1
10
24
-
Dublin Core
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Title
A name given to the resource
Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/896413157">https://vimeo.com/896413157</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
896413157
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:04:20
Dublin Core
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Title
A name given to the resource
On AiR with Shahmen Suku
Subject
The topic of the resource
Race
Performance
Artistic Research
Description
An account of the resource
In this episode of On AiR, Artist-in-Residence Shahmen Suku invites us into his studio to share about his artistic practice that weaves together multifaceted perspectives on race, religion, and culture through performative storytelling. Find out how he has been spending his residency exploring how stories mutate and are remembered through generations through the collection of oral histories from family members, archival research into his family’s records and photographs, and the act of mapping out his extended family tree. <br /><br />Find out more about Shahmen and the research he has been undertaking at https://ntu.ccasingapore.org/residency/shahmen-suku/
Date
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2023
Contributor
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Shahmen Suku
Format
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Video
Language
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English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
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Title
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Videos
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Based on DMCI MovingImage type (https://www.dublincore.org/specifications/dublin-core/dcmi-terms/#http://purl.org/dc/dcmitype/MovingImage)
Video
Embedded video or link to video hosted outside of Omeka
<a href="https://vimeo.com/840334493">https://vimeo.com/840334493</a>
Video ID
Platform ID number for video hosted online (e.g., Vimeo)
840334493
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:02:59
Dublin Core
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Title
A name given to the resource
On AiR with Zulkhairi Zulkiflee
Subject
The topic of the resource
Identity
Race
Artistic Research
Description
An account of the resource
Kicking off the 10th Cycle of our Residencies Programme, we caught up with Artist-in-Residence Zulkhairi Zulkiflee in his studio at the mid-way point of his residency. <br /><br />Find out how he is furthering his ongoing research into the tropes and evolving definitions of Malayness through an investigation into the diverse interpretations of the Singaporean-Malay slang word "world". Zulkhairi also shares about the archival materials that serve as sources of inspiration as well as how the residency has spurred him to experiment with new materials while affording him the space to have stimulating conversations. <br /><br />For more information on Zulkhairi, check out: https://ntu.ccasingapore.org/residency/zulkhairi-zulkiflee/
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
An entity responsible for making contributions to the resource
Zulkhairi Zulkiflee
Format
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Video
Language
A language of the resource
English
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
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Title
A name given to the resource
Programmes
Event
A non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, and responsible agents associated with an event. Examples include an exhibition, webcast, conference, workshop, open day, performance, battle, trial, wedding, tea party, conflagration.
Participants
Names of individuals or groups participating in the event
Shahmen Suku
Moses Tan
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
00:54:14
Dublin Core
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Title
A name given to the resource
Residencies AiRCAST Episode #16: Shahmen Suku
Subject
The topic of the resource
Performance
Race
Description
An account of the resource
This episode features a conversation between Artist-in-Residence Shahmen Suku and Singaporean artist Moses Tan. With disparate practices, the two find synergy as they uncover shared ground in their drawn-out path in becoming a visual artist. They discuss how Shahmen’s experience growing up as a minority in Singapore shaped his practice that employs humour and double-meanings to confront difficult truths. Shahmen also ponders upon the position he occupies in straddling the lines between performance within theatre, performativity, and performance within the visual arts.
