3
10
226
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Shireen
Surname or Business Name
Seno
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020-2021
Birthplace
Japan
Occupation
Professional title or identity
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Shireen Seno studied architecture and cinema at the University of Toronto before relocating to Manila. Her work addresses memory, history and image-making, often in relation to the idea of home.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Philippines
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Shireen Seno
Subject
The topic of the resource
Politics
History
Identity
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
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Shireen Seno
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Jean
Surname or Business Name
Rouch
Years Affiliated
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2017, 2020-2021
Birthplace
France
Occupation
Professional title or identity
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Jean Rouch is a ethnographer-turned-filmmaker, was the father of modern cinéma vérité together with his collaborator, Edgar Morin. Their work has had great influence on French New Wave filmmakers.
Country of Practice
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France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Place.Labour.Capital.
Dublin Core
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Title
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Jean Rouch
Subject
The topic of the resource
Politics
History
Identity
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Contributor
An entity responsible for making contributions to the resource
Jean Rouch
-
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b3d48f6de9d459777027af4fa4932172
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Mark
Surname or Business Name
Nash
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2013/2014/2015/2016/2020
Affiliation
Company, organization, or institution name
University of California Santa Cruz
Birthplace
United Kingdom
Occupation
Professional title or identity
Professor
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Mark Nash is a curator and writer, and Professor, University of California Santa Cruz. He was Head of Department Curating Contemporary Art at the Royal College of Art London, and prior Director of Fine Art Research at Central St Martins. He was a senior lecturer in Film History and Theory at the University of East London, visiting lecturer at the Whitney Museum Independent Study Program, and visiting research fellow at the NTU CCA Singapore (2015). He holds a PhD from Middlesex University. Nash has written extensively on artists’ work with the moving image, having curated One Sixth of the Earth, ecologies of image at ZKM, Karlsruhe and MUSAC, Leon (2012-13) and Experiments with Truth, Fabric Workshop and Museum, Philadelphia (2004-5).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United Kingdom
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Guest Curator
Research Fellow
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Birth Date
1947
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mark Nash
Subject
The topic of the resource
Politics
History
Identity
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
Description
An account of the resource
<p>Mark Nash is a curator and writer. He was a Visiting Research Fellow at NTU CCA Singapore in 2015.<br /><br /><strong>Research Focus</strong><br /><br />1. Historical legacy of independence and liberation struggles and cold war politics, including the non-aligned movement, in terms of the different affective relationships these alternative world views propose particularly as realised in South East Asian art</p>
<p>2. Alternative philosophies and aesthetics of the moving image – e.g. how Chinese or Indonesian artists approach the moving image, and the concepts of the image embedded in their linguistic etymology</p>
<p>3. Moving image and photographic works along the Asian part of the Silk Road</p>
Contributor
An entity responsible for making contributions to the resource
Mark Nash
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Vladimir
Surname or Business Name
Seput
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020
Birthplace
Croatia
Occupation
Professional title or identity
Curator
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Vladimir Seput is a curator and researcher based in London. He studied film in Zagreb and did postgraduate research in film/video studies at University Paris 8 (2013-14), where he wrote about Mediterranean iconography in film and moving image, and researched the cinematic aspects of the sea as a place where politics, history, and mythology intersect. He holds a Masters in Film Curation from Birkbeck, University of London (2017). For the last 10 years, he has published on film and moving image art, and translated and edited books on philosophy, literary criticism, and contemporary art for various publications in Croatia and the United Kingdom.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United Kingdom
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Guest Curator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
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Title
A name given to the resource
Vladimir Seput
Subject
The topic of the resource
Politics
History
Identity
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
South America
Asia
Africa
Contributor
An entity responsible for making contributions to the resource
Vladimir Seput
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Karpo
Surname or Business Name
Godina
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020
Birthplace
Slovenia
Occupation
Professional title or identity
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Karpo Godina is a prominent filmmaker and cinematographer. He is an essential figure and a pioneering member of the Yugoslav Black Wave film movement of the 1960s and 1970s. His film career was launched in the 1960s when he independently produced 8mm experimental shorts and numerous sociocritical films. His film Artificial Paradise was screened at the 1990 Cannes Film Festival.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Slovenia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Karpo Godina
Subject
The topic of the resource
Politics
History
Identity
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
South America
Asia
Africa
Contributor
An entity responsible for making contributions to the resource
Karpo Godina
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Tomás Gutiérrez
Surname or Business Name
Alea
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020
Birthplace
Cuba
Occupation
Professional title or identity
Film Director
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Tomás Gutiérrez Alea is a prominent and highly celebrated Cuban film director. He is an influential figure in shaping Cuba’s film industry. Originally trained in law, he went on to study filmmaking in Italy. His socially-driven works expose the plight of the working class and the Cuban revolution. He explored various genres such as Neorealism, comedy, and historical film to reflect on the lives and people of Cuba.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Cuba
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tomás Gutiérrez Alea
Subject
