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Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Katie
Surname or Business Name
Paterson
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2022
Birth Date
1981
Birthplace
Scotland
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<div class="page" title="Page 12">
<div class="section">
<div class="layoutArea">
<div class="column">
<p><span>The projects of </span><span>Katie Paterson </span><span>(b. 1981, Scotland) consider our place on Earth in the context of geological time and change. Her artworks make use of sophisticated technologies and specialist expertise to stage intimate, poetic, and philosophical engagements between people and their natural environment. Combining a Romantic sensibility with a research-based approach, conceptual rigour and minimalist presentation, her work collapses the distance between the viewer, the edges of time, and the cosmos. Her solo exhibitions were presented at NYLO The Living Art Museum, Reykjavík, Iceland (2021); The Scottish National Gallery of Modern Art (2020); and the Utah Museum of Modern Art, Salt Lake City, United States (2017). </span><span>To Burn, Forest, Fire </span><span>is a IHME Helsinki Commission 2021.</span></p>
</div>
</div>
</div>
</div>
Personal Website
Leave blank if not applicable
<a href="http://katiepaterson.org">http://katiepaterson.org</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United Kingdom
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
None
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Katie Paterson
Subject
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Nature
Technology
Contributor
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Katie Paterson
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
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Performance of Katie Paterson's <em>To Burn, Forest, Fire</em>, 22 January 2022, NTU CCA Singapore.
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Performance of Katie Paterson's <em>To Burn, Forest, Fire</em>, 22 January 2022, NTU CCA Singapore.
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Title
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Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
To Burn, Forest, Fire takes place as a series of incense burning ceremonies that awaken our sensorium and elicit an intimate, intuitive relation to the natural world confronting us with the sensorial richness of forest ecologies and the prospect of extinctions caused by humanity.
Programme Type
Performance
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
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Title
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Katie Paterson: To Burn, Forest, Fire
Subject
The topic of the resource
Ritual
Performance
Nature
Description
An account of the resource
14, 15, 18, 22 and 23 January 2022, 6.30 - 7.00 pm<br />Blk 37, Malan Road, #01-04<br /><br /><div class="page" title="Page 9">
<div class="section">
<div class="layoutArea">
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<p><span>To Burn, Forest, Fire </span><span>takes place as a series of incense burning ceremonies that awaken our sensorium and elicit an intimate, intuitive relation to the natural world confronting us with the sensorial richness of forest ecologies and the prospect of extinctions caused by humanity. Stemming from collaborations with scientists across different disciplines, the work speculates on the olfactory qualities of the first and last forest on our planet. The earliest forest is believed to have formed in present-day Cairo (New York State, United States) about 385 million years ago; whereas the last forest before environmental collapse is identified with the Yasuni Biosphere Reserve, in the Ecuadorian Amazon, an ecosystem threatened by rampant deforestation and unsustainable agricultural practices. Katie Paterson’s interdisciplinary investigation resulted in the creation of incense sticks, blended by Japanese incense maker Shoyeido, that propagate the distinct fragrances of the two forests pushing our understanding<br />of reality beyond the domain of the visible.</span></p>
<p><span>This project was originally initiated by IHME Helsinki, a contemporary art organisation in Finland that situates its activities in a dialogue between art and science.<br /><br />Part of Free Jazz IV. Geomancers</span></p>
</div>
</div>
</div>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
14 -15, 18, 22 -23 January 2022
Contributor
An entity responsible for making contributions to the resource
Katie Paterson
Magdalena Magiera
Karin Oen
Ute Meta Bauer
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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Jana Winderen, <em>Listening Through the Dead Zones</em>, 2021, 2-channel sound installation, 22 min 54 sec, on loop. Photo by Kee Ya Ting.
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Dublin Core
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Katie Paterson, <em>To Burn, Forest, Fire</em>. 2021, performance, 30 min approx. Photo by Kee Ya Ting.
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Dublin Core
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Free Jazz IV. Geomancers, from Daniel Steegmann Mangrané's <em>Phantom (Kingdom of All the Animals and All The Beasts is My Name)</em>, January 14 - 23 2022, NTU CCA Singapore. Photo by Kee Ya Ting.
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Free Jazz IV. Geomancers, video screening at Screening Room, 14 - 23 Janaury 2022, NTU CCA Singapore. Photo by Kee Ya Ting.
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Title
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Exhibitions
Description
An account of the resource
NTU CCA Singapore’s exhibitions focus on contemporary artistic production that provides a critical platform for reflection and discussion.
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
From its first iteration in 2013, Free Jazz has pushed boundaries and expanded upon pressing concerns of our times. Free Jazz IV. Geomancers continues this approach, featuring artworks ranging from virtual reality to video, performance, and sound as an exercise in planetary awareness.
Exhibition Mode
Festival
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
Single Screen
Block 37
Block 38
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Offsite
Exhibition Start Date
2022-01-14
Exhibition End Date
2022-01-23
Collaboration
Yes
Commissioned Work
No
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Title
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Free Jazz IV. Geomancers
Subject
The topic of the resource
Performance
Nature
Technology
Description
An account of the resource
<p>From its first iteration in 2013, <em>Free Jazz</em> has pushed boundaries and expanded upon pressing concerns of our times. <em><strong>Free Jazz IV. Geomancers</strong></em> continues this approach, featuring artworks ranging from virtual reality to video, performance, and sound as an exercise in planetary awareness. The exhibition presents significant artistic practices from across the globe that are deeply invested in creating an environmental consciousness and that share an understanding of the world as a vulnerable, yet resilient, mesh of coexistences, correlations, and co-creations. As with geomancy, these artworks can help us to read the signs that our planet is trying to send us and that they can inspire a stronger commitment to create a sustainable future for life on Earth.</p>
<p>Alongside scientists, environmental activists, enlightened policy makers and civil society members, contemporary artists are increasingly concerned with future prospects of ecological collapse and planetary survival. They address these issues through the language of art, creating images, sounds, narratives, and experiences that allow us to establish affective and cognitive connections with the environment and partake in the planetary intelligence of the Earth. Stemming from NTU CCA Singapore’s ongoing engagement with the overarching subject of <em>Climates.Habitats. Environments.</em>, <em>Free Jazz IV. Geomancers</em> brings together a selection of creative practitioners who are distinctly alert to these urgencies.</p>
<p>Conceived for Singapore Art Week 2022, this programme consists of a film screening series, a virtual reality installation, a performance and a sound installation. Some of the featured artworks zero in on signs of earthly demise, others indicate pathways of resilience and strategies for regeneration. All the works result from long-term research and extensive fieldwork and, when presented together, they engender a kaleidoscopic overview of the multitudinous forms of ecological entanglements.</p>
<p>Artists: <strong>Martha Atienza </strong>(Philippines), <strong>Ursula Biemann</strong> (Switzerland), <strong>Carolina Caycedo & David de Rozas</strong> (United Kingdom; Spain/United States), <strong>Chu Hao Pei </strong>(Singapore), <strong>Liu Chuang</strong> (China), <strong>Pedro Neves Marques</strong> (Portugal), <strong>Katie Paterson </strong>(Scotland), <strong>Rice Brewing Sisters Club </strong>(South Korea), <strong>Daniel Steegmann Mangrané </strong>(Spain/Brazil), <strong>Jana Winderen </strong>(Norway), <strong>Zarina Muhammad & Zachary Chan</strong> (Singapore), and <strong>Robert Zhao Renhui </strong>(Singapore).<br /><br /></p>
<p class="has-medium-font-size"><strong><span>Exhibition Information</span></strong></p>
<p><strong>Katie Paterson<br /></strong><em>To Burn, Forest, Fire</em>, 2021, performance<br />Performance schedule: 14, 15, 18, 22, and 23 January, 6.30 – 7.00pm<br />Block 37 Malan Road, #01-04, Gillman Barracks<br />Entrance is on a first-come first-served basis up to the capacity allowed by the<br />prevailing social distancing measures. Audience to arrive at least 15 minutes<br />before the performance starts. Please note that the performance entails the<br />burning of incense inside an indoor space.<br />Please see our <a href="https://www.facebook.com/events/614164509912322/?acontext=%7B%22event_action_history%22%3A%5B%7B%22surface%22%3A%22page%22%7D%5D%7D">Facebook event</a> for the latest updates.</p>
<p><strong>Daniel Steegmann Mangrané</strong> <br /><em>Phantom (kingdom of all the animals and all the beasts is my name)<br /></em>2014–2015, VR installation<br />Tuesday to Sunday, 12.00 – 7.00pm<br />Fridays, 12.00 – 9.00pm<br />Block 38 Malan Road, #01-07, Gillman Barracks<br />Please see our <a href="https://www.facebook.com/events/472012560983385/">Facebook event</a> for the latest updates.</p>
<p><strong>Jana Winderen</strong><br /><em>Listening through the Dead Zones</em>, 2021, sound installation, 20 min, on loop.<br />Monday to Thursday: 8.00am to 9.00pm (last entry 8.00pm)<br />Fridays to Sundays: 8.00am to 10.00pm (last entry 9.00pm)<br />Please see our <a href="https://www.facebook.com/events/1327631087681077/">Facebook event</a> for the latest updates.</p>
<p>Green Roof, Marina Barrage, 8 Marina Gardens Drive, Singapore 018951<br />The sound installation is located on the Green Roof at Marina Barrage, above the<br />Sustainable Singapore Gallery, accessible either via the walking ramp or the elevator.<br />Once on the rooftop, visitors will find the work in the proximity of the glass house, on<br />the southern edge of the rooftop. Visitors are encouraged to take the time to pause and<br />experience Listening to the Dead Zones while facing the open sea.</p>
<p class="has-medium-font-size"><strong><span>Screening Programme</span></strong></p>
<p>Friday, 14 and 21 January 2022, 12.00 – 9.00pm<br />Session I: 12.00 – 2.50pm<br />Session II: 3.00 – 5.50pm<br />Session III: 6.00 – 8.50pm</p>
<p>Tuesday to Sunday, 15 – 23 January 2022, 12.00 – 7.00pm<br />Session I: 12.00 – 3.20pm (intermission: 1.30 – 2.00pm)<br />Session II: 3.30 – 6.50pm (intermission: 5.00 – 5.30pm)</p>
<p>Block 38 Malan Road, #01-06, Gillman Barracks<br />Films will be screened in the order as below during each session.<br />Please see our<a href="https://www.facebook.com/events/389146689658432/?acontext=%7B%22event_action_history%22%3A%5B%7B%22surface%22%3A%22page%22%7D%5D%7D"> Facebook event</a> for the latest updates.</p>
<p><em><strong>Martha Atienza <br /></strong>Panangatan 11°09’53.3”N 123°42’40.5”E</em> 2019-10-24, 9min<br /><br /><strong>Zarina Muhammad & Zachary Chan</strong><br /><em>earth, land, sky and sea as palimpsest</em>, 17 min 37 sec<br /><strong></strong><br /><strong>Rice Brewing Sisters Club</strong><br /><em>Mountain Storytellers, Storytelling Mountains: A Tale Theatre</em>, 15 min 37 sec</p>
<p><strong>Carolina Caycedo & David de Rozas</strong><br /><em>The Teaching of the Hands</em>, 47 min<br /><br /><strong>Pedro Neves Marques</strong><br /><em>Semente Exterminadora [Exterminator Seed]</em>, 28 min<br /><br /><strong>Ursula Biemann</strong><br /><em>Acoustic Ocean</em>, 18 min<br /><br /><strong>Liu Chuang</strong><br /><em>Can Sound be Currency?</em>, 19 min 43 sec<br /><br /><strong>Chu Hao Pei<br /></strong><em>Inventing Miracle: The Rice to Power</em>, 9 min 59 sec</p>
<p><strong>Robert Zhao Renhui</strong><br /><em>And A Great Sign Appeared</em>, 4 min 52 sec</p>
<p><em>Free Jazz IV. Geomancers </em>is supported by National Arts Council Singapore and Nicoletta Fiorucci Russo De Li Galli. NTU CCA Singapore also wishes to thank our collaborators IHME Helsinki, and PUB Singapore’s National Water Agency at Marina Barrage.</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
14 - 23 January 2022
Contributor
An entity responsible for making contributions to the resource
Martha Atienza
Ursula Biemann
Carolina Caycedo
Zachary Chan
Chu Hao Pei
Liu Chuang
Pedro Neves Marques
Katie Paterson
Rice Brewing Sisters Club
David de Rozas
Daniel Steegmann Mangrané
Jana Winderen
Zarina Muhammad
Robert Zhao Renhui
Anna Lovecchio
Magdalena Magiera
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Asia
South America
Europe
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PDF Text
Text
Entanglements – Writing the Environment
Instructors: Jason Wee & Anca Rujoiu
Date:21, 22, 24 and 25 February 2022
Time: 9:00am – 4:00pm
Day 1 - Monday, 21 February 2022
Who Writes?
Required Texts:
Camille Stories D Haraway Pp.143-168
Supplementary:
Observer-narrator - Michael Taussig - Becoming Palm
Interviews - Anca Rujoiu, Walking Conversation with Robert Zhao Renhui
Feral Atlas, Introduction https://feralatlas.supdigital.org/?cd=true&bdtext=introduction-to-feral-atlas
Svetlana Alexievich: The author interviews herself on missing history and why Chernobyl calls our world
into question (essay from the Chernobyl Prayer)
Day 2: Tues 22 February 2022
Environmental Histories of Singapore
Required Texts:
Film: Storytelling for Earthly Survival by Fabrizio Terranova
Lucy Davis - Like Shadows Through Leaves - Migrant Ecologies film
Timothy Pwee https://biblioasia.nlb.gov.sg/vol-17/issue-1/apr-jun-2021/agriculture
Editors’ Introduction to Making Kin
Supplementary:
Resilience: A Journal of the Environmental Humanities 4.2-3 166. Web.
