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Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Anthony
Surname or Business Name
Chin
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2023 - 2024
Birth Date
1969
Birthplace
Singapore
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
The research-driven conceptual practice of Anthony Chin (b. 1969, Singapore) grows out of site-specific engagements with the historical, social, and architectural stratifications of a place. Through the articulation of ordinary materials into poetic installations, his work unravel the latent power structures and complex geopolitical narratives that undergird the colonial past and the post-colonial present. He has regularly presented his work in Singapore and abroad. His recent solo exhibitions include S$1,996/- S$831.06/-, Comma Space, Singapore (2021); TROPHY, Metropolitan Museum of Manila, Philippines (2020); and Western Pacific, Mo Shang Experiment, Beijing, China (2016). Among the group exhibitions are SAM Contemporaries: Residues & Remixes, Singapore Art Museum, Singapore (2023); For the House; Against the House, Gillman Barracks, Singapore (2022); Concept 88, Comma Space, Singapore (2022); three editions of OH! Open House, amongst others. Anthony has previously taken part in other residency programmes such as National NAC-MET international Artist Residency, Manila, Philippines (2020) and Taipei International Artists Residency season 4, Taiwan (2018).
Professional Website
Leave blank if not applicable
<a href="http://www.antchin.com/about/">http://www.antchin.com/about/</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Thailand
Contributor Type
Artist-in-Residence
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Title
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Anthony Chin
Subject
The topic of the resource
Decolonialism
Postcolonialism
Politics
Geopolitics
Artistic Research
Contributor
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Anthony Chin
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Kaige
Surname or Business Name
Chen
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
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2015
Birth Date
1952
Birthplace
China
Occupation
Professional title or identity
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>The son of a filmmaker from the earlier generation of Chinese socialist realism, Chen Kaige represents the Fifth Generation, filmmakers who attended Beijing Film Institute after the Cultural Revolution. After graduating in 1982, Chen and his classmates began a new wave in Chinese cinema by emphasizing the visual and aural qualities of film rather than traditional dramatic and literary elements. Their films have also been characterized by a strong political commitment which has led to objections from censors and has limited their domestic audience to students and intellectuals. Outside China, however, Chen Kaige and the other Fifth Generation filmmakers have drawn attention from an increasingly wide circle of film sophisticates who have hailed their efforts as the next most important New Wave. Chen has been awarded top festival prizes in Tokyo, Cannes and Berlin.<br /><br />He is a known for <em>Farewell My Concubine </em>(1993), <em>Yellow Earth</em> (1984) and <em>Together with You</em>(2002). In recent years, Chen directed the war film <i>The Battle at Lake Changjin</i> and its sequel with Tsui Hark and Dante Lam, with the two films characterized by propagandistic storytelling and made in cooperation with the Chinese Communist Party.<br /></span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
China
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Chen Kaige
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The topic of the resource
Labour
Politics
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Chen Kaige
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
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Title
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Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
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The Artist’s Cut: Sunday Film Screenings -《黄土地》 Yellow Earth | China | 1984 | 89mins | Mandarin with English subtitles Directed by Chen Kaige
Subject
The topic of the resource
Ways of Seeing
Politics
Description
An account of the resource
<span>15 Feb 2015, Sun 2:00pm<br /><br />Set in 1939 in Shaanxi province, China, during a period when the Chinese Communist Party (CCP) and the Kuomingtang (KMT) have joined forces against Japanese invaders, <em>Yellow Earth</em> follows the journey of Gu Qing, a soldier from the propaganda department of the CCP Eighth Routh Army who learns about the hardship of peasant life. <em>Yellow Earth</em> was Chen Kaige’s directorial debut and featured cinematography by Zhang Yimou.<br /><br />A public programme of <em>Yang Fudong: Incidental Scripts</em>.</span>
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-02-15
