1
10
130
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Dublin Core
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Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
<a href="https://vimeo.com/ntuccasingapore/seaair-cycle2-announcement?share=copy">https://vimeo.com/ntuccasingapore/seaair-cycle2-announcement?share=copy</a>
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:03:25
Dublin Core
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Title
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Media Conference: SEA - AiR Studio Residencies for Southeast Asian Artists in the EU Cycle 2
Subject
The topic of the resource
Artistic Research
Knowledge Production
Date
A point or period of time associated with an event in the lifecycle of the resource
7 March 2023
Contributor
An entity responsible for making contributions to the resource
Iwona Piorko
Joseph Liow
Anna Lovecchio
Karin Oen
Priyageetha Dia
Ngoc Nau
Nguyen Hong Ngoc
Saroot Supasuthivech
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
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Title
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Programmes
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Participants
Names of individuals or groups participating in the event
Zulkhairi Zulkiflee
Alfian Sa'at
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:09:42
Dublin Core
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Title
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Residencies AiRCAST Episode #13: Zulkhairi Zulkiflee
Subject
The topic of the resource
Identity
Cultural Heritage
Knowledge Production
Description
An account of the resource
Kicking off the first episode of our third season, we hand the microphone over to acclaimed playwright, writer, and poet Alfian Sa’at for a conversation with our Artist-in-Residence Zulkhairi Zulkiflee. In this insightful exchange dotted with amusing observations on Singaporean Malay slang, the two trace Zulkhairi’s artistic trajectory—from his educational background to his ongoing inquiry into Malay social ontology and into the politics of representation. Throughout the conversation, they discuss the trope of the “Malay boy” that features prominently across Zulkhairi’s body of work, addressing questions of agency, empowerment, and the subject-object dichotomy in art. Zulkhairi also opens up about his current research on the Malay slang word “world” which he frames as a concept and a creative proposition to find new ways of looking at historical representations of minorities.
Contributors: Zulkhairi Zulkiflee, Alfian Sa'at
Editor: Anna Lovecchio
Programme Manager: Nadia Amalina
Sound Engineer: Ashwin Menon
Intro & Outro Music: Zachary Chan
Cover Image & Design: Arabelle Zhuang, Kristine Tan
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
An entity responsible for making contributions to the resource
Zulkhairi Zulkiflee
Alfian Sa'at
Anna Lovecchio
Nadia Amalina
Ashwin Menon
Zachary Chan
Format
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Podcast
Language
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English
Identifier
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<a href="https://www.buzzsprout.com/1845756/13341645-aircast-13-zulkhairi-zulkiflee">https://www.buzzsprout.com/1845756/13341645-aircast-13-zulkhairi-zulkiflee</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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cf06c2e016e5884e0a8c662fc91b5b4b
Dublin Core
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Rights
Information about rights held in and over the resource
NTU CCA Singapore
Dublin Core
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Title
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Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Digital technology innovations tend to secure knowledge in the hands of a limited number of institutions and corporations, but Indonesian group Critical Making adheres to the principle of openness, organised through citizen initiation and run by grassroots-level collectives, to create physical objects much like how the open-source movement allows for innovations in software.
Programme Type
Conference and Symposium
Audience
Professional
Graduate/Post-Graduate
General
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
No
Education
No
Dublin Core
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Title
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Flash Lecture: Collective Making and Domestic Hacking by Irene Agrivina, Artist, Co-founder HONF and XXLAB
Subject
The topic of the resource
Knowledge Production
Technology
Description
An account of the resource
Saturday, 18 February 2023 11.00am<br />Venue: CREATE Tower, 1 Create Way, Theatrette Level 2, Singapore 138602<br /><br />Digital technology innovations tend to secure knowledge in the hands of a limited number of institutions and corporations, but Indonesian group Critical Making adheres to the principle of openness, organised through citizen initiation and run by grassroots-level collectives, to create physical objects much like how the open-source movement allows for innovations in software. Each individual has the right and access to knowledge and the process of creating with materials and technology. In Indonesia, collectives play an important role as the driving force of the cultural sector and as catalysts for social and economic development. However, even though these collectives are open to any gender, female and nonbinary gender participation in open science and citizen science movements are still relatively small and imbalanced. Moreover, in the digital technology industry at large, true inclusion remains lacking, as women, trans people, and children are “included” as mere users and consumers. This non-inclusive creation process creates inequality and stifles true innovation. Domestic Hacking intervenes by involving women, trans people, and children in making and hacking.
