Materiality]]> Spaces of the Curatorial]]>
Contributors: Yanyun Chen, Karin Oen
Editor: Magdalena Magiera
Programme Manager: Nadia Amalina
Sound Engineer: Ashwin Menon
Intro & Outro Music: Zachary Chan
Cover Image & Design: Arabelle Zhuang, Kristine Tan]]>
Yanyun Chen]]> Karin Oen]]> Magdalena Magiera]]> Nadia Amalina]]> Ashwin Menon]]> Zachary Chan]]> Arabelle Zhuang]]> Kristine Tan]]> Podcast]]> https://www.buzzsprout.com/1845756/13841518-aircast-15-yanyun-chen]]> Southeast Asia]]>
Ways of Seeing]]> Spaces of the Curatorial]]> In this episode of On AiR, Min-Wei invites us into his studio and shares about his filmic practice that’s preoccupied with the changing landscape, and how they reflect his exploration into the politics of space. He also contemplates upon his current investigation into the latent and the salient ramifications of climate change on the Singaporean terrain.]]> Min-Wei Ting]]> Southeast Asia]]> Spaces of the Curatorial]]> 2 Jun 2017, Fri 07:00 PM - 07:30 PM
24 Jun 2017, Sat 03:00 PM - 03:30 PM
24 Jun 2017, Sat 05:00 PM - 05:30 PM
7 Jul 2017, Fri 07:00 PM - 07:30 PM
4 Aug 2017, Fri 07:00 PM - 07:30 PM
The Exhibition Hall, Block 43 Malan Road

Tours of on-going exhibitions led by NTU CCA Singapore curators are held every first Friday of the month. To register, email NTUCCAeducation@ntu.edu.sg. Note: Tours on 24 June (Saturday) are held on the occasion of Art Day Out x School Holidays at Gillman Barracks. In addition, tours are also arranged for Mandarin speakers on 24 June at 3.00 – 3.30pm, and on 7 July (Friday) at 7.00 – 7.30pm.

A public programme of Ulrike Ottinger: China. The Arts – The People, Photographs and Films from the 1980s and 1990s.]]>
NTU Centre for Contemporary Art Singapore]]> Southeast Asia]]>
]]> Artistic Research]]> Spaces of the Curatorial]]> 1 Dec 2018, Sat 02:00 PM - 03:30 PM
The Single Screen, Block 43 Malan Road

In this talk, collaborating artists Amy Lien and Enzo Camacho present their initial research on the Filipino-American modernist painter, Alfonso Ossorio (1916–1990), focusing on his 1950 mural, commonly called the Angry Christ. Born in the Philippines, Ossorio lived mostly in New York, where he became close to Jackson Pollock and other artists associated with Abstract Expressionism. Ossorio described his mural as an “animated space,” with “as rich an iconography for those who knew and for those who didn’t know… The mural comes to life.” For Lien and Camacho, Ossorio’s mural is a “multivalent cipher,” linked not only to its religious function but also to its economic and environmental context, being located in the province of Negros Occidental, the “sugar bowl of the Philippines,” which produces over half of the nation’s sugar. Lien and Camacho question whether the Angry Christ can be “radically reprogrammed” from the specific and highly-privileged subjectivity of Ossorio, its maker, and the Ossorio family’s sugar dynasty, its commissioning patron.

Introduced and moderated by Dr Roger Nelson (Australia/Singapore), an art historian and curator specialising in modern and contemporary art in Southeast Asia, and currently Postdoctoral Fellow at NTU Centre for Contemporary Art Singapore and the School of Art, Design and Media, Nanyang Technological University, Singapore. 

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Amy Lien]]> Enzo Camacho]]> Roger Nelson]]> Southeast Asia]]> North America]]>
Curatorial Practice]]> Spaces of the Curatorial]]> Materiality]]> Regina (Maria) Möller]]> Regina Moller]]> Southeast Asia]]> Artistic Research]]> Spaces of the Curatorial]]> Mirwan Andan]]> Southeast Asia]]> Design]]> Spaces of the Curatorial]]> Pey Chuan Tan]]> Tan Pey Chuan]]> Southeast Asia]]> Spaces of the Curatorial]]> Rubén de la Nuez]]> Ruben de la Nuez]]> Southeast Asia]]> Asia]]> Europe]]> South America]]> Spaces of the Curatorial]]> Véronique Sapin]]> Véronique Sapin]]> Southeast Asia]]> Europe]]> Spaces of the Curatorial]]> Terry Smith]]> North America]]> Oceania]]>