Contributor
An entity responsible for making contributions to the resource
Chen Kaige
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Nuanxin
Surname or Business Name
Zhang
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
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2015
Birth Date
1940
Birthplace
China
Death Date
1995
Occupation
Professional title or identity
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Zhang Nuanxin was a Chinese film director, and a leading figure of the Fourth Generation of Chinese directors. Her most famous film The Drive to Win won the 2nd Golden Rooster special awards. Nuanxin Zhang is also best known for her films <em>Sacrifice of Youth</em>, <em>A Yunnan Story</em>.<br /><br />Zhang's film treats themes of alienated youth, contemporary Chinese history, as well as her signature usage of the long-take, color digital video, and his realist style. Chinese film theorist Zhang Zhenqin argues that Nuanxin Zhang's work speaks to a vision of "authentic" Chinese life.<sup id="cite_ref-:1_2-6" class="reference"></sup><i>The Drive to Win</i>, in particular, Zhang tells a story about women, about a normal female volleyball athlete(Sha Ou Played by Shanshan Chang)'s life, even Sha ou has been going through the team lose world champion and her husband's death, but her still facing her life optimistic. She represents a generation who was living in that period. So Chinese film theorist Zhang Zhenqin argues that she is the pioneer of Chinese film realistic aesthetics, and Chinese women cinema.<sup id="cite_ref-:1_2-7" class="reference"></sup>And because <i>The Drive to Win</i>represents a generation and women's life who living in that period, this film is being considered as Zhang Nuanxin's most important.<sup id="cite_ref-:3_3-2" class="reference"></sup><br /></span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
China
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
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Zhang Nuanxin
Subject
The topic of the resource
Labour
Politics
Feminism
Contributor
An entity responsible for making contributions to the resource
Zhang Nuanxin
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
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Title
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Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
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The Artist’s Cut: Sunday Film Screenings -《青春祭》Sacrifice of Youth | 1985 | China | 105mins | Mandarin with English subtitles Directed by Zhang Nuanxin
Subject
The topic of the resource
Ways of Seeing
Labour
Politics
Description
An account of the resource
8 Feb 2015, Sun 2:00pm<br /><br />Set in the period of the Cultural Revolution in China, the film follows the story of a young girl as she is sent to the countryside for re-education. Adapted from a novel by Zhang Manling, the film reflects the kind and warm-hearted characteristics of the Dai folk despite living in a tumultuous period. Through the experience of a young girl, Sacrifice of Youth appeals in its dreamy portrayal of a youthful awakening.<br /><br />A public programme of <em>Yang Fudong: Incidental Scripts</em>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-02-08
Contributor
An entity responsible for making contributions to the resource
Zhang Nuanxin
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
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The Artist’s Cut: Sunday Film Screenings – 《一个和八个》One and Eight | 1983 | China | 90mins | Mandarin with English subtitles Directed by Zhang Junzhao
Subject
The topic of the resource
Ways of Seeing
Politics
Description
An account of the resource
18 Jan 2015, Sun 2:00pm<br /><br /><p><em>One and Eight</em> marks a radical departure from traditional filmmaking and the beginning of the “Fifth Generation” in the history of Chinese cinema. Adapted from an epic poem by Guo Xiaochuan, it tells the story of eight criminals and a deserting Chinese officer of the Eighth Route Army caught in the midst of the second Sino-Japanese War.</p>
<p>The film’s outstanding cast includes Tao Zeru, Chen Daoming, and Lu Xiaoyan, art direction by He Qun and cinematography by acclaimed Chinese Director, Zhang Yimou.<br /><br />A public programme of <em>Yang Fudong: Incidental Scripts</em>.</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-01-18
Contributor
An entity responsible for making contributions to the resource
Zhang Junzhao
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
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Short Description
A State in a State is the result of Aslanishvili winning the Han Nefkens Foundation – Fundació Antoni Tàpies Video Art Production Grant 2020, in collaboration with Jameel Art Centre, Dubai; the Museum of Contemporary Art and Design in Manila; NTU CCA Singapore and WIELS, Brussels. The Award appraises the work of emerging artists aged 40 and under, who live in West or Central Asia and have established a solid trajectory but not yet received recognition by international art institutions.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
