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Title
A name given to the resource
Free Jazz III. Sound. Walks., October 2 2020 – March 31 2021, Courtesy NTU CCA Singapore.
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Dublin Core
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Title
A name given to the resource
Ana Prvački in collaboration with Joyce Bee Tuan Koh, Galina Mihaleva, Mouthful (masked duet), 2021, installation, performance, and sound work.
Commissioned by NTU CCA Singapore for Free Jazz III. Sound. Walks. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ana Prvački in collaboration with Joyce Bee Tuan Koh, Galina Mihaleva, Mouthful (masked duet), 2021, installation, performance, and sound work.
Commissioned by NTU CCA Singapore for Free Jazz III. Sound. Walks. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Free Jazz III. Sound. Walks., October 2 2020 – March 31 2021, Courtesy NTU CCA Singapore.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
Collaborative and experimental by nature, Free Jazz III builds upon its past iterations by activating and challenging common understandings of exhibition-making and the use of space. Sound walks. Machines listen. We are living through unusual times.
Exhibition Mode
Festival
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Exhibition Hall
The Vitrine
Single Screen
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Online
Exhibition Start Date
2020-10-02
Exhibition End Date
2021-03-31
Collaboration
Yes
Commissioned Work
No
Related Countries
Singapore
Bangladesh
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Free Jazz III. Sound. Walks.</em>
Description
An account of the resource
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<p>Collaborative and experimental by nature, <em>Free Jazz III </em>builds upon its past iterations by activating and challenging common understandings of exhibition-making and the use of space. Sound walks. Machines listen. We are living through unusual times. </p>
<p>As the NTU Centre for Contemporary Art Singapore approaches a major transformation away from a permanent exhibition space in early 2021, <em>Free Jazz III</em> continues to explore the possibilities of an international research centre for contemporary art, featuring many artists who have been part of NTU CCA Singapore’s exhibitions, residencies, and programs since 2013, when the Centre presented <em>Free Jazz</em> as its inaugural event. The project began as a form of inquiry and an active tool to generate new possibilities for conceptualizing and programming an art institution. <em>Free Jazz III </em>convenes diverse projects united by themes of adaptation via masterful improvisation, trans-mediatic pivots, and the conscious renegotiation of our relationships to nature, technology, and each other. The disparate components of <em>Free Jazz III </em>explore the elements of dissonance, resistance, and innovation embedded in its musical namesake and the ability for sound and art to transcend physical and social distance. Embracing sound and walking as two powerful ways to overcome distance and bring people together, <em>Free Jazz III </em>comprises projects that can take place in non-gallery spaces, independently, asynchronously, or in purposeful syncopation with the present moment, reflecting on the past and looking forward to the future. </p>
<p>Admission to all programmes and events is free.</p>
<p><strong><span><a href="http://ntu.ccasingapore.org/events/sound-walks/"><em>Sound. Walks.</em></a></span><br />January–March 2021 (On-site and online)</strong></p>
