Premier Screening: Tuesday 11 October, 7:00pm-8:30pm
The screening will be followed by a conversation between the artist Tekla Aslanishvili, artistic-scientific collaborator Dr. Evelina Gambino and Assistant Professor Dr. Marc Gloede, School of Art, Design and Media, NTU, Singapore.
The welcome will be given by Ute Meta Bauer, Professor, School of Art, Design and Media, and Founding Director, NTU Centre for Contemporary Art Singapore, and Dr. Karin Oen, Senior Lecturer and Head of Department, Art History, NTU School of Humanities.
A State in a State is the result of Aslanishvili winning the Han Nefkens Foundation – Fundació Antoni Tàpies Video Art Production Grant 2020, in collaboration with Jameel Art Centre, Dubai; the Museum of Contemporary Art and Design in Manila; NTU CCA Singapore and WIELS, Brussels. The Award appraises the work of emerging artists aged 40 and under, who live in West or Central Asia and have established a solid trajectory but not yet received recognition by international art institutions.
Aslanishvili was selected by an international jury, including NTU CCA Singapore’s Founding Director Ute Meta Bauer and former Deputy Director of Curatorial Programmes, Dr Karin Oen, for her body of meticulously researched work and her commitment to exploring a specific geopolitical context, whilst connecting to a wider discourse on the impact of extractivist economies on a planetary scale.
Revolving around the scenes of delay and waiting that constitute cargo mobility, the film reads the optimistic narratives about the New Silk Road against the grain. It observes how the iron foundation of connectivity can be used as a weapon of exclusion and geopolitical sabotage. Dotting the same lines, other forms of sabotage are deployed by workers to disrupt the political violence. Looking at historic and current practices of resistance, A State in a State explores the potential of railroads for building a different, infrastructural consciousness, and the lasting transnational kinship among the people who live and work around them
The film is developed in artistic-scientific collaboration with Dr. Evelina Gambino, Margaret Tyler Research Fellow in Geography at Girton College, University of Cambridge.
Research & Script: Tekla Aslanishvili / Evelina Gambino
Music: Ani Zakareishvili / Nika Pasuri
Cinematography: Nikoloz Tabukashvili / Tekla Aslanishvili
Typography: Dato Simonia
Editing: Tekla Aslanishvili
Sound: Viktor Bone / Irakli Shonia
Color: Sally Shamas
A State in a State will be also presented at the Fundació Antoni Tàpies in Barcelona from October 8th till November 27th.
]]>11 Oct 2022, Tue – 6 Nov 2022, Sun
The Screening Room, Block 38 Malan Road, #01-06
12 pm – 7pm, every day except Monday
Film starts every hour
Premier Screening: Tuesday 11 October, 7:00pm-8:30pm
The screening will be followed by a conversation between the artist Tekla Aslanishvili, artistic-scientific collaborator Dr. Evelina Gambino and Assistant Professor Dr. Marc Gloede, School of Art, Design and Media, NTU, Singapore.
The welcome will be given by Ute Meta Bauer, Professor, School of Art, Design and Media, and Founding Director, NTU Centre for Contemporary Art Singapore, and Dr. Karin Oen, Senior Lecturer and Head of Department, Art History, NTU School of Humanities.
A State in a State is the result of Aslanishvili winning the Han Nefkens Foundation – Fundació Antoni Tàpies Video Art Production Grant 2020, in collaboration with Jameel Art Centre, Dubai; the Museum of Contemporary Art and Design in Manila; NTU CCA Singapore and WIELS, Brussels. The Award appraises the work of emerging artists aged 40 and under, who live in West or Central Asia and have established a solid trajectory but not yet received recognition by international art institutions.
Aslanishvili was selected by an international jury, including NTU CCA Singapore’s Founding Director Ute Meta Bauer and former Deputy Director of Curatorial Programmes, Dr Karin Oen, for her body of meticulously researched work and her commitment to exploring a specific geopolitical context, whilst connecting to a wider discourse on the impact of extractivist economies on a planetary scale.
Revolving around the scenes of delay and waiting that constitute cargo mobility, the film reads the optimistic narratives about the New Silk Road against the grain. It observes how the iron foundation of connectivity can be used as a weapon of exclusion and geopolitical sabotage. Dotting the same lines, other forms of sabotage are deployed by workers to disrupt the political violence. Looking at historic and current practices of resistance, A State in a State explores the potential of railroads for building a different, infrastructural consciousness, and the lasting transnational kinship among the people who live and work around them
The film is developed in artistic-scientific collaboration with Dr. Evelina Gambino, Margaret Tyler Research Fellow in Geography at Girton College, University of Cambridge.
Research & Script: Tekla Aslanishvili / Evelina Gambino
Music: Ani Zakareishvili / Nika Pasuri
Cinematography: Nikoloz Tabukashvili / Tekla Aslanishvili
Typography: Dato Simonia
Editing: Tekla Aslanishvili
Sound: Viktor Bone / Irakli Shonia
Color: Sally Shamas
A State in a State will be also presented at the Fundació Antoni Tàpies in Barcelona from October 8th till November 27th.
The NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) presents The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context, Part II, a symposium addressing the multiple notions of “Southeast Asia” and the various issues surrounding its borders, territories, dilemmas and anxieties. SEA STATE by artist Charles Lim Yi Yong, commissioned for the Singapore Pavilion at the 56th Venice Biennale, explores the biophysical, political and psychic contours of Singapore and served as a point of departure for the symposium. Part I of the symposium took place in Venice, Italy during the opening days of the Biennale, and this second iteration will continue and deepen the discussions on the occasion of SEA STATE’s presentation at NTU CCA Singapore.
Southeast Asia, as a geographical region and conceptual category, is a contested entity shaped by diverse cultures and communities. The possibilities and uncertainties in this region – such as urban development, geopolitical relations, and anxieties surrounding national and regional identities – continue to pose unique social and political challenges.
The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context, Part II brings together an array of eminent speakers and respondents to address questions of contemporary art and culture through interdisciplinary approaches – considering bodies of water as cultural-territorial spaces in an exploration of rivers, land reclamation, sea ports, and nomadic communities. The conversations arising from this symposium offers insight into the Southeast Asian consciousness and how it informs the region’s evolving relationship with the wider world.
The symposium is organised by NTU CCA Singapore under its Research & Education programme, which aims to connect research based artistic practices with other forms of knowledge production. As a prelude to the symposium, NTU CCA Singapore will screen films by Thai artist and filmmaker Apichatpong Weerasethakul on 1 and 3 June 2016 to set up a “conversation” between two artist-filmmakers, Apichatpong and Charles Lim Yi Yong.
Prelude
Screening of films by Apichatpong Weerasethakul
Day 1: Wednesday, 1 June 2016, 7.30 – 10.00pm | Cemetery of Splendour (2015)
Day 2: Friday, 3 June 2016, 7.30 – 10.00pm | Tropical Malady (2004)
NTU CCA Singapore, The Single Screen
Block 43 Malan Road, Gillman Barracks, Singapore 109443
Symposium programme
Day 1: National Gallery Singapore, Friday 17 June 2016, 7.00 – 9.00pm
7.30 – 7.45pm
Welcome address
Paul Tan (Singapore), Deputy CEO, National Arts Council
Professor Ute Meta Bauer (Germany/Singapore), Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, Nanyang Technological University (NTU)
Day 2: NTU CCA Singapore, Saturday 18 June 2016, 9.30am – 6.00pm
10.00 – 10.10am
MORNING SESSION
Opening address by chairperson, Professor Ute Meta Bauer
11.20am – 12.30pm
Session 1: The River and its Representations
Speaker: Gridthiya Gaweewong (Thailand), Artistic Director and Curator, Jim Thompson Art Center, Bangkok
Respondent: Dr David Teh (Australia/Singapore), Assistant Professor, Department of English Language and Literature, National University of Singapore (NUS)
1.30 – 1.40pm
AFTERNOON SESSION
Opening address by chairperson, Dr David Teh
2.50 – 4.20pm
Session 3: Of Nomads and Sea Ports
Speakers: Dr Donna Brunero (Australia/Singapore), Senior Lecturer, Department of History, Faculty of Arts & Social Sciences, NUS; Dr Wee Beng Geok (Singapore), Consultant, Nanyang Business School, NTU; and Dr Vivienne Wee (Singapore), independent anthropologist and researcher
Respondent: Dr Imran bin Tajudeen (Singapore), Assistant Professor, Department of Architecture, School of Design and Environment, NUS
4.40 – 6.00pm
Roundtable Discussion
Participants: Professor Michael M.J. Fischer, Charles Lim Yi Yong, Shabbir Hussain Mustafa, and Professor Aihwa Ong.
Moderators: Professor Ute Meta Bauer and Dr David Teh.
The programme is commissioned by the National Arts Council (NAC) and supported by the Singapore Tourism Board (STB), with additional support from U.S. Embassy Singapore and National Gallery Singapore.
The NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) presents The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context, Part II, a symposium addressing the multiple notions of “Southeast Asia” and the various issues surrounding its borders, territories, dilemmas and anxieties. SEA STATE by artist Charles Lim Yi Yong, commissioned for the Singapore Pavilion at the 56th Venice Biennale, explores the biophysical, political and psychic contours of Singapore and served as a point of departure for the symposium. Part I of the symposium took place in Venice, Italy during the opening days of the Biennale, and this second iteration will continue and deepen the discussions on the occasion of SEA STATE’s presentation at NTU CCA Singapore.
Southeast Asia, as a geographical region and conceptual category, is a contested entity shaped by diverse cultures and communities. The possibilities and uncertainties in this region – such as urban development, geopolitical relations, and anxieties surrounding national and regional identities – continue to pose unique social and political challenges.
