Knowledge Production]]> Technology]]> Orit Gat]]> Middle East]]> Europe]]> History]]> Knowledge Production]]> Identity]]> Knowledge Production]]> Wu Mali]]> Knowledge Production]]> Mechtild Widrich]]> Performance]]> Southeast Asia]]> Tradition]]> Knowledge Production]]> Fiction]]> Saleh Husein]]> Object]]> Painting]]> Southeast Asia]]> Knowledge Production]]> Pulp is part of her lifetime project, as an attempt to bridge languages/histories/cultures and civilisations in a globalised world where homogenisation and imposed ideas of conformity have led to their disappearance. While in residence, Rao will look primarily at Singapore and Southeast and South Asia, drawing connections between languages (Jawi and Sanskrit, for example), the histories of print, mass literacy and the role of archives in defining national identities especially in a post-colonial context. Through this research Rao hopes to create discourse about the way we use collate, sort, keep and discard knowledge, and the relevance of this to individual and national identities, as well as the implications for humanism and our species as a whole.]]> Shubigi Rao]]> Installation]]> Asia]]> Knowledge Production]]> Cijin’s Tongue. Set up with the support of the National Sun Yat-sen University in the kitchen of a former military dormitory in Cijin District (Taiwan), Cijin’s Tongue is a multicultural lab for social innovation. Over the last century, what used to be a fishermen’s village turned into a container port and tourist destination gathering a diverse community of inhabitants hailing from China and Southeast Asia. Focusing on the quotidian act of food consumption, Wu utilises cooking, eating, tasting, and sharing as heuristic tools to examine processes of social change brought about by colonialism, the Cold War, and globalisation. During the residency, she plans to broaden the scope of her research by exploring analogous patterns of change in the specific context of Singapore researching local food economies and practices of food consumption.]]> ]]> Wu Mali]]> Curating]]> Southeast Asia]]> Hard, however, and useful is the small, day-to-day work Programme Guide]]> Artistic Research]]> Knowledge Production]]> Labour]]> Hard, however, and useful is the small, day-to-day work Programme Guide]]> Darcy Lange]]> Mercedes Vicente]]> Guide]]> Oceania]]> Exhibit 101: Li Ran and Gary Ross Pastrana Programme Guide]]> Artistic Research]]> Knowledge Production]]> Exhibit 101: Li Ran and Gary Ross Pastrana Programme Guide]]> Li Ran]]> Gary Ross Pastrana]]> Guide]]> Southeast Asia]]> Geopolitics]]> Knowledge Production]]>
The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context is conceived as an extension to Charles Lim’s SEA STATE project presented at the Singapore Pavilion and is in response to Okwui Enwezor’s curatorial theme for the 56th International Art Exhibition – la Biennale di Venezia: All the World’s Futures. It is organised by the NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) under its Research & Education programme, which aims to connect academic research with other forms of knowledge production.

The programme is commissioned by the National Arts Council of Singapore (NAC).]]>
Thomas J. Berghuis]]> Carla Bianpoen]]> Doryun Chong]]> Heri Dono]]> Patrick D. Flores]]> Natasha Ginwala]]> Vincent J.F. Huang]]> Charles Lim]]> Mariano G. Montelibano III]]> Shabbir Hussain Mustafa]]> Jose Tence Ruiz]]> Eugene Tan]]> Ute Meta Bauer]]> Lee Weng Choy]]> Postcard]]> Southeast Asia]]>