<p>Reflecting on the loss of physicality through increased virtual interactions as well as many histories of sound and walking, artists address common life and communality in times of social distancing. In this series of performative explorations of sound, music, and community building, reflections take the form of soundwalks, sonic wayfinding and other physical and aural experiences, offering multiple ways for the public to actively witness, listen and participate, both remotely and on-site. Soundwalks by <strong>Tini Aliman</strong> (Singapore), <strong>Christa Donner</strong> and <strong>Andrew S Yang</strong> (United States), and <strong>Diana Lelonek </strong>(Poland) and <strong>Denim Szram</strong> (Poland/Switzerland) are propelled by sonic outputs of nature. Storytelling, correspondence, and the impossibility of direct communication factor into projects by <strong>Cheryl Ong</strong> (Singapore), <strong>Ana Prvački</strong> (Romania/Germany) in collaboration with <strong>Joyce Bee Tuan Koh</strong> (Singapore) and <strong>Galina Mihaleva </strong>(Bulgaria/Singapore), and <strong>Vivian Wang</strong> (Singapore/Switzerland). Sound, history, culture, and space overlap and intertwine in works by <strong>Arahmaiani </strong>(Indonesia) and <strong>Jimmy Ong</strong> (Singapore),<strong> bani haykal</strong> (Singapore) and <strong>Lee Weng Choy </strong>(Malaysia),<strong> Reetu Sattar</strong> (Bangladesh), and<strong> anGie Seah</strong> (Singapore).</p>
<p><em>Free Jazz III. Sound. Walks. </em>is curated by <strong>Magdalena Magiera</strong> (Germany/Singapore), NTU CCA Singapore Curator, Education and Outreach, and <strong>Dr Karin Oen</strong> (United States/Singapore), NTU CCA Singapore Deputy Director, Curatorial Programmes</p>
<p><strong><span><a href="http://ntu.ccasingapore.org/events/under-the-skin/"><em>Under the Skin</em></a><br /></span>1 December 2020 – 31 January 2021 (Online)</strong></p>
<p>World premiere and special performance<br />1 December 2020, 7pm SGT</p>
<p>This trio of performative works by artists <strong>George Chua </strong>(Singapore), <strong>Nina Djekić </strong>(Slovenia/Singapore/Netherlands), and <strong>Noor Effendy Ibrahim </strong>(Singapore) engages with sound, bodily movements, and performance. These new pieces are cinematically translated into the medium of video by filmmaker <strong>Russell Morton</strong> (Singapore) and viewed online, acknowledging the curatorial premise that, “the pandemic has pushed us into a space of dramatic convergence—where a deep tech, hyper-connected future collides with social political unrest,” in both the work itself and the medium in which it is presented.</p>
<p><em>Under the Skin</em> is curated for <em>Free Jazz III </em>by artist <strong>Cheong Kah Kit </strong>(Singapore) as part of <a href="https://www.novelwaysofbeing.sg/"><em>Proposals for Novel Ways of Being</em></a>, a united response to the changes brought about by COVID-19 hosted by twelve Singapore arts institutions, initiated by the National Gallery Singapore and Singapore Art Museum.</p>
<p><strong>Partner programmes:</strong></p>
<p><strong><span><a href="https://machinelistening.exposed/curriculum/"><em>Machine Listening, a curriculum</em></a></span><br />From October 2020 (Online)</strong></p>
<p>Expanded collaborations and explorations of curatorial spaces also took form in support of <em>Machine Listening, a curriculum</em> instigated by Melbourne-based <strong>Liquid Architecture</strong>. This evolving online resource, comprising existing and newly commissioned writing, interviews, music and artworks is a new investigation and experiment in collective learning around the emergent field of machine listening. It premiered with three online sessions open to all as part of <span><a href="https://www.unsound.pl/en/intermission"><em>Unsound 2020: Intermission</em></a></span>, an experimental sound festival in Krakow, Poland. NTU CCA Singapore and Liquid Architecture will convene another collaborative online session open to the public in early 2021.</p>
<p><em>Machine Listening, a curriculum </em>is curated by <strong>Sean Dockray</strong>, <strong>Dr James Parker</strong>, and <strong>Joel Stern </strong>(all Australia).</p>
<p>Visit the evolving<span> </span><span><a href="https://machinelistening.exposed/curriculum/">open source curriculum</a></span><span> </span>and the recorded Unsound sessions:</p>
<p><span><a href="https://www.youtube.com/watch?v=ddnvR7IGpes">(Against) the coming world of listening machines</a></span><br /><span><a href="https://www.youtube.com/watch?v=aM5SVoMBnKI&t=2935s">Lessons in How (Not) to be Heard</a></span><br /><span><a href="https://www.youtube.com/watch?v=vuNmI9Xdgpo&t=7795s">Listening with the Pandemic</a></span></p>