The topic of the resource
Politics
History
Identity
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
South America
Asia
Africa
Contributor
An entity responsible for making contributions to the resource
Tomás Gutiérrez Alea
Tomas Gutierrez Alea
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Joris Ivens
Surname or Business Name
Ivens
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020
Birthplace
Netherlands
Occupation
Professional title or identity
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Joris Ivens was a documentary filmmaker whose career spanned over 60 years. He filmed more than 50 international documentaries that explored leftist social and political concerns during the 20th century. Named film commissioner in 1944 for the Dutch East Indies, he later resigned in protest over the Dutch’s resistance to decolonisation. Among the notable films he has directed or co-directed, there are A Tale of the Wind (1988), The Spanish Earth (1937), and Far from Vietnam (1967). In 1988, Ivens received the Golden Lion Honorary Award at the Venice Film Festival and in 1989, he was knighted in the Order of the Dutch Lion.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Netherlands
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
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A name given to the resource
Joris Ivens
Subject
The topic of the resource
Politics
History
Identity
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
South America
Asia
Africa
Contributor
An entity responsible for making contributions to the resource
Joris Ivens
-
https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/6bda7e7b86e744e0cf73a33f752863ee.png?Expires=1712793600&Signature=h-vxhOH7l6trUN9M2dARFJCSnQ2-q3nRmjCbF-nvs2zJ-3J-KS%7E-Os%7EatRevg%7EvwoFrZWZGd%7EeKlGjVTA830ZRQ0bD9tx03fqWcP4DObnBuFVZymnetMGiGjIoPQj1XkF3Hrkzwwx271OJWrkI-%7EGuUI6LwoK7hict1CwNQt7Fr%7EjG8zYZPaGQv81XR-qkdb9zy2Gcyyu3yTm90Zb-hZBCS0ottfsIrnwLzG3SsGVIyD6J0fJsIm3WMmsuAiQ%7Euq9g7URxXy1o1-J%7ErwRWucFlnR8Gep-58asYsS2piu-cQv5YVh99SOQvvSgDQrjIVJklmtTynOrpw%7EVsvLAEr35A__&Key-Pair-Id=K6UGZS9ZTDSZM
51c2e4224810137b540158db4ac71a5c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Isaac
Surname or Business Name
Julien
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014/2016
Birthplace
United Kingdom
Occupation
Professional title or identity
Filmmaker
Professor
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Isaac Julien, CBE RA is a distinguished filmmaker and installation artist, and Professor, UC Santa Cruz. His multiscreen film installations and photographs incorporate different artistic disciplines to create a poetic and unique visual language. <br />Julien was a founding member of the Sankofa Film and Video Collective, one of a number of film and video workshops set up in the UK in the 1980s to engage in a new politics of representation. He was nominated for the Turner Prize in 2001 for his film installations Long Road to Mazatlán (1999) and Vagabondia (2000). Julien has earned numerous awards, including the Special Teddy for Derek, Berlin International Film Festival, Berlin (2008); an Honorary Fellow, University of the Arts, London (2008); the grand jury’s prize at the Kunstfilm Biennale, Cologne, for Baltimore (2003); the Frameline Lifetime Achievement Award (2002); and the McDermott Award, MIT, Cambridge (2001). His work has been shown internationally, most recently in solo exhibitions at SESC Pompeia, São Paolo (2012), Milwaukee Art Museum, Milwaukee (2012), ICA, Boston (2011) and group exhibitions at The National Museum of Modern Art, Kyoto (2013) and the Palais de Tokyo, Paris (2012). He participated in the 3rd Berlin Biennale (2004) and Documenta11 (2002). His work Ten Thousand Waves was shown at MoMA, New York (2013). <br />His works have shown in solo shows internationally, and he has participated in various biennales. Most recently, he received the Charles Wollaston Award (2017) for most distinguished work at the Royal Academy Summer Exhibition, and in 2018 he was made a Royal Academician. Julien was awarded the title Commander of the Most Excellent Order of the British Empire (CBE) in the Queen’s birthday honours, 2017.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United Kingdom
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Affiliation
Company, organization, or institution name
University of California Santa Cruz
Birth Date
1960
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Isaac Julien
Subject
The topic of the resource
Politics
History
Identity
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
South America
Asia
Africa
Contributor
An entity responsible for making contributions to the resource
Isaac Julien
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Mikhail
Surname or Business Name
Kalatozov
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020
Birthplace
Russia
Occupation
Professional title or identity
Film Director
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Mikhail Kalatozov was a prominent film director who largely contributed to both Georgian and Russian cinema. He studied economics before starting his extensive filmmaking career in 1923. He had his solo directorial debut in 1930 with the documentary Salt for Svanetia and directed several propaganda films during World War II. He also worked as a cultural attaché at the Soviet Embassy in the United States, and was later appointed Deputy Film Minister of the Soviet Union. He is best known for his World War II drama, The Cranes Are Flying (1958), which won the Palm d’Or at the 1958 Cannes Film Festival.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Russia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Birth Date
1903
Death Date
1973
Dublin Core
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Mikhail Kalatozov
Subject
The topic of the resource
Politics
History
Identity
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
South America
Asia
Africa
Contributor
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Mikhail Kalatozov
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Ousmane
Surname or Business Name
Sembène
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2020
Birthplace
Senegal
Occupation
Professional title or identity
Film Director
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Ousmane Sembène was a preeminent Senegalese film director and writer. His writings observed the political scene in Senegal where he wrote several volumes on the developing national consciousness. In the early 1960s, he turned to film and went to study in Moscow. He is often called the “Father of African Cinema,” a title befitting the first African to make a film distributed outside of Africa. His works examine the multiplicities of a continent emerging from the colonial era, at grips with the tensions of independence and modernity, historicising Africa’s political and social transformation throughout the 20th century.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Senegal
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Birth Date
1923
Death Date
2007
Dublin Core
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Title
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Ousmane Sembène
Subject
The topic of the resource
Politics
History
Identity
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
South America
Asia
Africa
Contributor
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Ousmane Sembène
Ousmane Sembene