Contributors: Shahmen Suku, Moses Tan
Editor: Magdalena Magiera
Programme Manager: Nadia Amalina
Sound Engineer: Ashwin Menon
Intro & Outro Music: Zachary Chan
Cover Image & Design: Arabelle Zhuang, Kristine Tan
Date
A point or period of time associated with an event in the lifecycle of the resource
2023
Contributor
An entity responsible for making contributions to the resource
Shahmen Suku
Moses Tan
Magdalena Magiera
Nadia Amalina
Ashwin Menon
Zachary Chan
Arabelle Zhuang
Kristine Tan
Format
The file format, physical medium, or dimensions of the resource
Podcast
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
<a href="https://www.buzzsprout.com/1845756/14418127-aircast-16-shahmen-suku">https://www.buzzsprout.com/1845756/14418127-aircast-16-shahmen-suku</a>
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
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3262e1a71b39a605ddc9b153b34109e0
Dublin Core
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Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Zulkhairi
Surname or Business Name
Zulkiflee
Birth Date
1991
Birthplace
Singapore
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
With a body of work spanning across film, installation, and photography, the artistic practice of Zulkhairi Zulkiflee (b. 1991, Singapore) is committed to exploring Malay identity and its social ontology. His lens-based artworks investigate themes of Malayness in relation to local and global contexts, social agency, knowledge production, and notions of taste. Zulkhairi recently concluded his first solo exhibition, Proximities at Objectifs – Centre for Photography and Film, Singapore (2022). His work has also been presented in group exhibitions such as Kenduri Seni Nusantara, Patani, Thailand, Singapore Shorts ‘22, Asian Film Archive, Singapore, Mini Film Festival, S-Express Singapore, Kuching, Malaysia, and The Singapore Pavilion, Expo 2020, Dubai, United Arab Emirates (all 2022); The Body as a Dream, Art Agenda SEA, Singapore (2021) and How to Desire Differently, Lim Hak Tai Gallery, Nanyang Academy of Fine Arts, Singapore (2020) among others. Zulkhairi is also an educator, independent curator, and founder of Sikap, a project group that engages with the creative value of ‘let do’ in the form of organizational experiments. He was the Curatorial Winner of the IMPART Awards in 2020.
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Contributor Type
Artist-in-Residence
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2023
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Zulkhairi Zulkiflee
Subject
The topic of the resource
Race
Identity
Contributor
An entity responsible for making contributions to the resource
Zulkhairi Zulkiflee
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
https://d1y502jg6fpugt.cloudfront.net/57163/archive/files/5192d920cdee995aa9b855f03d7bf626.jpg?Expires=1712793600&Signature=OmkxuX6wSD1mkU78VPNokw35PprLuzWO77R2bFS6CdUSRUUIn8Gm6i5A7J%7ExLQN%7EnmWVE2qm%7Ew5-XMpdZUDIv-S8bBwKao%7EtASJSgOjtIyeQytT5iSNIQ%7EHIiLRp1yE4gN7yCGB4vLftO3jBePMK3nBn9PZfHZk6zfeNpEX98ngtm3nyLTbGb8YALs-2hcZvQl1lAYGx749vgcBQG8oirwW8E3t472N59VVK9JizdcQbNd9IHcAdftW0LAlg9-EVQew6NrQB09gmqm3kLRjlul5VLRrtO51b1XmgYCvzqp2EBPlwaW3aUEnbVHpMsliHNND648WK6cwrVEBoXdXB3A__&Key-Pair-Id=K6UGZS9ZTDSZM
094ce14b7d0dd758b0caa536c711128e
Dublin Core
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Title
A name given to the resource
Residencies
Description
An account of the resource
The studio-based Residencies programme is dedicated to facilitating the research of established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia.
Residency
A research residency programme bringing together local and international artists, curators, and researchers. Metadata description should include research focus of residents, while individual bios will be housed within each contributor's record.
Short Description
Building upon his ongoing research into the tropes and evolving definitions of Malayness, Zulkhairi Zulkiflee plans to unpack the implications of the word “world” as it is commonly employed in Singaporean-Malay, tracing the complex socio-political implications that linger in the mixture of desires and tensions oriented towards global belonging.
Cycle
Cycle 10 (2023 - 2024)
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Related Countries
Singapore
Dublin Core
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Title
A name given to the resource
Zulkhairi Zulkiflee
Subject
The topic of the resource
Race
Identity
Decolonialism
Description
An account of the resource
Building upon his ongoing research into the tropes and evolving definitions of Malayness, Zulkhairi Zulkiflee plans to unpack the implications of the word “world” as it is commonly employed in Singaporean-Malay, tracing the complex socio-political implications that linger in the mixture of desires and tensions oriented towards global belonging. In the Singaporean-Malay slang, “world” is used to signal boastful aspirations towards a social status higher than one’s own, often conveyed through self-aggrandising story-telling. Utilising this as an alternative framework to the postcolonial notion of “worlding”, whereby one’s conceptualisation of the world is devised through colonial attachments, the artist will spend his residency investigating the multitude of meanings behind the word’s usages as a way of unravelling sociolinguistic constructs and processes of identity formation. This research will ultimately result in lens-based explorations that engage with “world” through conceptual propositions and visual arrangements comprising archival photos and sociohistorical accounts.