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<p><span><em><strong>Sollum</strong><strong> Swaramum<br /></strong></em></span><strong>26 February 2021, 7.30 – 9.00pm</strong><strong><br />On-Site at Blk 43 Malan Road</strong></p>
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<p>Presented in collaboration with The Arts House’s Poetry with Music series, the 4th edition of<span> </span><em>Sollum Swaramum</em>, brings together musicians <strong>Ramesh Krishnan</strong>,<span> </span><strong>Mohamed Noor</strong><span> </span>and<span> </span><strong>Munir Alsagoff</strong><span> </span>in exploration of the synergies between music and text, with devised and improvised texts based on the work of Tamil literary stalwarts<span> </span><strong>P Krishnan</strong>,<span> </span><strong>Ma Ilangkannnan</strong><span> </span>and<span> </span><strong>Rama Kannabiran</strong>. These newly devised texts are written by<span> </span><strong>Harini V</strong>,<span> </span><strong>Ashwinii Selvarai</strong><span> </span>and<span> </span><strong>Bharathi Moorthiappan</strong>, performed by<span> </span><strong>Sivakumar Palakrishnan</strong>, and art direction by<span> </span><strong>Laura Miotto</strong>.</p>
<p>Curated by Magdalena Magiera, Curator, Outreach and Education, and Dr. Karin Oen, Deputy Director, Curatorial Programmes, NTU CCA Singapore. </p>
<p><em>Free Jazz III. Sound. Walks.</em><span> </span>presented in partnership with Proposals for Novel Ways of Being, The Arts House, Liquid Architecture, as part of Singapore Art week, supported by National Arts Council.</p>
</div>
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</div>
</div>
Contributor
An entity responsible for making contributions to the resource
Tini Aliman
Christa Donner
Andrew S Yang
Diana Lelonek
Denim Szram
Cheryl Ong
Ana Prvački
Joyce Bee Tuan Koh
Galina Mihaleva
Vivian Wang
Arahmaiani
Jimmy Ong
bani haykal
Lee Weng Choy
Reetu Sattar
anGie Seah
Magdalena Magiera
Karin Oen
George Chua
Nina Djekić
Russell Morton
Noor Effendy Ibrahim
Cheong Kah Kit
Liquid Architecture
Ramesh Krishnan
Laura Miotto
Mohamed Noor
Harini V
Ashwinii Selvarai
Bharathi Moorthiappan
Sivakumar Palakrishnan
Munir Alsagoff
Nanthiyni Aravindan
Sean Dockray
James Parker
Joel Stern
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Performance
Body
Nature
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Institute of Critical Zoologists has been researching the escalating chain of events brought about by the human presence on Christmas Island gathering a varied collection of research materials that merge factual and fictional elements.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2018-03-03
Exhibition End Date
2018-04-29
Collaboration
No
Commissioned Work
No
Related Countries
Australia
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>The Institute of Critical Zoologists </em>by Robert Zhao Renhui
Subject
The topic of the resource
Ecosystems
Biodiversity
Geopolitics
Mythology
Nature
Postcolonialism
Description
An account of the resource
Since the establishment of the first human settlements in the late 19th century, the ecosystem of Christmas Island—a small volcanic outcrop in the Indian Ocean which was transferred from Singapore to Australia in 1958—underwent dramatic changes. Along with human settlers, several non-indigenous species alighted on the island disrupting the endemic biodiversity that had thrived undisturbed thanks to geographical remoteness and almost nil human interference. The accidental introduction of invasive species severely impacted a fragile ecosystem, imperilling the island’s wildlife and causing the extinction of a number of native species. As a result, extreme biocontrol strategies are currently being undertaken in an attempt to restore the island’s biodiversity. <br /><br />In the past two years, The Institute of Critical Zoologists has been researching the escalating chain of events brought about by the human presence on Christmas Island gathering a varied collection of research materials that merge factual and fictional elements. By surveying the impact of human beings on an endemic habitat, Final Report of the Christmas Island Expert Working Group maps out lines of invasion and retreat, it investigates dynamics of connectedness and isolation triggering reflections on states of vulnerability and conditions of survival in the age of globalisation. <br /><br />Curated by Anna Lovecchio, Curator, Residencies