Yes
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Screening: A State in A State by Tekla Aslanishvili
Subject
The topic of the resource
Geopolitics
Politics
Description
An account of the resource
<p>11 Oct 2022, Tue – 6 Nov 2022, Sun <br />The Screening Room, Block 38 Malan Road, #01-06 <br />12 pm – 7pm, every day except Monday <br />Film starts every hour</p>
<p><strong>Premier Screening:</strong> Tuesday 11 October, 7:00pm-8:30pm<br />The screening will be followed by a conversation between the artist Tekla Aslanishvili, artistic-scientific collaborator Dr. Evelina Gambino and Assistant Professor Dr. Marc Gloede, School of Art, Design and Media, NTU, Singapore.<br />The welcome will be given by Ute Meta Bauer, Professor, School of Art, Design and Media, and Founding Director, NTU Centre for Contemporary Art Singapore, and Dr. Karin Oen, Senior Lecturer and Head of Department, Art History, NTU School of Humanities.</p>
<p><strong><em>A State in a State</em></strong> is the result of Aslanishvili winning the Han Nefkens Foundation – Fundació Antoni Tàpies Video Art Production Grant 2020, in collaboration with Jameel Art Centre, Dubai; the Museum of Contemporary Art and Design in Manila; NTU CCA Singapore and WIELS, Brussels. The Award appraises the work of emerging artists aged 40 and under, who live in West or Central Asia and have established a solid trajectory but not yet received recognition by international art institutions.<br /><br />Aslanishvili was selected by an international jury, including NTU CCA Singapore’s Founding Director Ute Meta Bauer and former Deputy Director of Curatorial Programmes, Dr Karin Oen, for her body of meticulously researched work and her commitment to exploring a specific geopolitical context, whilst connecting to a wider discourse on the impact of extractivist economies on a planetary scale.<br /><br />Revolving around the scenes of delay and waiting that constitute cargo mobility, the film reads the optimistic narratives about the New Silk Road against the grain. It observes how the iron foundation of connectivity can be used as a weapon of exclusion and geopolitical sabotage. Dotting the same lines, other forms of sabotage are deployed by workers to disrupt the political violence. Looking at historic and current practices of resistance, <em>A State in a State</em> explores the potential of railroads for building a different, infrastructural consciousness, and the lasting transnational kinship among the people who live and work around them</p>
<p>The film is developed in artistic-scientific collaboration with Dr. Evelina Gambino, Margaret Tyler Research Fellow in Geography at Girton College, University of Cambridge.<br /><br /></p>
<p>Research & Script: Tekla Aslanishvili / Evelina Gambino<br />Music: Ani Zakareishvili / Nika Pasuri<br />Cinematography: Nikoloz Tabukashvili / Tekla Aslanishvili<br />Typography: Dato Simonia</p>
<p>Editing: Tekla Aslanishvili<br />Sound: Viktor Bone / Irakli Shonia<br />Color: Sally Shamas</p>
<p><em>A State in a State</em> will be also presented at the Fundació Antoni Tàpies in Barcelona from October 8<sup>th</sup> till November 27<sup>th</sup>.</p>
<p></p>
<p></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
11 October - 6 November 2022
Contributor
An entity responsible for making contributions to the resource
Tekla Aslanishvili
Marc Glöde
Marc Glode
Hans Nefkens Foundation
Ute Meta Bauer
Karin Oen
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
-
Dublin Core
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Title
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Programmes
Programme
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Short Description
Reflecting on Mao’s famous saying, “Let a hundred flowers blossom and a hundred schools of thought contend”, Trinh T. Minh-ha’s film—whose title refers in part to a Chinese guessing game—is a unique excursion into the maze of allegorical naming and storytelling in China.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Screening: Shoot for the Contents by Trinh T. Minh-ha, filmmaker and writer (Vietnam)
Subject
The topic of the resource
Ways of Seeing
Politics
Description
An account of the resource