Date
A point or period of time associated with an event in the lifecycle of the resource
3 April - 31 August 2023
Contributor
An entity responsible for making contributions to the resource
Zulkhairi Zulkiflee
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
Medium
The material or physical carrier of the resource.
Video
Photography
Installation
Mixed Media
-
Dublin Core
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Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
For Jean Rouch’s landmark film The Mad Masters, the French filmmaker himself coined the term “ethnofiction” due to the blending of both documentary and fictional aspects.
Between 1947 and 1951 the experimental filmmaker Maya Deren spent significant periods of time in Haiti to make a film about Voodoo rituals and rites. The material she shot was left unedited until after her death when it was assembled into the film Divine Horsemen: The Living Gods of Haiti.
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
Screenings: <em>The Mad Masters</em>, Jean Rouch, France, and <em>Divine Horsemen: The Living Gods of Haiti</em>, Maya Deren, Ukraine/United States
Subject
The topic of the resource
Ritual
Race
Supernatural
Description
An account of the resource
<div class="event_single_dates text__exhibitions">3 Nov 2017, Fri 07:30 PM - 09:00 PM</div>
<div class="event_single_venue">The Single Screen, Block 43 Malan Road<br /><br /><span>Introduction by </span><strong>Dr Marc Glöde</strong><span>, film scholar and Assistant Professor, School of Art, Design and Media (ADM), NTU</span><br /><br /><p><strong><em>The Mad Masters</em></strong><strong>, Jean Rouch, France, 1955, 36 min</strong></p>
<p>For Jean Rouch’s landmark film <em>The Mad Masters</em>, the French filmmaker himself coined the term “ethnofiction” due to the blending of both documentary and fictional aspects. Rouch takes his viewers to the city of Accra (West Africa) where he follows the Hauka movement and their religious and ritual proceedings, consisting of mimicry and dancing to become possessed by British Colonial administrators. The work caused a highly political debate since on one hand it was considered offensive to colonial authorities because of the Africans’ blatant attempts to mimic and mock the “white oppressors” and, on the other hand, African students, teachers, and directors found the film to perpetrate an “exotic racism” of the African people. An outstanding film that until today is one of the classics to be revisited and discussed.</p>
<strong><em>Divine Horsemen: The Living Gods of Haiti, </em></strong><strong>Maya Deren, United States, 1985, 52 min</strong><br /><br /><span>Between 1947 and 1951 the experimental filmmaker Maya Deren spent significant periods of time in Haiti to make a film about Voodoo rituals and rites. The material she shot was left unedited until after her death when it was assembled into the film </span><em>Divine Horsemen: The Living Gods of Haiti</em><span>. Deren’s work reveals the ongoing merging of art and ethnography, one of the legacies of Surrealism, also standing as an important cultural record of Haitian Voodoo—a religion based on West African beliefs and practices, combined with aspects of Roman Catholicism. The contrasting of Haitian dance with ‘non-Haitian elements’ in a series of dream-like sequences testifies to Deren’s Surrealist interest in alternative realities. Gradually, the focus shifted from dance to the complex nature of Haitian ceremonies, while celebrating Haiti for its hybrid culture as well as for its symbolic importance as the political site of a successful slave revolution, which resulted in Haiti becoming the first modern black republic.</span><br /><br /><span>These Screenings are part of the public programme of </span><em>Ghosts and Spectres – Shadows of History</em><span>.</span></div>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017-11-03
Contributor
An entity responsible for making contributions to the resource
Jean Rouch
Maya Deren
Marc Glöde
Marc Glode
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Africa
North America
-
Dublin Core
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Title
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Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