Contributor
An entity responsible for making contributions to the resource
Robert Zhao Renhui
Robert Zhao
Anna Lovecchio
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Photography
Date
A point or period of time associated with an event in the lifecycle of the resource
3 March - 29 April 2018
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Charles Lim Yi Yong, SEA STATE, 30 April – 10 July 2016, Exhibition view: SEA STATE 8: THE GRID (2014), SEA STATE 7: sandman (2015), and SEA STATE
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Charles Lim Yi Yong, SEA STATE 1: inside\outside (2005), Installation includes 84 framed C-prints, VHF radio, and prepared GSP1 charts based on the port-limit of Singapore, published in 2004 by the Maritime and Port Authority of Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Lim Yi Yong: SEA STATE, NTU Centre for Contemporary Art Singapore, 30 April – 10 July 2016, installation view. Courtesy of NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Charles Lim Yi Yong, SEA STATE, 30 April – 10 July 2016, Installation view, SEA STATE 2: as evil disappears (Sajahat Buoy) (2014), Encrusted navigational buoy.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Charles Lim Yi Yong, SEA STATE, 30 April – 10 July 2016, Installation view, SEA STATE 2: as evil disappears (Sajahat Buoy) (2014), Encrusted navigational buoy.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Charles Lim Yi Yong, SEA STATE, 30 April – 10 July 2016, Installation view, SEA STATE 2: as evil disappears (Sajahat Buoy) (2014), Encrusted navigational buoy.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Charles Lim Yi Yong, SEA STATE, 30 April – 10 July 2016, Exhibition view
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
NTU Centre for Contemporary Art Singapore; Charles Lim Yi Yong, SEA STATE, 30 April – 10 July 2016, Exhibition view
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
SEA STATE examines the biophysical, political and psychic contours of Singapore through the visible and invisible lenses of the sea.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2016-04-30
Exhibition End Date
2016-07-10
Collaboration
No
Commissioned Work
No
Related Countries
None
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Charles Lim Yi Yong: SEA STATE</i>
Subject
The topic of the resource
Geopolitics
Sustainability
Ecology
Ecosystems
Nature
Climate Crisis
Oceans & Seas
Description
An account of the resource
<i>SEA STATE</i> by artist Charles Lim Yi Yong, commissioned for the Singapore Pavilion for the 56th Venice Biennale and curated by Shabbir Hussain Mustafa, will be presented at the NTU CCA Singapore from 30 April to 10 July 2016. For over a decade, Lim’s ongoing project <i>SEA STATE</i> examines the biophysical, political and psychic contours of Singapore through the visible and invisible lenses of the sea. <i>SEA STATE</i> is an in-depth inquiry by an artist that scrutinises both man-made systems, opening new perspectives on our everyday surroundings, from unseen landscapes and disappearing islands to the imaginary boundaries of a future landmass. <br /><br />First held at the Palazzo Franchetti on the occasion of the Singapore Pavilion at the 56th Venice Biennale, the symposium <i>The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context</i> will continue and expand upon the debate with a second iteration at NTU CCA Singapore during Lim’s exhibition on 17 and 18 June 2016. <br /><br />The presentation of <i>SEA STATE</i> and the symposium <i>The Geopolitical and the Biophysical: a structured conversation on Art and Southeast Asia in context, Part II</i> held at NTU CCA Singapore are generously supported by the Ministry of Culture, Community & Youth, National Arts Council Singapore and the Singapore Tourism Board.
Contributor
An entity responsible for making contributions to the resource
Charles Lim Yi Yong
Ute Meta Bauer
Medium
The material or physical carrier of the resource.