<div class="event_single_dates text__exhibitions">7 Jul 2017, Fri 07:30 PM - 09:00 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road<br /><br /><p>Reflecting on Mao’s famous saying, “Let a hundred flowers blossom and a hundred schools of thought contend”, Trinh T. Minh-ha’s film—whose title refers in part to a Chinese guessing game—is a unique excursion into the maze of allegorical naming and storytelling in China. The film ponders questions of power and change, politics and culture, as refracted by Tiananmen Square events. It offers at the same time an inquiry into the creative process of filmmaking, intricately layering Chinese popular songs and classical music, the sayings of Mao and Confucius, women’s voices and the words of artists, philosophers, and other cultural workers. Video images emulate the gestures of calligraphy and contrast with film footage of rural China and stylised interviews. Like traditional Chinese opera, Trinh’s film unfolds through “bold omissions and minute depictions” to render “the real in the illusory and the illusory in the real.” Exploring color, rhythm and the changing relationship between ear and eye, this meditative documentary realises on screen the shifts of interpretation in contemporary Chinese culture and politics.</p>
<p class="p1">This Screening is part of the public programme of <span>Ulrike Ottinger: <em>China. The Arts – The People, Photographs and Films from the 1980s and 1990s</em></span>.</p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-07-07
Contributor
An entity responsible for making contributions to the resource
Trinh T. Minh-ha
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
-
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Pere
Surname or Business Name
Portabella
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2017
Birth Date
1927
Birthplace
Spain
Occupation
Professional title or identity
Politician, Director and Producer
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Pere Portabella (Spain) maintained since 1960s a political commitment with the movement against the Franco dictatorship. He was elected Senator in the first democratic elections (1977) and participated in the writing of the present day Spanish Constitution. Honoured with the Creu de Sant Jordi (1999), the highest recognition possible from the Generalitat de Catalunya, the award-winning filmmaker has been an irreplaceable figure in the Spanish film world for the last 50 years. His acclaimed work has been shown worldwide in major exhibitions and retrospectives, including the Museum of Modern Art, New York (2007); Centre Pompidou, Paris (2003); and Documenta 11 (2002). Portabella will be invested Doctor Honoris Causa by the Universitat Autònoma de Barcelona.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Spain
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Filmmaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
Pere Portabella
Subject
The topic of the resource
Politics
Contributor
An entity responsible for making contributions to the resource
Pere Portabella
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe
-
Dublin Core
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Title
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Short Description
Vampir-Cuadecuc is arguably one of the key films for understanding the transition in the Spanish film world from the period of the “new cinemas” (permitted by the Franco government) towards the illegal, clandestine, or openly antagonistic practices against the Franco regime.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Offsite
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
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Screening: <em>Vampir-Cuadecuc</em>, Pere Portabella, Spain, 1970, 66 min
Subject
The topic of the resource
Ways of Seeing
Mythology
Politics
Description
An account of the resource
<div class="event_single_dates text__exhibitions">29 Oct 2017, Sun 05:00 PM - 07:00 PM</div>
<div class="event_single_venue">The Projector, Golden Mile Tower, #05-00, 6001 Beach Road<br /><br /><p>Tickets: S$13.50 standard; S$11.50 concession. Purchase at <a href="http://theprojector.sg/filmsandevents/cuadecuc-vampir/">theprojector.sg</a></p>
<p>Introduction by <strong>Professor Ute Meta Bauer</strong>, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media (ADM), NTU<br /><br /><em>Vampir-Cuadecuc</em> is arguably one of the key films for understanding the transition in the Spanish film world from the period of the “new cinemas” (permitted by the Franco government) towards the illegal, clandestine, or openly antagonistic practices against the Franco regime. The film consists of shooting the filming of a commercial film <em>El Conde Drácula</em> by Jesús Franco. Portabella practices two types of violence on the standard narrative: he totally eliminates colour and substitutes the soundtrack with a landscape of image-sound collisions by Carles Santos. Filmed provocatively in 16mm with sound negative, <i>Vampire-Cuadecuc </i>stages the tensions between the black and white of the film stock, and reveals the “fantasmatic materialism” that dominant narrative cinema is reliant upon.</p>
<p>This Screening is part of the public programme of <em>Ghosts and Spectres – Shadows of History.</em></p>
</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-10-29
Contributor
An entity responsible for making contributions to the resource
Pere Portabella
Ute Meta Bauer
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Europe