Date
A point or period of time associated with an event in the lifecycle of the resource
2023-02-18
Contributor
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Irene Agrivina
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Kelsi
Surname or Business Name
Matwick
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2023
Affiliation
Company, organization, or institution name
University of Florida
Embry-Riddle Aeronautical University, United States
Birthplace
United States
Occupation
Professional title or identity
Instructor, University Writing Program
Adjunct Assistant Professor
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Dr. Kelsi Matwick (United States), PhD, teaches at the University of Florida. A food and language scholar, Kelsi explores how we communicate about food, through food, and around food. Cookbooks, cooking shows, food radio, food politics, and storytelling inspire her research and publications in academic journals, newspapers, and a book co-authored with her twin sister. Kelsi teaches a course on the future of food with topics including sustainability, food waste, and food production.
Personal Website
Leave blank if not applicable
<a href="http://kelsimatwick.com/">http://kelsimatwick.com/</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Course Facilitator
Speaker
Dublin Core
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Title
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Kelsi Matwick
Subject
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Sustainability
Knowledge Production
Contributor
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Kelsi Matwick
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
-
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956f308d339537cab7a0736fcd9af93f
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Rights
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NTU CCA Singapore
https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/d0d1bd58bfece00c53dc8f2cea56d641.jpeg?Expires=1712793600&Signature=UpV%7ESeqGcTU-n8on5GW4TmHgELiNQJwwcNXBiwmYRbdBB7eHta-xYNnNNaFJssmGl9wpIp0DhJsTAv0-6Goo3StJu77pUo0oJoKljFYzcT4bKIGEKP0SNXIr216Qgkz6hDBnt6qslj2Ez9PDMh2Cu24jiGtTpuQPLaBTAjvDUioyHEMUkfzWD7Mm7pYNssmwdL0ODNiMrijaGH55T35NUZ4L0daPDySUfsWe4jDBeY%7E3F1jBAEJm-aVMVaFAUbsf6SEZpMpgGgxPP8u5IXOTJNQLSm9bC3tiN3IEliW5R9sCSCu1JfczTaokgnYVMsjYrs7tKnnAHQ7cFDwGlJ4-sg__&Key-Pair-Id=K6UGZS9ZTDSZM
0539252d70d4fefa2790f5a12713d9d6
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Rights
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NTU CCA Singapore
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Title
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Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
This workshop is part of Adeline Kueh’s larger body of work that examines the history of foraging, oral traditions and existing knowledge systems based on the artist’s cartographic research and reconsiders the human-nature relationship in light of climate change and the current pandemic.
Programme Type
Workshop
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
Yes
Commissioned Work
No
Education
Yes
Dublin Core
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Title
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Healing Remedies & Roadside Beauties: Adeline Kueh
Subject
The topic of the resource
Indigenous Knowledge
Knowledge Production
Botany
Description
An account of the resource
Workshop<br />Sunday, 19 February 2023<br />2.30 – 4.30pm<br />Venue: NTU CCA Singapore, Block 37 Malan Road, #01-02, Singapore 109452<br /><br />What alternative narratives and creative strategies of healing practices, food histories, folk and community knowledge and its relation to land may be brought to the fore? Could there be a legacy through narratives around food and a way to resurface “lost knowledge” while bringing together various forms of cross-cultural wisdom? This workshop is part of Adeline Kueh’s larger body of work that examines the history of foraging, oral traditions and existing knowledge systems based on the artist’s cartographic research and reconsiders the human-nature relationship in light of climate change and the current pandemic. The workshop explores alternative knowledge-building of flora-fauna’s healing elements that can be responsive towards our immediate ecological concerns as well as applied by future generations.
