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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexandra Pirici, Re-Collection, 2018, performative exercise with performers. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cally Spooner, DRAG DRAG SOLO, 2016, single-channel projection and Bedtime Beats, 2016, sound installation, with choreographies by Maggie Segale, 2018. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Carlos Casas in collaboration with Phill Niblock and Brian O’Reilly, Avalanche XIV, 2018. Free Jazz II. Stagings. Soundings. Readings. (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Maria Loboda, This Work is Dedicated to an Emperor, 2012–ongoing, installation with 10 Eugenia oleina trees. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
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Dublin Core
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Title
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Maria Loboda, This Work is Dedicated to an Emperor, 2012–ongoing, installation with 10 Eugenia oleina trees. Stagings. Soundings. Readings. Free Jazz II (2018), NTU Centre for Contemporary Art Singapore. Courtesy NTU CCA Singapore.
Dublin Core
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Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Stagings. Soundings. Readings. employs an open, multidisciplinary structure that challenges traditional modes of presentation and re-presentation through a range of artistic practices and formats.
Exhibition Mode
Festival
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Offsite
Exhibition Start Date
2018-09-21
Exhibition End Date
2018-11-06
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
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Title
A name given to the resource
<i>Stagings. Soundings. Readings. Free Jazz II</i>
Subject
The topic of the resource
Body
Performance
Identity
Institutional Critique
Description
An account of the resource
<i>Stagings. Soundings. Readings. Free Jazz II</i> reviews the performative format that marked NTU CCA Singapore’s inauguration in 2013. <i>Free Jazz</i> 2013 was a series of talks and performances where participants of various disciplines were invited to imagine and envision a new institution and its potential. On its five-year anniversary, the Centre continues advocating for free spaces, celebrating the practice of improvisation, as well as of collective and performative approaches. Discussing ethical values with an expanded sense of community, territorial, and environmental concerns, <i>Stagings. Soundings. Readings.</i> employs an open, multidisciplinary structure that challenges traditional modes of presentation and re-presentation through a range of artistic practices and formats. <br /><br />Situated within a complex and contemporary understanding of the Centre’s current overarching research topic CLIMATES. HABITATS. ENVIRONMENTS., the featured works link theory and practice, emphasising collectiveness. Today, the planet is witnessing a moment of unprecedented loss of biodiversity, habitat destruction, and cultural transformations. In the face of such agitated times juxtaposed with advanced communicative tools, contemporary social and environmental issues require responses from a collective body, through establishing processes of instigation, negotiation, and collaboration. <br /><br />Can we learn from what we see as opposed to being merely seduced by images, becoming active participants instead of only passive observers? <i>Stagings. Soundings. Readings.</i> is an enactment between the artists and the audience. The invited artists engage with a less prescribed environment, reflecting on history, collective action, and human interaction. <br /><br />Located outside the Centre, <b>Maria Loboda</b>‘s sculptural installation is grounded in historical narratives as a reminder that things can change and be taken down overnight, especially by the invisible mechanisms of power. In the Centre’s foyer, <b>Tyler Coburn</b> addresses forms of labour and examines the notion of writing in the 21st century by engaging with complexities of our legal, technological, and geopolitical networks, while <b>Heman Chong</b> analyses motifs of exchange and its boundaries, embracing the space of inter-human connections. <br /><br />Unfolding in the exhibition space, <b>Cally Spooner</b> brings to Singapore an exercise in building new vocabulary and knowledge through bodily means. Using the space as a laboratory, the work investigates new ways of organising and working together. <b>Alexandra Pirici</b>’s choreography explores the possibility of collectively assembling memories of human and non-human presence on the planet. <b>Carlos Casas</b> presents his long-term multi-format ethnographic research based on the human ecology and richness of one of the world’s highest inhabited villages, Hichigh, located in the Pamir mountain range in Tajikistan. Together with composer <b>Phill Niblock</b>, they will create an audio-visual experience, traversing landscape, soundscape, and contemporary music that changes with every iteration. <br /><br />In response to the five-year anniversary and by taking the topic of its celebration <i>Free Jazz</i> literally, <b>Ming Wong</b> will stage an improvisational performance. Similarly, <b>Boris Nieslony</b> (Germany), Co-founder of the artist collective Black Market International, will engage with pioneering Singaporean artist <b>Lee Wen</b> with a discussion and performance. <br /><br />Further probing conventional formats, the accompanying programmes include readings by curator <b>Anca Rujoiu</b> (Romania/Singapore) and poets <b>Peter Sipeli</b> and <b>1angrynative</b> (both Fiji), as well as Behind the Scenes conversations with contributing artists. In The Single Screen, works by <b>Anton Ginzburg</b> (Russia/United States), <b>Mariana Silva</b> (Portugal/United States), <b>Luke Fowler</b> (United Kingdom), <b><b><b>Justin Shoulder </b></b></b>and <b><b><b>Bhenji Ra </b></b></b>(both Philippines/Australia), and others, will add a filmic perspective to the dialogue. <br /><br />This multitude of celebratory events instigates an active engagement with the now, following a conscious desire to become truly present. <br /><br />Curated by <strong>Ute Meta Bauer</strong>, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, Nanyang Technological University, and <strong>Magdalena Magiera</strong>, Curator, Outreach and Education, NTU CCA Singapore.