Video
Multimedia Installation
Film
Photography
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Performance
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Short Description
Free Jazz III. Sound. Walks. offers the curatorial proposition that collectivity and communality can be explored through art experiences that draw on the long histories of sound and walking, offering concrete ways to connect with nature, technology, and each other during times of social distancing.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Free Jazz III. Sound. Walks.</i>
Description
An account of the resource
<i>Free Jazz III. Sound. Walks.</i> offers the curatorial proposition that collectivity and communality can be explored through art experiences that draw on the long histories of sound and walking, offering concrete ways to connect with nature, technology, and each other during times of social distancing. Dematerialized, asynchronous, and participatory, these artworks each reflect how our current collective negotiations between physical and online realms need not be seen as binary opposites, but as opportunities for rethinking social interaction through our senses. <br /><br />We invite you bring your headphones and your walking shoes to experience the artworks of Free Jazz III. Sound. Walks. <br /><br /><i>Free Jazz III. Sound. Walks. </i>is curated by Magdalena Magiera (Germany/Singapore), NTU CCA Singapore Curator, Education and Outreach, and Dr Karin Oen (United States/Singapore), NTU CCA Singapore Deputy Director, Curatorial Programmes.
Date
A point or period of time associated with an event in the lifecycle of the resource
22 January - 28 March 2021
Contributor
An entity responsible for making contributions to the resource
Tini Aliman
Arahmaiani
Jimmy Ong
Christa Donner
Andrew S. Yang
bani haykal
Lee Weng Choy
Diana Lelonek
Denim Szram
Cheryl Ong
Ana Prvački
Joyce Bee Tuan Koh
Galina Mihaleva
Reetu Sattar
anGie seah
Vivian Wang
Magdalena Magiera
Karin Oen
Subject
The topic of the resource
Experiential
Nature
Technology
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Vitrine
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Vitrine
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Semangat Kejiranan</i> by Izat Arif
Subject
The topic of the resource
Nature
Urbanism
Botany
Description
An account of the resource
Interested in the contiguities and frictions between the natural and urban environment, <b>Izat Arif</b> has conducted experiential and erratic fieldwork in various landscapes in Singapore observing plants, soil, insects, and traces of human presence. This investigation is presented in The Vitrine as a form of a provisional “cabinet of essential items,” which contains a selection of the artist’s notes and drawings, research tools, and findings.
Contributor
An entity responsible for making contributions to the resource
Izat Arif
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Mixed Media
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, foyer view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, installation view. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, opening Performance by artist Tarek Atoui. Courtesy NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tarek Atoui, The Ground: From the Land to the Sea, 24 March – 24 June 2018, NTU Centre for Contemporary Art Singapore, outdoor view. Courtesy NTU CCA Singapore.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Ground: From the Land to the Sea comprises two layers of auditory experiences that interact with each other, conceived as a composition that unfolds in space with its unique sound library and instruments.
