2
10
226
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Pursuing her ongoing research into intergenerational conflicts and trauma, Yanyun Chen will spend her residency examining methods of discipline within the family context.
Cycle
Cycle 10 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yanyun Chen
Subject
The topic of the resource
History
Identity
Embodiment
Description
An account of the resource
Pursuing her ongoing research into intergenerational conflicts and trauma, Yanyun Chen will spend her residency examining methods of discipline within the family context. Pursuing her ongoing research into intergenerational conflicts and trauma, Yanyun Chen will spend her residency examining methods of discipline within the family context. With a focus on Singaporean personal and communal childhood histories of discipline and punishment, the artist will explore how the indelible traces of disciplinary behaviour linger on in people’s bodies and minds and bleed into the everyday. Observing the irony and self-deprecating humour that come into play as a self-soothing practice in the retelling of such memories, she will also seek to unpack the heterogeneous ways in which pain and violence are remembered by conducting fieldwork, literary investigations, and interviews. The research weaves through histories of punishment and discipline in Singapore. Ultimately the artist intends to create large scale drawings that address these intergenerational wounds through the lens of medical, ethnographic, historical, and material studies.
Date
A point or period of time associated with an event in the lifecycle of the resource
1 May - 7 September 2023
Contributor
An entity responsible for making contributions to the resource
Yanyun Chen
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Drawing
Installation
Multimedia Installation
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During his residency, Xu Tan will continue to work and expand on investigations and interviews with disparate voices and inhabitants around the Pearl River Delta in Guangdong province, China on their views on urbanisation in China.
Cycle
Cycle 3 (2016 – 2017)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
China
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Xu Tan
Description
An account of the resource
During his residency, Xu Tan will continue to work and expand on his project <i>Keywords Lab: Socio-botany</i>. First initiated in 2012, the work consisted of investigations and interviews with disparate voices and inhabitants around the Pearl River Delta in Guangdong province, China on their views on urbanisation in China. <br /><br />By bringing <i>Keywords Lab: Socio-botany</i> into the context of Singapore, Xu hopes to understand Singapore’s view on the complexities that govern our relationship with the natural and built environments that we live in. Proposed points of entry are through local discussions on the history of plants, criteria in urban construction and development, citizen participation in public tree planting programmes and lastly, conditions of food production.
Date
A point or period of time associated with an event in the lifecycle of the resource
20 June – 1 August 2016
Contributor
An entity responsible for making contributions to the resource
Xu Tan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Video
Subject
The topic of the resource
Identity
History
Politics
-
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a5696eafc3eb92bee85a4710f4e693b8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Xu
Surname or Business Name
Tan
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016/2017
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<div class="page--column">
<div align="justify">
<p>Xu Tan (b. 1957, China) currently lives and works in Guangzhou, China. Xu is notably known for his ongoing project <em>Searching for Keywords </em>that analyses video interviews of different communities to identify key words based on meaning that reveal values and motivations of contemporary Chinese society. The derivative lexicon gives a pulse of the current social climate and presents an insight into the collective social consciousness of China.</p>
<p>Xu is recipient of Fellowship of the Asian Cultural Council, Rockefeller Foundation, United States (2002). He has participated in numerous international exhibitions such as <em>Making World </em>and <em>Dreams and Conflicts – The Viewer’s Dictatorship,</em> Venice Biennale, Italy (2009, 2003) and<em> Alors Le Chine, </em>Center Pompidou, France (2003). <em>Keywords School </em>has exhibited extensively at Justina M. Barnicke Gallery, Canada (2010); Asia Art Archive, Hong Kong (2009); Vitamin Creative Space, China (2008) and Bonniers Konsthall, Sweden (2008). A member of Big Tail Elephant Group from 1993 to 1998, he participated in the group’s guerilla style exhibitions and most recently exhibited collectively at the retrospective exhibition <em>Operation PRD –</em><em> Big Tail Elephants: One Hour, No Room, Five Shows</em>, Guangdong Times Museum, China (2016).</p>
</div>
</div>
<div class="page--column"></div>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
China
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Collaborator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1957
Birthplace
China
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Xu Tan
Subject
The topic of the resource
Identity
History
Politics
Description
An account of the resource
Xu Tan is an artist. His ongoing project Searching for Keywords analyses video interviews of different communities to identify keywords based on meanings that reveal the values and motivations of contemporary Chinese society.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Xu Tan
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Xiaolu
Surname or Business Name
Guo
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2021
Birth Date
1973
Birthplace
China
Occupation
Professional title or identity
