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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Institute of Critical Zoologists has been researching the escalating chain of events brought about by the human presence on Christmas Island gathering a varied collection of research materials that merge factual and fictional elements.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2018-03-03
Exhibition End Date
2018-04-29
Collaboration
No
Commissioned Work
No
Related Countries
Australia
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>The Institute of Critical Zoologists </em>by Robert Zhao Renhui
Subject
The topic of the resource
Ecosystems
Biodiversity
Geopolitics
Mythology
Nature
Postcolonialism
Description
An account of the resource
Since the establishment of the first human settlements in the late 19th century, the ecosystem of Christmas Island—a small volcanic outcrop in the Indian Ocean which was transferred from Singapore to Australia in 1958—underwent dramatic changes. Along with human settlers, several non-indigenous species alighted on the island disrupting the endemic biodiversity that had thrived undisturbed thanks to geographical remoteness and almost nil human interference. The accidental introduction of invasive species severely impacted a fragile ecosystem, imperilling the island’s wildlife and causing the extinction of a number of native species. As a result, extreme biocontrol strategies are currently being undertaken in an attempt to restore the island’s biodiversity. <br /><br />In the past two years, The Institute of Critical Zoologists has been researching the escalating chain of events brought about by the human presence on Christmas Island gathering a varied collection of research materials that merge factual and fictional elements. By surveying the impact of human beings on an endemic habitat, Final Report of the Christmas Island Expert Working Group maps out lines of invasion and retreat, it investigates dynamics of connectedness and isolation triggering reflections on states of vulnerability and conditions of survival in the age of globalisation. <br /><br />Curated by Anna Lovecchio, Curator, Residencies
Contributor
An entity responsible for making contributions to the resource
Robert Zhao Renhui
Robert Zhao
Anna Lovecchio
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Photography
Date
A point or period of time associated with an event in the lifecycle of the resource
3 March - 29 April 2018
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Apichatpong Weerasethakul, Fireworks (Archive), 2014. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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0dd73e3d8b11e8289ec995380c586b83
Dublin Core
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Title
A name given to the resource
Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view of exhibition entrance.
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Dublin Core
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Title
A name given to the resource
Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view of exhibition entrance.
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Dublin Core
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Title
A name given to the resource
Ho Tzu Nyen, The Name, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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1450fc3929e143baacc9e2b7d544205a
Dublin Core
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Title
A name given to the resource
Ho Tzu Nyen, The Name, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Nguyen Trinh Thi, Letters from Panduranga, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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Dublin Core
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Title
A name given to the resource
Nguyen Trinh Thi, Letters from Panduranga, 2015. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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97f773504304651bc7a7d7f09c623944
Dublin Core
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Title
A name given to the resource
Park Chan-kyong, Citizen’s Forest, 2016. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
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b93a1785d2c09a67ac1a374f6b82fd88
Dublin Core
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Title
A name given to the resource
Park Chan-kyong, Citizen’s Forest, 2016. Ghost and Spectres – Shadows of History, 1 September – 19 November 2017, NTU Centre for Contemporary Art Singapore, installation view.
Dublin Core
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Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Ghosts and Spectres — Shadows of History brings to light clouded histories at times not officially recounted but those that remain a lingering presence in collective memories through local mythologies, ghostly figures, and traditions.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2017-09-01
Exhibition End Date
2017-11-19
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Vietnam
South Korea
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Ghosts and Spectres – Shadows of History</i>
Subject
The topic of the resource
Archival Practice
Fiction
Supernatural
Mythology
Politics
Description
An account of the resource
<i>Ghosts and Spectres — Shadows of History</i> features video installations and films by <b>Apichatpong Weerasethakul</b> (Thailand), <b>Ho Tzu Nyen</b> (Singapore), <b>Nguyen Trinh Thi</b> (Vietnam), and <b>Park Chan-kyong</b> (South Korea). The artists’ research into their own cultural and historical backgrounds gain shape through allegories that re-evaluate the social and political reforms in Post-War and Cold-War Asia. The cinematic works in the exhibition combine fact and fiction. They not only allude to rarely discussed subject-matters but also raise crucial questions about power and authority, construction of narratives, repression of identities, and collective trauma. <br /><br />Embedded in the vernacular, ghosts, myths, and rituals present systems of knowledge that enable the expression of unknown worlds. <i>Ghosts and Spectres — Shadows of History</i> brings to light clouded histories at times not officially recounted but those that remain a lingering presence in collective memories through local mythologies, ghostly figures, and traditions. The works create their own language and systems of reference, reflecting current efforts of exposing written historical accounts and contemporary situations that subvert mainstream narratives. <br /><br />In parallel, The Lab, NTU CCA Singapore’s platform for research in-progress, will be featuring projects by <b>siren eun young jung</b> (South Korea) and <b>Choy Ka Fai</b> (Singapore/Germany), both recent NTU CCA Singapore artists-in-residence. While jung focuses on <i>Yeoseong Gukgeuk</i>, a vanishing form of traditional Korean theatre featuring only female performers, Choy brings up his long-time research into <i>Butoh</i> dance, also called “dance of darkness,” and looks at its evolution and influence through one of the <i>Butoh</i> founders, Tatsumi Hijikata. <br /><br />Ghosts and Spectres—Shadows of History is curated by <b>Ute Meta Bauer</b>, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, NTU, and <b>Khim Ong</b>, Deputy Director, Curatorial Programmes.