Exhibition Mode
Exhibition
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
Exhibition Hall
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2018-03-24
Exhibition End Date
2018-06-24
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>Tarek Atoui The Ground: From the Land to the Sea</i>
Subject
The topic of the resource
Performance
Body
Materiality
Nature
Description
An account of the resource
NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) is pleased to present the first solo exhibition in Southeast Asia by sound artist and composer <b>Tarek Atoui</b>, conceived as a composition that unfolds in space with its unique sound library and instruments. It is the first large-scale exhibition that Atoui has created through interweaving objects, instruments, and recordings, some borrowed from pre-existing projects, others newly collected and produced. <br /><br /><i>The Ground: From the Land to the Sea</i> comprises two layers of auditory experiences that interact with each other as well as with the spatial and sonic qualities of NTU CCA Singapore’s exhibition hall, merging them into a single composition. Enveloping the main exhibition space are a set of speakers that play the sounds of underwater environments as well as human and industrial activities in the harbours of Athens and Abu Dhabi, recorded for the project <i>I/E</i> (2015–ongoing). Building upon the sound collection, Atoui has, as part of this presentation in Singapore, recorded at local harbours and waterfronts, together with composer and sound artist <b>Éric La Casa</b>. <br /><br />The recording process in Singapore took Atoui and La Casa to a range of waterfront sites and islands including the Jurong Fishery Port, Pulau Sebarok (an oil storage facility and refuelling port off the Southern coastline), on an oil tanker, and along the Singapore shores. During these trips, the duo picked out acoustic features of these environs, both underwater and on land, and captured them in their diverse forms—as vibrations, audible noise, and inaudible audio waves, etc.— using devices such as a recorder, a hydrophone, contact microphones, and selfmade omnidirectional microphones. Drawing reference to the emergence of acoustic ecology, which attempts to understand and analyse characteristics of sonic environments such as geological formations, organisms, and human interactions, Atoui’s auditory library is an artistic interpretation of the ecology of our times. Set within a “white cube,” the audience is transposed into an immersive audio-visual topography, becoming part of the installation. <br /><br />Most of the instruments shown are part of <i>The Ground</i> project, the result of the artist’s five-year-long investigation of natural cycles in the Pearl River Delta, first presented at Mirrored Gardens, a project space in Guangzhou, China, in 2017. Also presented are instruments created for previous projects, such as <i>The Reverse Collection</i> (2014–16) and <i>WITHIN</i> (2012–13). This ensemble of unusual instruments is enriched with new additions, including a set of porcelain and ceramic discs, on which traditional Arabic rhythms are engraved, and a customised record player that rotates at irregular speeds, never reading a disc the same way twice. <br /><br />At the core of Atoui’s practice lies an ongoing process of inviting composers, musicians, and artists to collaborate on his pieces in search of new ideas, gestures, and experiences. For the current exhibition, Atoui will engage with local and international musicians who will be invited to appropriate his composition and intervene in the exhibition space. He will work with acclaimed sound artists and musicians <b>Vivian Wang</b> and <b>Yuen Chee Wai</b>, as well as music curator <b>Mark Wong</b>, who in turn will invite other musicians and sound artists to inhabit the installation throughout the course of the exhibition. <br /><br />The exhibition is curated by <b>Ute Meta Bauer</b>, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, Nanyang Technological University, and <b>Khim Ong</b>, Deputy Director, Curatorial Programmes, NTU CCA Singapore. Supported by Institut français, with the additional support of the Embassy of France in Singapore and Institut français Singapour. <br /><br /><b>Tarek Atoui</b> has invited local and international musicians to engage with his exhibition and appropriate the installation for given periods of time. He worked with acclaimed sound artists and musicians <b>Vivian Wang</b> and <b>Yuen Chee Wai</b>, as well as music curator <b>Mark Wong</b>, who each will host three other musicians and sound artists. The guests will inhabit the exhibition and freely experiment with Atoui’s instruments throughout the course of the exhibition. <br /><br />Schedule for upcoming Guest Musicians in the Exhibition Hall: <br /><br /><b>Vivian Wang</b> (Singapore): 26 – 30 March <br /><b>Yuen Chee Wai</b> (Singapore): 31 March – 3 April <br /><b>Darren Ng</b> (Singapore): 7 – 10 April <br /><b>Uriel Barthélémi</b> (France): 13 – 17 April <br /><b>Tini Aliman</b> (Singapore): 28 April – 1 May <br /><b>Wu Junhan</b> (Singapore): 2 – 5 May <br /><b>The Analog Girl</b> (Singapore): 10 – 13 May <br /><b>Cheryl Ong</b> (Singapore): 19 – 22 May <br /><b>Zai Tang</b> (Singapore): 31 May – 3 June <br /><b>Bani Haykal</b> (Singapore): 4 – 7 June <br /><b>Dharma</b> (Singapore): 13 – 16 June <br /><b>Sudarshan Chandra Kumar</b> (Malaysia): 19 – 22 June
Contributor
An entity responsible for making contributions to the resource
Tarek Atoui
Yuen Chee Wai
Mark Wong
Vivian Wang
Darren Ng
Uriel Barthélémi
Tini Aliman
Wu Junhan
The Analog Girl
Cheryl Ong
Zai Tang
Bani Haykal
Dharma
Sudarshan Chandra Kumar
Ute Meta Bauer
Khim Ong
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Southeast Asia
Medium
The material or physical carrier of the resource.
