On AiR with Ben Loong
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Today on On AiR, Artist-in-Residence Ben Loong invites us into his studio to share about his artistic practice that’s preoccupied with the concept of work and labour, seeking to unpack the value systems that are embedded in material culture. His interest in industrial materials has led him to his current investigation into the history of brick trade in Singapore. Watch on to find out how Ben has been spending his residency mapping out the networks underpinning the employment of this material in the local architectural landscape.
2023
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English
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Residencies OPEN
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<span><span>Residencies OPEN offers the chance to experience diverse contemporary art practices and the heterogenous ways in which artists conceive an artwork with the studio as a springboard for experimentation and innovation.<br /></span></span>
<p><strong>Residencies OPEN</strong><span> </span>offers a rare insight into the artists’ creative process making their studios accessible to the public. Through research displays and presentations of works-in-progress, Residencies OPEN showcases the diversity of contemporary art practices and the multiplicity of ways in which artists develop their work with the studio as a springboard for experimentation and research.</p>
<p>Do not miss this special opportunity to meet our Artists-in-Residence<span> </span><strong>Yanyun Chen</strong>,<span> </span><strong>Ben Loong</strong>, and<span> </span><strong>Zulkhairi Zulkiflee</strong>, and gain an insight into the research projects they have been developing over the past five months. A range of sketches, research materials, prototypes, experimental installations as well as the artists themselves await you!<br /><br /><span style="text-decoration:underline;"><strong>YANYUN CHEN</strong></span></p>
<p>Saturday, 12 August – Sunday, 13 August 2023<br />2:00 – 7:00 pm<br />Block 38 Malan Road, #01-07<br /><br />Capturing two lines of artistic inquiry that have been unfolding in parallel during her residency, this presentation features the main strands of Yanyun Chen’s practice: the pictorial experiments with botanical forms and her engagement with the intergenerational transmission of pain, shame, and trauma inspired by her own family’s stories. In the past months, the artist has been working on her largest drawings to date. Made with charcoal on aluminium, the two drawings are at different stages of development. Both feature complex floral arrangements devoid of colour and the painstakingly realistic rendition of these botanical forms is complicated by the introduction of unnatural distortions, almost akin to digital glitches, that instill a sense of movement into the tradition of still-life painting. <br /><br />The other research thread explores techniques of physical discipline employed in the family context, their long-lasting effects on individuals as well as the tools of their enforcement. Visitors are invited to browse a variety of research materials, from articles and books addressing physical punishment to surveys conducted by the Singapore’s Children Society and findings drawn from personal conversations with relatives and friends. Alongside the text-based materials are the artist’s manipulations of the instruments of domestic discipline themselves, specifically rattan canes and feather dusters. Breaking down the fibers of rattan canes, Yanyun is experimenting with the act of weaving to explore both the materials and the craftsmanship objects of discipline are made of. They are accompanied by a video work the artist is developing in collaboration with animator Dave Lim. Inspired by the notion of imprinting in relation to both film-making processes (the latent image) and the consequences of caning on a person’s mind and body, the video is composed by a series of flickering closeups that animate the texture of cane.</p>
<p><span style="text-decoration:underline;"><strong>BEN LOONG</strong></span></p>
<p>Saturday, 12 August – Sunday, 13 August 2023<br />2:00 – 7:00pm<br />Blk 37 Malan Road, #01-02</p>
<p>Bringing together a long-standing interest in the materiality of urban structures, the conceptual frictions between fine arts and craftsmanship, and his professional ceramic practice, Ben Loong has spent his residency looking at the history of brick production in Singapore. Now a defunct trade, the art of masonry used to be a burgeoning industry during the colonial era. Reflecting upon the different forms of labour involved in the material production and usages of bricks, the presentation for Residencies OPEN includes the artist’s current explorations around these subjects and two previous works, EB and SB (both 2018), made of resinated gypsum plaster on wood, which were also inspired by brick bond patterns.<br /><br />The multiplicity of brick structures and laying patterns is at the core of the artist’s research. Over the past months, a collection was formed made of bricks found in different parts of Singapore—from sidewalks and construction sites to the forested area around the studio. The bricks are displayed to illustrate a wide variety of structural morphologies. Alongside the found objects are the artist’s own sketches and prototypes: a series of watercolours realised with powder obtained by grinding bricks; experimentations with brick ‘seals’ and Chinese ink on paper; and an industrial brick that was subjected to firing and glazing. Also available is an interactive map of still-existing brick buildings in Singapore which visitors are invited to explore and contribute to.</p>