Contributor
An entity responsible for making contributions to the resource
Apichatpong Weerasethakul
Ho Tzu Nyen
Nguyen Trinh Thi
Park Chan-kyong
siren eun young jung
Choy Ka Fai
Ute Meta Bauer
Khim Ong
Medium
The material or physical carrier of the resource.
Video
Multimedia Installation
Film
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Zac Langdon-Pole’s projects often take their point of departure in social structures of representation and organisation in order to question how and for whom such structures are posed.
Programme Type
Talk and Lecture
Programme Series
Residencies Studio Sessions
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
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Title
A name given to the resource
<p class="event_single_title">Residencie Studio Sessions: A reading by Artist-in-Residence, Zac Langdon-Pole (New Zealand)</p>
Description
An account of the resource
<div class="event_single_dates text__residencies">15 Apr 2016, Fri 7:30pm - 9:00pm</div>
<div class="event_single_venue">The Lab, Block 43 Malan Road</div>
<br />Zac Langdon-Pole’s projects often take their point of departure in social structures of representation and organisation in order to question how and for whom such structures are posed. His current research relates specifically to the regions of Southeast Asia and the South West Pacific, and is centered on the mythology and historical cultural exchange of the so-called ‘birds of paradise’ from Papua New Guinea. His interest lies in how within procedures of cultural exchange the loss of, or transposing and translating of information can itself be a process of formation. Two ideas that are currently helping to inform his research are Walter Benjamin’s notion of ‘the wish image’ that stands at the intersection of materialism and mythology and Peter Mason’s explanation of the process of ‘exotification’, in his book <em>Infelicities</em>. This is the idea that the exotic is not something that exists prior to its ‘discovery’ but rather is formed in the very act of discovery itself.
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-04-15
Contributor
An entity responsible for making contributions to the resource
Zac Langdon-Pole
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Oceania
Subject
The topic of the resource
Animals
Mythology
Materiality
-
Dublin Core
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Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Conference and Symposium
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Educators
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">Symposium: <i>Ghosts and Spectres – Shadows of History</i> <br />Closing Keynote Lecture by Professor Kenneth Dean, Head, Department of Chinese, NUS</p>
Description
An account of the resource
<div class="event_single_dates text__exhibitions">28 Oct 2017, Sat 04.30 - 05.30 pm</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road<br /><br />Professor Dean will reflect on the day's discussions from the perspective of local and historical research, and expand on the topics by referencing folkloric and vernacular practices.</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-10-28
Contributor
An entity responsible for making contributions to the resource
Kenneth Dean
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Supernatural
Mythology
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Discussion - Conversation
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">Symposium: <i>Ghosts and Spectres – Shadows of History</i></p>
Session I: <em>Shadows of History</em><br />In Conversation: Dr Roger Nelson with Ho Tzu Nyen, Nguyen Trinh Thi, and Dr June Yap
Description
An account of the resource
28 Oct 2017, Sat 12:40 - 01:10 PM
The Single Screen, Block 43 Malan Road
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-10-28
Contributor
An entity responsible for making contributions to the resource
Roger Nelson
Ho Tzu Nyen
Nguyen Trinh Thi
June Yap
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Southeast Asia
Subject
The topic of the resource
History
Mythology
Supernatural
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Discussion - Conversation
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">Symposium: <i>Ghosts and Spectres – Shadows of History</i></p>
Session II: <em>Ghosts and Spectres</em><br />In Conversation: Dr David Teh with Hyunjin Kim, Park Chan-kyong and Dr Clare Veal
Description
An account of the resource
<div class="event_single_dates text__exhibitions">28 Oct 2017, Sat 04:05 AM - 04:30 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-10-28
Contributor
An entity responsible for making contributions to the resource
David Teh
Hyunjin Kim
Park Chan-kyong
Clare Veal
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Mythology
Supernatural
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
The trans-disciplinary nature of Apichatpong Weerasethakul's practice, described by Dr May Adadol Ingawanij and Dr David Teh as "permeable," complicates these distinctions. By aligning these references with the implications of different media forms in the Thai context, this presentation considers the role of the photographic and the filmic to reveal and conceal, and how medium specificity is implicated in the visualisation of traumatic pasts that resist representation.