Multimedia Installation
Installation
Sound
Object
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Vitrine
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
This exhibition investigates movements and migrations of nature and culture in Southeast Asia and beyond. It explores competing claims to nature and culture that resound along the former Malaysian railway tracks at Tanglin Halt.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Vitrine
Exhibition Start Date
2017-06-24
Exhibition End Date
2017-10-02
Collaboration
No
Commissioned Work
No
Related Countries
Malaysia
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>The Migrant Ecologies Project</i> by Lucy Davis
Subject
The topic of the resource
Biodiversity
Nature
Materiality
Description
An account of the resource
The mixed-media selection presented in The Vitrine stems from <i>Railtrack Songmaps</i>, a project exploring competing claims to nature and culture that resound along the former Malaysian railway tracks at Tanglin Halt. For at least five decades, birds, nature lovers, songbird clubs, tree shrines, kampung gardeners and foragers have roosted and seeded themselves along the tracks, nurturing a tangled patch of urban wild that is currently undergoing redevelopment. The particular constellation of elements on display – photographs, Malay pantuns, embroidery on paper, and delicate airborne assemblages of images, cut-outs and coconut sticks – weave in and out of memories of Lim Kim Seng, who together with his brother Lim Kim Chua, joined the Nature Society of Singapore (NSS) as teenager. Both are now senior members of the NSS Bird Group. Kim Seng assisted The Migrant Ecologies Project in the identification of 105 bird species around Tanglin Halt. In an accompanying soundtrack he recalls how an early encounter with a kingfisher first drew him into a bird zone. <br /><br />The Migrant Ecologies Project was founded in 2010 by artist, art writer, and educator Lucy Davis. Investigating movements and migrations of nature and culture in Southeast Asia and beyond, the project unfolds through collaborations with sound artists, photographers, scientists, and designers. <br /><br />Lucy Davis has been an Artist-in-Residence at NTU CCA Singapore from April to June 2017.
Contributor
An entity responsible for making contributions to the resource
Lucy Davis
Lim Kim Seng
Lim Kim Chua
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Installation
Mixed Media
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
What is Deep Sea Mining? addresses both knowledge of the deep sea and ocean governance, but also efforts to defend a sustained ocean literacy beyond the United Nations’ “blue economy” at a time when the deep ocean, its species, and its resources remain largely unmapped and understudied.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2019-11-02
Exhibition End Date
2020-02-08
Collaboration
Yes
Commissioned Work
No
Related Countries
Papua New Guinea
Fiji
Tonga
New Zealand
Japan
Portugal
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>What is deep sea mining?</i>
Subject
The topic of the resource
Environmental Crisis
Oceans & Seas
Extractivism
Nature
Postcolonialism
Description
An account of the resource
By <b>inhabitants</b> in collaboration with <b>Margarida Mendes</b> <br /><br />Deep sea mining is a new frontier of resource extraction located on the ocean seabed. It is set to begin in the next few years, as the technology is currently under development. Mining companies are, at present, leasing areas for exploitation in national and international waters in order to assess the potential to extract minerals and metals such as manganese, cobalt, gold, copper, iron, and other rare earth elements. The main geological sites targeted are areas rich in polymetallic nodules, seamounts, and hydrothermal vents; areas typically found where tectonic plates meet. The areas to be mined could cover parts of the Mid-Atlantic Ridge and the Clarion Clipperton Zone in the Pacific Ocean in international waters, and national waters off the islands of Papua New Guinea, Fiji, Tonga, New Zealand, Japan, and the Portuguese archipelago of the Azores. Assessment of the impact on deep sea ecosystems is underway, though their cumulative effects remain difficult to comprehend given the unprecedented variety and expanse of the mining sites targeted. At the same time, local and indigenous communities living in these regions are not being adequately consulted. <br /><br />The prospects of this form of mining re-actualise a colonial, frontier mentality and are redefining extractivist economies for the twenty-first century. <i>What is Deep Sea Mining?