Date
A point or period of time associated with an event in the lifecycle of the resource
2023-02-19
Contributor
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Adeline Kueh
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Karen
Surname or Business Name
Shepherd
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2023
Affiliation
Company, organization, or institution name
UCCN Kuching Creative City, Malaysia
Birthplace
Malaysia
Occupation
Professional title or identity
Strategic Director
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Karen Shepherd (Malaysia) is currently the Strategic Director for UCCN Kuching Creative City and the focal point for Kuching as a “City of Gastronomy” under UNESCO. A writer and content creator living and working full-time out of Sarawak, one of the two Borneo states of Malaysia, she was instrumental in crafting the application for designation in the network, building on her varied experience constructing narrative across a range of media. She is an active player in the creative life of the city in various events and programmes, including as Content Director for the Rainforest World Music Festival. Through her own website, www.ceravasarawak.com, which won Best Personal Website at the Malaysian Website Awards in 2019, she tells stories about Sarawak and its unique culture. Karen holds an LLB<br />in Laws from King’s College, University of London and a Master’s in Communication and Culture from the London College of Fashion.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Malaysia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Course Facilitator
Speaker
Dublin Core
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Title
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Karen Shepherd
Subject
The topic of the resource
Knowledge Production
Biodiversity
Contributor
An entity responsible for making contributions to the resource
Karen Shepherd
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
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Title
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Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Future Trees and the Pulp of History (2) is a combined presentation by Artist-in-Residence Ho Rui An and artist Tan Biyun that explores the artists’ shared interests in participatory democracies, historical archives and speculative futures.
Programme Type
Talk and Lecture
Programme Series
OPEN Studios
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Future Trees and the Pulp of History (2) by Ho Rui An, Artist-in-Residence, and Tan Biyun (Singapore), artist
Subject
The topic of the resource
Artistic Research
Archival Practice
Knowledge Production
History
Description
An account of the resource
13 Jan 2017, Fri 07:00 PM - 11:00 PM 14 Jan 2017, Sat - 15 Jan 2017, Sun 12:00 PM - 07:00 PM 21 Jan 2017, Sat - 22 Jan 2017, Sun 12:00 PM - 07:00 PM <br />Other days by appointment. <br />Residencies Studio #01-03, Block 37 Malan Road<br /><br /><p><em>Future Trees and the Pulp of History (2) </em>is a combined presentation by Artist-in-Residence <b>Ho Rui An</b> and artist <b>Tan Biyun</b> that explores the artists’ shared interests in participatory democracies, historical archives and speculative futures. Their works engage various strategies to rearrange existing narrative structures and activate new forms of political imagination.</p>
<p>As a consolidation of the research undertaken during his residency with NTU CCA, Ho presents a selection of material relating to the history of foresight, both globally and within the Singapore public sector. This includes a set of images extracted from a CD-ROM produced on the occasion of an exhibition organised in celebration of Public Service 21 (PS21), an initiative that can be regarded as a precursor to the current Smart Nation programme. Together, these materials variously project forms of millennial optimism or anxiety—the former exemplified by Peter Schwartz <span class="s1">and Peter Leyden</span><span class="s2">’s </span>seminal essay “The Long Boom”, the latter by two national scenarios created by the Scenario Planning Office in Singapore describing the city-state in states of crisis.<br /><br /></p>
<p>Against this history of the future presented in Ho’s collection, Tan posits a speculative near-future where the history of Singapore faces the fate of being pulped. Tan conjures a scenario where students, sick of the propaganda purveyed in their textbooks, have abandoned the study of History altogether, prompting the Ministry to recall and destroy all textbooks in circulation. Conceived as a “protest against forgetting” (Eric Hobsbawn), Tan’s <em>The Unforgetting Space</em> seeks a more inclusive understanding of the past and triggers the process of reclaiming the writing of history from the authorities. This participatory project features several textbooks dating from the 1970s and two old typewriters on which audiences are invited to retype historical episodes selected from the books. They are also encouraged to contribute a text based on their own sources should a historical episode be found to be missing or misrepresented.</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
13 - 22 January 2017
Contributor
An entity responsible for making contributions to the resource
Ho Rui An
Tan Biyun
-
Dublin Core
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Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Talk and Lecture
Audience
General
Programme Series
OPEN Studios
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