<p><span style="text-decoration:underline;"><strong>ZULKHAIRI ZULKIFLEE</strong></span><br /><br /><span>Saturday, 12 August – Sunday, 13 August 2023</span><br /><span>2:00 – 7:00 pm</span><br /><span>Block 37 Malan Road, #01-03</span><br /><span> </span><br /><span>In the past five months of his residency, Zulkhairi Zulkiflee has been developing </span><em>World as Method,</em><span> a project that riffs off the Singaporean-Malay slang “world” in relation to the postcolonial notion of “worlding”. As theorised by literary scholar and feminist critic Gayatri Spivak, “worlding” refers to one’s conceptualisation of the world devised through colonial attachments. On the other hand, in colloquial Singaporean-Malay “world” is used to signal boastful aspirations towards a social status higher than one’s own, often conveyed through self-aggrandising story-telling. The creative outcomes of Zulkhairi’s conceptual engagement with different concepts and practices of “world-ing” are presented in the studio. </span><br /><span> </span><br /><span>Through a series of interviews with friends, academics, and fellow creatives, the artist developed a word-associative map which led him to ‘pondok’ (Malay for shelter, or pavilion). Similar pavilions are a common fixture in Singapore’s public housing estates where, as the artist himself experienced, they are used by Singaporean-Malay youth as a place to gather and hang out. The floating installation created for Residencies OPEN evokes the pondok as a space for communality and suspension from the hyper-productive and utilitarian mechanics of contemporary society. Furthermore this studio presentation also includes a selection of the artist’s research materials and prototypes that attempt to articulate concepts of ‘world’ through the language of sculpture and monument. </span><br /><span> </span><br /><span>Part of this Residencies OPEN session is also a lecture performance titled </span><em>World</em><span> which will take place on Saturday, 12 August and Sunday, 13 August from 2.00 – 2.30pm. </span></p>
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12 -13 August 2023
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Residencies AiRCAST Episode #15: Yanyun Chen
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In this episode, we entrusted curator and scholar Karin Oen to converse with our Artist-in-Residence Yanyun Chen. The two come together for a fascinating conversation revolving around the significance of the studio in Yanyun’s practice, revealing how it can act as a stable space for generative experimentation, exploration, and inspiration during transitional periods. Throughout the exchange, Yanyun divulges the importance of materiality in her practice, how the residency has influenced new modes of thinking and working, and the innocuous comments that kindled her interest towards her current research project. They also touch upon Yanyun’s concurrent practices, contemplating the value in allowing them to unfold and weave together naturally.
Contributors: Yanyun Chen, Karin Oen
Editor: Magdalena Magiera
Programme Manager: Nadia Amalina
Sound Engineer: Ashwin Menon
Intro & Outro Music: Zachary Chan
Cover Image & Design: Arabelle Zhuang, Kristine Tan
2023
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English
<a href="https://www.buzzsprout.com/1845756/13841518-aircast-15-yanyun-chen">https://www.buzzsprout.com/1845756/13841518-aircast-15-yanyun-chen</a>
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Residencies AiRCAST Episode #14: Ben Loong
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Materiality">Materiality</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Production">Cultural Production</a>
In this episode, curator Syed Muhammad Hafiz digs deep into the practice of Artist-in-Residence Ben Loong. We are pleased to bring the two of them back together since their last collaboration two years ago for Squaring the Circle, Ben’s solo exhibition curated by Hafiz. In this contemplative conversation, the two trace their concurrent professional growth over the years of collaboration and friendship, all while delving into Ben’s ever evolving artistic sensibilities and interests. They address the significance of the studio space for the development of a material-based practice and how the discipline necessary to upkeep such a space seeps into Ben’s everyday routine. Throughout the conversation, they also weave in discussions on the perennial question of form versus function, the future of ceramics in the current era of technological emphasis, as well as other core themes underlying Ben’s practice such as the value of labour, craftsmanship, and aesthetics in the art world.
Contributors: Ben Loong, Syed Muhammad Hafiz
Editor: Anna Lovecchio
Programme Manager: Nadia Amalina
Sound Engineer: Ashwin Menon
Intro & Outro Music: Zachary Chan
Cover Image & Design: Arabelle Zhuang, Kristine Tan
2023
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English
<a href="https://www.buzzsprout.com/1845756/13720085-aircast-14-ben-loong">https://www.buzzsprout.com/1845756/13720085-aircast-14-ben-loong</a>
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Ben Loong
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<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Heritage">Cultural Heritage</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ben+Loong">Ben Loong</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Ben Loong
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Materiality">Materiality</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Heritage">Cultural Heritage</a>
Expanding his ongoing enquiry into material infrastructures, Ben Loong will spend his residency investigating the history of brick trade in Singapore and mapping out the networks underpinning the employment of this material in the local architectural landscape. Propelled by an interest in the conceptual frictions between art and craftsmanship, artistic and industrial labour, the artist intends to develop this research into a comparative study of masonry and ceramics, two techniques that have significant affinities in terms of materials but carry different class connotations. Focusing on existing sites such as local brick factories and heritage buildings made of bricks, he will also codify the schemas of bricklaying in an attempt to delineate different morphologies of brick architecture. This research will potentially culminate in a series of material experimentations and pictorial mappings of brick trade, bringing to the forefront the overlooked history of this material in the context of Singapore.