Contributor
An entity responsible for making contributions to the resource
Heman Chong
Maria Loboda
Cally Spooner
Maggie Segale
Jesper List Thomsen
Tyler Coburn
Richard Roe
Carlos Casas
Phill Niblock
Ming Wong
Alexandra Pirici
Ying Cai
Weixin Chong
Chloe Chotrani
Nina Djekic
Farid Fairuz
Adam Lau
Je Leung
Loo Zihan
Yue Ru Ma
Hanna Mikosch
Yulin Ng
Rachel Nip
Isabel Phua
Jamil Schulze
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Performance
Sound
Installation
-
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Dublin Core
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Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, anGie seah, Talk to the Hand. NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
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The Making of an Institution, 11 February – 7 May 2017, Bo Wang, mixed-media map. NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
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The Making of an Institution, 11 February – 7 May 2017, Ho Rui An, Hotel Singapore. NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Title
A name given to the resource
The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Title
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Title
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Title
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The Making of an Institution, 11 February – 7 May 2017, NTU Centre for Contemporary Art Singapore, exhibition view.
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Title
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The Making of an Institution, 11 February – 7 May 2017, Koh Nguang How, Snippets from Singapore Art Archive Project at NTU CCA Singapore. NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
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The Making of an Institution, 11 February – 7 May 2017, Heman Chong, The Library of Unread Books. Courtesy NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
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The Making of an Institution, 11 February – 7 May 2017, Heman Chong, The Library of Unread Books. Courtesy NTU Centre for Contemporary Art Singapore, exhibition view.
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Dublin Core
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Title
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The Making of an Institution, 11 February – 7 May 2017, Li Ran, It is not Complicated, A Guide Book, film still, 2016. Courtesy the artist.
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The Making of an Institution, 11 February – 7 May 2017, Mona Vătămanu & Florin Tudor,
Le monde et les choses. Courtesy NTU Centre for Contemporary Art Singapore, exhibition view.
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The Making of an Institution, 11 February – 7 May 2017, SHIMURAbros, Chasing the Light, film still, 2017. Courtesy the artist.
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Title
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The Making of an Institution, 11 February – 7 May 2017, Tamara Weber, Close Readings. REBUS, inkjet digital print, 2016. Courtesy NTU CCA Singapore.
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Title
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The Making of an Institution, 11 February – 7 May 2017, Zul Mahmod, RESONANCES: READYMADE SOUND SCULPTURES, 2016. Courtesy NTU CCA Singapore.
