On AiR with Ben Loong
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Today on On AiR, Artist-in-Residence Ben Loong invites us into his studio to share about his artistic practice that’s preoccupied with the concept of work and labour, seeking to unpack the value systems that are embedded in material culture. His interest in industrial materials has led him to his current investigation into the history of brick trade in Singapore. Watch on to find out how Ben has been spending his residency mapping out the networks underpinning the employment of this material in the local architectural landscape.
2023
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English
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Priyageetha Dia
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<div class="type-subtitle highlight-yellow"><b>17 April - 14 July 2023<br />Artist-in-Residence at Jan van Eyck Academie (Maastricht)</b></div>
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<p><em>“To be given this opportunity to further my research and artistic practice at Jan van Eyck Academie is an incredible one. Being part of the SEA AiR residency in the EU will allow me to explore the potential for a deeper and broader comprehension beyond the Southeast Asian landscape and into the corners and crossings that ties its relation to the Netherlands. To be able to witness, engage in and respond to an interdisciplinary environment with the possibility to gather with other peers and cultural workers, access resources and facilities, and share knowledge is what I am really looking forward to.”<br /><br /></em>Priyageetha Dia is an arts practitioner who experiments with time-based media, 3D animation and game engine software. Her practice addresses the transnational migration of ethnic communities and the intersections of the colonial production with land, labour and capital in Southeast Asia through speculative methods and counter-narratives. She has been invited to participate in several exhibitions including the Kochi-Muziris Biennale, India (2022); Attention Seeker, La Trobe Art Institute, Bendigo, Australia (2022); An Exercise of Meaning in a Glitch Season, National Gallery Singapore (2020); 2219: Futures Imagined, ArtScience Museum Singapore (2019). She was a recipient of the IMPART Art Award in 2019.</p>
<p>The migratory movements of her ancestral lineage from Southern India to Malaysia, and later to Singapore, sparked Priyageetha’s deep-seated engagement in South Asian diasporic histories, the labour relations that underlie plantation agriculture in Malaya and the vast terrain of colonial narratives. Interweaving these research threads in her multimedia practice, her works figure alternative histories that empower subaltern forms of existence. </p>
<p>During her residency at Jan Van Eyck Academie, the artist is interested in delving deeper into the emergence and expansion of agro-industrial plantation projects, the dispossession and displacement of lands and communities in Southeast Asia, and their relation to The Netherlands through archival research. Moreover, the residency will provide her with a supportive environment to articulate critical viewpoints and counter-narratives through her ongoing and self-led experiments with computer-generated imagery (CGI), animation technologies and game engine software while also allowing her to gain an understanding of issues related to contemporary transnational interactions within Southeast Asia and Europe.</p>
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17 April - 14 July 2023
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Allan Sekula Symposium Part 1: Working with Allan Sekula
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<span>26 Sep 2015 10.30am – 2.30pm <br /><br />On the occasion of Allan Sekula’s exhibition, Fish Story, to be continued, NTU CCA Singapore presents an international symposium that will mark a concluding point to the show and will highlight the continued relevance of Allan Sekula’s work and writings on the theme of globalisation and capitalism. The symposium will bring together art professionals who have collaborated with Allan Sekula across the years, as well as different researchers and artists who share a set of common interests with his work.The programme will focus on key themes underlying Allan Sekula’s practice including questions of critical realism in contemporary art, representation of labour as well as the vast topic of the sea.<br /><br />Part 1: Working with Allan Sekula Speakers: Hilde van Gelder, Carles Guerra, Roger Buergel and Mercedes Vicente. Moderated by Ute Meta Bauer<br /></span>
2015-09-26
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Chen Kaige
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Zhang Nuanxin
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The Artist’s Cut: Sunday Film Screenings -《青春祭》Sacrifice of Youth | 1985 | China | 105mins | Mandarin with English subtitles Directed by Zhang Nuanxin
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8 Feb 2015, Sun 2:00pm<br /><br />Set in the period of the Cultural Revolution in China, the film follows the story of a young girl as she is sent to the countryside for re-education. Adapted from a novel by Zhang Manling, the film reflects the kind and warm-hearted characteristics of the Dai folk despite living in a tumultuous period. Through the experience of a young girl, Sacrifice of Youth appeals in its dreamy portrayal of a youthful awakening.<br /><br />A public programme of <em>Yang Fudong: Incidental Scripts</em>.
2015-02-08
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Tekla Aslanishvili
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Screening: Three Sisters by Wang Bing (China). Selected by Dr Marc Glöde (Germany/Singapore), Assistant Professor, School of Art, Design and Media, NTU
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<div class="event_single_dates text__exhibitions">4 Aug 2017, Fri 07:30 PM - 09:00 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road<br /><br /><p class="p1">The documentary film <i>Three Sisters</i> tells the story of Ying (10 years old), Zhen (6 years old) and Fen (4 years old) who live alone and in extreme poverty in the high mountains of the Yunnan region. The father works in the town a few hundred kilometers away and the mother has left long ago. The little girls spend their days working in the fields or wandering in the village. Through Wang’s compassionate eye, the daily struggle of the villagers is captured, testifying to the inequality and unfairness present in the midst of the country’s economic boom.</p>
<p class="p1">This screening is part of the public programme of <span>Ulrike Ottinger: <em>China. The Arts – The People, Photographs a</em><em>nd Films from the 1980s and 1990s</em></span>.</p>
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2017-08-04
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Yeoh Lam Keong
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Film Screenings in collaboration with the Asian Film Archive
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Sat 25 Jul 2015<br />Block 43 Malan Road, The Single Screen<br /><br />This is the second screening session in collaboration with the Asian Film Archive (AFA) as a response to NTU CCA Singapore's yearlong framework, PLACE.LABOUR.CAPITAL. The Asian Film Archive was founded in 2005 with the mission to preserve and share the film heritage of Asia.<br /><br /><em><span style="text-decoration:underline;">Punggok Rindukan Bulan </span></em><span style="text-decoration:underline;">(</span><em><span style="text-decoration:underline;">This Longing, </span></em><span style="text-decoration:underline;">2008), Directed by Azharr Rudin</span><em></em><br />12.30pm - 2.30 pm|122 min|Malaysia|Malay with English subtitles<br /><br /><em>Punggok Rindukan Bulan</em>, directly translated from Malay as "the owl misses the moon", is a reflection on longing. Set in the border town of Johor Bahru, Malaysia, the film focuses on a teenage boy and his father, who are faced with the sudden absence of a key female figure in their life.<br /><br /><span style="text-decoration:underline;"><em>Return to Burma</em> (2011), Directed by Midi Z</span><br />7.30 pm - 9.00 pm|84 mins|Myanmar/Taiwanz|Mandarin/Burmese with English subtitles<br /><br />The film focuses on the story of a Burmese labourer who has worked on construction in Taipei for 10 years. Changes in Myanmar prompt him to return with the ashes of his friend and co-worker who died in Taipei. Back in his home village he feels like a stranger in a foreign land with family, friends and neighbours living in poverty.
2015-07-25
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