The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context, Part II brings together an array of eminent speakers and respondents to address questions of contemporary art and culture through interdisciplinary approaches – considering bodies of water as cultural-territorial spaces in an exploration of rivers, land reclamation, sea ports, and nomadic communities. The conversations arising from this symposium offers insight into the Southeast Asian consciousness and how it informs the region’s evolving relationship with the wider world.
The symposium is organised by NTU CCA Singapore under its Research & Education programme, which aims to connect research based artistic practices with other forms of knowledge production. As a prelude to the symposium, NTU CCA Singapore will screen films by Thai artist and filmmaker Apichatpong Weerasethakul on 1 and 3 June 2016 to set up a “conversation” between two artist-filmmakers, Apichatpong and Charles Lim Yi Yong.
Prelude
Screening of films by Apichatpong Weerasethakul
Day 1: Wednesday, 1 June 2016, 7.30 – 10.00pm | Cemetery of Splendour (2015)
Day 2: Friday, 3 June 2016, 7.30 – 10.00pm | Tropical Malady (2004)
NTU CCA Singapore, The Single Screen
Block 43 Malan Road, Gillman Barracks, Singapore 109443
Symposium programme
Day 1: National Gallery Singapore, Friday 17 June 2016, 7.00 – 9.00pm
7.30 – 7.45pm
Welcome address
Paul Tan (Singapore), Deputy CEO, National Arts Council
Professor Ute Meta Bauer (Germany/Singapore), Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, Nanyang Technological University (NTU)
Day 2: NTU CCA Singapore, Saturday 18 June 2016, 9.30am – 6.00pm
10.00 – 10.10am
MORNING SESSION
Opening address by chairperson, Professor Ute Meta Bauer
11.20am – 12.30pm
Session 1: The River and its Representations
Speaker: Gridthiya Gaweewong (Thailand), Artistic Director and Curator, Jim Thompson Art Center, Bangkok
Respondent: Dr David Teh (Australia/Singapore), Assistant Professor, Department of English Language and Literature, National University of Singapore (NUS)
1.30 – 1.40pm
AFTERNOON SESSION
Opening address by chairperson, Dr David Teh
2.50 – 4.20pm
Session 3: Of Nomads and Sea Ports
Speakers: Dr Donna Brunero (Australia/Singapore), Senior Lecturer, Department of History, Faculty of Arts & Social Sciences, NUS; Dr Wee Beng Geok (Singapore), Consultant, Nanyang Business School, NTU; and Dr Vivienne Wee (Singapore), independent anthropologist and researcher
Respondent: Dr Imran bin Tajudeen (Singapore), Assistant Professor, Department of Architecture, School of Design and Environment, NUS
4.40 – 6.00pm
Roundtable Discussion
Participants: Professor Michael M.J. Fischer, Charles Lim Yi Yong, Shabbir Hussain Mustafa, and Professor Aihwa Ong.
Moderators: Professor Ute Meta Bauer and Dr David Teh.
The programme is commissioned by the National Arts Council (NAC) and supported by the Singapore Tourism Board (STB), with additional support from U.S. Embassy Singapore and National Gallery Singapore.
Joseph Chinyong Liow is Tan Kah Kee Chair in Comparative and International Politics at Nanyang Technological University (NTU), Singapore. He is Professor and former Dean at the S. Rajaratnam School of International Studies, and currently Dean of College of Humanities, Arts, and Social Sciences at NTU Singapore. He held the inaugural Lee Kuan Yew Chair in Southeast Asia Studies at the Brookings Institution, Washington DC, where he was also a Senior Fellow in the Foreign Policy Program.
Joseph’s research interests encompass Muslim politics and social movements in Southeast Asia and the geopolitics and geoeconomics of the Asia Pacific region.
Joseph is the author, co-author, or editor of 14 books. His most recent single-authored books are Ambivalent Engagement: The United States and Regional Security in Southeast Asia after the Cold War (Brookings 2017), Religion and Nationalism in Southeast Asia (Cambridge University Press, 2016) and Dictionary of the Modern Politics of Southeast Asia, fourth edition (Routledge, 2014). A regular columnist for The Straits Times, his commentaries on international affairs have also appeared in New York Times, Foreign Affairs, Foreign Policy, National Interest, Nikkei Asian Review, and the Wall Street Journal. He has testified to the United States Congress, and been invited to deliver a special closed-door briefing to the ASEAN Defence Minister’s Meeting. In addition to scholarship and policy analysis, Joseph has also consulted for a wide-range of MNCs including Shell, BHP Billiton, Chevron, Japan Bank for International Cooperation, Total, and Statoil. He sits on the board of several peer-reviewed academic and policy journals, is a member of the Social Science Research Council (Singapore), and serves as Singapore’s representative on the advisory board of the ASEAN Institute of Peace and Reconciliation formed under the auspices of the ASEAN Charter.
Joseph Liow holds a PhD in International Relations from the London School of Economics and Political Science, a MSc in Strategic Studies from the Nanyang Technological University, and a BA (Hons) in Political Science from the University of Madison-Wisconsin.