Dublin Core
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Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Making of an Institution creates a communal space where projects and research explorations by the Centre’s Artists-, Curators-in- Residence, and Research Fellows coexist with ongoing series of talks, screenings, performances, and workshops.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2017-02-11
Exhibition End Date
2017-05-07
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>The Making Of An Institution</i>
Subject
The topic of the resource
Knowledge Production
Cultural Production
Institutional Critique
Artistic Research
Description
An account of the resource
<i>The Making of an Institution</i> captures different moments in the development of the NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) connecting artistic projects, discursive manifestations, and the institutional apparatus in a seamless display. It looks back into its young past in order to shape its future. Challenging the format of an exhibition, <i>The Making of an Institution</i> creates a communal space where projects and research explorations by the Centre’s Artists-, Curators-in- Residence, and Research Fellows coexist with ongoing series of talks, screenings, performances, and workshops. The project engages the Centre’s main pillars–Exhibitions, Residencies, Research and Academic Education – bringing to a close the overarching curatorial narrative <i>Place.Labour.Capital.</i> that served as a framework for its activities since 2013. <br /><br />Established in 2013, the Centre embodies the complexity of a contemporary art institution in times of knowledge economy and global art. The role of a contemporary art institution should not be limited to the presentation of art. It feeds off and nurtures the cultural ecosystem it belongs to through a complex series of actions that often reside in the realm of the immaterial. The Centre’s inaugural programme <i>Free Jazz</i> addressed the foundational question “What can this institution be?” highlighting the skill of improvisation and free play. Three years later, different questions are to be raised: What could the role of the NTU CCA Singapore be for the years to come within a fast changing local, regional, and global cultural landscape? What are the criteria to evaluate its achievements and impact? <br /><br />In revisiting its own process of institutional building, NTU CCA Singapore appropriates the format and language of a “public report”. While a public report is conventionally employed to deliver an official written narrative, the Centre’s report unfolds in the exhibition space through the languages of the performative, the discursive, and the archival. <br /><br />“It’s amazing how far we were able to come in just three years,” said Ute Meta Bauer, Founding Director, NTU CCA Singapore. “<i>The Making of an Institution</i> is a celebration of the international community we have built, including scholars, artists, and the public. Now it is time for us to reflect and analyse our achievements before the exciting next steps ahead.” <br /><br /><i>The Making of an Institution</i> is divided into four sections borrowed from the structure of a public report: <i>Reason to Exist: The Director’s Review; Ownership, Development, and Aspirations; Artistic Research; and Communication and Mediation. The first section, Reason to Exist: The Director’s Review</i> maps out a network of institutions, like NTU CCA Singapore, that place research at the core of their identity. Each guest director will closely examine the vision, mission, and operative model of her respective organisation in a series of talks aimed at deepening our understanding of the changing role of contemporary cultural institutions. <i>Ownership, Development, and Aspirations</i> is a public panel with several members of the NTU CCA Singapore’s International Advisory Board and its stakeholders representatives that stresses the importance of feedback and exchange among peers especially in the development phase of an institution. The section dedicated to <i>Artistic Research</i> frames the material and immaterial aspects that constitute contemporary art practices. It takes over the Centre’s physical <i>Spaces of the Curatorial</i>—The Exhibition Hall, The Single Screen, The Lab, and The Vitrine—juxtaposing artworks and research projects by NTU CCA Singapore’s Artists-, Curators-in- Residence, and Research Fellows alongside various formats of public programming. Finally, Communication and Mediation explores the production of an institution’s identity through visual communication and spatial practices. Through workshops and presentations, artists, architects, and designers will discuss how they create diverse visual and spatial identities for art institutions. <br /><br />The public report will culminate into a book planned for publication in mid-2017, gathering the voices of all the artists, curators, researchers, and academics who have contributed to this first phase of the Centre. The Making of an Institution is curated by Ute Meta Bauer, Founding Director, Anna Lovecchio, Curator, Residencies, and Anca Rujoiu, Manager, Publications.
Contributor
An entity responsible for making contributions to the resource
åbäke
Hamra Abbas
Rodolfo Andaur
Diana Campbell Betancourt
Dinu Bodiciu
Kray Chen
Chris Chong Chan Fui
Heman Chong
Renée Staal
Weixin Chong
Choy Ka Fai
Ann Demeester
Rosemary Forde
Marc Glöde
Yuko Hasegawa
Bani Haykal
Bahbak Hashemi-Nezhad
Maria Hlavajova
Ho Rui An
James Jack
siren eun young jung
Christoph Knoth
Koh Nguang How
Wilfried Kuehn
Bastian von Lehsten
Li Ran
Loo Zihan
Zulkifle Mahmod
Ato Malinda
Alice Miceli
Laura Miotto
Regina Möller
Arjuna Neuman
UuDam Tran Nguyen
Nikos Papastergiadis
Jegan Vincent de Paul
Emily Pethick
Thao-Nguyen Phan
Souliya Phoumivong
Ana Prvački
Arin Rungjang
anGie seah
Jeremy Sharma
SHIMURAbros
Alec Steadman
Sanne Oorthuizen
Anocha Suwichakornpong
Erika Tan
Guo-Liang Tan
Tan Pin Pin
Philip Tinari
John Tirman
Mona Vătămanu
Florin Tudor
Bo Wang
Farah Wardani
Tamara Weber
Jason Wee
Otty Widasari
abake
Reee Staal
Marc Glode
Regina Moller
Ana Prvacki
Medium
The material or physical carrier of the resource.