Residencies OPEN: Gillman Barracks 4th Anniversary Celebrations
Subject
The topic of the resource
Archival Practice
Artistic Research
Identity
Knowledge Production
Capitalism
Description
An account of the resource
<div class="event_single_dates text__residencies">23 Sep 2016, Fri 7:00pm - 11:00pm<br />24 Sep 2016, Sat 2:00pm - 7:00pm</div>
<div class="event_single_venue">Residencies studios, Blocks 37 & 38 Malan Road<br /><br /><p>Residencies: <em>OPEN</em> offers a rare insight into the often introverted sphere of the artists’ studio. Through showcasing discussions, performances, research and works-in-progress, Residencies: <em>OPEN </em>profiles the diversity of contemporary art practice and the divergent ways artists conceive artwork with the studio as a constant space for experimentation and contemplation.</p>
<p class="p1"><strong>Antariksa</strong>, Block 38, Malan Road, Studio #01-05</p>
<p>As part of his residency at the NTU CCA Singapore, Antariksa researches the history of the Japanese Occupation (1942-1945) in Singapore. He is especially interested in collecting historical evidence of the propaganda strategies pursued by the occupiers and compare them with the forms of resistance and alternative visual strategies developed by the artists at the time. This project is part of a wider study on the history of art collectivism in Asia under the Japanese Occupation.</p>
<p>The presentation of archival material and images in his studio has been made possible thanks to the National Archives of Singapore.<br /><br /></p>
<p class="p1"><strong>Heman Chong</strong>, Block 38, Malan Road, Studio #01-07</p>
<p><em>The Library of Unread Books<br /></em>Ongoing project</p>
<p><em>The Library of Unread Books</em> is Heman Chong’s long-term project: a members-only reference library made up of donated books that are unread by their previous owners. The cost of a lifetime membership to the library is the donation of a single unread book. In keeping with the artist’s intimate longing for a space to go to in the dead of the night to encounter books he has never thought of reading, “night passes” will also be issued for visitors and the Library will be open for 24 hours every Friday night from 7.00pm to 7.00pm the next day.<br /><br /><span>Chong is a Singaporean artist, writer, and curator whose practice develops across a variety of media. He often works as a facilitator of situations in which new narratives and modes of intellectual exchange are enacted to rethink conventional modes of sharing and transmitting knowledge. Since 2003, he has been interested in negotiating public space as a site of speech. For his six-month research at the NTU CCA Residencies Programme, he intends to turn his studio into an artist-run space where other artists can present their works, gather for discussion, and find a quiet space for contemplation.</span></p>
<p><strong>Ho Rui An</strong>, Block 37, Malan Road, Studio #01-03</p>
<p><em>IN-RESIDENCE<br /></em>2014<br />HD video<br />17 min 30 sec</p>
<p>Produced during a residency on-board a transatlantic vessel, the video interweaves two layers of time experienced by the artist during the month-long journey: that of being “in-residence” and that of being “on expedition”. Two literary characters serve as points of reference for the film’s invisible protagonist: the colonial officer Percival from Virginia Woolf’s <em>The Waves</em> (1931) and from Italo Calvino’s novel<em> Mr Palomar</em> (1983). Exploring the dissonance between the sense of nausea experienced by the artist during the residency and the scientific scope of the expedition, the film muses upon representational technologies that turn the natural world into an image.<br /><br /><span>Ho Rui An is an artist and writer who works at the intersection of contemporary art, cinema, performance, and theory. He writes, talks, and thinks around images investigating their sites of emergence, transmission, and disappearance within the contexts of cultural production. Recently he has focused on the aesthetic form of the “lecture performance” to explore the relationship between art, research, and the circulation of knowledge. During his residency at NTU CCA Singapore, Ho intends to study the aesthetics of “futurecraft” and of “horizon scanning” programmes run both by the state and private entities.</span><br /><br /></p>
<p class="p1"><strong>Ato Malinda</strong>, Block 37, Malan Road, Studio #01-04</p>
<p><em>Drawings<br /></em>2016<br />Mixed media<br />Dimensions variable</p>
<p>Since 2012, Ato Malinda has been working on a series of drawings that relate to her innermost feelings and fantasies about gender-related issues. Often inspired by events in her life and in the life of her friends, the drawings outline half-human, half-animal creatures caught up in intimate situations and pensive poses.</p>
<p><em>On fait ensemble<br /></em>2010<br />HD video<br />10 min<br /><br />Mami Wata was a water spirit worshipped in Africa long before the arrival of the Europeans. In the 1880s a German hunter married a Southeast Asian woman and brought her to Hamburg where she performed in <em>Völkerschau</em> (human zoo) as a snake charmer. A lithograph of hers was reprinted in Bombay in 1955 and eventually came to West Africa where it was recognised as a portrait of Mami Wata. Re-enacting the arrival of the image in Africa, the artist reflects on the complex patterns of exchange and contamination that determine cultural identities.<br /><br /><span>The work of Malinda encompasses performance, drawing, painting, installation, video, and ceramic sculpture and investigates the nature of African identity, contesting notions of authenticity as well as fixed assumptions about gender and sexuality. During her residency at the NTU CCA Singapore, she is conducting archival research on the Tang shipwreck — occurred 380 miles off the Singapore Strait around 830 CE — to explore concepts of hybridity and globalisation in relation to Singapore’s history of sea trading and porcelain manufacturing.</span></p>