At the Lycée Français of Abidjan, Ivory Coast, Rouch worked with students there who willingly enacted a story about the arrival of a new white girl, Nadine, and her effect on the interactions of and interracial relationships between the white colonial French and Black African classmates
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Online
Collaboration
No
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
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Title
A name given to the resource
Online Screening: <em>T</em><em>he Human Pyramid</em>, Jean Rouch, 1961
Subject
The topic of the resource
Race
Description
An account of the resource
<p><em>The Human Pyramid</em>, Jean Rouch, 1961<strong><br /></strong>DCP, colour, sound, 93 min<br /><span lang="en-us">Rating: NC16 (<span class="TextRun SCXW8554943 BCX9" lang="en-sg" xml:lang="en-sg"><span class="NormalTextRun SCXW8554943 BCX9">This film contains mature content)</span></span></span></p>
<p>At the Lycée Français of Abidjan, Ivory Coast, Rouch worked with students there who willingly enacted a story about the arrival of a new white girl, Nadine, and her effect on the interactions of and interracial relationships between the white colonial French and Black African classmates, all non-actors. Fomenting a dramatic situation instead of repeating one, Rouch extended the experiments he had undertaken in <em>Chronicle of a Summer</em>, including having on-camera student participants view rushes of the film midway through the story. The docu-drama shows how working together to make the film changes their attitude towards each other.—Icarus Film.<br /><br /><span>This film is part of the Film Programme: </span><em>Speaking / Thinking Nearby</em><span>, co-curated by </span>Dr Marc Glöde<span>, Assistant Professor, NTU ADM, and </span>Dr Ella Raidel<span>, Assistant Professor, NTU ADM and WKWSCI, and accompanies the exhibition, </span><em>Trinh T. Minh-ha. Films.</em></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
1 - 14 February 2021
Contributor
An entity responsible for making contributions to the resource
Jean Rouch
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Africa
-
Dublin Core
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Title
A name given to the resource
Programmes
Programme
A non-persistent, time-based occurrence. Examples include symposia and conferences, public talks and performances, tours, workshops, open studios.
Short Description
NTU CCA Singapore will present a selection of films from the Asian Film Archive (AFA) with a focus on independent cinema from Southeast Asia. The launching session will feature the first part of Sherman Ong's film Flooding in the Time of Drought (Singapore, 2009).
Programme Type
Screening
Audience
General
Location
Onsite (CCA)
Offsite
Online
Onsite (CCA)
Collaboration
Yes
Commissioned Work
No
Education
No
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Place.Labour.Capital.
Dublin Core
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Title
A name given to the resource
Film Screening in collaboration with Asian Film Archive
Subject
The topic of the resource
Migration
Diaspora
Displacement
Race
Ritual
Description
An account of the resource
Thu 21 May 2015<br />Wed 3 Jun 2015 Block 43 Malan Road, The Single Screen <br /><br />Part I: DROUGHT – 92 mins | Colour | with English subtitles Language: Hindi, Indonesian, Italian, Tagalog, Mandarin, German<br /><br />Part II: FLOOD – 92 mins | Colour | with English subtitles Languages: Japanese, Korean, Mandarin, Thai, Indonesian, Malay, Hokkien <br /><br />NTU CCA Singapore will present a selection of films from the Asian Film Archive (AFA) with a focus on independent cinema from Southeast Asia. The launching session will feature the first part of Sherman Ong's film <em>Flooding in the Time of Drought (</em>Singapore, 2009). This docu-narrative fusion depicts the lives of foreign immigrants as they face an impending water crisis. Touching on issues as diverse as ethnic discrimination, ritual beliefs, World War II, and racial tensions in post-’97 riots Indonesia, the film explores how ingrained problems are transported along with migrant communities.
Contributor
An entity responsible for making contributions to the resource
Sherman Ong
Asian Film Archive
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Beatrice
Surname or Business Name
Glow
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2021
Birth Date
1986
Birthplace
United States
Occupation
Professional title or identity
Artist
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>BEATRICE GLOW is an artist-researcher leveraging interactive multimedia installations and multi-sensory experiences in service of public history and just futures. Her diverse practice includes sculptural installations, participatory workshops, olfactory art, emerging media, and multi-lingual publishing. She has been named a 2021 Yale-NUS College Artist-in-Residence; 2019-2020 Lower Manhattan Cultural Council Workspace Artist with Visiting Artist status at LaGuardia Studio and the Studio Art Department at New York University; 2018-19 Smithsonian Artist Research Fellow; 2018-19 Smack Mellon Studio Program Artist; 2017-18 ZERO1 American Art Incubator lead artist to Ecuador in partnership with US Department of State’s Bureau of Education and Cultural Affairs; 2016-17 Artist-in-Residence at the Asian/Pacific/American Institute at New York University; Honolulu Biennial 2017 artist, 2015 Wave Hill Van Lier Visual Art Fellow, 2015 Joan Mitchell Foundation Emerging Artist Finalist, Hemispheric Institute Council Member, 2013 Franklin Furnace Fund grantee and 2008-9 US Fulbright Scholar. Solo exhibitions include Beatrice Glow: Once the Smoke Clears at Baltimore Museum of Art (forthcoming in 2022); Forts and Flowers at Taipei Contemporary Art Center (2019); Beatrice Glow: Spice Routes/Roots, at the Duke House with NYU Institute of Fine Arts (2017); Aromérica Parfumeur with Museo Nacional de Bellas Artes de Chile; Lenapeway and The Wayfinding Project at New York University; Rhunhattan Tearoom at Wave Hill; and Floating Library — a pop-up, mobile device-free public space aboard the historic Lilac Museum Steamship —on the Hudson River. Glow work has been featured in Panorama Journal of the Association of Historians of American Art, Cultural Politics Journal, post at MoMA, Art Newspaper and has published Taparaco Myth, a trilingual artist book (Chinese, English and Spanish). She has presented performance lectures at Asia Contemporary Art Week’s Field Meetings at Asia Society and Venice Biennale 2015. She regularly works with students and has presented artist talks at New York University; Columbia University; Hunter College; Concordia University; and New York Institute of Technology, amongst others. As a Hemispheric Institute Council Member, she co-founded the Performing Asian/Americas: Converging Movements workgroup. She serves as the program manager for The Public History Project and is a faculty member at the School of Visual Arts MFA Art Practice Program teaching a course on Diasporic and Decolonial Art History, Theory and Practice. She holds a BFA in Studio Art from NYU.</span>
Personal Website
Leave blank if not applicable
<a href="https://beatriceglow.org">https://beatriceglow.org</a>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
United States
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
Library
Contributor Type
Artist
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Beatrice Glow
Subject
The topic of the resource
Diaspora
Identity
Race
Migration
Contributor
An entity responsible for making contributions to the resource
Beatrice Glow
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
North America
South America
Asia
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Contributors
Contributor
An individual, collective, or corporate entity.
First Name
Hariharan
Surname or Business Name
Vanan
Years Affiliated
Year range (starting year/ending year) affiliated with NTU CCA Singapore, or leave blank if not applicable.
For date range with year only: YYYY/YYYY, e.g., 2014/2015
For date range with year and month: YYYY-MM/YYYY-MM, e.g., 2014-07/2015-06
2019
Affiliation
Company, organization, or institution name
Grey Projects, Singapore
Birthplace
Singapore
Occupation
Professional title or identity
Publications Intern
Biographical Text
Long-form biography for the Contributor (no character count). A short-form biography (no more than 240 characters) should be added to the Contributor's Description
<span>Hariharan Vanan (Singapore) is interested in critical questions surrounding lived experiences relating to race and class, as well as the intersections between the two. He is a Publications intern with Grey Projects, and a Sociology and Arts and Culture Management undergraduate at the Singapore Management University.</span>
Country of Practice
At least one country of practice should be listed for each Contributor, up to three countries of practice.
Singapore
Public Resource Centre Affiliation
Artist Research Platform
Library
Video Resource Platform
None
None
Contributor Type
Speaker
Theme
Place.Labour.Capital.
Climates. Habitats. Environments.
None
Climates. Habitats. Environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hariharan Vanan
Subject
The topic of the resource
Race
Institutional Critique
Contributor
An entity responsible for making contributions to the resource
Hariharan Vanan
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Southeast Asia