Installation
Film
Print
Video
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Eugene
Surname or Business Name
Tan
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015-2018
Affiliation
Company, organization, or institution name
National Gallery Singapore
Singapore Art Museum
Birthplace
Singapore
Occupation
Professional title or identity
Director
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Dr Eugene Tan is Director of National Gallery Singapore (2013) and Singapore Art Museum (2019). Prior to joining the Gallery, Dr Tan served as the Programme Director (Special Projects) at the Singapore Economic Development Board (EDB) and oversaw the development of Gillman Barracks, a visual arts hub in Singapore. Dr Tan has also held various positions in the arts, including Director of Exhibitions for Osage Gallery, Director of Contemporary Art at the Sotheby’s Institute of Art – Singapore, as well as Director of the Institute of Contemporary Arts Singapore. He has curated various exhibitions including the Singapore Pavilion at the 51st Venice Biennale (2005) and the inaugural Singapore Biennale (2006). Thematic exhibitions he has curated include “Of Human Scale and Beyond: Experience and Transcendence” (2012), “The Burden of Representation: Abstraction in Asia Today” (2010), “Coffee, Cigarettes and Pad Thai: Contemporary Art in Southeast Asia” (2008) and “Always Here but Not Always Present: Art in a Senseless World” (2008), as well as solo exhibitions by Charwei Tsai (2012), Lee Mingwei (2010) and Jompet (2010). He is co-author of the publication “Contemporary Art in Singapore” (2007) and has contributed writings to exhibition catalogues and publications by NUS Press, Hatje Cantz and Phaidon, as well as art journals such as Art Asia Pacific, Art Review, Broadsheet, C-Arts, Contemporary, Flash Art, Metropolis M, Modern Painters and Yishu: Journal of Contemporary Chinese Art. He has also presented at conferences and symposia internationally, including Australia, France, Germany, Netherlands, Hong Kong, Korea, New Zealand, Singapore, Spain, Taiwan and United Kingdom. Dr Tan graduated from Queen Mary College, University of London with a Bachelor of Science (2nd Upper Class Hons) in Economics and Politics and a Masters of Arts (Distinction) in Post- War and Contemporary Art from the Sotheby’s Institute of Art – London. He received his PhD in Art History from the University of Manchester.</span><br /><br /><span>He oversaw the development of Gillman Barracks as Programme Director (Special Projects) at the Singapore Economic Development Board and curated the exhibition <em>Engaging Perspectives: New Art from Singapore</em> (2013) that preceded the official opening of NTU CCA Singapore. Tan was also a member of NTU CCA Singapore’s Governing Council.</span>
Country of Practice
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Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Guest Curator
Governing Council
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
Eugene Tan
Subject
The topic of the resource
Institutional Critique
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Eugene Tan
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Maria
Surname or Business Name
Loboda
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
Birthplace
Poland
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Maria Loboda is a Berlin-based artist who creates enigmatic spaces that dive deep into rich historical narratives and the current state of affairs. She has exhibited at dOCUMENTA (13), Kassel; Museo Reina Sofía, Madrid; Kunstverein Braunschweig; Palais de Tokyo, Paris; among others. She will have solo exhibitions at Schirn Kunsthalle Frankfurt, in November 2018, and at Museo Rufino Tamayo, Mexico City, in 2019.