Programme Type
Talk and Lecture
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">Symposium: <i>Ghosts and Spectres – Shadows of History</i></p>
Session II: <em>Ghosts and Spectres</em><br />Presentation: “The Spectre of Photography in the works of Apichatpong Weerasethakul” by Dr Clare Veal, art historian, Lecturer, MA Asian Art Histories, LASALLE College of the Arts, Singapore
Description
An account of the resource
<div class="event_single_dates text__exhibitions">28 Oct 2017, Sat 03:35 - 03:55 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road<br /><br />The histories of photography and film in Thailand intersect in multiple ways. Yet the revelatory, iconic nature of photography in this context has meant that it has often been considered separate from filmic practice in which the "real" lacks weight. The trans-disciplinary nature of Apichatpong Weerasethakul's practice, described by Dr May Adadol Ingawanij and Dr David Teh as "permeable," complicates these distinctions. Despite Apichatpong's preference for cinema and video, the photographic is implied through the slow, rhythmic pace of his time-based works, as well as their reconstituion as stills. By aligning these references with the implications of different media forms in the Thai context, this presentation considers the role of the photographic and the filmic to reveal and conceal, and how medium specificity is implicated in the visualisation of traumatic pasts that resist representation.</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-10-28
Contributor
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Clare Veal
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Ways of Seeing
Mythology
Supernatural
-
Dublin Core
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Title
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Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
Dr Ingawanij will expand on how everyday life, conflicts, violence, and historical erasures specific to places in Southeast Asia are sources of inspiration and motivation for many artists.
Programme Type
Talk and Lecture
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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<p class="event_single_title">Symposium: <i>Ghosts and Spectres – Shadows of History</i></p>
Welcome Address by Ute Meta Bauer and Keynote Lecture: “The Art of Uncertainty” by Dr May Adadol Ingawanij, curator and moving image theorist, Co-director of the Centre for Research and Education in Arts and Media (CREAM), University of Westminster, London
Description
An account of the resource
<div class="event_single_dates text__exhibitions">28 Oct 2017, Sat 09:30 - 11:00 AM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road<br /><br />Focusing on artists' cinema and moving image installations in Southeast Asia, the keynote lecture addresses the relationship between contemporary moving image aesthetics, historical invocation, and the politics of enunciation. Dr Ingawanij will expand on how everyday life, conflicts, violence, and historical erasures specific to places in Southeast Asia are sources of inspiration and motivation for many artists.</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-10-28
Contributor
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Ute Meta Bauer
May Adadol Ingawanij
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Mythology
Supernatural
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Talk and Lecture
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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<p class="event_single_title">Symposium: <i>Ghosts and Spectres – Shadows of History<br /><br /></i>Session II: <em>Ghosts and Spectres</em><br />Presentation: “Colonial Unheimlich” by Park Chan-kyong, artist</p>
Description
An account of the resource
<div class="event_single_dates text__exhibitions">28 Oct 2017, Sat 03:15 - 03:35 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road<br /><br />"...if a critique of Orientalism avoids the object of its criticism it is also unsound. Criticising Orientalism is fine, but a more flexible approach within the structure of Orientalism itself should be entailed in the criticism. Criticism of Orientalism should be better than Orientalism itself or contain certain surpassing elements within it. The criticism and the exceeder may conflict with each other. Even the critical reflection of 'what is not Orientalism?' may be derived from the outer, especially Western perspectives. This is imperative: what we can do in between escaping Orientalist structure and demystifying it may even include intentional use of Orientalism..." (From <em>The Phantom of "Minjok Art" </em>by Park Chan-kyong)</div>
Date
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2017-10-28
Contributor
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Park Chan-kyong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Audience
A class of entity for whom the resource is intended or useful.
General
Subject
The topic of the resource
Mythology
Supernatural
Race
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Apichatpong
Surname or Business Name
Weerasethakul
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
2017
Birthplace
Thailand
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Apichatpong Weerasethakul is an artist and filmmaker. Recognised as one of the most original voices in contemporary cinema, his feature films, short films and installations have won him widespread international recognition and numerous awards, including the Cannes Palme d’Or in 2010 with <i>Uncle Boonmee Who Can Recall His Past Lives</i>; the Cannes Competition Jury Prize in 2004 with <i>Tropical Malady</i>; and the Cannes Un Certain Regard Award in 2002 with<i> Blissfully Yours</i>. His latest feature Cemetery of Splendour was released to critical acclaim at the 68th Cannes Film Festival in 2015. Apichatpong began making films and video shorts in 1994 and completed his first feature, <i>Mysterious Object at Noon</i> in 2000. He has also mounted exhibitions and installations in many countries since 1998. Lyrical and often mysterious, his film works are non-linear, dealing with memory in subtle ways, invoking personal politics and social issues. Working independently of the Thai commercial film industry, Apichatpong devotes himself to promoting experimental and independent filmmaking through his company Kick the Machine Films, founded in 1999, which also produces all his films. Major installations have been presented at dOCUMENTA(13) (2012) and in solo exhibitions in Oslo, London, Mexico City, Kyoto, and New York.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Thailand
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Birth Date
1970
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Apichatpong Weerasethakul
Subject
The topic of the resource
Fiction
Mythology
Politics
Contributor
An entity responsible for making contributions to the resource
Apichatpong Weerasethakul