2
10
111
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Shaoji
Surname or Business Name
Liang
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
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2018
Birth Date
1945
Birthplace
China
Occupation
Professional title or identity
Artist
Biographical Text
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Liang Shaoji’s practice intersects science and nature, biology and bio-ecology, weaving and sculpture, and installation and performance. He has been working with silkworms for almost three decades, using the life process of these insects as a medium. Liang graduated from the Zhejiang Academy of Fine Arts (now renamed China Academy of Fine Arts, Hangzhou) in 1965 and studied at the university’s Varbanov Institute of Tapestry. Now working in Tiantai, Zhejiang Province, his works are filled with a sense of meditation, philosophy, and poetry, while illustrating the inherent beauty of silk. Selected exhibitions include <i>Cloud Above Cloud</i>, Museum of China Academy of Art, Hangzhou (2016); <i>What About the Art?, Contemporary Art from China</i>, Al Riwaq, Doha (2016); <i>Liang Shaoji: Back to Origin</i>, ShanghART Gallery, Shanghai (2014); <i>Art of Change</i>, Hayward Gallery, London (2012); <i>Liang Shaoji</i>, Prince Claus Fund, Amsterdam (2009); among others. He was awarded the Prince Claus Award in 2009 and the Chinese Contemporary Art Award (CCAA) in 2002. In September 2018, Liang will have a solo exhibition at M Woods, Beijing.
Country of Practice
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China
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
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A name given to the resource
Liang Shaoji
Subject
The topic of the resource
Materiality
Geopolitics
Indigenous Knowledge
Ecosystems
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Liang Shaoji
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Vivian
Surname or Business Name
Xu
Years Affiliated
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2018
Birth Date
1985
Birthplace
China
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Vivian Xu’s practice focuses on the exploration and intersection of electronic and bio media. While creating new forms of machine logic, life, and sensory systems, Xu explores the possibilities of designing a series of hybrid bio-machines that are capable of generating self-organised silk structures that combine the silkworms’ natural production process with automated computational systems of production. She is the co-founder of Dogma Labs, a cross-disciplinary laboratory based in Shanghai, dedicated to integrating design, research, education, and production with the areas of computation, biology, and digital fabrication. Xu holds an MFA in Design and Technology from Parsons the New School for Design, New York (2013) and is currently a Global Pre-Doctoral Fellow at New York University Shanghai. Xu has exhibited and lectured at various institutions around the world, including the National Art Museum of China, Beijing; Central Academy of China, Beijing; Chronus Art Center, Shanghai; Rockbund Art Museum, Shanghai; Art Laboratory Berlin; SymbioticA, the University of Western Australia; and China Academy of Art, Hangzhou.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
China
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
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Vivian Xu
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Geopolitics
Indigenous Knowledge
Ecosystems
Contributor
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Vivian Xu
-
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ad0bdd10a9b36b22899ce1c649c2f737
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Tarek
Surname or Business Name
Atoui
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
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2018
Birthplace
Lebanon
Occupation
Professional title or identity
Sound Artist
Composer
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Tarek Atoui studied contemporary and electronic music at the French National Conservatory of Reims. He navigates between the vocabularies and aesthetics of the visual arts, performing arts, and music, redefining contemporary composition and sound production. In 2012, Atoui launched Serpentine Gallery’s <i>Memory Marathon</i> event in London with a five-hour performance that blended influences of traditional Arabic music with contemporary genres including electronic and hip-hop. He was co-artistic director of the Bergen Assembly 2016, a triennial in Norway. Recent projects have taken place at the Tate Modern, London (2016); Fondation Louis Vuitton, Bois de Boulogne (2015); Bonniers Konsthall, Stockholm (2013); and Norbergfestival (2013). Selected exhibitions include <i>Art or Sound</i>, Fondazione Prada, Ca’ Corner della Regina, Venice (2014); <i>Within</i>, Sharjah Biennial 11 (2013); <i>Metastable Circuit, la Lutherie and Dimis Reconnected</i>, dOCUMENTA 13, Kassel (2012). His work has been part of biennials including the Marrakech Biennale (2016); 8th Berlin Biennial (2014); 9th Biennale do Mercosul, Porto Alegre (2013); and the 9th and 11th Sharjah Biennial (2009/13).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1980
Dublin Core
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Title
A name given to the resource
Tarek Atoui
Subject
The topic of the resource
Performance
Body
