1">This reading group session will be held on Zoom. Sign up <a href="https://www.eventbrite.sg/e/reading-group-good-immigrant-bad-immigrant-by-billy-tang-tickets-125847863347"><span><strong>here</strong></span></a> to receive the link and password.</p>
<p>Inspired by the commentary and writings of novelist Viet Thanh Nguyen, this reading group explores the overlapping concepts related to immigration and transnationalism. Moving between reportage, criticism and fiction, it will explore how the framing of good or bad immigrants is intimately tied to questions of belonging, otherness, identity, and empathy. It draws on the archetypal literary figure of the antihero to challenge underlying prejudices, and locate counter-images embodying a more fluid way of identifying with transnational experiences around the world.</p>
<p> </p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2020-10-27
Contributor
An entity responsible for making contributions to the resource
Billy Tang
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Verena
Surname or Business Name
Tay
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014
Birthplace
Singapore
Occupation
Professional title or identity
Writer and storyteller
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>For over twenty-five years, </span>Verena Tay<span> has acted, directed and written for local English-language theatre in Singapore, working for companies such as The Necessary Stage, ACTION Theatre, TheatreWorks and Practice Theatre. A storyteller and a presentation skills and creative writing teacher, she has written plays and short stories, as well as edited twelve short story anthologies. Possessing Masters degrees in English Literature, Voice Studies and Creative Writing, she is currently pursuing PhD studies in Creative Writing at Swansea University. </span>
Personal Website
Leave blank if not applicable
<a href="http://verenatay.com/">http://verenatay.com/</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Verena Tay
Subject
The topic of the resource
Fiction
Contributor
An entity responsible for making contributions to the resource
Verena Tay
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
Surname or Business Name
BooksActually
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014
Birth Date
2005
Birthplace
Singapore
Occupation
Professional title or identity
Independent bookstore
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
BooksActually<span> (est. 2005) is an independent bookstore specializing in Fiction and Literature. This includes Poetry, Essays, Literary Journals, alongside obscure, critical works and antique / rare editions. We also stock titles from various subjects we like: History, Biography, Current Affairs, Science, Math, Travel Narrative, Food Narrative, Aesthetics, Music and Film. BooksActually also houses the largest collection of Singapore literary publications including some out-of-print titles.</span>
Professional Website
Leave blank if not applicable
<a href="https://booksactuallyshop.com">https://booksactuallyshop.com</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Collaborator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
BooksActually
Subject
The topic of the resource
Fiction
Knowledge Production
Contributor
An entity responsible for making contributions to the resource
BooksActually
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
This talk will reflect on the fascination of artworks in Theatrical Fields with the phantasmatic past. In providing a brief theoretical overview of "the politics of theatricality," Murray will reflect on the exhibition's screenic re-possesion of cinematic characters, buried stories, and influential texts in a way that challenges the historical groundings of theatricality in the ethnocentric certainty of culture and law.
Programme Type
Talk and Lecture
Audience
General
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Theatrical Fields Symposium – Screening Theatrical Phantasms: Toward an Uncertain Futurity, Keynote by Timothy Murray, Professor of Comparative Literature and English, Cornell University
Subject
The topic of the resource
Theatre
Fiction
Mythology
Ways of Seeing
Description
An account of the resource
23 Aug 2014, Sat 1:00 - 2:00pm <br />72-13 Mohamed Sultan Road, Singapore 239007<br /><br />This talk will reflect on the fascination of artworks in <em>Theatrical Fields</em> with the phantasmatic past. In providing a brief theoretical overview of "the politics of theatricality," Murray will reflect on the exhibition's screenic re-possesion of cinematic characters, buried stories, and influential texts in a way that challenges the historical groundings of theatricality in the ethnocentric certainty of culture and law. "What happens to the relation of mnemonic past and theatrical present when the screen functions as the field of phantasms that are liberated by artistic intervention from the certainties of their mythological, historical, and cinematic pasts?" This emphasis on artistic retellings in the present of weighty phantasms from the historical past will then lead to further reflection on their bearing on the future. "What might it mean that prior utopian aspirations might now be recast as the unsettlings of uncertain futurity? Might the contemporary re-theatricalization of the screen provide a historically distinct approach to futurity? Or might futurity already be in our grasp either through digital orientations of 'future cinemas' or through the sudden arrival of futurity via the vexing uncertainties of the anthroprocene and global collapse?"<br /><br />A public programme of <em>Theatical Fields: Critical strategies in performance, film and video</em>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-08-23
Contributor
An entity responsible for making contributions to the resource
Timothy Murray
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Europe
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Sonny
Surname or Business Name
Liew
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015
Birth Date
1974
Birthplace
Malaysia
Occupation
Professional title or identity
Comic Artist/Illustrator
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Sonny Liew is a Malaysia-born comic artist/illustrator based in Singapore. He is the author of <em>The Art of Charlie Chan Hock Chye</em>, a New York Times and Amazon bestseller, and the first graphic novel to win the Singapore Literature Prize. Sonny’s other work includes <em>The Shadow Hero</em> (with Gene Yang), <em>Doctor Fate</em> (with Paul Levitz) and <em>Malinky Robot</em>, along with work for Marvel Comics, DC Comics, DC Vertigo, First Second Books, Boom Studios, IDW, Disney Press and Image Comics. He has been nominated for multiple Eisner Awards and is a recipient of the Young Artist Award.</span>