Novelist, Essayist and Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<strong>Xiaolu Guo/郭小橹</strong><span> (China/United Kingdom) is a novelist, essayist and filmmaker. A graduate of the Beijing Film Academy and the UK National Film and Television School, she has worked both in Europe and China in cinema and literature. She is one of the inaugural fellows of the Columbia Institute of Ideas and Imagination in Paris and a jury member for the Man Booker Prize 2019. Named as a Granta Best of Young British Novelists in 2013, she has written eight books, directed eleven features and documentaries, and won numerous awards. Her novels include </span><em>A Concise Chinese-English Dictionary for Lovers</em><span> (2007) and </span><em>I Am China</em><span> (2014). Her memoir </span><em>Once Upon A Time In The East</em><span> (2017) won the National Book Critics Circle Award 2017 and was shortlisted for the Royal Society of Literature Ondaatje Prize and Costa Book Awards. Her most recent novel, </span><em>A Lover’s Discourse</em><span><span> (2020), was shortlisted for The Goldsmiths Prize 2020.<br /><br />Her feature film, <em>The Concrete Revolution</em> (2004) won the Grand Prix, International Human Rights Film Festival, Paris, and Special Jury Prize, EBS International Documentary Film Festival, Seoul, both in 2005. <em>How Is Your Fish Today?</em> (2006), Sundance Film Festival 2006 Official Selection, received the Grand Jury Prize for Best Feature Fiction Film, International Women Film Festival, Paris, and special mention for the Netpac Tiger Awards, Lino Miccichè Award, and Jury Prize at the Rotterdam Film Festival, Pesaro Film Festival, and Fribourg International Film Festival respectively in 2007. <em>She, A Chinese</em> (2009), Toronto and Pusan Film Festivals Official Selections 2009, received the Golden Leopard Award at the Locarno International Film Festival and Montblanc Scriptwriting Award at the Hamburg Film Festival, in the same year. <em>Once Upon A Time Proletarian </em>(2009), Venice, Toronto and Pusan Film Festivals Official Selections 2009 and TIFF 2010, received Special Jury Award, Cines del Sur Film Festival, Granada, New Directors/New Films, MoMA, New York, both 2008, and the Grand Prix de Genève 2011. <em>UFO In Her Eyes </em>(2011), TIFF 2011, was awarded the second prize for the City of Venice Award, 70<sup>a</sup> Mostra Internazionale d’Arte Cinematografica, Venice, 2013.<br /><br /></span></span>
<div>
<p>Guo had her film retrospective at Whitechapel Gallery, London (2019), and Cinémathèque Suisse, Lausanne (2011). She was a visiting professor at Columbia University, New York, and is currently a writer-in-residence at Baruch College, The City University of New York.</p>
<p></p>
</div>
<span><br /></span>
Personal Website
Leave blank if not applicable
<a href="http://www.guoxiaolu.com/">http://www.guoxiaolu.com/</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United Kingdom
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Xiaolu Guo
Subject
The topic of the resource
Diaspora
Identity
Migration
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
Contributor
An entity responsible for making contributions to the resource
Xiaolu Guo
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Siapa Dia Wanita Nusantara (Who is the Nusantara Woman?), aims to create conversations around the idea of the “Nusantara”, an arguably dated regional construct t around decolonisation of the Malay archipelago.
Programme Type
Workshop
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Workshop: Reclaiming Nusantara? by artists ila, nor and Nurshafitri Ya’akob (all Singapore)
Description
An account of the resource
<div class="event_single_dates text__exhibitions">6 Apr 2019, Sat 03:00 PM - 05:30 PM</div>
<div class="event_single_venue">The Seminar Room, Block 43 Malan Road</div>
<br />Where is the Nusantara? Who is the Nusantara? What do we align ourselves with in the past and what futures will we create together? <br /><br />This workshop, a follow-up to a previously ran workshop held last year, <i>Siapa Dia Wanita Nusantara (Who is the Nusantara Woman?)</i>, aims to create conversations around the idea of the “Nusantara”, an arguably dated and oftentimes unclear regional construct that has resurfaced every now and then with regards to recent waves of conversations around decolonisation of the Malay archipelago. Centering around themes of intersecting identities, belonging, and speculative histories, this workshop invites anyone who feel that they can benefit from, by sharing about their own stories and experiences, the explorations of their personal oral histories, through spoken word and a collective imagining of the past and future.
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-04-06
Contributor
An entity responsible for making contributions to the resource
ila
nor
Nurshafitri Ya’akob
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Decolonialism
Identity
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
Why I am not a South-East Asian specialist – lecture by Tony Godfrey
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/486713767">https://vimeo.com/486713767</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
486713767
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Why I am not a South-East Asian specialist – lecture by Tony Godfrey
Description
An account of the resource
9 Jun 2015, 7.30pm - 9pm <br /><br />Tony Godfrey, NTU CCA Singapore Visiting Research Fellow, has written extensively about South-East Asia art in the last six years, however he does not see himself as a South-East Asian specialist. Noting the strong focus on Southeast Asia in local major institutions such as the Singapore Art Museum, the Singapore Biennale and the National Gallery, Godfrey will address in his lecture the issues that arise from this exclusion zone, what are the advantages and disadvantages of this “patriotism” and question what is the best way to support and promote art from the region.