Materiality
Nature
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Europe
Contributor
An entity responsible for making contributions to the resource
Tarek Atoui
-
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8097f3f5f413ac72d5e9aadcfd050a77
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Chee Wai
Surname or Business Name
Yuen
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
2021-2022
Birthplace
Singapore
Occupation
Professional title or identity
Musician
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Musician, artist, designer, and curator Yuen Chee Wai (b. 1975, Singapore) is known for his commitment to improvised music and experimental projects that explore memory and loss, indeterminacy and invisibility. Ranging from the obsolescent and the newfangled, his eclectic toolbox comprises noise, field recordings, found sounds as well as guitars and various electronic instruments which reverberate with critical perspectives inspired by philosophy, literature, film, and politics. Together with FEN (Far East Network), an improvised music quartet he co-formed in 2008, Yuen is active in triggering multifaceted collaborations across Asia. Since 2014, he is Project Director of Asian Music Network for which he co-curates Asian Meeting Festival. Yuen is also a member of the experimental band The Observatory with whom he plays guitar, efx and objects, and organises a range of projects such Playfreely and BlackKaji.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Collaborator
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1975
Dublin Core
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Title
A name given to the resource
Yuen Chee Wai
Subject
The topic of the resource
Performance
Displacement
Materiality
Nature
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Yuen Chee Wai
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Mark
Surname or Business Name
Wong
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
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2018
Birthplace
Singapore
Occupation
Professional title or identity
Music Curator
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Mark Wong has been active in experimental music, sonic arts and independent music practice in the last decade, playing multiple roles as organiser, programmer, artist, curator, writer, and label producer. His sound compositions, site-specific works, sound walks, sound objects, and multi-channel installations have been exhibited at Singapore Art Museum, 8Q@SAM, Institute of Contemporary Arts Singapore, Jendela (Visual Arts Space), and Yavuz Gallery. In 2010, Wong conceived Ujikaji as a music label and event organiser with a focus on experimental music in Singapore and Southeast Asia.
Country of Practice
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Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Collaborator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mark Wong
Subject
The topic of the resource
Performance
Body
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Nature
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Mark Wong
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Éric
Surname or Business Name
La Casa
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
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2018
Birthplace
France
Occupation
Professional title or identity
Sound Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Éric La Casa has worked in the field of sound creation since the early 1990s through recording, record production, installation, radio, and various types of written publications. Through his aesthetic of capturing sound, his work fits equally into the fields of sound art and music, offering an interesting critical approach to the practice of sound landscape, and questioning our listening methods and schemes. He has recently examined the sound dimension of public spaces and the places in which we spend our private and domestic lives in the context of the project entitled <i>Habiter</i>, and the relation between waiting and listening in L’attente. La Casa collaborated with Tarek Atoui on recording the harbour of Abu Dhabi in 2017 and of Singapore in 2018 for the <i>I/E</i> project.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
France
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Collaborator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
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A name given to the resource
Éric La Casa
Subject
The topic of the resource
Performance
Body
Materiality
Nature
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Éric La Casa
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Dinu
Surname or Business Name
Bodiciu
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
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2016/2018
Birthplace
Romania
Occupation
Professional title or identity
Designer
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Dinu Bodiciu (Romania/Singapore) is a fashion and accessories designer currently teaching Fashion Design in Singapore at LASALLE College of the Arts. His designs are conceptualised as extensions of the human body, tackling aspects situated at the border between dress and skin. His projects include collaborations with Lady Gaga, Hunger Games ep3&4, KCPK, while his designs have been featured in various fashion and design magazines and specialist books published around the world.