</i> addresses both knowledge of the deep sea and ocean governance, but also efforts to defend a sustained ocean literacy beyond the United Nations’ “blue economy” at a time when the deep ocean, its species, and its resources remain largely unmapped and understudied. <br /><br />Episode 1, <i>Tools for Ocean Literacy</i>, is historical and geographical introduction to deep sea mining, playing with Charles and Ray Eames’ 1977 film Powers of Ten. <br /><br />Episode 2, <i>Deep Frontiers</i>, tells a story about knowledge of the seabed and its alien life, written by anthropologist Stefan Helmreich. <br /><br />Episode 3, <i>The Azore Case</i>, focuses on the Portuguese Azores nine island archipelago, following European Union plans to mine in the region, based on a series of interviews with marine biologists and politicians conducted in the islands. <br /><br />Episode 4, <i>A Glossary on Mining</i>, offers a brief glossary of terms that can be used to better tackle the issue of mining reserves and monopolies on land, which in turn may lead to the potential threat of deep sea mining. <br /><br />Episode 5,<i> The Papua New Guinea Case</i>, addresses the plans to mine off the coast of Papua New Guinea as well as the long activist struggle by local communities across the Pacific against deep sea mining. Episode 5 will be premiered at NTU CCA Singapore, simultaneously in the Lab space and online on social media and the websites of NTU CCA Singapore’s website, the funding and partner institution TBA21 – Academy’s website, and inhabitants-tv.
Contributor
An entity responsible for making contributions to the resource
inhabitants
Margarida Mendes
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oceania
Asia
South America
Medium
The material or physical carrier of the resource.
Video
Multimedia Installation
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
<span>NTU CCA Ideas Fest 2020 –Ideas City Singapore –Solidarity with Nature (Guest-curated by IdeasCity)</span>
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/410546154">https://vimeo.com/410546154</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
410546154
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<span>NTU CCA Ideas Fest 2020 –Ideas City Singapore –Solidarity with Nature (Guest-curated by IdeasCity)</span>
Description
An account of the resource
<span>NTU CCA Ideas Fest 2020 –Ideas City Singapore –Solidarity with Nature (Guest-curated by IdeasCity)</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
15 - 22 February 2020
Contributor
An entity responsible for making contributions to the resource
Audrey Tang
Subject
The topic of the resource
Nature
Format
The file format, physical medium, or dimensions of the resource
Video
Language
A language of the resource
English
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Alexius
Surname or Business Name
Yeo
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
Affiliation
Company, organization, or institution name
Carbon InQ, Singapore
Birthplace
Singapore
Occupation
Professional title or identity
Agriculture advocate
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<strong>Alexius Yeo</strong><span> (Singapore) is the Director of Carbon InQ, a local company that teaches Agriculture-based experiential learning programmes at schools and firms. He is also Founder of Project 33, a family-initiated farming movement uniting neighbourhoods through community farming, cooking, educational activities, as well as the practice of “sharing first” that involves sharing a portion of what one grows and owns with the community.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Contributor Type
Collaborator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexius Yeo
Subject
The topic of the resource
Nature
Contributor
An entity responsible for making contributions to the resource
Alexius Yeo
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia