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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
The Institute of Critical Zoologists has been researching the escalating chain of events brought about by the human presence on Christmas Island gathering a varied collection of research materials that merge factual and fictional elements.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2018-03-03
Exhibition End Date
2018-04-29
Collaboration
No
Commissioned Work
No
Related Countries
Australia
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>The Institute of Critical Zoologists </em>by Robert Zhao Renhui
Subject
The topic of the resource
Ecosystems
Biodiversity
Geopolitics
Mythology
Nature
Postcolonialism
Description
An account of the resource
Since the establishment of the first human settlements in the late 19th century, the ecosystem of Christmas Island—a small volcanic outcrop in the Indian Ocean which was transferred from Singapore to Australia in 1958—underwent dramatic changes. Along with human settlers, several non-indigenous species alighted on the island disrupting the endemic biodiversity that had thrived undisturbed thanks to geographical remoteness and almost nil human interference. The accidental introduction of invasive species severely impacted a fragile ecosystem, imperilling the island’s wildlife and causing the extinction of a number of native species. As a result, extreme biocontrol strategies are currently being undertaken in an attempt to restore the island’s biodiversity. <br /><br />In the past two years, The Institute of Critical Zoologists has been researching the escalating chain of events brought about by the human presence on Christmas Island gathering a varied collection of research materials that merge factual and fictional elements. By surveying the impact of human beings on an endemic habitat, Final Report of the Christmas Island Expert Working Group maps out lines of invasion and retreat, it investigates dynamics of connectedness and isolation triggering reflections on states of vulnerability and conditions of survival in the age of globalisation. <br /><br />Curated by Anna Lovecchio, Curator, Residencies
Contributor
An entity responsible for making contributions to the resource
Robert Zhao Renhui
Robert Zhao
Anna Lovecchio
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Medium
The material or physical carrier of the resource.
Photography
Date
A point or period of time associated with an event in the lifecycle of the resource
3 March - 29 April 2018
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lab
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
What is Deep Sea Mining? addresses both knowledge of the deep sea and ocean governance, but also efforts to defend a sustained ocean literacy beyond the United Nations’ “blue economy” at a time when the deep ocean, its species, and its resources remain largely unmapped and understudied.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Thematic Presentation
Exhibition Space
The Lab
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Exhibition Start Date
2019-11-02
Exhibition End Date
2020-02-08
Collaboration
Yes
Commissioned Work
No
Related Countries
Papua New Guinea
Fiji
Tonga
New Zealand
Japan
Portugal
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>What is deep sea mining?</i>
Subject
The topic of the resource
Environmental Crisis
Oceans & Seas
Extractivism
Nature
Postcolonialism
Description
An account of the resource
By <b>inhabitants</b> in collaboration with <b>Margarida Mendes</b> <br /><br />Deep sea mining is a new frontier of resource extraction located on the ocean seabed. It is set to begin in the next few years, as the technology is currently under development. Mining companies are, at present, leasing areas for exploitation in national and international waters in order to assess the potential to extract minerals and metals such as manganese, cobalt, gold, copper, iron, and other rare earth elements. The main geological sites targeted are areas rich in polymetallic nodules, seamounts, and hydrothermal vents; areas typically found where tectonic plates meet. The areas to be mined could cover parts of the Mid-Atlantic Ridge and the Clarion Clipperton Zone in the Pacific Ocean in international waters, and national waters off the islands of Papua New Guinea, Fiji, Tonga, New Zealand, Japan, and the Portuguese archipelago of the Azores. Assessment of the impact on deep sea ecosystems is underway, though their cumulative effects remain difficult to comprehend given the unprecedented variety and expanse of the mining sites targeted. At the same time, local and indigenous communities living in these regions are not being adequately consulted. <br /><br />The prospects of this form of mining re-actualise a colonial, frontier mentality and are redefining extractivist economies for the twenty-first century. <i>What is Deep Sea Mining?</i> addresses both knowledge of the deep sea and ocean governance, but also efforts to defend a sustained ocean literacy beyond the United Nations’ “blue economy” at a time when the deep ocean, its species, and its resources remain largely unmapped and understudied. <br /><br />Episode 1, <i>Tools for Ocean Literacy</i>, is historical and geographical introduction to deep sea mining, playing with Charles and Ray Eames’ 1977 film Powers of Ten. <br /><br />Episode 2, <i>Deep Frontiers</i>, tells a story about knowledge of the seabed and its alien life, written by anthropologist Stefan Helmreich. <br /><br />Episode 3, <i>The Azore Case</i>, focuses on the Portuguese Azores nine island archipelago, following European Union plans to mine in the region, based on a series of interviews with marine biologists and politicians conducted in the islands. <br /><br />Episode 4, <i>A Glossary on Mining</i>, offers a brief glossary of terms that can be used to better tackle the issue of mining reserves and monopolies on land, which in turn may lead to the potential threat of deep sea mining. <br /><br />Episode 5,<i> The Papua New Guinea Case</i>, addresses the plans to mine off the coast of Papua New Guinea as well as the long activist struggle by local communities across the Pacific against deep sea mining. Episode 5 will be premiered at NTU CCA Singapore, simultaneously in the Lab space and online on social media and the websites of NTU CCA Singapore’s website, the funding and partner institution TBA21 – Academy’s website, and inhabitants-tv.
Contributor
An entity responsible for making contributions to the resource
inhabitants
Margarida Mendes
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Oceania
Asia
South America
Medium
The material or physical carrier of the resource.
Video
Multimedia Installation
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Vitrine
Exhibition
Curated group or solo shows that happen over a period of time, usually a few months, supported by auxiliary programmes. Examples include exhibition hall presentations, lab presentations, vitrine presentations, curated film programmes, and festivals.
Short Description
along waves of gravity –a solidar y of holes was to be a monument to the short-lived Principal Liaison Centre (PLC) established in Singapore in 1926, which served to amplify voices of the marginalised and the oppressed.
Exhibition Mode
Research Presentation
Show Type
Individual Artist (solo show)
Thematic Presentation (group show)
Individual Artist
Exhibition Space
The Vitrine
Exhibition Start Date
2020-07-18
Exhibition End Date
2020-10-25
Collaboration
No
Commissioned Work
No
Related Countries
Indonesia
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<i>along waves of gravity –a solidar y of holes</i> by Kin Chui
Subject
The topic of the resource
Postcolonialism
Politics
Fiction
Description
An account of the resource
Envisioned in 1956 by Indonesian artist Iljas Hussein*, <i>along waves of gravity –a solidar y of holes</i> was to be a monument to the short-lived Principal Liaison Centre (PLC) established in Singapore in 1926. Pivotal in the international surge of anti-colonial struggles, the PLC was a point of liaison between the 3rd International and the region and it was meant to serve as an organ for the amplification of the voices of the marginalised and the oppressed. <br /><br />At the Asian-African Conference held in Bandung in 1955, Hussein was entrusted with the task of imagining a monument that encapsulated the spirit of the PLC. One year later, he presented the idea for <i>along waves of gravity –a solidar y of holes:</i> a triangulation of holes strategically placed across the island that would gather and continuously echo the voices uttered into them. Inspired by theories of general relativity and topological properties of continuous deformation, Hussein’s design articulates, spatially as well as acoustically, an anti-monumentalist stance. Rather than asserting an univocal shape, the monument retreats into the ground as a series of interconnected and shapeshifting vessels which reverberate and transform sound waves throughout time. Hussein kept experimenting with these ideas until his death in 1989 but, due to its scale and technical complexity, his visionary project remained unbuilt. The surviving renderings and audio experiments of the unrealised monument are now displayed in The Vitrine. <br /><br />* Iljas Hussein is a fictional artist conceived by Kin Chui. The name is one of the many aliases used by Tan Malaka (1897 –1949), an influential revolutionary thinker and fighter in the political struggles for Indonesia’s independence. Specifically, this alias was used to pen Malaka’s magnum opus <i>Madilog</i> (1943), the Indonesian acronym for <i>Materialisme Dialektika Logika (Materialism Dialectics Logics)</i>.
Contributor
An entity responsible for making contributions to the resource
Kin Chui
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Multimedia Installation
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Lisa
Surname or Business Name
Rave
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2017/2018
Birthplace
United Kingdom
Occupation
Professional title or identity
Artist
Filmmaker
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Lisa Rave is an artist, filmmaker, and photographer. In her work, she often explores issues surrounding postcolonialism, and history’s repeating patterns in the complex interplay of culture, economy, and ecology, as well as natural phenomena. Rave studied experimental film at the University of the Arts Berlin and photography at Bard College, New York. She was a fellow artist at the Akademie Schloss Solitude in Stuttgart in 2014. Some of her recent exhibitions and screenings include Lofoten International Art Festival (2017); Arsenal Kino Berlin (2017); Glasmoog Cologne (2017); Thyssen-Bornemisza Art Contemporary–Augarten (2017); Württembergischer Kunstverein (2016); 3rd Istanbul Design Biennial (2016); FLORA ars+natura, Bogota (2015), Meulensteen Gallery, New York (2014); Kunstverein Wiesbaden (2013); Chisenhale Gallery, London (2012); Neuer Berliner Kunstverein (2011); and Haus der Kulturen der Welt, Berlin (2011).
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United Kingdom
Germany
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lisa Rave
Subject
The topic of the resource
Nature
Ecology
Postcolonialism
History
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Oceania
Europe
Contributor
An entity responsible for making contributions to the resource
Lisa Rave
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Jonathas
Surname or Business Name
De Andrade
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019-2021
Birthplace
Brazil
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Jonathas de Andrade is one of the most promising Brazilian artists of his generation. Over the last decade, he has developed works in photography, video, and installation that stem from observations of everyday life in Brazil and what he regards as its “urgencies and discomforts.” He considers how the Brazilian national identity and labour conditions have been constructed in the midst of colonialism and slavery, and reinterprets the methodologies of education and social sciences to question underlying assumptions. De Andrade studied communications at Universidade Federal de Pernambuco, Brazil, and has had solo exhibitions worldwide.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Brazil
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jonathas de Andrade
Subject
The topic of the resource
Labour
Identity
Postcolonialism
Inequality
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
<span>Jonathas de Andrade</span>
-
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bcffccdc2a7f1658170b5fd2ba0652d4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
UuDam Tran
Surname or Business Name
Nguyen
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Occupation
Professional title or identity
Artist
Co-founder of XEM
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
UuDam Tran Nguyen is an artist and co-founder of the experimental art magazine <i>XEM</i>. His practice explores the role and impact of human progress on rural and urban spaces. Between November and December 2016, Nguyen was Artist-in-Residence at NTU CCA Singapore. During his residency, Nguyen continued working on his long-term project <i>Time Boomerang</i> (2013– ongoing), which explores the lasting influence of colonialism. Articulated in eight phases, the project has a global scope with the artist attempting to reach and leave traces across all the continents.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Vietnam
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Artist Research Platform
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1971
Birthplace
Vietnam
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
UuDam Tran Nguyen
Subject
The topic of the resource
Mythology
Postcolonialism
Description
An account of the resource
UuDam Tran Nguyen is an artist and co-founder of the experimental art magazine XEM.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
UuDam Tran Nguyen
-
https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/04b584dd5375fdbccd752e17cfbef982.jpg?Expires=1712793600&Signature=eAl4IXKAuyYlJjpANk-4H1pyPT3o6ted%7EUam%7E4jnb1HX4i7DQ9iHpH7ut17jr1DyZkOCn6S9kWDTRvlrUn8aoS9G2%7E%7EovUD0iozuGkWOvHayDADuyokoUSEO6ROGu-XPGr4ci07EeVHecsTaTDV7CZlRsR-fIOK-znjdAyrGR911JOGo1q6ge0XKzL9OH4YpOWk7SotSiXoPuwgHegkWSSVGLBLqdG1fxl81zGfJhYDGdZVhCWrLO7%7EVPiUHdFTZAXYCJTe7ooTI%7EXVtX3-gKnuNBWYGjRcWAV2nYriewCkmE8wjy0hlZesFCxAmV9x0Ybw1VxyfEOHctHPMC5YVug__&Key-Pair-Id=K6UGZS9ZTDSZM
f196a7cb885932fbbc2647f344c4ad33
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Ato
Surname or Business Name
Malinda
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2016
Affiliation
Company, organization, or institution name
NTU CCA Singapore
Birthplace
Kenya
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
Ato Malinda (b. 1981, Kenya) lives and works in Rotterdam, the Netherlands. <br /><br />She has a Masters of Fine Arts (MFA) from Transart Institute, New York. Her diverse practice consists of performance, drawing, painting, installation, video, and ceramic object-making, through which she investigates the hybrid nature of African identity, contesting notions of authenticity and issues of colonialism, trade, race, gender and sexuality. <br /><br />Malinda was recently the winner of the first Annual African Art Award from the Smithsonian Institution (2016) and was one of the awardees of the Smithsonian Artist Research Fellowship (2015). She has exhibited extensively participating in exhibitions at the Louisiana Museum of Modern Art in Copenhagen, Denmark (2015) and the Museum für Moderne Kunst Frankfurt am Main, Germany (2014) among others.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Netherlands
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Artist-in-Residence
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Birth Date
1981
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ato Malinda
Subject
The topic of the resource
Postcolonialism
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Africa
Southeast Asia
Contributor
An entity responsible for making contributions to the resource
Ato Malinda
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Short Description
Referencing the works of Zarina Bhimji and Trinh T. Minh-ha in the exhibition Paradise Lost, Dr Stefano Harney investigates the renewed power of postcolonial critique today.
Programme Type
Lecture
Programme Series
Lecture
Commissioned Work
No
Related Countries
Singapore
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/222314509">https://vimeo.com/222314509</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
222314509
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:21:37
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paradise Lost: "Post-Colonial Critique Today", Lecture by Prof Stefano Harney
Description
An account of the resource
Referencing the works of Zarina Bhimji and Trinh T. Minh-ha in the exhibition <i>Paradise Lost</i>, Dr Stefano Harney investigates the renewed power of postcolonial critique today. By returning to the great thinkers of the “colonial situation” and its aftermath, Harney re-evaluates the proposition that globalisation has erased “old ideas of the lines between coloniser and colonised.”
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-03-07
Contributor
An entity responsible for making contributions to the resource
Stefano Harney
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Asia
Southeast Asia
Subject
The topic of the resource
Globalisation
Postcolonialism
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
In this talk, Dr Farish Ahmad Noor will engage with the history of Southeast Asia. He will speak about how the colonial imaginary envisioned Southeast Asia as a land of boundless opportunities for capital, and thus regarded it as a fertile zone for conquest and appropriation, bringing the colonial enterprise within the ambit of a modernist-instrumentalist mindset.
Programme Type
Talk and Lecture
Programme Series
Exhibition (de)Tour
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<p class="event_single_title">Exhibition (de)Tour: A Fertile Land for the Taking: Conquest and Appropriation of Southeast Asia during the age of Colonial Capitalism with Dr Farish Ahmad Noor</p>
Description
An account of the resource
<div class="event_single_dates text__exhibitions">14 Sep 2016, Wed 7:30pm - 9:00pm</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road</div>
<br />“In an age of near-global commodification, how do we study cultural and ethnic difference, and how do we navigate the complicated map of plural multiculturalism?” — Dr Farish Ahmad Noor <br /><br />In this talk, Dr Farish Ahmad Noor will engage with the history of Southeast Asia. He will speak about how the colonial imaginary envisioned Southeast Asia as a land of boundless opportunities for capital, and thus regarded it as a fertile zone for conquest and appropriation, bringing the colonial enterprise within the ambit of a modernist-instrumentalist mindset. <br /><br />This <i>Exhibition (de)Tour</i> is part of the public programme of Amar Kanwar: <i>The Sovereign Forest</i>.
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-09-14
Contributor
An entity responsible for making contributions to the resource
Farish Ahmad Noor
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
History
Postcolonialism
Capitalism
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
This conversation discusses Ananta Toer’s body of work, its influence and legacy, as well as notions of censorship and the forbidden book.
Programme Type
Discussion - Conversation
Programme Series
In Conversation
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Audience
General
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
In Conversation Part I: Arus Balik with Ade Darmawan, Shubigi Rao, and Melati Suryodarmo, moderated by Philippe Pirotte<br /><div class="event_single_venue">
<div class="event_single_venue"></div>
</div>
Description
An account of the resource
<div class="event_single_venue">The first session of a two-part conversation, this panel discussion will focus on the book Arus Balik (1995) by Indonesian author Pramoedya Ananta Toer, which is the starting point for the eponymous exhibition that will be on view. Three of the participating artists will be joined by Philippe Pirotte, the curator of the exhibition, to discuss Ananta Toer’s body of work, its influence and legacy, as well as notions of censorship and the forbidden book.</div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2019-03-23
Contributor
An entity responsible for making contributions to the resource
Arus Balik
Ade Darmawan
Shubigi Rao
Melati Suryodarmo
Philippe Pirotte
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Subject
The topic of the resource
Postcolonialism