Country of Practice
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Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
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Maria Loboda
Subject
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Contributor
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Maria Loboda
-
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Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Tyler
Surname or Business Name
Coburn
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2017/2018
Birthplace
United States
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Tyler Coburn is a New York-based artist and writer whose practice focuses on the entanglement of technology and human subjectivities, information systems and those who make them. Coburn’s work has been presented at Centre Pompidou, Paris; Kunsthalle Wien; South London Gallery; Kunstverein Munich; Tensta Konsthall, Stockholm; Art Sonje Center, Seoul; Sculpture Center, New York; and in the 11th Gwangju Biennale and 10th Shanghai Biennale. Coburn was an NTU CCA Singapore Artist-in-Residence from June to July 2017.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birth Date
1983
Dublin Core
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Tyler Coburn
Subject
The topic of the resource
Body
Performance
Identity
Institutional Critique
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
Contributor
An entity responsible for making contributions to the resource
Tyler Coburn
-
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c02847649261749b7796e4f6bbeee07e
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Cally
Surname or Business Name
Spooner
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
Birthplace
United Kingdom
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Cally Spooner is an artist based in Athens. Her installations unfold in evolutionary phases, in conjunction with the delivery of a project or an exhibition. Recent solo shows include Centre d’Art Contemporain Genève; Whitechapel Gallery, London; The New Museum, New York; and the Stedelijk Museum, Amsterdam. Her book Scripts was published by Slimvolume in 2016 and her novel Collapsing In Parts by Mousse in 2012.
Country of Practice
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United Kingdom
Greece
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
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Cally Spooner
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The topic of the resource
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Institutional Critique
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Contributor
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Cally Spooner
-
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4caef4b14ea77c6f02345da711e70b8e
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Alexandra
Surname or Business Name
Pirici
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
Birthplace
Romania
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Alexandra Pirici is an artist with a background in choreography that works undisciplined across different mediums, both in galleries and in public space. Her work has been exhibited within the decennial art exhibition Skulptur Projekte Munster 2017; the Romanian Pavilion at the 55th Venice Biennale; Tate Modern, London; New Museum, New York; 9th Berlin Biennale; Manifesta 10; Centre Pompidou, Paris; and the Museum Ludwig Cologne; among others.
Country of Practice
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Romania
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
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Alexandra Pirici
Subject
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Contributor
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Alexandra Pirici
-
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cb2bc2c5c3598cb56ca4f9cfb1f5baed
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Carlos
Surname or Business Name
Casas
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2017-2018
Birthplace
Spain
Occupation
Professional title or identity
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Carlos Casas is a filmmaker and artist whose practice encompasses film, sound, and the visual arts. His films have been screened and awarded in festivals around the world such as the Venice Film Festival; International Film Festival Rotterdam; Buenos Aires International Film Festival; and Mexico International Film Festival; among others. His work has been exhibited and performed in international art institutions and galleries, including Tate Modern, London; Fondation Cartier, Palais de Tokyo, and Centre Pompidou, Paris; and Hangar Bicocca, Milan. He was an NTU CCA Singapore Artist-in-Residence from December 2017 to February 2018.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Affiliation
Company, organization, or institution name
NTU CCA Singapore
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Carlos Casas
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Asia
Contributor
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Carlos Casas
-
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257976e304c0ad0835ca8dcf8fd4ff8f
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Phill
Surname or Business Name
Niblock
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
Birthplace
United States
Occupation
Professional title or identity
Composer
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Phill Niblock is a New York-based minimalist composer and multi-media musician, and director of Experimental Intermedia, a foundation born in the flames of 1968’s barricade-hopping. He has been a maverick presence on the fringes of the avant-garde ever since.
Country of Practice
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United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
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Phill Niblock
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North America
Contributor
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Phill Niblock
-
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Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Boris
Surname or Business Name
Nieslony
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
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For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
Birthplace
Germany
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Boris Nieslony has worked intensively as a performance artist, curator, archivist, and independent scholar, staging various installations, interventions, and artist projects since the 1970s. He is the Co-founder of Black Market International, a performance group that meets regularly in various configurations to realise group performance projects. And also the instigator of the ASA Foundation, a platform for a self-organising rhizomatic network of performance artists and theorists. Nieslony is recognised as one of the most prolific and significant contributors to performance art. He creates unpredictable and unrepeatable improvisational performance works that manifest “an encounter and its effects.”
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Dublin Core
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Boris Nieslony
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Asia
Contributor
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Boris Nieslony