<p class="p1"><strong>Bo Wang</strong>, Block 37, Malan Road, Studio #01-02</p>
<p class="p1"><em>Spectrum, or the Singapore Dan Flavin</em><br />2016<br />Seven fluorescent tubes</p>
<p class="p2">With a formalistic reference to Dan Flavin, seven fluorescent tubes are arranged in a grid structure that propagates different shades of white in the space. The spectrum of white lights are in different colour temperatures, which were sampled from various social spaces in Singapore, from polished restaurant, luxury hotel, to industrial buildings and dormitory of migrant workers.<br /><br /><span>As a visual artist and a film maker, Bo Wang observes contemporary urban landscapes that are undergoing intensified processes of transformation and excavates the power structures and cultural anxieties related to these accelerated forms of transitions. His work depicts provocative portraits of China examining the ways in which the State retains its authoritarian way of rule while pursuing capitalism. For his residency at NTU CCA Singapore, Wang is researching the politics of space, issues of territorial expansion, and the social implications surrounding the pursuit of sand in Singapore where 22% of her land mass has been reclaimed from the sea through sand acquired from neighbouring countries.</span></p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
23 - 24 September 2016
Contributor
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Antariksa
Heman Chong
Ho Rui An
Ato Malinda
Bo Wang
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
-
Dublin Core
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Title
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Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Talk and Lecture
Audience
General
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
Yes
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
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Artist’s Talk: Isaac Julien
Subject
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Knowledge Production
Description
An account of the resource
24 Oct 2014, Fri 7:00pm - 8:30pm, School of the Arts Singapore (SOTA) <br /><br />This talk takes place at School of the Arts Singapore (SOTA) and is part of the Louis Vuitton – SOTA Arts Excellence Programme. Isaac Julien will share his approach in filming and research at the basis of his most recent films, which include Playtime (2014) and Ten Thousand Waves (2010).<br /><br />A public programme of <em>Theatrical Fields: Critical Strategies in performance, film and video</em>.
Date
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2014-10-24
Contributor
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Isaac Julien
Coverage
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Europe
Middle East
Asia
-
Dublin Core
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Title
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Programmes
Event
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Duration
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00:57:03
Participants
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Fazleen Karlan
Samantha Yap
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Residencies AiRCAST Episode #8: Fazleen Karlan
Subject
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Archival Practice
History
Identity
Knowledge Production
Topography
Ways of Seeing
Description
An account of the resource
<p>In this episode, curator Samantha Yap digs deep into the practice of Artist-in-Residence Fazleen Karlan. We are happy to bring the two of them back together, after they first collaborated a couple of year ago on an exhibition titled <em>Time Passes </em>(2020-21), to talk about Fazleen’s evolving artistic sensibility and sources of inspiration.</p>
<p>In this circular conversation that revolves around a shared reading, the novel <em>Lighthousekeeping </em>by Jeanette Winterson, Fazleen and Samantha exchange memories, experiences, and thoughts about time, materiality, pop culture, and the vitality of archaeology in Fazleen’s work. And they do so with that special kind of fluid intimacy that interlaces persons of the same age. Just a few words to introduce them.<br /><br /><span>Contributors: Fazleen Karlan, Samantha Yap</span><br /><span>Editor: Anna Lovecchio</span><br /><span>Programme Manager: Nadia Amalina</span><br /><span>Sound Engineer: Ashwin Menon</span><br /><span>Intro & Outro Music: Yuen Chee Wai</span><br /><span>Cover Image & Design: Arabelle Zhuang, Kristine Tan</span></p>
Date
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2022-07-07
Contributor
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Fazleen Karlan
Samantha Yap
Anna Lovecchio
Nadia Amalina
Ashwin Menon
Yuen Chee Wai
Format
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Podcast
Language
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English
Identifier
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<a href="https://www.buzzsprout.com/1845756/11089842-aircast-8-fazleen-karlan">https://www.buzzsprout.com/1845756/11089842-aircast-8-fazleen-karlan</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia