1
10
300
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
During the residency, the artist is working on new sound compositions and modes of listening that forge alternative connections between humans and nonhumans. He is also experimenting with drawing to create “visual scores” in response to his soundscapes.
Cycle
Cycle 5 (2018 – 2019)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Zai Tang
Description
An account of the resource
Object-orientated ontology (OOO) is a 21st-century school of thought that rejects the primacy of human existence over non-human objects, thus generating different perspectives on ecological thinking. Combining an ongoing interest in natural environments threatened by urban development with his practice of capturing sonic emanations of the non-human inhabitants of our planet, Tang aims to further his understanding of OOO and sharpen theoretical tools that challenge anthropocentric hierarchies and understanding of nature. The space of the studio provides him with the opportunity to test immersive multisensorial installations that visualize and animate field recordings taken in various natural environments in Singapore. During the residency, the artist is working on new sound compositions and modes of listening that forge alternative connections between humans and nonhumans. He is also experimenting with drawing to create “visual scores” in response to his soundscapes.
Date
A point or period of time associated with an event in the lifecycle of the resource
2 April – 28 September 2018
Contributor
An entity responsible for making contributions to the resource
Zai Tang
Medium
The material or physical carrier of the resource.
Sound
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Subject
The topic of the resource
Performance
Technology
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Zai
Surname or Business Name
Tang
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
Birthplace
United Kingdom
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Zai Tang (b. 1984, United Kingdom) is an artist, composer, and sound designer based in Singapore. Employing a wide range of analogue and digital technologies, his practice experiments with different ways to translate the audible in visual phenomena. Recent exhibitions and collaborations include 2nd Yinchuan Biennale, China (2018); <i>Resident Frequencies</i>, National Gallery Singapore (2017); <i>Railtrack Songmaps</i>, Gillman Barracks, Singapore (2016); <i>SOUND: Latitudes & Attitudes</i>, Institute of Contemporary Arts Singapore (2014). Tang participated as a guest musician to Tarek Atoui‚ exhibition <i>The Ground: From the Land to the Sea</i>, NTU CCA Singapore (2018).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Performer
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1984
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Zai Tang
Subject
The topic of the resource
Performance
Technology
Contributor
An entity responsible for making contributions to the resource
Zai Tang
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Kuning
Surname or Business Name
Zai
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2013/2014
Birthplace
Singapore
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Zai Kuning is one of the pioneering experimental artists in Singapore who has redefined what it means to engage in multi-cultural and multi-disciplinary art forms. Zai's artistic work in the last two decades has shifted between sculpture, drawing, installation, performance, movement, music and sound. In 2000, he began researching the lives of the Orang Laut, the sea gypsies of the Riau Archipelago in Indonesia, near Singapore. His research culminated in an internationally acclaimed documentary film RIAU (2003). He returned to further explore this theme, and he is currently working on a new documentary film project focused on the Mak Yong Mantang, an important form of Malay performing arts as it pre-dates Islam influence in the 14th century. Mak Yong has been declared by UNESCO as a “Masterpiece Of The Oral And Intangible Heritage Of Humanity”, one with roots in animist and Hindu-Buddhist beliefs and mythology. His project on the Mak Yong is supported by the National Arts Council Singapore.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1964
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Zai Kuning
Subject
The topic of the resource
Performance
Experiential
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Zai Kuning
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Studio of Artist-in-Residence Yuen Chee Wai, October 2021 - March 2022, NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist-in-Residence Yuen Chee Wai, October 2021 - March 2022, NTU CCA Singapore.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Artist-in-Residence Yuen Chee Wai, October 2021 - March 2022, NTU CCA Singapore.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Drawing on his multidisciplinary sensibility in music-making, design, and curating, Yuen Chee Wai will dedicate the residency to explore the liminality between installation, situation, and performance researching possible spatial, visual, and sonic configurations of devices such as self made speakers using found objects, audio tape, and other motors and sensors.
Cycle
Cycle 8 (2021 – 2022)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yuen Chee Wai
Subject
The topic of the resource
Performance
Nature
Description
An account of the resource
Drawing on his multidisciplinary sensibility in music-making, design, and curating, Yuen Chee Wai will dedicate the residency to explore the liminality between installation, situation, and performance researching possible spatial, visual, and sonic configurations of devices such as self made speakers using found objects, audio tape, and other motors and sensors. <span>Working towards the production of a solo album, he will gather and sample physical elements present at Gillman Barracks, using forest foliage as sound conductors and collecting field recordings to expand the vocabularies featured in his music. Along the process, the studio will be treated as a site-specific musical instrument which—through a series of recording and interfacing sessions, either individual or collaborative—will be turned into an environment for feedback and interface.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
4 October 2021 - 31 March 2022
Contributor
An entity responsible for making contributions to the resource
Yuen Chee Wai
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Sound
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Chee Wai
Surname or Business Name
Yuen
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2018
2021-2022
Birthplace
Singapore
Occupation
Professional title or identity
Musician
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Musician, artist, designer, and curator Yuen Chee Wai (b. 1975, Singapore) is known for his commitment to improvised music and experimental projects that explore memory and loss, indeterminacy and invisibility. Ranging from the obsolescent and the newfangled, his eclectic toolbox comprises noise, field recordings, found sounds as well as guitars and various electronic instruments which reverberate with critical perspectives inspired by philosophy, literature, film, and politics. Together with FEN (Far East Network), an improvised music quartet he co-formed in 2008, Yuen is active in triggering multifaceted collaborations across Asia. Since 2014, he is Project Director of Asian Music Network for which he co-curates Asian Meeting Festival. Yuen is also a member of the experimental band The Observatory with whom he plays guitar, efx and objects, and organises a range of projects such Playfreely and BlackKaji.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Collaborator
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Birth Date
1975
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yuen Chee Wai
Subject
The topic of the resource
Performance
Displacement
Materiality
Nature
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Yuen Chee Wai
-
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fb29638f1335644d9a33864f4f0b7f83
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Yason Banal’s work-in-progress is inspired by a conceptual astronomy around abstraction and document.
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Philippines
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yason Banal
Description
An account of the resource
Yason Banal’s work-in-progress is inspired by a conceptual astronomy around abstraction and document, ranging from Jose Rizal’s transglobal coordination and Isabelo Delos Reyes’ experimental archive amidst 19th century politics and anti-imperialist imagination, to possible contemporary coordinates in supernatural reality TV, lo-fi internet culture, geomarket forces and neo-migrant formalism.
Date
A point or period of time associated with an event in the lifecycle of the resource
6 July – 6 August 2015
Contributor
An entity responsible for making contributions to the resource
Yason Banal
Medium
The material or physical carrier of the resource.
Installation
Performance
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Performance
-
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f440fe471ee08b35e45c4e687480c774
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Yason
Surname or Business Name
Banal
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014/2015/2016
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Yason Banal is an artist and educator. His work spans from photography to video, installation, text, and performance, deploying varied conceptual strategies to explore links among seemingly divergent systems. Between July and August 2015, Banal was Artist-in-Residence at NTU CCA Singapore where he continued a work-in-progress in- spired as much by José Rizal’s transglobal coordination, Isabelo Delos Reyes’s experimental archive, as it is by contemporary coordinates such as reality TV and lo-fi culture.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Philippines
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Collaborator
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birth Date
1972
Birthplace
Philippines
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yason Banal
Subject
The topic of the resource
Performance
Description
An account of the resource
Yason Banal is an artist and educator. His work spans from photography to video, installation, text, and performance, deploying varied conceptual strategies to explore links among seemingly divergent systems.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Yason Banal
-
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592d9e0d11ffa27420df82abffb0fb45
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Fudong
Surname or Business Name
Yang
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2014/2015
Birth Date
1971
Birthplace
China
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Yang Fudong is an artist who lives and works in Shanghai. He was born in Beijing, 1971 and graduated from the China Academy of Art, Hangzhou, 1995. Yang is one of China's best known contemporary artists, having gained a major international reputation for his films and video installations, which have been shown regularly as part of major international survey exhibitions and one-person gallery shows across the globe. Yang Fudong has had more than 60 solo shows at most acclaimed institutions and galleries during the past years besides other 300 group exhibitions in the world. Yang Fudong's artworks articulate multiple perspectives; his works investigate the structure and formation of identity through myth, personal memory and lived experience. Each of his works is a dramatic existential experience and a challenge to take on. <br><br> Yang Fudong has participated in prestigious international art events including: La Biennale de Lyon, France (2013); Sharjah Biennial 11 of Sharjah Art Foundation, Sharjah, UAE (2013); The First Kyiv International Biennial of Contemporary, Ukraine (2012); Moving Image In China: 1988-2011, Minsheng Art Museum, Shanghai (2011); 17th Biennale of Sydney, Sydney Museum of Contemporary Art, Australia (2010); Aichi Triennial 2010, Arts and Cities, Japan (2010); Rehearsal: 8th Shanghai Biennale, Shanghai (2010); The 52nd Venice Biennale, Italy (2007); The 5th Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery, Australia (2006); The 1st Moscow Biennale of Contemporary Art, Russia (2005); The 5th Shanghai Biennale, Shanghai (2004); The 50th International Art Exhibition Venice Biennale, Italy (2003); Documenta 11, Kassel, Germany (2002); 7th International Istanbul Biennial, Turkey (2001), etc. Meanwhile, he had solo-shows at most acclaimed institutions and galleries such as Yang Fudong: New Women, ShanghART H-Space, Shanghai (2014); Yang Fudong: Estranged Paradise, Works 1993-2013 of the Kunsthalle Zurich, Switzerland and Berkeley Art Museum, San Francisco, USA (2013); Quote Out of Context, OCAT, Shanghai (2012); The Fifth Night, Vancouver Art Gallery, Canada (2012); Yang Fudong, Utopia and Reality, Espoo Museum of Modern Art, Tapiola, Finland; One half of August, Parasol Unit Foundation for Contemporary Art, London, U.K. (2011); Yang Fudong: No Snow on the Broken Bridge, Sherman Contemporary Art Foundation, Sydney, Australia (2010); ...In the Bamboo Forest..., Kunsthaus Baselland, Basel, Switzerland (2010); Yang Fudong, Seven Intellectuals in a Bamboo Forest and Other Stories, National Museum of Contemporary Art, Athens, Greece (2010); Dawn Mist, Separation Faith, Yang Fudong's Solo Exhibition, Zendai Museum of Modern Art, Shanghai (2009); The General's Smile, Hara Museum, Tokyo, Japan (2009); Seven Intellectuals in a Bamboo Forest, Asia Society and Museum, New York, U.S.A. (2009); East of Que Village, Marian Goodman Gallery, New York, U.S.A. (2009); China in Transition, GL STRAND, Copenhagen, Denmark (2008); No Snow on the Broken Bridge, Parasol Unit, London, U.K.(2006); Yang Fudong, Castello di Rivoli Museo d'arte contemporanea, Torino, Italy (2005); Don't worry, it will be better...,Kunsthalle Wien, Austria (2005); Yang Fudong, Stedelijk Museum, Amsterdam, Netherlands (2005); 5 Films, The Renaissance Society, The Renaissance Society, Chicago, U.S.A.(2004) etc.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
China
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yang Fudong
Subject
The topic of the resource
Performance
Theatre
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Contributor
An entity responsible for making contributions to the resource
Yang Fudong
-
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c0170f960737dab41e01ee0294ca5615
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Yan Jun will recreate his Living Room Tour project, initiated in 2011,the project was developed as a solo project and later with guests to become the Impro Committe collaboration project (2014, Beijing).
Cycle
Cycle 2 (2015 – 2016)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
China
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yan Jun
Description
An account of the resource
Yan Jun will recreate his Living Room Tour project, initiated in 2011,the project was developed as a solo project and later with guests to become the <i>Impro Committe</i> collaboration project (2014, Beijing). <br /><br />The Living Room Tour project has to takes place at someone’s home, a place while he/she lives. whatever the size is, with or without speakers, has or has no electricity; at least one audience is required and the owner of the home is encouraged to invite audiences. The performers may use furniture, kitchenware or anything available. The initial idea of this project came from feeling tired about low-end speakers and wanting to create a sonic space without the expense or formalities which go with this. He says the concert is a temporary mandala, a metaphor for the world. Within this environment is a destabilisation of hierarchy and there is no difference between large and small or professional and amateur. The quality of listening is from participants’s devotion.
Date
A point or period of time associated with an event in the lifecycle of the resource
11 August – 30 October 2015
Contributor
An entity responsible for making contributions to the resource
Yan Jun
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Object
Sound
Subject
The topic of the resource
Performance
Body
-
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c0170f960737dab41e01ee0294ca5615
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Jun
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2015
Occupation
Professional title or identity
Artist
Poet
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Yan Jun is a musician, born in Lanzhou in 1973 and based in Beijing. His activities involve improvised music, field recordings and site-specific sound works/events. His feedback improvisation set always follows the unstable relationship between microphones, speakers, the space and his own body movement. He often plays with the environment and found objects at audiences‚ homes, along or with other artists, through the Living Room Tour project. <br /><br />He is member of <i>FEN, Tea Rockers Quintet</i> and <i>Impro Committee</i>. He has performed in more than 20 countries in North America, Australia, Europe and Asia. As a poet and artist he has attended Rotterdam International Poetry Festival, Berlin International Poetry Festival and Shanghai Biennale.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
China
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Surname or Business Name
Yan
Birth Date
1973
Birthplace
China
Personal Website
Leave blank if not applicable
<a href="https://yanjun.org">https://yanjun.org</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yan Jun
Subject
The topic of the resource
Experiential
Performance
Description
An account of the resource
Yan Jun is a sound artist and poet. His sound works involve improvised music, field recordings, and site-specific sound events.
Contributor
An entity responsible for making contributions to the resource
Yan Jun