3 April - 31 August 2023
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Franca Cole
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Residencies AiRCAST Episode #12: Wang Ruobing
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Materiality">Materiality</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Production">Cultural Production</a>
<p>In this episode, we hand over the microphone to curator Tamares Goh to interview our Artist-in-Residence Wang Ruobing. Ruobing and Tamares share a long history of working together throughout their careers, one that goes back to 2004 and will continue on in the years to come. This conversation between peers shines a spotlight on Ruobing’s practice rooted in materiality, the importance of found objects in her art-making process, as well as her ongoing research into the symbiotic relationship between environmental sciences and visual arts. They also touch upon the collaborations Ruobing has activated with deep-sea divers and marine scientists, and how these collaborations continue to shape the trajectory of her artistic practice.<br /><br />Contributors: Wang Ruobing, Tamares Goh<br />Editor: Anna Lovecchio<br />Programme Manager: Nadia Amalina<br />Sound Engineer: Ashwin Menon<br />Intro & Outro Music: Yuen Chee Wai<br />Cover Image & Design: Arabelle Zhuang, Kristine Tan</p>
2023-01-31
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Wang+Ruobing">Wang Ruobing</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Tamares+Goh">Tamares Goh</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Anna+Lovecchio">Anna Lovecchio</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Nadia+Amalina">Nadia Amalina</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ashwin+Menon">Ashwin Menon</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Yuen+Chee+Wai">Yuen Chee Wai</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=42&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Podcast">Podcast</a>
English
<a href="https://www.buzzsprout.com/1845756/12375134-aircast-12-wang-ruobing">https://www.buzzsprout.com/1845756/12375134-aircast-12-wang-ruobing</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Transcript of Residencies AiRCAST #12: Wang Ruobing
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Materiality">Materiality</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Cultural+Production">Cultural Production</a>
<span>In this episode, we hand over the microphone to curator Tamares Goh to interview our Artist-in-Residence Wang Ruobing. Ruobing and Tamares share a long history of working together throughout their careers, one that goes back to 2004 and will continue on in the years to come. This conversation between peers shines a spotlight on Ruobing’s practice rooted in materiality, the importance of found objects in her art-making process, as well as her ongoing research into the symbiotic relationship between environmental sciences and visual arts. They also touch upon the collaborations Ruobing has activated with deep-sea divers and marine scientists, and how these collaborations continue to shape the trajectory of her artistic practice.</span>
2023-01-31
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Wang+Ruobing">Wang Ruobing</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Tamares+Goh">Tamares Goh</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>
Archaeology Starter Pack
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Materiality">Materiality</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Experiential">Experiential</a>
Date: 23 July 2022, Saturday <br />Time: 10:00am – 12:30 pm <br />Venue: NTU CCA Singapore, Residencies Studios, Block 37 Malan Road, #01-01<br /><br /><p>In this artist-led session, participants will imagine themselves as archaeologists from the future. Artist-in-Residence Fazleen Karlan will guide you on a tour to discover what kind of objects are embedded in the city’s soil and understand them from a different perspective. In the first part of the workshop, participants will explore the area in the vicinity of NTU CCA Singapore at Gillman Barracks to seek out objects that have been discarded or left behind, whether accidentally or intentionally. In the second part, participants will gain hands-on experience of archaeological techniques used to process and document artefacts. Through this workshop, participants will develop an appreciation of how artefact analysis can reveal several aspects of human activities and how “ordinary relics” provide information about material forms and social behaviours of 21st century’s urban societies.</p>
<p>Free Admission (conditions below)<strong><br /><br />Notes</strong><br />· This programme is ideal for adults.<br />· This programme is free admission, but will require a $10 deposit to secure a spot. The deposit will be refunded upon attendance.</p>
<p><strong>What To Bring</strong><br />· comfortable attire<br />· walking shoes<br />· umbrella<br />· water bottle<br />· writing materials</p>
<p><strong>Cancellation Policy</strong><br />· All cancellations/substitutions must be in writing, email us at NTUCCAResidencies@ntu.edu.sg <br />· All cancellation requests must be received by Wednesday, 20 July, 23:59pm.<br />· If, after booking, you are unable to attend, you are welcome to nominate someone else to attend in your place. All substitution requests must be received by Friday, 22 July, 13:00pm. <br />· The deposit will not be refunded due to failure to attend or failure to provide the 3 days notice.</p>
2022-07-23
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=37&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Fazleen+Karlan">Fazleen Karlan</a>
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=38&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Southeast+Asia">Southeast Asia</a>