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-06-09
Contributor
An entity responsible for making contributions to the resource
Tony Godfrey
Subject
The topic of the resource
Artistic Research
Identity
Format
The file format, physical medium, or dimensions of the resource
Video
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Vladimir
Surname or Business Name
Seput
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020
Birthplace
Croatia
Occupation
Professional title or identity
Curator
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Vladimir Seput is a curator and researcher based in London. He studied film in Zagreb and did postgraduate research in film/video studies at University Paris 8 (2013-14), where he wrote about Mediterranean iconography in film and moving image, and researched the cinematic aspects of the sea as a place where politics, history, and mythology intersect. He holds a Masters in Film Curation from Birkbeck, University of London (2017). For the last 10 years, he has published on film and moving image art, and translated and edited books on philosophy, literary criticism, and contemporary art for various publications in Croatia and the United Kingdom.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United Kingdom
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Guest Curator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
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Title
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Vladimir Seput
Subject
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Politics
History
Identity
Coverage
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South America
Asia
Africa
Contributor
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Vladimir Seput
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Contributors
Contributor
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First Name
Vladimir
Surname or Business Name
Erofeev
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
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2018
Birth Date
1898
Birthplace
Russia
Death Date
1940
Occupation
Professional title or identity
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Vladimir Erofeev was a pioneer of expedition cinema in the Soviet Union, advocating for increased attention and investment in edifying non-fiction films made to win the interest of broad audiences. In summer 1927, a trek to the mountainous Pamir region, known as the “Roof of the World,” in present-day Kyrgyzstan and Tajikistan, was organised by the Sovkino studio in co-operation with the Geological Committee. Erofeev worked with prominent geologist Dmitrii Nalivkin and ethnographer Mikhail Andreyev, who had both extensively researched the area and contributed to the planning for the crew’s journey. The film starts off in Moscow, the symbolic centre of the new empire, leading through Samara and Orenburg, to Tashkent and Osh, and further on to the Pamir Mountains of Central Asia. The film features the expedition’s progress through crossing mountain rivers, traversing snowy passes and descending into valleys in bloom, while at the same time recording the daily practices of the Krygz nomads, the religious customs of a Tajik village community, finally entering Dushanbe, observing the city life in the capital of Soviet Tajikistan. The final result demonstrates a portrait of a rich and vibrant region in which the interaction of various cultures have not yet fully streamlined to the requirements of the uniformed all-Soviet world.
Country of Practice
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Russia
Public Resource Centre Affiliation
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Library
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None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Vladimir Erofeev
Subject
The topic of the resource
Body
Performance
Identity
Institutional Critique
Coverage
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Asia
Europe
Contributor
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Vladimir Erofeev
-
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ac69ac6ce7419bc3ad81c3497d602b83
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
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First Name
Vincent
Surname or Business Name
Leong
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014
Birth Date
1979
Birthplace
Malaysia
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Vincent Leong’s practice often concentrates on the production of nation and culture across media including photography and video. Acquired by the Guggenheim in 2012, Leong’s pair of portrait photographs, <em>Keeping Up with the Abdullahs</em> (2012), assembles family members from two minority ethnicities in Malaysia—Chinese and Indian—addressing the subject of assimilation in a multiethnic country. Leong’s work has been presented in solo exhibitions at Valentine Willie Fine Art, Kuala Lumpur (2007 and 2012), and Sculpture Square, Singapore (2007). The artist has also been featured in the following notable group exhibitions: <em>Some Rooms</em>, Osage Gallery, Hong Kong (2009); <em>Our Own Orbit</em>, Tembi Contemporary, Jogya, Indonesia (2009); and <em>Tanah Ayer: Malaysian Stories from the Land</em>, Selasar Sunaryo Art Space, Bandung, Indonesia (2011). Leong lives and works in Kuala Lumpur.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Malaysia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Vincent Leong
Subject
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Identity
Politics
Coverage
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Southeast Asia
Contributor
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Vincent Leong
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Contributors
Contributor
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First Name
Uriel
Surname or Business Name
Orlow
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
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2018
Birth Date
1973
Birthplace
Switzerland
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Uriel Orlow is a Swiss artist based in London. Orlow's practice is research-based, process-oriented, and multi-disciplinary, including film, photography, drawing, and sound. His work is concerned with spatial manisfestations of memory, and looks to the botanical world as a stage for politics at large.
Country of Practice
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United Kingdom
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Personal Website
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<a href="https://urielorlow.net">https://urielorlow.net</a>
Dublin Core
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Title
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Uriel Orlow
Subject
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Botany
Identity
Contributor
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Uriel Orlow
Coverage
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Europe