Wong, M. E. ‘Revisiting Jane Jacobs’s Urban Complexity in Global Sustainability City Discourse’.
Architecture_MPS 19, 1 (2021): 3. DOI: https://doi.org/10.14324/111.444.amps.2021v19i1.003
Ursula Heise: From the Blue Planet to Google Earth: Environmentalism, Ecocriticism and the Imagination
of the Global
Day 3: Thurs, 23 February 2022
Interdependencies Ecologies & Wildness
Required Texts:
Excerpts from Jason Wee’s ‘In Short, Future Now’
Jack Halberstam’s Wildness - introduction
Anna Tsing The Mushroom at the End of the World
NANYANG TECHNOLOGICAL UNIVERSITY
�Supplementary:
Simryn Gill & Michael Taussig Becoming Palm
Alison Bechdel's The Secret to Superhuman Strength
Richard Powers: Overstory: Patricia Westerford
http://www.richardpowers.net/the-overstory/
John Durham Peters The Marvelous Clouds: Toward a Philosophy of Elemental Media
Day 4: Fri, 24 February 2022
Editing Voices, Collective Voices
Required Texts:
Italio Calvino’s Six Memos for the Millenium
Phillip Lopate on the Essay and Anthologies
https://diymfa.com/podcast/episode-377-phillip-lopate
Supplementary:
Schneider-Mayerson, Matthew. “Some Islands Will Rise: Singapore in the Anthropocene.”
NANYANG TECHNOLOGICAL UNIVERSITY
�
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11927f9f3bd72abcc40ef77d13505af0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jason Wee (Front) and Anca Rujoiu (Back), course instructors, Entanglements - Writing the Environment, NTU CCA Singapore, 2021.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Course
Audience
General
Professional
Programme Series
Open College Immersive
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
Yes
Short Description
Entanglements – Writing the Environment is a 4-day course which offers participants the opportunity to develop their writing skills and interests in ways that promote and illustrate environmental awareness, concerns, and sensitivities.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Open College: Entanglements - Writing the Environment
Subject
The topic of the resource
Education
Nature
Description
An account of the resource
Entanglements – Writing the Environment is a 4-day course which offers participants the opportunity to develop their writing skills and interests in ways that promote and illustrate environmental awareness, concerns, and sensitivities. Participants will explore diverse issues of the environment captured in writing through experimenting with a variety of writing forms from the glossary definition, annotations, essay, review, poetry, short fiction and novel. The course format will include examination of literary texts related to environmental themes, class discussions, as well as writing and editing practice to texts produced throughout the course. By the end of this course, participants will have a new literary appreciation and increased confidence in writing about the natural world.
What You Will Learn
1. To understand different formats of writing and writing conventions that can be applied to other facets of daily life.
2. To integrate environmental concerns in writing of fiction and non-fiction.
3. To identify and analyse developments in the field of environmental literature through the study of specific works.
4. To develop a personal style of writing by connecting ideas and creating an effective narrative.
Who Should Sign Up
Artists, Cultural Producers, Curators, Researchers, Educators, Naturalists, Editors, Art Critics, Budding Writers or someone who simply enjoys writing
Course Instructors
Jason Wee and Anca Rujoiu
Date
A point or period of time associated with an event in the lifecycle of the resource
21, 22, 24, 25 February 2022
Contributor
An entity responsible for making contributions to the resource
Jason Wee
Anca Rujoiu
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Wendy
Surname or Business Name
Wendy.gnahZ
Zhang
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Birthplace
Singapore
Occupation
Professional title or identity
Illustrator
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>An artist volunteer with Migrant x Me, Wendy.gnahZ (Singapore) is a creator and scientific illustrator. Fascinated with the strange, the dead and the unseen matter in nature, she is driven to learn more about them and the role they play in our ecosystem.</span>
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Wendy.gnahZ
Wendy Zhang
Subject
The topic of the resource
Nature
Ecology
Contributor
An entity responsible for making contributions to the resource
Wendy.gnahZ
Wendy Zhang
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Juria
Surname or Business Name
Toramae
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Birthplace
Morocco
Occupation
Professional title or identity
Visual Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Juria Toramae (Thailand/Singapore) is a visual artist. Having had an itinerant childhood, she is interested in place attachment and displacement. Her practice draws on historical and field research and reflects on human relationship with nature. Her work has been presented at the Singapore Art Museum at 8Q, the Singapore International Photography Festival, The Photobook Exhibition for Athens Photo Festival; the Obscura Festival of Photography, Penang; the Chiang Mai University Art Center; and The Substation, Singapore.</span>
Personal Website
Leave blank if not applicable
<a href="https://toramae.com">https://toramae.com</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Thailand
Malaysia
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Juria Toramae
Subject
The topic of the resource
Nature
Displacement
Contributor
An entity responsible for making contributions to the resource
Juria Toramae
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Africa
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Shawn Kaihekulani Yamauchi
Surname or Business Name
Lum
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Affiliation
Company, organization, or institution name
Nature Society, Singapore
Nanyang Technological University, Singapore
Birthplace
United States
Occupation
Professional title or identity
Tropical Rainforest Ecologist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Dr. Shawn Lum is a tropical rainforest ecologist. He was born in Hawaii and was educated at Harvard University and obtained his PhD from the University of California, Berkeley in 1993. Dr Lum joined the Natural Sciences and Science Education faculty at the National Institute of Education, Nanyang Technological University before moving to the Asian School of the Environment at NTU in 2015. Dr Lum is the current President of the Nature Society (Singapore) and also volunteers with the Jane Goodall Institute (Singapore). His main interests include rainforest ecology and the diversification of tree species. He also does work in conservation biology and environmental education, and interacts with a wide range of people, from fellow researchers to naturalists, primary school pupils, and educators.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Shawn Kaihekulani Yamauchi Lum
Subject
The topic of the resource
Nature
Ecology
Contributor
An entity responsible for making contributions to the resource
Shawn Kaihekulani Yamauchi Lum
Shawn Lum
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Alexius
Surname or Business Name
Yeo
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
Affiliation
Company, organization, or institution name
Carbon InQ, Singapore
Birthplace
Singapore
Occupation
Professional title or identity
Agriculture advocate
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<strong>Alexius Yeo</strong><span> (Singapore) is the Director of Carbon InQ, a local company that teaches Agriculture-based experiential learning programmes at schools and firms. He is also Founder of Project 33, a family-initiated farming movement uniting neighbourhoods through community farming, cooking, educational activities, as well as the practice of “sharing first” that involves sharing a portion of what one grows and owns with the community.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Contributor Type
Collaborator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alexius Yeo
Subject
The topic of the resource
Nature
Contributor
An entity responsible for making contributions to the resource
Alexius Yeo
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Hongyi
Surname or Business Name
Zhuo
Affiliation
Company, organization, or institution name
Toh Garden, Singapore
Birthplace
Singapore
Occupation
Professional title or identity
Project Manager and Orchid grower
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<p class="p1"><b>Zhuo Hongyi </b>(Singapore) is Project Manager at Toh Garden. Raised in a family of commercial orchid growers, Zhuo has a BSc in Life Sciences from National University Singapore. At Toh Garden, he is mainly responsible for the orchid projects, securing orchid supplies and designing orchidscapes for clients. Zhuo has managed projects with the National Orchid Garden, Gardens by the Bay, Orchid Country Club, and UBS AG, among others.</p>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Collaborator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Zhuo Hongyi
Subject
The topic of the resource
Nature
Rights
Information about rights held in and over the resource
Zhuo Hongyi
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
John
Surname or Business Name
Dransfield
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
Affiliation
Company, organization, or institution name
Royal Botanic Gardens, Kew, United Kingdom
Birth Date
1945
Birthplace
United Kingdom
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<p><strong>Dr John Dransfield</strong> (United Kingdom) graduated at Gonville and Caius College, Cambridge University, gaining his PhD under Professor E.J.H. Corner in 1970 with a study of two Malaysian palm genera, <em>Eugeissona</em> and <em>Johannesteijsmannia</em>. He devoted his working life to palm research, working first in Indonesia for four years specialising in rattan, the climbing palms that are the source of cane for cane furniture. In 1975 he continued palm research at the Royal Botanic Gardens Kew where he was head of Palm Research until his retirement in 2005. Dransfield is Honorary Research Fellow at Kew and author of several books on palms (including rattan) and numerous scientific papers.</p>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United Kingdom
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Dransfield
Subject
The topic of the resource
Nature
Contributor
An entity responsible for making contributions to the resource
John Dransfield
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Europe
Africa