Personal Website
Leave blank if not applicable
<a href="https://www.sonnyliew.com">https://www.sonnyliew.com</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sonny Liew
Subject
The topic of the resource
Fiction
Cultural Production
Contributor
An entity responsible for making contributions to the resource
Sonny Liew
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Stanya
Surname or Business Name
Kahn
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Birth Date
1968
Birthplace
United States
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<p>Stanya Kahn (b. 1968) is an interdisciplinary artist working primarily in video with a practice that includes drawing, sound, writing, performance, and sculpture/installation. Humor, pathos, and the uncanny emerge as central modes in a hybrid media practice that seeks to re-work relationships between fiction and document, the real and the hyper-real, and narrative time and the synchronic time of impulse. In a long-term investigation of how rhetoric gains and loses power, Kahn’s projects often situate language in the foreground of works that are dialectically driven by the demands of the body. Recent solo exhibitions include shows at the New Museum, New York, USA; Susanne Vielmetter Los Angeles Projects, Marlborough Chelsea, New York, USA; Weiss Berlin, Berlin, Germany; and Cornerhouse, Manchester, UK.</p>
<p>Kahn is also a 2012 Guggenheim Fellow in Film/Video. Select group exhibitions include the Hammer Museum, Los Angeles, USA; the New Museum, New York, USA; Museum of Contemporary Art, San Diego, USA; Fernley Astrup, Oslo, Norway; and The California Biennial, California, USA. Her collaborative work with Harry Dodge has shown at Elizabeth Dee Gallery, New York, USA; the Whitney Biennial 2008, New York, USA; <span> </span>Sundance Film Festival, Utah, USA; Museum of Contemporary Art, Los Angeles, USA; Museum of Modern Art, New York, USA; and ZKM, Karlsrüh, Germany, among others. She was a contributing writer and actor in feature film <em>By Hook or By Crook</em>. Her writings and drawings appear in multiple publications including <em>Die Laughing</em> (2nd Cannons), <em>Moving Image</em> (MIT Press), <em>It's Cool, I'm Good</em> (Cornerhouse), and <em>Abstract Video</em> (UC Press).</p>
Personal Website
Leave blank if not applicable
<a href="https://www.stanyakahn.com">https://www.stanyakahn.com</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Stanya Kahn
Contributor
An entity responsible for making contributions to the resource
Stanya Kahn
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Subject
The topic of the resource
Fiction
Body
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Realised in collaboration with local residents, the first experimental video of the collective Rice Brewing Sisters Club weaves together oral histories, folk tales, poems, and agricultural wisdom harvested in Deokgeo-ri, a small rural community in the north-eastern region of Gangwon (South Korea).
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
None
Dublin Core
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Title
A name given to the resource
Free Jazz IV. Geomancers Screening Programme: Cheopcheopdamdam Iyagigeuk Mountain Storytellers, Storytelling Mountains: A Tale Theatre, Rice Brewing Sisters Club (South Korea)
Subject
The topic of the resource
Coexistence
Supernatural
Ritual
Fiction
Description
An account of the resource
<div class="page" title="Page 9">
<div class="section">
<div class="layoutArea">
<div class="column">
<p><span>Blk 38 Malan Road, The Single Screen<br /></span>2020, HD video, colour, sound, 15 min 37 sec<br /><br /><span>Realised in collaboration with local residents, the first experimental video of the collective Rice Brewing Sisters Club weaves together oral histories, folk tales, poems, and agricultural wisdom harvested in Deokgeo-ri, a small rural community in the north-eastern region of Gangwon (South Korea). The work is structured in seven short chapters, with each chapter featuring enactments where villagers, sacred trees, and ritual objects perform simple choreographies to illustrate stories and practices of coexistence and interrelatedness between humans, the natural environment, and an otherworld teeming with spiritual entities. Imbued with a playful and whimsical sense of the communal, </span><span>Cheopcheopdamdam Iyagigeuk / Mountain Storytellers, Storytelling Mountains: A Tale Theatre </span><span>첩첩담담 疊疊談談 이야기극 </span><span>offers an insight into alternative worldviews made of sustainable practices and ecological belief systems.</span></p>
</div>
</div>
</div>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
14 - 23 January 2022
Contributor
An entity responsible for making contributions to the resource
Rice Brewing Sisters Club
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
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Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
<span><em>Semente Exterminadora</em> (Exterminator Seed) </span><span>is a piece of speculative fiction that envisions a near future where human life unfolds among ecological disasters, transgenic cultivations, and androids.</span>
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
None
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Free Jazz IV. Geomancers Screening Programme: Semente Exterminadora, Pedro Neves Marques (Portugal)
Subject
The topic of the resource
Fiction
Ecology
Description
An account of the resource
Blk 38 Malan Road, The Single Screen<br />2017, video, 2K, colour, sound, 28 min<br /><div class="page" title="Page 8">
<div class="section">
<div class="layoutArea">
<div class="column">
<p><span><em>Semente Exterminadora</em> (Exterminator Seed) </span><span>is a piece of speculative fiction that envisions a near future where human life unfolds among ecological disasters, transgenic cultivations, and androids. The narrative follows Capivara, an offshore oil rig worker who is evacuated back to Rio de Janeiro after an industrial accident, an oil spill which now threatens the Brazilian coast unbeknownst to the local population. After encountering YWY, a woman from the indigenous Guajajara nation, Capivara travels with her to Mato Grosso do Sul, her homeland, in search for employment in the extensive monoculture plantations. Against the backdrop of industrial agriculture, genetic colonialism, and shared prospects of infertility, the intimate interaction between the main characters engenders a queering of the borders between the natural and the artificial.</span></p>
</div>
</div>
</div>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
14 - 23 January 2022
Contributor
An entity responsible for making contributions to the resource
Pedro Neves Marques