Country of Practice
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Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Contributor Type
Collaborator
Dublin Core
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A name given to the resource
Dinu Bodiciu
Subject
The topic of the resource
Design
Materiality
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Contributor
An entity responsible for making contributions to the resource
Dinu Bodiciu
-
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f6f3a05ce852858ea64eb411658b6e47
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Simryn
Surname or Business Name
Gill
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015/2016
Birth Date
1959
Birthplace
Singapore
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Simryn Gill was born in Singapore in 1959 and lives and works in Sydney and Port Dickson, Malaysia. Her wide-ranging practice includes sculpture, photography, drawing and writing. She works from her immediate surroundings employing often modest materials and methods in making works which are attentive to place, provenance and local and personal experience in relation to the world. Her most recent solo presentation, <em>Here art grows on trees</em>, was held in the Australian Pavilion of the 55th Venice Biennale, curated by Catherine de Zegher. Her work was included in dOCUMENTA (12) and (13), Kassel, Germany (2007, 2012) and numerous solo and group exhibitions, including at the Museum of Modern Art, New York (2014), the Solomon R. Guggenheim Museum, New York (2013), the Museum of Contemporary Photography, Chicago (2013), the Getty Center, Los Angeles (2011), the Centre for Contemporary Photograpy, Melbourne (2009), the Museum of Contemporary Art Australia, Sydney (2008), and Tate Modern, London (2006).</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Australia
Malaysia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
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Simryn Gill
Subject
The topic of the resource
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Oceania
Contributor
An entity responsible for making contributions to the resource
Simryn Gill
-
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1baa6b3537ed55babdf5855a1703e21d
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Sissel
Surname or Business Name
Tolaas
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016-2017/2018
Occupation
Professional title or identity
Smell researcher
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Sissel Tolaas (Norway/Germany) has a background in mathematics, chemical science, languages, and visual art. Since 1990, Tolaas’ work is concentrated on the topic of SMELL/ SMELL & LANGUAGE – COMMUNICATION within different sciences, fields of art/ design, and other disciplines. She established the SMELL RE_searchLab Berlin in January 2004, supported by International Flavors & Fragrances Inc. (IFF); founded the Institute of Functional Smells in 2010; and is recently a founding member of FUTURE OF EDUCATION, in collaboration with the Hong Kong Polytechnic University and Future Education Platform, Berlin Palo Alto. Tolaas’ research and projects are recognised internationally and have been presented in several institutions including dOCUMENTA (13), Kassel, Germany; MOMA, New York, United States; Tate Gallery, Liverpool, United Kingdom; Venice Biennale, Italy; and National Art Museum of China, Beijing, China. To date, she has conducted City SmellScape research for 52 cities including Paris, Stockholm, Nuuk, Kansas City, Berlin, Oslo, Mexico City, London, Calcutta, Cape Town, Amman, Shanghai, and now Singapore, among others. Tolaas was a Visiting Research Fellow at NTU CCA Singapore in 2016.</span>
Country of Practice
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Norway
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Research Fellow
Speaker
Collaborator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Birthplace
Norway
Dublin Core
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Title
A name given to the resource
Sissel Tolaas
Subject
The topic of the resource
Materiality
Urbanism
Artistic Research
Description
An account of the resource
Sissel Tolaas is a smell researcher and artist. Since 1990 she has collected an archive of 7,800 scents and has conducted City SmellScape research of and for 52 cities around the world.<br /><br /><strong>Research Focus</strong><br /><p>Fellowship period: 1 July – 31 December 2016</p>
<p>During her fellowship, Sissel Tolaas will be carrying out fieldwork and research on everyday smells in urban environments: smell and tolerance, smell and communication, smell and navigation, etc. Her research focus is on the smell identities of Singapore's diverse neighbourhoods. Tolaas will carry out fieldwork in selected neighbourhoods, particularly areas that have been developed by Singaporean architect William Lim. She will collect and investigate the smell phenomena of each neighbourhood, mapping these neighbourhoods according to their smells. The outcome of Tolaas' research will be presented in NTU CCA Singapore's forthcoming exhibition<span> </span><em>Incomplete Urbanism: Attempts of Critical Spatial Practice</em>.</p>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
Southeast Asia
Contributor
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Sissel Tolaas
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Dublin Core
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Title
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Contributors
Contributor
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First Name
Amy
Enzo
Surname or Business Name
Lien
Camacho
Years Affiliated
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2015/2018
Affiliation
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NTU CCA Singapore
Birthplace
United States
Philippines
Occupation
Professional title or identity
Artist
Biographical Text
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Amy Lien (b. 1987, United States) and Enzo Camacho (b. 1985, Philippines) perhaps recklessly assume the near total dissolution of creative agency as participants in the financially networked public sphere commonly referred to as "art world". Yet, this does not prevent them from generating ever more questions via an image-oriented material production, continuously inaugurating a kind of affective and data-frantic cartography of places connected and disconnected to each other, while employing the standard theoretical rubrics of economics‚ and contemporary art. What results is something like mixed media sculpture, or installation art. <br /><br />The two artists began collaborating in 2009, between New York and Manila. They both received their Bachelor's degrees from Harvard University (Lien in 2009; Camacho in 2007), and their Master's degrees from the Hochschule für bildende Künste Hamburg (both in 2014). Most recently, they were Artists-in-Residence at Gluck50 in Milan, where they curated a group exhibition including artists based in New York, Taipei, and Cairo. They have had solo exhibitions at 47 Canal (New York, USA), Mathew Gallery (Berlin, Germany), Republikha Art Gallery (Quezon City, Philippines), and Green Papaya Art Projects (Quezon City, Philippines), as well as participated in recent group exhibitions at the Kunstverein in Dusseldorf and the Künstlerhaus in Bremen.
Country of Practice
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Philippines
United States
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Artist
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Climates. Habitats. Environments.
Birth Date
1987
1985
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Amy Lien & Enzo Camacho
Subject
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Materiality
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
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Amy Lien
Enzo Camacho